[Songs by Cole Porter and George Gershwin]

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1You’d Be So Nice to Come Home To
produttore:
Quincy Jones
basso :
Milt Hinton (il 1954-12-22)
chitarra :
Barry Galbraith (il 1954-12-22)
clarinetto basso e sassofono baritono :
Danny Bank (reeds) (il 1954-12-22)
pianoforte :
Jimmy Jones (jazz pianist, active years 1936-1975) (il 1954-12-22)
strumenti:
Osie Johnson (il 1954-12-22)
tromba :
Clifford Brown (trumpet) (il 1954-12-22)
voce principale:
Helen Merrill (il 1954-12-22)
direttore d'orchestra:
Quincy Jones
arrangiatore:
Quincy Jones
registrata presso:
Fine Recording Studios in Manhattan, New York, New York, Stati Uniti (il 1954-12-22)
registrazione cover di:
You’d Be So Nice to Come Home To (il 1954-12-22)
paroliere e compositore:
Cole Porter (composer) (nel 1943)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
parte di:
The 16th Academy Award for Best Original Song (numero: 2)
Helen Merrill4:21
2You’d Be So Nice to Come Home To
registrazione di:
You’d Be So Nice to Come Home To
paroliere e compositore:
Cole Porter (composer) (nel 1943)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
parte di:
The 16th Academy Award for Best Original Song (numero: 2)
Al Cohn4:56
3My Heart Belongs to Daddy
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (nel 1959-04)
produttore:
Norman Granz
ance :
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer)
basso :
Buddy Clark (US jazz bassist)
batteria :
Lawrence Marable
pianoforte :
Jimmy Rowles
tromba :
Lee Katzman e Jack Sheldon
trombone :
Frank Rosolino
tuba :
Al Pollan
voce:
Anita O’Day (dal 1959-04-07 a oggi, nel 1959-04)
arrangiatore:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer)
registrazione cover di:
My Heart Belongs to Daddy (nel 1959-04)
paroliere e compositore:
Cole Porter (composer) (nel 1938)
editore:
Chappell (company that specialized in library and production music), Chappell & Co. e Chappell Music Ltd.
Anita O’Day2:56
4My Heart Belongs to Daddy
produttore:
Norman Granz
batteria :
Lex Humphries (dal 1959-02-17 al 1959-02-20)
chitarra :
Les Spann (dal 1959-02-17 al 1959-02-20)
contrabbasso :
Sam Jones (US jazz bassist) (dal 1959-02-17 al 1959-02-20)
pianoforte :
Junior Mance (dal 1959-02-17 al 1959-02-20)
tromba :
Dizzy Gillespie (dal 1959-02-17 al 1959-02-20)
registrata presso:
Columbia Recording Studios in Manhattan, New York, New York, Stati Uniti (dal 1959-02-17 al 1959-02-20)
registrazione cover di:
My Heart Belongs to Daddy (dal 1959-02-17 al 1959-02-20)
paroliere e compositore:
Cole Porter (composer) (nel 1938)
editore:
Chappell (company that specialized in library and production music), Chappell & Co. e Chappell Music Ltd.
Dizzy Gillespie6:03
5I Get a Kick Out of You
registrazione di:
I Get a Kick Out of You
paroliere e compositore:
Cole Porter (composer) (nel 1934)
editore:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell e Chappell (nel 1974)
parte di:
Anything Goes
Billie Holiday5:40
6I Get a Kick Out of You
registrazione di:
I Get a Kick Out of You
paroliere e compositore:
Cole Porter (composer) (nel 1934)
editore:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell e Chappell (nel 1974)
parte di:
Anything Goes
Benny Carter2:55
7Ev’vry Time We Say Goodbye
registrazione cover di:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Dinah Washington2:31
8Ev’vry Time We Say Goodbye
produttore:
Norman Granz
basso :
Ray Brown (jazz bassist) (dal 1959-07-21 al 1959-08-01)
batteria :
Ed Thigpen (dal 1959-07-21 al 1959-08-01)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1959-07-21 al 1959-08-01)
diritti fonografici (℗) detenuti da:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1959-07-21 al 1959-08-01)
registrazione strumentale di:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (dal 1959-07-21 al 1959-08-01)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
registrazione di:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Oscar Peterson2:21
9A Foggy Day (in London Town)
registrata a:
Los Angeles, California, Stati Uniti (nel 1952-12)
produttore:
Norman Granz
voce:
Fred Astaire (nel 1952-12)
registrazione di:
A Foggy Day (in London Town) (nel 1952-12)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. e WB Music Corp. (1929–2019) (fino al 2019-05-28)
parte di:
A Damsel in Distress (1937 film score)
Fred Astaire4:05
10A Foggy Day (in London Town)
registrata a:
New York, Stati Uniti (il 1955-10-28)
sassofono contralto :
Cannonball Adderley (il 1955-10-28)
direttore d'orchestra:
Richard Hayman (il 1955-10-28)
arrangiatore:
William Russo
diritti fonografici (℗) detenuti da:
Verve Music Group (now known as Verve Label Group; not for release label use!) (nel 1995, nel 2001) e Monaco Entertainment Corporation (nel 2010)
registrazione strumentale di:
A Foggy Day (in London Town) (il 1955-10-28)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. e WB Music Corp. (1929–2019) (fino al 2019-05-28)
parte di:
A Damsel in Distress (1937 film score)
Cannonball Adderley2:45
11I Was Doing Allright
registrazione di:
I Was Doing All Right
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Gershwin Publishing Corp (nel 1938)
parte di:
The Goldwyn Follies
Louis Armstrong3:23
12I Was Doing Allright
tecnico:
Val Valentin
produttore:
Norman Granz
basso :
Ray Brown (jazz bassist) (il 1957-10-10)
chitarra :
Herb Ellis (jazz guitarist) (il 1957-10-10)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1957-10-10)
sassofono tenore :
Stan Getz (il 1957-10-10)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1957-10-10)
registrazione strumentale di:
I Was Doing All Right (il 1957-10-10)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Gershwin Publishing Corp (nel 1938)
parte di:
The Goldwyn Follies
registrazione di:
I Was Doing All Right
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Gershwin Publishing Corp (nel 1938)
parte di:
The Goldwyn Follies
Stan Getz4:11
13Love Is Here to Stay
registrazione cover di:
Love Is Here to Stay
paroliere:
Ira Gershwin
compositore:
George Gershwin (composer)
editore:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Gershwin Publishing Corp (nel 1938) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
The Goldwyn Follies
Ella Fitzgerald4:01
14Love Is Here to Stay
registrazione strumentale di:
Love Is Here to Stay
paroliere:
Ira Gershwin
compositore:
George Gershwin (composer)
editore:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Gershwin Publishing Corp (nel 1938) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
The Goldwyn Follies
Lester Young5:56
15They Can’t Take That Away From Me
registrazione cover di:
They Can’t Take That Away From Me (from “Shall We Dance”)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Gershwin Publishing Corp (nel 1937)
parte di:
The 10th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1937 nominee)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Crazy for You (1992 musical)
parte di:
Shall We Dance (1937 film soundtrack)
Sarah McLachlan2:44
16They Can’t Take That Away From Me
registrazione cover di:
They Can’t Take That Away From Me (from “Shall We Dance”)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Gershwin Publishing Corp (nel 1937)
parte di:
The 10th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1937 nominee)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Crazy for You (1992 musical)
parte di:
Shall We Dance (1937 film soundtrack)
Barbara Carroll3:03