Classical Power Ice

~ Release by Various Artists (see all versions of this release, 4 available)

Tracklist

1▼CD
#	Title	Artist	Rating	Length
1	Piano Concerto in A Minor: Theme from 1st Movement piano: Earl Wild (pianist, composer and conductor) orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) recording of: Concerto in A minor for Piano and Orchestra, op. 16: I. Allegro molto moderato composer: Edvard Grieg (composer) (in 1868) part of: Concerto in A minor for Piano and Orchestra, op. 16	Edvard Grieg		5:08
2	The Rite of Spring orchestra: London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople) conductor: René Leibowitz (conductor) recording of: Le Sacre du printemps composer: Igor Stravinsky (Russian composer) (from 1911 until 1913) premiered by: Ballets Russes (on 1913-05-29) and Pierre Monteux (conductor) (on 1913-05-29) premiered at: [concert] (1913-05-29) (premier of Le Sacre du printemps) publisher: Boosey & Hawkes (publisher; do NOT use as release label) and Editions Russes de Musique (in 1913, in 1921) premiered at: Théâtre des Champs-Élysées in Paris, Île-de-France, France (on 1913-05-29) part of: K Catalog (number: K015)	Игорь Фёдорович Стравинский		36:27
3	Hungarian Dance No.5 recording engineer: James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer) orchestra: National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09) conductor: Eric Robinson (conductor) (in 1971-09) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09) recording of: 21 Hungarian Dances for Orchestra, WoO 1: No. 5 in G minor (Allegro) (catch-all for unknown and one-off orchestrations) composer: Johannes Brahms (German composer) (from 1858 until 1868) orchestration of: Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace part of: 21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations)	Johannes Brahms		2:38
4	Russlan and Ludmilla: Overture recording engineer: James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer) orchestra: National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09) conductor: Douglas Gamley (film composer) (in 1971-09) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09) recording of: Руслан и Людмила: Увертюра (Ruslan and Lyudmila: Overture) (in 1971-09) composer: Mikhail Glinka (Russian composer) (from 1837 until 1842) part of: Руслан и Людмила (Ruslan and Lyudmila)	Михаил Иванович Глинка		5:47
5	Lohengrin: Prelude to Act III orchestra: New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra) conductor: Sir Alexander Gibson (conductor) recording of: Lohengrin, WWV 75: Akt III. Vorspiel composer: Richard Wagner (composer) (from 1846 until 1848) part of: Lohengrin, WWV 75: Akt III	Richard Wagner		3:18
6	Scheherazade: The Sea and Sinbad's Ship orchestra: National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) conductor: Charles Gerhardt (conductor, producer, arranger) recording of: Scheherazade, op. 35: I. The Sea and Sinbad’s Ship composer: Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1888) part of: Scheherazade, op. 35	Николай Андреевич Римский‐Корсаков		2:58
7	Carmen: March of the Toreadors orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) recording of: Carmen Suite no. 1: VI. Les toréadors (catch-all for arrangements) composer: Georges Bizet (French composer) arrangement of: Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)	Georges Bizet		2:12
8	The Flight of the Bumble Bee orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) recording of: Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan) composer: Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (from 1899 until 1900) part of: The Tale of Tsar Saltan: Act III	Николай Андреевич Римский‐Корсаков		1:28
9	Danse Macabre orchestra: Philharmonic Symphony of London conductor: Charles Gerhardt (conductor, producer, arranger) recording of: Danse macabre (song for voice and orchestra) lyricist: Henri Cazalis (a.k.a. Jean Caselli/Lahor) composer: Camille Saint‐Saëns (composer) orchestration of: Danse macabre (song for voice and piano)	Camille Saint‐Saëns		2:10
10	Carmen: Gypsy Dance orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) recording of: Spanish Gypsy Dance (from “Carmen”) composer: Georges Bizet (French composer)	Georges Bizet		3:08
11	The Nutcracker Suite, Op. 71a: Russian Dance orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) recording of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) part of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques	Пётр Ильич Чайковский		1:09
12	Orpheus in the Underworld: Can-Can orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) recording of: Orphée aux Enfers: Acte II, Scene 2. Galop Infernal (Orpheus in the Underworld: Infernal Galop, widely known as “Can-can”) composer: Jacques Offenbach (German-French composer, cellist and impresario) part of: Orphée aux Enfers: Acte II, Tableau 4 (Les Enfers)	Jacques Offenbach		2:06
13	The Stars and Stripes Forever orchestra: The National Honor Band conductor: Edwin Philip Pryor recording of: The Stars and Stripes Forever composer: John Philip Sousa (conductor and composer) (in 1896)	John Philip Sousa		3:27

Credits

Release group

part of:	Time Life Music (order: 5)