Joy to the World: A Nutcracker Christmas

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1The Nutcracker: Miniature Overture
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) and London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia)
conductor:
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (until 1892)
part of:
The Nutcracker (suite from the ballet), op. 71a
Pyotr Ilyich Tchaikovsky3:11
2The Nutcracker: March
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) and London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia)
conductor:
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Pyotr Ilyich Tchaikovsky2:32
3The Nutcracker: Dance of the Sugar‐Plum Fairy
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) and London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia)
conductor:
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
Pyotr Ilyich Tchaikovsky1:50
4The Nutcracker: Russian Dance: Trepak
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) and London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia)
conductor:
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Pyotr Ilyich Tchaikovsky1:06
5The Nutcracker: Arabian Dance
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia) and South German Philharmonic Orchestra (an Alfred Scholz pseudonym)
conductor:
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Pyotr Ilyich Tchaikovsky2:52
6The Nutcracker: Chinese Dance
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia) and South German Philharmonic Orchestra (an Alfred Scholz pseudonym)
conductor:
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Pyotr Ilyich Tchaikovsky1:12
7The Nutcracker: Dance of the Mirlitons
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Berlin Festival Orchestra (Alfred Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), The European Philharmonic Orchestra (an Alfred Scholz pseudonym, NOT the Austrian orchestra of the same name), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia) and South German Philharmonic Orchestra (an Alfred Scholz pseudonym)
conductor:
Hymisher Greenburg (probably a pseudonym of Alfred Sholz), Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym), Alfred Scholz and Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
Pyotr Ilyich Tchaikovsky1:59
8The Nutcracker: Waltz of the Flowers
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) and London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia)
conductor:
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
Pyotr Ilyich Tchaikovsky6:24
9Carol of the Bells
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
recording of:
Carol of the Bells
lyricist:
Peter J. Wilhousky (in 1936)
arranger:
Микола Дмитрович Леонтович (Mykola Leontovych) (in 1916)
is based on:
Щедрик (The Little Swallow)
Mykola Dmytrovych Leontovych2:50
10Sleighride
orchestra:
Rochester Pops Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
partial recording of:
Die musikalische Schlittenfahrt
composer:
Leopold Mozart (composer)
Johann Georg Leopold Mozart3:12
11Hänsel and Gretel: Overture
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Cesare Cantieri (an Alfred Scholz pseudonym), Kurt Redel (German flautist and conductor) and Alfred Scholz
recording of:
Hänsel und Gretel: Akt II, 2. Szene. “Abends, will ich schlafen gehn” (Hänsel, Gretel) (Hansel and Gretel: Evening Prayer, Nachtgebet / Evening Prayer / Prière du soir)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
recording of:
Hänsel und Gretel: Vorspiel (Overture)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
part of:
Hansel and Gretel (english version)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck8:08
12Three German Dances: Sleighride
orchestra:
Rochester Pops Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
recording of:
3 German Dances for Orchestra, K. 605: No. 3 in C major. German Dance & Trio "Die Schlittenfahrt" & Coda
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
3 German Dances for Orchestra, K. 605
Wolfgang Amadeus Mozart2:48
13Variations on “Angels We Have Heard on High”
organ:
Lyn Larsen
recording of:
Angels We Have Heard on High
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
[traditional] (special purpose artist)
translator:
James Chadwick (bishop) (in 1862)
version of:
Les Anges dans nos campagnes
Lyn Larsen3:35
14Snowdrops Waltz
orchestra:
Rochester Pops (use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
recording of:
Schneeglöckchen, op. 143
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1854)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 143)
Johann Strauss II6:41
15Babes in Toyland: March
orchestra:
Rochester Pops (use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
recording of:
Babes in Toyland: Act II. March of the Toys (catch-all for arrangements)
composer:
Victor Herbert (American composer)
arrangement of:
Babes in Toyland: Act II. March of the Toys
Victor Herbert3:41
16A Scottish Carol
organ:
Lyn Larsen
recording of:
What Strangers Are These?
lyricist:
An old Scottish carol ([traditional], special purpose artist)
composer:
The Mill, Mill-o (Scottish Traditional) ([traditional], special purpose artist)
arranger:
Richard Purvis (American organist and composer)
Richard Purvis2:48
17Mount of Olives: “Hallelujah!”
organ:
Carlo Curley (US organist)
choir vocals:
Chamber Choir of Grand Rapids
recording of:
Christ on the Mount of Olives: Hallelujah
composer:
Ludwig van Beethoven (German composer)
arrangement of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VII. Choir "Preiset ihn, ihr Engelchöre"
Ludwig van Beethoven5:27
18Thaïs: Méditation
organ:
Carlo Curley (US organist) and Lyn Larsen
recording of:
Meditation from Thaïs (catch-all for arrangements)
composer:
Jules Massenet (French Romantic composer)
arrangement of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra)
Jules Massenet7:03
19Symphony no. 9 in D minor “Choral”: Finale
choir vocals:
London Festival Chorus
orchestra:
London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople)
partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven6:17

Credits

Release group

part of:Joy to the World (Intersound / Classical Heritage Christmas 5-CD Box Set) (number: 1) (order: 1)