| # | Title | Rating | Length |
|---|
| 1 | Reel Around the Fountain | 4 | 5:59 |
| 2 | You've Got Everything Now | 3.45 | 3:59 |
| 3 | Miserable Lie | 3.5 | 4:27 |
| 4 | Pretty Girls Make Graves | 4.65 | 3:43 |
| 5 | The Hand That Rocks the Cradle | 3.5 | 4:37 |
| 6 | This Charming Man | 4 | 2:42 |
| 7 | Still Ill | 4.35 | 3:21 |
| 8 | Hand in Glove | 4 | 3:22 |
| 9 | What Difference Does It Make? | 3.95 | 3:49 |
| 10 | I Don't Owe You Anything | 4 | 4:04 |
| 11 | Suffer Little Children | 3.5 | 5:30 |
| 12 | The Headmaster Ritual- engineer:
- Stephen Street
- producer:
- The Smiths
- bass guitar:
- Andy Rourke
- drums (drum set):
- Mike Joyce
- guitar and piano:
- Johnny Marr
- vocals:
- Morrissey
- recorded at:
- Amazon Studios in Simonswood, Lancashire, England, United Kingdom and Ridge Farm Studios in Dorking, Surrey, England, United Kingdom
- mixed at:
- Island Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom (in 1984)
- recording of:
- The Headmaster Ritual (in 1984)
- lyricist:
- Morrissey
- composer:
- Johnny Marr
| 4.35 | 4:55 |
| 13 | Rusholme Ruffians- engineer:
- Stephen Street
- producer:
- The Smiths
- bass guitar:
- Andy Rourke
- drums (drum set):
- Mike Joyce
- guitar and piano:
- Johnny Marr
- vocals:
- Morrissey
- recorded at:
- Amazon Studios in Simonswood, Lancashire, England, United Kingdom and Ridge Farm Studios in Dorking, Surrey, England, United Kingdom
- mixed at:
- Island Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom (in 1984)
- recording of:
- Rusholme Ruffians (in 1984)
- lyricist:
- Morrissey
- composer:
- Johnny Marr
| 4 | 4:20 |
| 14 | I Want the One I Can't Have- engineer:
- Stephen Street
- producer:
- The Smiths
- bass guitar:
- Andy Rourke
- drums (drum set):
- Mike Joyce
- guitar and piano:
- Johnny Marr
- vocals:
- Morrissey
- recorded at:
- Amazon Studios in Simonswood, Lancashire, England, United Kingdom and Ridge Farm Studios in Dorking, Surrey, England, United Kingdom
- mixed at:
- Island Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom (in 1984)
- recording of:
- I Want the One I Can’t Have (in 1984)
- lyricist:
- Morrissey
- composer:
- Johnny Marr
| 3.75 | 3:13 |
| 15 | What She Said- engineer:
- Stephen Street
- producer:
- The Smiths
- bass guitar:
- Andy Rourke
- drums (drum set):
- Mike Joyce
- guitar and piano:
- Johnny Marr
- vocals:
- Morrissey
- recorded at:
- Amazon Studios in Simonswood, Lancashire, England, United Kingdom and Ridge Farm Studios in Dorking, Surrey, England, United Kingdom
- mixed at:
- Island Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom (in 1984)
- recording of:
- What She Said (in 1984)
- lyricist:
- Morrissey
- composer:
- Johnny Marr
| 4 | 2:42 |
| 16 | That Joke Isn't Funny Anymore- engineer:
- Stephen Street
- producer:
- The Smiths
- bass guitar:
- Andy Rourke
- drums (drum set):
- Mike Joyce
- guitar and piano:
- Johnny Marr
- vocals:
- Morrissey
- recorded at:
- Amazon Studios in Simonswood, Lancashire, England, United Kingdom and Ridge Farm Studios in Dorking, Surrey, England, United Kingdom
- mixed at:
- Island Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom (in 1984)
- recording of:
- That Joke Isn’t Funny Anymore (in 1984)
- lyricist:
- Morrissey
- composer:
- Johnny Marr
| 3.95 | 4:57 |
| 17 | Nowhere Fast- engineer:
- Stephen Street
- producer:
- The Smiths
- bass guitar:
- Andy Rourke
- drums (drum set):
- Mike Joyce
- guitar and piano:
- Johnny Marr
- vocals:
- Morrissey
- recorded at:
- Amazon Studios in Simonswood, Lancashire, England, United Kingdom and Ridge Farm Studios in Dorking, Surrey, England, United Kingdom
- mixed at:
- Island Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom (in 1984)
- recording of:
- Nowhere Fast (in 1984)
- lyricist:
- Morrissey
- composer:
- Johnny Marr
| 4 | 2:37 |
| 18 | Well I Wonder- engineer:
- Stephen Street
- producer:
- The Smiths
- bass guitar:
- Andy Rourke
- drums (drum set):
- Mike Joyce
- guitar and piano:
- Johnny Marr
- vocals:
- Morrissey
- recorded at:
- Amazon Studios in Simonswood, Lancashire, England, United Kingdom and Ridge Farm Studios in Dorking, Surrey, England, United Kingdom
- mixed at:
- Island Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom (in 1984)
- recording of:
- Well I Wonder (in 1984)
- lyricist:
- Morrissey
- composer:
- Johnny Marr
| 3.65 | 3:59 |
| 19 | Barbarism Begins at Home- engineer:
- Stephen Street
- producer:
- The Smiths
- bass guitar:
- Andy Rourke
- drums (drum set):
- Mike Joyce
- guitar and piano:
- Johnny Marr
- vocals:
- Morrissey
- recorded at:
- Amazon Studios in Simonswood, Lancashire, England, United Kingdom and Ridge Farm Studios in Dorking, Surrey, England, United Kingdom
- mixed at:
- Island Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom (in 1984)
- recording of:
- Barbarism Begins at Home (in 1984)
- lyricist:
- Morrissey
- composer:
- Johnny Marr
| 4 | 6:53 |
| 20 | Meat Is Murder- engineer:
- Stephen Street
- producer:
- The Smiths
- bass guitar:
- Andy Rourke
- drums (drum set):
- Mike Joyce
- guitar and piano:
- Johnny Marr
- vocals:
- Morrissey
- recorded at:
- Amazon Studios in Simonswood, Lancashire, England, United Kingdom and Ridge Farm Studios in Dorking, Surrey, England, United Kingdom
- mixed at:
- Island Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom (in 1984)
- recording of:
- Meat Is Murder (in 1984)
- lyricist:
- Morrissey
- composer:
- Johnny Marr
| 3.5 | 6:13 |
| 21 | The Queen Is Dead | 3.85 | 6:27 |
| 22 | Frankly, Mr. Shankly | 4 | 2:18 |
| 23 | I Know It's Over | 4.1 | 5:49 |
| 24 | Never Had No One Ever | 3.65 | 3:38 |
| 25 | Cemetary Gates | 4 | 2:41 |
| 26 | Bigmouth Strikes Again | 4.65 | 3:13 |
| 27 | The Boy With the Thorn in His Side | 4.15 | 3:16 |
| 28 | Vicar in a Tutu | 3.5 | 2:24 |
| 29 | There Is a Light That Never Goes Out | 4.4 | 4:04 |
| 30 | Some Girls Are Bigger Than Others | 4 | 3:17 |
| 31 | A Rush and a Push and the Land Is Ours | 3.75 | 3:03 |
| 32 | I Started Something I Couldn't Finish | 5 | 3:47 |
| 33 | Death of a Disco Dancer | 3.75 | 5:26 |
| 34 | Girlfriend in a Coma | 4.65 | 2:02 |
| 35 | Stop Me If You Think You've Heard This One Before | 4.6 | 3:35 |
| 36 | Last Night I Dreamt That Somebody Loved Me | 3.65 | 5:05 |
| 37 | Unhappy Birthday | 3.75 | 2:45 |
| 38 | Paint a Vulgar Picture | 3 | 5:36 |
| 39 | Death at One's Elbow | 4 | 2:00 |
| 40 | I Won't Share You | 3.5 | 2:53 |
| 41 | The Queen Is Dead | 4 | 4:17 |
| 42 | Panic | 4 | 3:07 |
| 43 | Vicar in a Tutu | 4 | 2:32 |
| 44 | Ask | 4 | 3:22 |
| 45 | His Latest Flame / Rusholme Ruffians | 3 | 3:55 |
| 46 | The Boy With the Thorn in His Side | 4 | 3:48 |
| 47 | Rubber Ring / What She Said | 4 | 3:49 |
| 48 | Is It Really So Strange? | 4 | 3:37 |
| 49 | Cemetary Gates | 4 | 2:51 |
| 50 | London | 4 | 2:38 |
| 51 | I Know It's Over {live in London 1986} | 3.7 | 7:46 |
| 52 | The Draize Train | 4 | 4:27 |
| 53 | Still Ill | 4 | 4:10 |
| 54 | Bigmouth Strikes Again | 4 | 5:54 |
| 55 | William, It Was Really Nothing | 4.5 | 2:11 |
| 56 | What Difference Does It Make? | 3.85 | 3:12 |
| 57 | These Things Take Time | 4 | 2:33 |
| 58 | This Charming Man | | 2:43 |
| 59 | How Soon Is Now? | 4.75 | 6:48 |
| 60 | Handsome Devil | 4.65 | 2:44 |
| 61 | Hand in Glove | 4 | 3:15 |
| 62 | Still Ill | 4 | 3:35 |
| 63 | Heaven Knows I'm Miserable Now | 3.8 | 3:35 |
| 64 | You've Got Everything Now | 3 | 4:14 |
| 65 | Accept Yourself | 3.65 | 4:03 |
| 66 | Girl Afraid | 3.1 | 2:46 |
| 67 | Back to the Old House | 3.35 | 3:05 |
| 68 | Reel Around the Fountain | 4 | 5:50 |
| 69 | Please, Please, Please Let Me Get What I Want | 3.85 | 1:52 |
| 70 | Ask | 3.8 | 3:18 |
| 71 | London | 3.35 | 2:07 |
| 72 | Shakespeare's Sister | 3.25 | 2:08 |
| 73 | Money Changes Everything | 4 | 4:42 |
| 74 | Asleep | 3.75 | 4:13 |
| 75 | Unloveable | 3.65 | 3:56 |
| 76 | Stretch Out and Wait | 3.35 | 2:44 |
| 77 | That Joke Isn't Funny Anymore | 3.6 | 3:47 |
| 78 | You Just Haven't Earned It Yet, Baby | 4 | 3:31 |
| 79 | Golden Lights | 2.75 | 2:41 |
| 80 | Is It Really So Strange? | 4.1 | 3:08 |
| 81 | Sheila Take a Bow | 3.9 | 2:42 |
| 82 | Shoplifters of the World Unite | 3.65 | 2:58 |
| 83 | Sweet and Tender Hooligan | 4 | 3:36 |
| 84 | Half a Person | 3.25 | 3:38 |
| 85 | Panic | 4.6 | 2:20 |
| 86 | You Just Haven't Earned It Yet, Baby | 4 | 3:33 |
| 87 | Oscillate Wildly | 3 | 3:28 |
| 88 | These Things Take Time | 3.5 | 2:23 |
| 89 | Rubber Ring | 3.6 | 3:48 |
| 90 | Back to the Old House | 3.35 | 3:06 |
| 91 | Stretch Out and Wait | 3.35 | 2:39 |
| 92 | This Night Has Opened My Eyes | 2.65 | 3:41 |
| 93 | Handsome Devil | | 2:56 |
| 94 | Reel Around the Fountain | | 6:14 |
| 95 | Jeane | | 3:04 |
| 96 | What Difference Does It Make? | | 3:26 |
| 97 | How Soon Is Now? | | 4:13 |
| 98 | Barbarism Begins at Home | | 3:51 |
| 99 | Shakespeare's Sister | | 2:09 |
| 100 | Meat Is Murder | | 5:40 |
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