Complete Decca Recordings

~ Release by Herbert Blomstedt (see all versions of this release, 1 available)

Tracklist

| |
1▼CD: Bartók: Kossuth / Concerto for Orchestra
#TitleArtistRatingLength
1Kossuth, Symphonic Poem for Large Orchestra, Sz. 21: I. Kossuth
recording engineer:
Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Matthew Hutchinson (engineer / editor)
orchestra:
San Francisco Symphony (from 1993-09-30 until 1993-10-05)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-30 until 1993-10-05)
balance engineer:
Jonathan Stokes (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1995)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-30 until 1993-10-05)
recording of:
Kossuth: I. Kossuth (from 1993-09-30 until 1993-10-05)
composer:
Bartók Béla (Béla Bartók, composer) (in 1903)
part of:
Kossuth, Sz. 21, BB 31, DD 75a
Béla Bartók1:45
2Kossuth, Symphonic Poem for Large Orchestra, Sz. 21: II. Mi bú nehezedik a lelkedre, édes férjem?
recording engineer:
Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Matthew Hutchinson (engineer / editor)
orchestra:
San Francisco Symphony (from 1993-09-30 until 1993-10-05)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-30 until 1993-10-05)
balance engineer:
Jonathan Stokes (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1995)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-30 until 1993-10-05)
recording of:
Kossuth: II. Mi bú nehezedik a lelkedre, édes férjem? (Kossuth: II. Why Are You So Grieved, My Dear Husband?) (from 1993-09-30 until 1993-10-05)
composer:
Bartók Béla (Béla Bartók, composer) (in 1903)
part of:
Kossuth, Sz. 21, BB 31, DD 75a
Béla Bartók1:11
3Kossuth, Symphonic Poem for Large Orchestra, Sz. 21: III. Veszélyben a haza!
recording engineer:
Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Matthew Hutchinson (engineer / editor)
orchestra:
San Francisco Symphony (from 1993-09-30 until 1993-10-05)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-30 until 1993-10-05)
balance engineer:
Jonathan Stokes (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1995)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-30 until 1993-10-05)
recording of:
Kossuth: III. Veszélyben a haza (Kossuth: III. The Fatherland Is in Danger!) (from 1993-09-30 until 1993-10-05)
composer:
Bartók Béla (Béla Bartók, composer) (in 1903)
part of:
Kossuth, Sz. 21, BB 31, DD 75a
Béla Bartók1:02
4Kossuth, Symphonic Poem for Large Orchestra, Sz. 21: IV. Hajdan jobb idõket éltünk…
recording engineer:
Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Matthew Hutchinson (engineer / editor)
orchestra:
San Francisco Symphony (from 1993-09-30 until 1993-10-05)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-30 until 1993-10-05)
balance engineer:
Jonathan Stokes (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1995)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-30 until 1993-10-05)
recording of:
Kossuth: IV. Hajdan jobb idõket éltünk (Kossuth: IV. Formerly We Had a Better Life) (from 1993-09-30 until 1993-10-05)
composer:
Bartók Béla (Béla Bartók, composer) (in 1903)
part of:
Kossuth, Sz. 21, BB 31, DD 75a
Béla Bartók1:35
5Kossuth, Symphonic Poem for Large Orchestra, Sz. 21: V. Majd rosszra fordult sorsunk…
recording engineer:
Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Matthew Hutchinson (engineer / editor)
orchestra:
San Francisco Symphony (from 1993-09-30 until 1993-10-05)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-30 until 1993-10-05)
balance engineer:
Jonathan Stokes (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1995)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-30 until 1993-10-05)
recording of:
Kossuth: V. Majd rosszra fordult sorsunk... (Kossuth: V. Then Our Fate Changed for the Worse...) (from 1993-09-30 until 1993-10-05)
composer:
Bartók Béla (Béla Bartók, composer) (in 1903)
part of:
Kossuth, Sz. 21, BB 31, DD 75a
Béla Bartók1:01
6Kossuth, Symphonic Poem for Large Orchestra, Sz. 21: VI. Harcra fel!
recording engineer:
Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Matthew Hutchinson (engineer / editor)
orchestra:
San Francisco Symphony (from 1993-09-30 until 1993-10-05)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-30 until 1993-10-05)
balance engineer:
Jonathan Stokes (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1995)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-30 until 1993-10-05)
recording of:
Kossuth: VI. Harcra fel! (Kossuth: VI. Up and Fight Them!) (from 1993-09-30 until 1993-10-05)
composer:
Bartók Béla (Béla Bartók, composer) (in 1903)
part of:
Kossuth, Sz. 21, BB 31, DD 75a
Béla Bartók1:01
7Kossuth, Symphonic Poem for Large Orchestra, Sz. 21: VII. Jöjjetek, jöjjetek! Szép magyar vitézek, szép magyar leventék!
recording engineer:
Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Matthew Hutchinson (engineer / editor)
orchestra:
San Francisco Symphony (from 1993-09-30 until 1993-10-05)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-30 until 1993-10-05)
balance engineer:
Jonathan Stokes (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1995)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-30 until 1993-10-05)
recording of:
Kossuth: VII. Jöjjetek, jöjjetek! Szép magyar vitézek, aranyos leventék! (Kossuth: VII. Come, Come! You Splendid Lads, You Valiant Hungarian Warriors!) (from 1993-09-30 until 1993-10-05)
composer:
Bartók Béla (Béla Bartók, composer) (in 1903)
part of:
Kossuth, Sz. 21, BB 31, DD 75a
Béla Bartók3:51
8Kossuth, Symphonic Poem for Large Orchestra, Sz. 21: VIII. …
recording engineer:
Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Matthew Hutchinson (engineer / editor)
orchestra:
San Francisco Symphony (from 1993-09-30 until 1993-10-05)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-30 until 1993-10-05)
balance engineer:
Jonathan Stokes (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1995)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-30 until 1993-10-05)
recording of:
Kossuth: VIII. [untitled] (from 1993-09-30 until 1993-10-05)
composer:
Bartók Béla (Béla Bartók, composer) (in 1903)
part of:
Kossuth, Sz. 21, BB 31, DD 75a
Béla Bartók5:53
9Kossuth, Symphonic Poem for Large Orchestra, Sz. 21: IX. Mindennek vége!
recording engineer:
Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Matthew Hutchinson (engineer / editor)
orchestra:
San Francisco Symphony (from 1993-09-30 until 1993-10-05)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-30 until 1993-10-05)
balance engineer:
Jonathan Stokes (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1995)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-30 until 1993-10-05)
recording of:
Kossuth: IX. Mindennek vége (Kossuth: IX. All Is Over!) (from 1993-09-30 until 1993-10-05)
composer:
Bartók Béla (Béla Bartók, composer) (in 1903)
part of:
Kossuth, Sz. 21, BB 31, DD 75a
Béla Bartók3:50
10Kossuth, Symphonic Poem for Large Orchestra, Sz. 21: X. Csöndes minden, csöndes…
recording engineer:
Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Matthew Hutchinson (engineer / editor)
orchestra:
San Francisco Symphony (from 1993-09-30 until 1993-10-05)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-30 until 1993-10-05)
balance engineer:
Jonathan Stokes (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1995)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-30 until 1993-10-05)
recording of:
Kossuth: X. Csöndes minden, csöndes (Kossuth: X. Everything Is Quiet, Very Quiet...) (from 1993-09-30 until 1993-10-05)
composer:
Bartók Béla (Béla Bartók, composer) (in 1903)
part of:
Kossuth, Sz. 21, BB 31, DD 75a
Béla Bartók1:14
11Concerto for Orchestra, Sz. 116: I. Introduzione: Andante non troppo – Allegro vivace
recording engineer:
Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Matthew Hutchinson (engineer / editor)
orchestra:
San Francisco Symphony (from 1993-09-30 until 1993-10-05)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-30 until 1993-10-05)
balance engineer:
Jonathan Stokes (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1995)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-30 until 1993-10-05)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: I. Introduzione. Andante non troppo – Allegro vivace (from 1993-09-30 until 1993-10-05)
composer:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók9:45
12Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie: Allegretto scherzando
recording engineer:
Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Matthew Hutchinson (engineer / editor)
orchestra:
San Francisco Symphony (from 1993-09-30 until 1993-10-05)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-30 until 1993-10-05)
balance engineer:
Jonathan Stokes (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1995)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-30 until 1993-10-05)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: II. Giuoco delle coppie. Allegretto scherzando (from 1993-09-30 until 1993-10-05)
composer:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók6:09
13Concerto for Orchestra, Sz. 116: III. Elegia: Andante, non troppo
recording engineer:
Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Matthew Hutchinson (engineer / editor)
orchestra:
San Francisco Symphony (from 1993-09-30 until 1993-10-05)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-30 until 1993-10-05)
balance engineer:
Jonathan Stokes (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1995)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-30 until 1993-10-05)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: III. Elegia. Andante non troppo (from 1993-09-30 until 1993-10-05)
composer:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók7:08
14Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto: Allegretto
recording engineer:
Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Matthew Hutchinson (engineer / editor)
orchestra:
San Francisco Symphony (from 1993-09-30 until 1993-10-05)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-30 until 1993-10-05)
balance engineer:
Jonathan Stokes (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1995)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-30 until 1993-10-05)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: IV. Intermezzo interrotto. Allegretto (from 1993-09-30 until 1993-10-05)
composer:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók4:27
15Concerto for Orchestra, Sz. 116: V. Finale: Pesante – Presto
recording engineer:
Michael Mailes (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Matthew Hutchinson (engineer / editor)
orchestra:
San Francisco Symphony (from 1993-09-30 until 1993-10-05)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-30 until 1993-10-05)
balance engineer:
Jonathan Stokes (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1995)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-30 until 1993-10-05)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: V. Finale. Pesante – Presto (from 1993-09-30 until 1993-10-05)
composer:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók9:14
2▼CD: Beethoven: Symphonies nos. 1 & 3
#TitleArtistRatingLength
1Symphony no. 1 in C major, op. 21: I. Adagio molto – Allegro con brio
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (from 1990-05-21 until 1990-05-25)
conductor:
Herbert Blomstedt (conductor) (from 1990-05-21 until 1990-05-25)
balance engineer:
Stanley Goodall (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1991)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1990-05-21 until 1990-05-25)
recording of:
Symphony no. 1 in C major, op. 21: I. Adagio molto – Allegro con brio (from 1990-05-21 until 1990-05-25)
composer:
Ludwig van Beethoven (German composer) (from 1799 until 1800)
part of:
Symphony no. 1 in C major, op. 21
Ludwig van Beethoven8:57
2Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (from 1990-05-21 until 1990-05-25)
conductor:
Herbert Blomstedt (conductor) (from 1990-05-21 until 1990-05-25)
balance engineer:
Stanley Goodall (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1991)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1990-05-21 until 1990-05-25)
recording of:
Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto (from 1990-05-21 until 1990-05-25)
composer:
Ludwig van Beethoven (German composer) (from 1799 until 1800)
part of:
Symphony no. 1 in C major, op. 21
Ludwig van Beethoven7:39
3Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (from 1990-05-21 until 1990-05-25)
conductor:
Herbert Blomstedt (conductor) (from 1990-05-21 until 1990-05-25)
balance engineer:
Stanley Goodall (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1991)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1990-05-21 until 1990-05-25)
recording of:
Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace (from 1990-05-21 until 1990-05-25)
composer:
Ludwig van Beethoven (German composer) (from 1799 until 1800)
part of:
Symphony no. 1 in C major, op. 21
Ludwig van Beethoven4:09
4Symphony no. 1 in C major, op. 21: IV. Finale: Adagio – Allegro molto e vivace
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (from 1990-05-21 until 1990-05-25)
conductor:
Herbert Blomstedt (conductor) (from 1990-05-21 until 1990-05-25)
balance engineer:
Stanley Goodall (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1991)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1990-05-21 until 1990-05-25)
recording of:
Symphony no. 1 in C major, op. 21: IV. Adagio – Allegro molto e vivace (from 1990-05-21 until 1990-05-25)
composer:
Ludwig van Beethoven (German composer) (from 1799 until 1800)
part of:
Symphony no. 1 in C major, op. 21
Ludwig van Beethoven6:01
5Symphony no. 3 in E‐flat major, op. 55 “Eroica”: I. Allegro con brio
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (from 1990-05-21 until 1990-05-25)
conductor:
Herbert Blomstedt (conductor) (from 1990-05-21 until 1990-05-25)
balance engineer:
Stanley Goodall (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1991)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1990-05-21 until 1990-05-25)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: I. Allegro con brio (from 1990-05-21 until 1990-05-25)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven17:38
6Symphony no. 3 in E‐flat major, op. 55 “Eroica”: II. Marcia funebre: Adagio assai
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (from 1990-05-21 until 1990-05-25)
conductor:
Herbert Blomstedt (conductor) (from 1990-05-21 until 1990-05-25)
balance engineer:
Stanley Goodall (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1991)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1990-05-21 until 1990-05-25)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai (from 1990-05-21 until 1990-05-25)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven15:57
7Symphony no. 3 in E‐flat major, op. 55 “Eroica”: III. Scherzo: Allegro vivace
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (from 1990-05-21 until 1990-05-25)
conductor:
Herbert Blomstedt (conductor) (from 1990-05-21 until 1990-05-25)
balance engineer:
Stanley Goodall (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1991)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1990-05-21 until 1990-05-25)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace (from 1990-05-21 until 1990-05-25)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven5:55
8Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale: Allegro molto
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (from 1990-05-21 until 1990-05-25)
conductor:
Herbert Blomstedt (conductor) (from 1990-05-21 until 1990-05-25)
balance engineer:
Stanley Goodall (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1991)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1990-05-21 until 1990-05-25)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto (from 1990-05-21 until 1990-05-25)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven11:51
3▼CD: Berwald: Symphony no. 1 “Sinfonie sérieuse” / Symphony no. 4
#TitleArtistRatingLength
1Symphony no. 1 “Sinfonie sérieuse”: I. Allegro con energia
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (on 1992-02-24)
conductor:
Herbert Blomstedt (conductor) (on 1992-02-24)
balance engineer:
Colin Moorfoot (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (on 1992-02-24)
recording of:
Symphony no. 1 in G minor "Sérieuse": I. Allegro con energia (on 1992-02-24)
composer:
Franz Berwald (in 1842)
part of:
Symphony no. 1 in G minor "Sérieuse"
Franz Berwald11:36
2Symphony no. 1 “Sinfonie sérieuse”: II. Adagio maestoso
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (on 1992-02-24)
conductor:
Herbert Blomstedt (conductor) (on 1992-02-24)
balance engineer:
Colin Moorfoot (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (on 1992-02-24)
recording of:
Symphony no. 1 in G minor "Sérieuse": II. Adagio maestoso (on 1992-02-24)
composer:
Franz Berwald (in 1842)
part of:
Symphony no. 1 in G minor "Sérieuse"
Franz Berwald8:21
3Symphony no. 1 “Sinfonie sérieuse”: III. Stretto
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (on 1992-02-24)
conductor:
Herbert Blomstedt (conductor) (on 1992-02-24)
balance engineer:
Colin Moorfoot (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (on 1992-02-24)
recording of:
Symphony no. 1 in G minor "Sérieuse": III. Stretto (on 1992-02-24)
composer:
Franz Berwald (in 1842)
part of:
Symphony no. 1 in G minor "Sérieuse"
Franz Berwald5:37
4Symphony no. 1 “Sinfonie sérieuse”: IV. Finale: Adagio – Allegro molto
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (on 1992-02-24)
conductor:
Herbert Blomstedt (conductor) (on 1992-02-24)
balance engineer:
Colin Moorfoot (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (on 1992-02-24)
recording of:
Symphony no. 1 in G minor "Sérieuse": IV. Finale. Adagio - Allegro molto
composer:
Franz Berwald (in 1842)
part of:
Symphony no. 1 in G minor "Sérieuse"
Franz Berwald7:49
5Symphony no. 4: I. Allegro risoluto
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (on 1991-05-25)
conductor:
Herbert Blomstedt (conductor) (on 1991-05-25)
balance engineer:
John Pellowe (audio engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (on 1991-05-25)
recording of:
Symphony no. 4 in E-flat major: I. Allegro risoluto (on 1991-05-25)
composer:
Franz Berwald (in 1845)
part of:
Symphony no. 4 in E-flat major
Franz Berwald9:06
6Symphony no. 4: II. Adagio
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (on 1991-05-25)
conductor:
Herbert Blomstedt (conductor) (on 1991-05-25)
balance engineer:
John Pellowe (audio engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (on 1991-05-25)
recording of:
Symphony no. 4 in E-flat major: II. Adagio (on 1991-05-25)
composer:
Franz Berwald (in 1845)
part of:
Symphony no. 4 in E-flat major
Franz Berwald8:30
7Symphony no. 4: III. Scherzo: Allegro molto
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (on 1991-05-25)
conductor:
Herbert Blomstedt (conductor) (on 1991-05-25)
balance engineer:
John Pellowe (audio engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (on 1991-05-25)
recording of:
Symphony no. 4 in E-flat major: III. Scherzo. Allegro molto (on 1991-05-25)
composer:
Franz Berwald (in 1845)
part of:
Symphony no. 4 in E-flat major
Franz Berwald5:43
8Symphony no. 4: IV. Finale: Allegro vivace
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (on 1991-05-25)
conductor:
Herbert Blomstedt (conductor) (on 1991-05-25)
balance engineer:
John Pellowe (audio engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (on 1991-05-25)
recording of:
Symphony no. 4 in E-flat major: IV. Finale. Allegro vivace (on 1991-05-25)
composer:
Franz Berwald (in 1845)
part of:
Symphony no. 4 in E-flat major
Franz Berwald6:34
4▼CD: Brahms: Symphony no. 4 / Motets
#TitleArtistRatingLength
1Symphony no. 4 in E minor, op. 98: I. Allegro non troppo
engineer:
Jonathan Stokes (engineer)
producer:
Morten Winding
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1996-04-14 until 1996-04-15)
conductor:
Herbert Blomstedt (conductor) (from 1996-04-14 until 1996-04-15)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1998)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (from 1996-04-14 until 1996-04-15)
recording of:
Sinfonie Nr. 4 e-Moll, op. 98: I. Allegro non troppo (from 1996-04-14 until 1996-04-15)
composer:
Johannes Brahms (German composer) (from 1884 until 1885)
part of:
Sinfonie Nr. 4 e-Moll, op. 98 (Symphony no. 4 in E minor, op. 98)
Johannes Brahms13:02
2Symphony no. 4 in E minor, op. 98: II. Andante moderato
engineer:
Jonathan Stokes (engineer)
producer:
Morten Winding
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1996-04-14 until 1996-04-15)
conductor:
Herbert Blomstedt (conductor) (from 1996-04-14 until 1996-04-15)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1998)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (from 1996-04-14 until 1996-04-15)
recording of:
Sinfonie Nr. 4 e-Moll, op. 98: II. Andante moderato (from 1996-04-14 until 1996-04-15)
composer:
Johannes Brahms (German composer) (from 1884 until 1885)
part of:
Sinfonie Nr. 4 e-Moll, op. 98 (Symphony no. 4 in E minor, op. 98)
Johannes Brahms11:46
3Symphony no. 4 in E minor, op. 98: III. Allegro giocoso – Poco meno presto – Tempo I
engineer:
Jonathan Stokes (engineer)
producer:
Morten Winding
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1996-04-14 until 1996-04-15)
conductor:
Herbert Blomstedt (conductor) (from 1996-04-14 until 1996-04-15)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1998)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (from 1996-04-14 until 1996-04-15)
recording of:
Sinfonie Nr. 4 e-Moll, op. 98: III. Allegro giocoso (from 1996-04-14 until 1996-04-15)
composer:
Johannes Brahms (German composer) (from 1884 until 1885)
part of:
Sinfonie Nr. 4 e-Moll, op. 98 (Symphony no. 4 in E minor, op. 98)
Johannes Brahms6:18
4Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato – Più allegro
engineer:
Jonathan Stokes (engineer)
producer:
Morten Winding
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1996-04-14 until 1996-04-15)
conductor:
Herbert Blomstedt (conductor) (from 1996-04-14 until 1996-04-15)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1998)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (from 1996-04-14 until 1996-04-15)
recording of:
Sinfonie Nr. 4 e-Moll, op. 98: IV. Allegro energico e passionato (from 1996-04-14 until 1996-04-15)
composer:
Johannes Brahms (German composer) (from 1884 until 1885)
part of:
Sinfonie Nr. 4 e-Moll, op. 98 (Symphony no. 4 in E minor, op. 98)
Johannes Brahms10:21
5Warum ist das Licht gegeben dem Mühseligen, op. 74 no. 1: I. Warum ist das Licht gegeben dem Mühseligen?
engineer:
Simon Eadon (classical music engineer)
producer:
Morten Winding
choir vocals:
MDR Rundfunkchor Leipzig (from 1996-10-10 until 1996-10-11)
conductor:
Herbert Blomstedt (conductor) (from 1996-10-10 until 1996-10-11)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1998)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1996-10-10 until 1996-10-11)
partial recording of:
2 Motetten, op. 74: Nr. 1. Warum is das Licht gegeben dem Mühseligen (from 1996-10-10 until 1996-10-11)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johannes Brahms (German composer)
part of:
2 Motetten, op. 74
Johannes Brahms5:59
6Warum ist das Licht gegeben dem Mühseligen, op. 74 no. 1: II. Lasset uns unser Herz samt den Händen aufheben
engineer:
Simon Eadon (classical music engineer)
producer:
Morten Winding
choir vocals:
MDR Rundfunkchor Leipzig (from 1996-10-10 until 1996-10-11)
conductor:
Herbert Blomstedt (conductor) (from 1996-10-10 until 1996-10-11)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1998)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1996-10-10 until 1996-10-11)
partial recording of:
2 Motetten, op. 74: Nr. 1. Warum is das Licht gegeben dem Mühseligen (from 1996-10-10 until 1996-10-11)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johannes Brahms (German composer)
part of:
2 Motetten, op. 74
Johannes Brahms1:02
7Warum ist das Licht gegeben dem Mühseligen, op. 74 no. 1: III. Siehe, wir preisen selig, die erduldet haben
engineer:
Simon Eadon (classical music engineer)
producer:
Morten Winding
choir vocals:
MDR Rundfunkchor Leipzig (from 1996-10-10 until 1996-10-11)
conductor:
Herbert Blomstedt (conductor) (from 1996-10-10 until 1996-10-11)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1998)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1996-10-10 until 1996-10-11)
partial recording of:
2 Motetten, op. 74: Nr. 1. Warum is das Licht gegeben dem Mühseligen (from 1996-10-10 until 1996-10-11)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johannes Brahms (German composer)
part of:
2 Motetten, op. 74
Johannes Brahms2:23
8Warum ist das Licht gegeben dem Mühseligen, op. 74 no. 1: IV. Chorale: Mit Fried’ und Freud’ ich fahr’ dahin
engineer:
Simon Eadon (classical music engineer)
producer:
Morten Winding
choir vocals:
MDR Rundfunkchor Leipzig (from 1996-10-10 until 1996-10-11)
conductor:
Herbert Blomstedt (conductor) (from 1996-10-10 until 1996-10-11)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1998)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1996-10-10 until 1996-10-11)
partial recording of:
2 Motetten, op. 74: Nr. 1. Warum is das Licht gegeben dem Mühseligen (from 1996-10-10 until 1996-10-11)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johannes Brahms (German composer)
part of:
2 Motetten, op. 74
Johannes Brahms1:27
9Fest- und Gedenksprüche, op. 109: I. Unsere Väter hofften auf dich
engineer:
Simon Eadon (classical music engineer)
producer:
Morten Winding
choir vocals:
MDR Rundfunkchor Leipzig (from 1996-10-10 until 1996-10-11)
conductor:
Herbert Blomstedt (conductor) (from 1996-10-10 until 1996-10-11)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1998)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1996-10-10 until 1996-10-11)
recording of:
Fest- und Gedenksprüche, op. 109: Nr. 1. Unsere Väter hofften auf dich (from 1996-10-10 until 1996-10-11)
lyricist:
[anonymous] (special purpose artist)
composer:
Johannes Brahms (German composer)
translator:
Martin Luther (German theologian of the Reformation)
part of:
Fest- und Gedenksprüche, op. 109
Johannes Brahms2:10
10Fest- und Gedenksprüche, op. 109: II. Wenn ein starker Gewappneter
engineer:
Simon Eadon (classical music engineer)
producer:
Morten Winding
choir vocals:
MDR Rundfunkchor Leipzig (from 1996-10-10 until 1996-10-11)
conductor:
Herbert Blomstedt (conductor) (from 1996-10-10 until 1996-10-11)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1998)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1996-10-10 until 1996-10-11)
recording of:
Fest- und Gedenksprüche, op. 109: Nr. 2. Wenn ein starker Gewappneter (from 1996-10-10 until 1996-10-11)
lyricist:
[anonymous] (special purpose artist)
composer:
Johannes Brahms (German composer)
translator:
Martin Luther (German theologian of the Reformation)
part of:
Fest- und Gedenksprüche, op. 109
Johannes Brahms3:12
11Fest- und Gedenksprüche, op. 109: III. Wo ist ein so herrlich Volk
engineer:
Simon Eadon (classical music engineer)
producer:
Morten Winding
choir vocals:
MDR Rundfunkchor Leipzig (from 1996-10-10 until 1996-10-11)
conductor:
Herbert Blomstedt (conductor) (from 1996-10-10 until 1996-10-11)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1998)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1996-10-10 until 1996-10-11)
recording of:
Fest- und Gedenksprüche, op. 109: Nr. 3. Wo ist ein so herrlich Volk (from 1996-10-10 until 1996-10-11)
lyricist:
[anonymous] (special purpose artist)
composer:
Johannes Brahms (German composer)
translator:
Martin Luther (German theologian of the Reformation)
part of:
Fest- und Gedenksprüche, op. 109
Johannes Brahms4:40
123 Motetten, op. 110: I. Ich aber bin elend
engineer:
Simon Eadon (classical music engineer)
producer:
Morten Winding
choir vocals:
MDR Rundfunkchor Leipzig (from 1996-10-10 until 1996-10-11)
conductor:
Herbert Blomstedt (conductor) (from 1996-10-10 until 1996-10-11)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1998)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1996-10-10 until 1996-10-11)
recording of:
3 Motetten, op. 110: Nr. 1. Ich aber bin elend (from 1996-10-10 until 1996-10-11)
lyricist:
[anonymous] (special purpose artist)
composer:
Johannes Brahms (German composer) (in 1889)
translator:
Martin Luther (German theologian of the Reformation)
part of:
3 Motetten, op. 110
Johannes Brahms3:05
133 Motetten, op. 110: II. Ach, arme Welt
engineer:
Simon Eadon (classical music engineer)
producer:
Morten Winding
choir vocals:
MDR Rundfunkchor Leipzig (from 1996-10-10 until 1996-10-11)
conductor:
Herbert Blomstedt (conductor) (from 1996-10-10 until 1996-10-11)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1998)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1996-10-10 until 1996-10-11)
recording of:
3 Motetten, op. 110: Nr. 2. Ach, arme Welt, du trügest mich (from 1996-10-10 until 1996-10-11)
lyricist:
[traditional] (special purpose artist)
composer:
Johannes Brahms (German composer) (in 1889)
part of:
3 Motetten, op. 110
Johannes Brahms1:46
143 Motetten, op. 110: III. Wenn wir in höchsten Nöten sein
engineer:
Simon Eadon (classical music engineer)
producer:
Morten Winding
choir vocals:
MDR Rundfunkchor Leipzig (from 1996-10-10 until 1996-10-11)
conductor:
Herbert Blomstedt (conductor) (from 1996-10-10 until 1996-10-11)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1998)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1996-10-10 until 1996-10-11)
recording of:
3 Motetten, op. 110: Nr. 3. Wenn wir in höchsten Nöten sein (from 1996-10-10 until 1996-10-11)
lyricist:
Paul Eber
composer:
Johannes Brahms (German composer) (until 1889)
part of:
3 Motetten, op. 110
Johannes Brahms3:19
5▼CD: Brahms: Schicksalslied / Alto Rhapsody / Begräbnisgesang / Nänie / Gesang der Parzen
#TitleArtistRatingLength
1Schicksalslied, op. 54
producer:
Andrew Cornall (engineer / producer)
editor:
Timothy Bull
choir vocals:
San Francisco Symphony Chorus (from 1989-05-30 until 1989-06-03)
orchestra:
San Francisco Symphony (from 1989-05-30 until 1989-06-03)
conductor:
Herbert Blomstedt (conductor) (from 1989-05-30 until 1989-06-03)
chorus master:
Vance George (from 1989-05-30 until 1989-06-03)
balance engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1990)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1989-05-30 until 1989-06-03)
recording of:
Schicksalslied, op. 54 (from 1989-05-30 until 1989-06-03)
lyricist:
Friedrich Hölderlin
composer:
Johannes Brahms (German composer) (from 1868 until 1871)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 54)
Johannes Brahms17:11
2Rhapsody for Alto, Chorus and Orchestra, op. 53
producer:
Andrew Cornall (engineer / producer)
editor:
Timothy Bull
choir vocals:
San Francisco Symphony Chorus (on 1989-09-27)
contralto vocals:
Jard van Nes (mezzo-soprano) (on 1989-09-27)
orchestra:
San Francisco Symphony (on 1989-09-27)
conductor:
Herbert Blomstedt (conductor) (on 1989-09-27)
chorus master:
Vance George (on 1989-09-27)
balance engineer:
Stanley Goodall (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1990)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (on 1989-09-27)
recording of:
Alto Rhapsody, op. 53 (on 1989-09-27)
lyricist:
Johann Wolfgang von Goethe
composer:
Johannes Brahms (German composer) (in 1869)
dedicated to:
Julie Schumann
premiered at:
[concert] (1870-03-03)
publisher:
N. Simrock (in 1870-01)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 53)
Johannes Brahms13:31
3Begräbnisgesang, op. 13
producer:
Andrew Cornall (engineer / producer)
editor:
Timothy Bull
choir vocals:
San Francisco Symphony Chorus (on 1989-09-27)
orchestra:
San Francisco Symphony (on 1989-09-27)
conductor:
Herbert Blomstedt (conductor) (on 1989-09-27)
chorus master:
Vance George (on 1989-09-27)
balance engineer:
Stanley Goodall (engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1990)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (on 1989-09-27)
recording of:
Begräbnisgesang, op. 13 (on 1989-09-27)
lyricist:
Michael Weiße (German theologian and hymn writer)
composer:
Johannes Brahms (German composer)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 13)
Johannes Brahms8:04
4Nänie, op. 82
producer:
Andrew Cornall (engineer / producer)
editor:
Timothy Bull
choir vocals:
San Francisco Symphony Chorus (from 1989-05-30 until 1989-06-03)
orchestra:
San Francisco Symphony (from 1989-05-30 until 1989-06-03)
conductor:
Herbert Blomstedt (conductor) (from 1989-05-30 until 1989-06-03)
chorus master:
Vance George (from 1989-05-30 until 1989-06-03)
balance engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1990)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1989-05-30 until 1989-06-03)
recording of:
Nänie, op. 82 (from 1989-05-30 until 1989-06-03)
lyricist:
Friedrich Schiller (German poet and playwright)
composer:
Johannes Brahms (German composer)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 82)
Johannes Brahms12:48
5Gesang der Parzen, op. 89
producer:
Andrew Cornall (engineer / producer)
editor:
Timothy Bull
choir vocals:
San Francisco Symphony Chorus (from 1989-05-30 until 1989-06-03)
orchestra:
San Francisco Symphony (from 1989-05-30 until 1989-06-03)
conductor:
Herbert Blomstedt (conductor) (from 1989-05-30 until 1989-06-03)
chorus master:
Vance George (from 1989-05-30 until 1989-06-03)
balance engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1990)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1989-05-30 until 1989-06-03)
recording of:
Gesang der Parzen, op. 89 (from 1989-05-30 until 1989-06-03)
lyricist:
Johann Wolfgang von Goethe
composer:
Johannes Brahms (German composer) (in 1882)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 89)
Johannes Brahms11:42
6▼CD: Brahms: Ein deutsches Requiem
#TitleArtistRatingLength
1Ein deutsches Requiem, op. 45: I. Selig sind, die da Leid tragen
recording engineer:
Andrew Groves (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Deborah Gilbert (engineer)
choir vocals:
San Francisco Symphony Chorus (from 1993-09-26 until 1993-09-28)
orchestra:
San Francisco Symphony (from 1993-09-26 until 1993-09-28)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-26 until 1993-09-28)
chorus master:
Vance George (from 1993-09-26 until 1993-09-28)
balance engineer:
John Pellowe (audio engineer) (from 1993-09-26 until 1993-09-28) and Jonathan Stokes (engineer) (from 1993-09-26 until 1993-09-28)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1994)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-26 until 1993-09-28)
recording of:
Ein deutsches Requiem, op. 45: I. “Selig sind, die da Leid tragen” (Chor) (from 1993-09-26 until 1993-09-28)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms10:39
2Ein deutsches Requiem, op. 45: II. Denn alles Fleisch, es ist wie Gras
recording engineer:
Andrew Groves (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Deborah Gilbert (engineer)
choir vocals:
San Francisco Symphony Chorus (from 1993-09-26 until 1993-09-28)
orchestra:
San Francisco Symphony (from 1993-09-26 until 1993-09-28)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-26 until 1993-09-28)
chorus master:
Vance George (from 1993-09-26 until 1993-09-28)
balance engineer:
John Pellowe (audio engineer) (from 1993-09-26 until 1993-09-28) and Jonathan Stokes (engineer) (from 1993-09-26 until 1993-09-28)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1994)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-26 until 1993-09-28)
recording of:
Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras” (Chor) (from 1993-09-26 until 1993-09-28)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms14:38
3Ein deutsches Requiem, op. 45: III. Herr, lehre doch mich
recording engineer:
Andrew Groves (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Deborah Gilbert (engineer)
baritone vocals:
Wolfgang Holzmair (baritone) (from 1993-09-26 until 1993-09-28)
choir vocals:
San Francisco Symphony Chorus (from 1993-09-26 until 1993-09-28)
orchestra:
San Francisco Symphony (from 1993-09-26 until 1993-09-28)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-26 until 1993-09-28)
chorus master:
Vance George (from 1993-09-26 until 1993-09-28)
balance engineer:
John Pellowe (audio engineer) (from 1993-09-26 until 1993-09-28) and Jonathan Stokes (engineer) (from 1993-09-26 until 1993-09-28)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1994)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-26 until 1993-09-28)
recording of:
Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich” (Chor, Bariton) (from 1993-09-26 until 1993-09-28)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms9:56
4Ein deutsches Requiem, op. 45: IV. Wie lieblich sind Deine Wohnungen, Herr Zebaoth!
recording engineer:
Andrew Groves (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Deborah Gilbert (engineer)
choir vocals:
San Francisco Symphony Chorus (from 1993-09-26 until 1993-09-28)
orchestra:
San Francisco Symphony (from 1993-09-26 until 1993-09-28)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-26 until 1993-09-28)
chorus master:
Vance George (from 1993-09-26 until 1993-09-28)
balance engineer:
John Pellowe (audio engineer) (from 1993-09-26 until 1993-09-28) and Jonathan Stokes (engineer) (from 1993-09-26 until 1993-09-28)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1994)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-26 until 1993-09-28)
recording of:
Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind Deine Wohnungen” (Chor) (from 1993-09-26 until 1993-09-28)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms5:40
5Ein deutsches Requiem, op. 45: V. Ihr habt nun Traurigkeit
recording engineer:
Andrew Groves (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Deborah Gilbert (engineer)
choir vocals:
San Francisco Symphony Chorus (from 1993-09-26 until 1993-09-28)
soprano vocals:
Elizabeth Norberg-Schulz (soprano) (from 1993-09-26 until 1993-09-28)
orchestra:
San Francisco Symphony (from 1993-09-26 until 1993-09-28)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-26 until 1993-09-28)
chorus master:
Vance George (from 1993-09-26 until 1993-09-28)
balance engineer:
John Pellowe (audio engineer) (from 1993-09-26 until 1993-09-28) and Jonathan Stokes (engineer) (from 1993-09-26 until 1993-09-28)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1994)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-26 until 1993-09-28)
recording of:
Ein deutsches Requiem, op. 45: V. “Ihr habt nun Traurigkeit” (Chor, Sopran) (from 1993-09-26 until 1993-09-28)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms7:26
6Ein deutsches Requiem, op. 45: VI. Denn wir haben hie keine bleibende Statt
recording engineer:
Andrew Groves (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Deborah Gilbert (engineer)
baritone vocals:
Wolfgang Holzmair (baritone) (from 1993-09-26 until 1993-09-28)
choir vocals:
San Francisco Symphony Chorus (from 1993-09-26 until 1993-09-28)
orchestra:
San Francisco Symphony (from 1993-09-26 until 1993-09-28)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-26 until 1993-09-28)
chorus master:
Vance George (from 1993-09-26 until 1993-09-28)
balance engineer:
John Pellowe (audio engineer) (from 1993-09-26 until 1993-09-28) and Jonathan Stokes (engineer) (from 1993-09-26 until 1993-09-28)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1994)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-26 until 1993-09-28)
recording of:
Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt” (Chor, Bariton) (from 1993-09-26 until 1993-09-28)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms11:25
7Ein deutsches Requiem, op. 45: VII. Selig sind die Toten, die in dem Herrn sterben
recording engineer:
Andrew Groves (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Deborah Gilbert (engineer)
choir vocals:
San Francisco Symphony Chorus (from 1993-09-26 until 1993-09-28)
orchestra:
San Francisco Symphony (from 1993-09-26 until 1993-09-28)
conductor:
Herbert Blomstedt (conductor) (from 1993-09-26 until 1993-09-28)
chorus master:
Vance George (from 1993-09-26 until 1993-09-28)
balance engineer:
John Pellowe (audio engineer) (from 1993-09-26 until 1993-09-28) and Jonathan Stokes (engineer) (from 1993-09-26 until 1993-09-28)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1994)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1993-09-26 until 1993-09-28)
recording of:
Ein deutsches Requiem, op. 45: VII. “Selig sind die Toten” (Chor) (from 1993-09-26 until 1993-09-28)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms11:04
7▼CD: Bruckner: Symphony no. 4
#TitleArtistRatingLength
1Symphony no. 4 in E‐flat, WAB 104 “Romantic”: I. Bewegt, nicht zu schnell
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor/engineer/producer)
orchestra:
San Francisco Symphony (from 1988-05-31 until 1988-06-01)
conductor:
Herbert Blomstedt (conductor) (from 1988-05-31 until 1988-06-01)
balance engineer:
John Pellowe (audio engineer) (from 1988-05-31 until 1988-06-01)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1989)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1988-05-31 until 1988-06-01)
recording of:
Symphony no. 4 in E-flat major, WAB 104 "Romantische": I. Bewegt, nicht zu schnell (1881 revision, ed. Haas, 1936) (from 1988-05-31 until 1988-06-01)
composer:
Anton Bruckner (Austrian composer)
part of:
Symphony no. 4 in E-flat major, WAB 104 "Romantische" (Symphony no. 4 in E flat major, WAB 104 "Romantic", 1881 revision, ed. Haas, 1936)
Anton Bruckner19:06
2Symphony no. 4 in E‐flat, WAB 104 “Romantic”: II. Andante quasi allegretto
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor/engineer/producer)
orchestra:
San Francisco Symphony (from 1988-05-31 until 1988-06-01)
conductor:
Herbert Blomstedt (conductor) (from 1988-05-31 until 1988-06-01)
balance engineer:
John Pellowe (audio engineer) (from 1988-05-31 until 1988-06-01)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1989)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1988-05-31 until 1988-06-01)
recording of:
Symphony no. 4 in E-flat major, WAB 104 "Romantische": II. Andante, quasi allegretto (1881 revision, ed. Haas, 1936) (from 1988-05-31 until 1988-06-01)
composer:
Anton Bruckner (Austrian composer)
part of:
Symphony no. 4 in E-flat major, WAB 104 "Romantische" (Symphony no. 4 in E flat major, WAB 104 "Romantic", 1881 revision, ed. Haas, 1936)
Anton Bruckner16:03
3Symphony no. 4 in E‐flat, WAB 104 “Romantic”: III. Scherzo: Bewegt
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor/engineer/producer)
orchestra:
San Francisco Symphony (from 1988-05-31 until 1988-06-01)
conductor:
Herbert Blomstedt (conductor) (from 1988-05-31 until 1988-06-01)
balance engineer:
John Pellowe (audio engineer) (from 1988-05-31 until 1988-06-01)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1989)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1988-05-31 until 1988-06-01)
recording of:
Symphony no. 4 in E-flat major, WAB 104 "Romantische": III. Scherzo (Bewegt) - Trio (Nicht zu schnell, Keinesfalls schleppend) (1881 revision, ed. Haas, 1936) (from 1988-05-31 until 1988-06-01)
composer:
Anton Bruckner (Austrian composer)
part of:
Symphony no. 4 in E-flat major, WAB 104 "Romantische" (Symphony no. 4 in E flat major, WAB 104 "Romantic", 1881 revision, ed. Haas, 1936)
Anton Bruckner10:38
4Symphony no. 4 in E‐flat, WAB 104 “Romantic”: IV. Finale: Bewegt, doch nicht zu schnell
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor/engineer/producer)
orchestra:
San Francisco Symphony (from 1988-05-31 until 1988-06-01)
conductor:
Herbert Blomstedt (conductor) (from 1988-05-31 until 1988-06-01)
balance engineer:
John Pellowe (audio engineer) (from 1988-05-31 until 1988-06-01)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1989)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1988-05-31 until 1988-06-01)
recording of:
Symphony no. 4 in E-flat major, WAB 104 "Romantische": IV. Finale. Bewegt, doch nicht zu schnell (1881 revision, ed. Haas, 1936) (from 1988-05-31 until 1988-06-01)
composer:
Anton Bruckner (Austrian composer)
part of:
Symphony no. 4 in E-flat major, WAB 104 "Romantische" (Symphony no. 4 in E flat major, WAB 104 "Romantic", 1881 revision, ed. Haas, 1936)
Anton Bruckner21:43
8▼CD: Wagner: Siegfried Idyll / Bruckner: Symphony no. 6
#TitleArtistRatingLength
1Siegfried Idyll, WWV 103
engineer:
Stanley Goodall (engineer)
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (on 1991-09-23)
conductor:
Herbert Blomstedt (conductor) (on 1991-09-23)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1993)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (on 1991-09-23)
recording of:
Siegfried Idyll, WWV 103 (on 1991-09-23)
composer:
Richard Wagner (composer) (in 1870)
dedicated to:
Cosima Wagner
part of:
Wagner-Werk-Verzeichnis (number: 103)
is based on:
Siegfried Idyll (original version for 13 instruments)
Richard Wagner19:44
2Symphony no. 6 in A, WAB 106: I. Majestoso
engineer:
John Pellowe (audio engineer)
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (on 1990-10-08)
conductor:
Herbert Blomstedt (conductor) (on 1990-10-08)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1993)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (on 1990-10-08)
recording of:
Symphony no. 6 in A-major, WAB 106: I. Majestoso (ed. L. Nowak 1952) (on 1990-10-08)
composer:
Anton Bruckner (Austrian composer) (from 1879 until 1881)
revised by:
Leopold Nowak (in 1952)
part of:
Symphony no. 6 in A-major, WAB 106 (ed. L. Nowak 1952)
Anton Bruckner16:39
3Symphony no. 6 in A, WAB 106: II. Adagio: Sehr feierlich
engineer:
John Pellowe (audio engineer)
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (on 1990-10-08)
conductor:
Herbert Blomstedt (conductor) (on 1990-10-08)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1993)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (on 1990-10-08)
recording of:
Symphony no. 6 in A-major, WAB 106: II. Adagio. Sehr feierlich (ed. L. Nowak 1952) (on 1990-10-08)
composer:
Anton Bruckner (Austrian composer) (from 1879 until 1881)
revised by:
Leopold Nowak (in 1952)
part of:
Symphony no. 6 in A-major, WAB 106 (ed. L. Nowak 1952)
Anton Bruckner18:53
4Symphony no. 6 in A, WAB 106: III. Scherzo: Nicht schnell – Trio: Langsam
engineer:
John Pellowe (audio engineer)
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (on 1990-10-08)
conductor:
Herbert Blomstedt (conductor) (on 1990-10-08)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1993)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (on 1990-10-08)
recording of:
Symphony no. 6 in A-major, WAB 106: III. Scherzo. Nicht schnell – Trio. Langsam (ed. L. Nowak 1952) (on 1990-10-08)
composer:
Anton Bruckner (Austrian composer) (from 1879 until 1881)
revised by:
Leopold Nowak (in 1952)
part of:
Symphony no. 6 in A-major, WAB 106 (ed. L. Nowak 1952)
Anton Bruckner8:16
5Symphony no. 6 in A, WAB 106: IV. Finale: Bewegt, doch nicht zu schnell
engineer:
John Pellowe (audio engineer)
producer:
Andrew Cornall (engineer / producer)
orchestra:
San Francisco Symphony (on 1990-10-08)
conductor:
Herbert Blomstedt (conductor) (on 1990-10-08)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1993)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (on 1990-10-08)
recording of:
Symphony no. 6 in A-major, WAB 106: IV. Finale. Bewegt, doch nicht zu schnell (ed. L. Nowak 1952) (on 1990-10-08)
composer:
Anton Bruckner (Austrian composer) (from 1879 until 1881)
revised by:
Leopold Nowak (in 1952)
part of:
Symphony no. 6 in A-major, WAB 106 (ed. L. Nowak 1952)
Anton Bruckner14:04
9▼CD: Bruckner: Symphony no. 9
#TitleArtistRatingLength
1Symphony no. 9 in D minor, WAB 109: I. Feierlich, misterioso
engineer:
John Dunkerley (engineer) and Andrew Groves (engineer)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1995-01-06 until 1995-01-08)
conductor:
Herbert Blomstedt (conductor) (from 1995-01-06 until 1995-01-08)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1999)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (from 1995-01-06 until 1995-01-08)
recording of:
Symphony no. 9 in D-minor, WAB 109: I. Feierlich, misterioso (1894 version, ed. Nowak 1951) (from 1995-01-06 until 1995-01-08)
composer:
Anton Bruckner (Austrian composer) (in 1896)
part of:
Symphony no. 9 in D-minor, WAB 109 (Symphony no. 9 in D minor, WAB 109, 1894 version, ed. Nowak 1951)
Anton Bruckner24:54
2Symphony no. 9 in D minor, WAB 109: II. Scherzo: Bewegt, lebhaft – Trio: Schnell – Scherzo da capo
engineer:
John Dunkerley (engineer) and Andrew Groves (engineer)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1995-01-06 until 1995-01-08)
conductor:
Herbert Blomstedt (conductor) (from 1995-01-06 until 1995-01-08)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1999)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (from 1995-01-06 until 1995-01-08)
recording of:
Symphony no. 9 in D-minor, WAB 109: II. Scherzo: Bewegt, lebhaft (1894 version, ed. Nowak 1951) (from 1995-01-06 until 1995-01-08)
composer:
Anton Bruckner (Austrian composer) (in 1896)
part of:
Symphony no. 9 in D-minor, WAB 109 (Symphony no. 9 in D minor, WAB 109, 1894 version, ed. Nowak 1951)
Anton Bruckner10:14
3Symphony no. 9 in D minor, WAB 109: III. Adagio: Langsam, feierlich
engineer:
John Dunkerley (engineer) and Andrew Groves (engineer)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1995-01-06 until 1995-01-08)
conductor:
Herbert Blomstedt (conductor) (from 1995-01-06 until 1995-01-08)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1999)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (from 1995-01-06 until 1995-01-08)
recording of:
Symphony no. 9 in D-minor, WAB 109: III. Adagio. Langsam, feierlich (1894 version, ed. Nowak 1951) (from 1995-01-06 until 1995-01-08)
composer:
Anton Bruckner (Austrian composer) (in 1896)
part of:
Symphony no. 9 in D-minor, WAB 109 (Symphony no. 9 in D minor, WAB 109, 1894 version, ed. Nowak 1951)
Anton Bruckner25:32
4Adagio from String Quintet in F, WAB 112
engineer:
Jonathan Stokes (engineer)
producer:
Morten Winding
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (on 1997-06-06)
conductor:
Herbert Blomstedt (conductor) (on 1997-06-06)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1999)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (on 1997-06-06)
recording of:
Adagio for String Orchestra in G-flat major (arr. Stadlmair) (on 1997-06-06)
composer:
Anton Bruckner (Austrian composer) (in 1879)
arranger:
Hans Stadlmair (conductor)
arrangement of:
String Quintet in F major: III. Adagio
Anton Bruckner16:01
10▼CD: Grieg: Piano Concerto / Chopin: Piano Concerto no. 1
#TitleArtistRatingLength
1Piano Concerto in A minor, op. 16: I. Allegro molto moderato
engineer:
John Pellowe (audio engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Olli Mustonen (pianist, conductor and composer) (from 1994-05-16 until 1994-05-17)
orchestra:
San Francisco Symphony (from 1994-05-16 until 1994-05-17)
conductor:
Herbert Blomstedt (conductor) (from 1994-05-16 until 1994-05-17)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1995)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1994-05-16 until 1994-05-17)
recording of:
Concerto in A minor for Piano and Orchestra, op. 16: I. Allegro molto moderato (from 1994-05-16 until 1994-05-17)
composer:
Edvard Grieg (composer) (in 1868)
part of:
Concerto in A minor for Piano and Orchestra, op. 16
Edvard Grieg13:29
2Piano Concerto in A minor, op. 16: II. Adagio
engineer:
John Pellowe (audio engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Olli Mustonen (pianist, conductor and composer) (from 1994-05-16 until 1994-05-17)
orchestra:
San Francisco Symphony (from 1994-05-16 until 1994-05-17)
conductor:
Herbert Blomstedt (conductor) (from 1994-05-16 until 1994-05-17)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1995)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1994-05-16 until 1994-05-17)
recording of:
Concerto in A minor for Piano and Orchestra, op. 16: II. Adagio (from 1994-05-16 until 1994-05-17)
composer:
Edvard Grieg (composer) (in 1868)
part of:
Concerto in A minor for Piano and Orchestra, op. 16
Edvard Grieg6:44
3Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato – Quasi presto – Andante maestoso
engineer:
John Pellowe (audio engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Olli Mustonen (pianist, conductor and composer) (from 1994-05-16 until 1994-05-17)
orchestra:
San Francisco Symphony (from 1994-05-16 until 1994-05-17)
conductor:
Herbert Blomstedt (conductor) (from 1994-05-16 until 1994-05-17)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1995)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1994-05-16 until 1994-05-17)
recording of:
Concerto in A minor for Piano and Orchestra, op. 16: III. Allegro moderato molto e marcato (from 1994-05-16 until 1994-05-17)
composer:
Edvard Grieg (composer) (in 1868)
part of:
Concerto in A minor for Piano and Orchestra, op. 16
Edvard Grieg10:22
4Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso
engineer:
John Pellowe (audio engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Olli Mustonen (pianist, conductor and composer) (from 1994-05-16 until 1994-05-17)
orchestra:
San Francisco Symphony (from 1994-05-16 until 1994-05-17)
conductor:
Herbert Blomstedt (conductor) (from 1994-05-16 until 1994-05-17)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1995)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1994-05-16 until 1994-05-17)
recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: I. Allegro maestoso (from 1994-05-16 until 1994-05-17)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830-04 until 1830-09)
part of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11
Fryderyk Chopin20:17
5Piano Concerto no. 1 in E minor, op. 11: II. Romance: Larghetto
engineer:
John Pellowe (audio engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Olli Mustonen (pianist, conductor and composer) (from 1994-05-16 until 1994-05-17)
orchestra:
San Francisco Symphony (from 1994-05-16 until 1994-05-17)
conductor:
Herbert Blomstedt (conductor) (from 1994-05-16 until 1994-05-17)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1995)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1994-05-16 until 1994-05-17)
recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto (from 1994-05-16 until 1994-05-17)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830-04 until 1830-09)
part of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11
Fryderyk Chopin10:24
6Piano Concerto no. 1 in E minor, op. 11: III. Rondo: Vivace
engineer:
John Pellowe (audio engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Olli Mustonen (pianist, conductor and composer) (from 1994-05-16 until 1994-05-17)
orchestra:
San Francisco Symphony (from 1994-05-16 until 1994-05-17)
conductor:
Herbert Blomstedt (conductor) (from 1994-05-16 until 1994-05-17)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1995)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1994-05-16 until 1994-05-17)
recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: III. Rondo. Vivace (from 1994-05-16 until 1994-05-17)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830-04 until 1830-09)
part of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11
Fryderyk Chopin9:50
11▶CD: Grieg: Peer Gynt Suites / Nielsen: Aladdin Suite
12▶CD: Grieg: Peer Gynt
13▶CD: Harbison: Oboe Concerto / Symphony no. 2 / Sessions: Symphony no. 2
14▶CD: Hindemith: Mathis der Maler / Trauermusik / Symphonic Metamorphosis
15▶CD: Hindemith: Konzertmusik / Der Schwanendreher / Nobilissima visione
16▶CD: Hindemith: Symphonia Serena / Die Harmonie der Welt Symphony
17▶CD: Mahler: Symphony no. 2 “Resurrection”
18▶CD: Mendelssohn: Symphony no. 3 “Scottish” / Symphony no. 4 “Italian”
19▶CD: Mendelssohn: Piano Concertos nos. 1 & 2 / Variations sérieuses / Rondo capriccioso
20▶CD: Nielsen: Symphonies nos. 1 & 6
21▶CD: Nielsen: Symphonies nos. 2 & 3
22▶CD: Nielsen: Symphonies nos. 4 & 5
23▶CD: Orff: Carmina Burana
24▶CD: Schubert: Symphonies nos. 5 & 8 “Unfinished” / Rosamunde Overture
25▶CD: Schubert: Symphony no. 9 / Overture in the Italian Style no. 2
26▶CD: Sibelius: Symphonies nos. 1 & 7
27▶CD: Sibelius: Symphony no. 2 / Tapiola / Valse Triste
28▶CD: Sibelius: Symphonies nos. 3 & 6
29▶CD: Sibelius: Symphonies nos. 4 & 5
30▶CD: Strauss: Also sprach Zarathustra / Tod und Verklärung / Till Eulenspiegels lustige Streiche
31▶CD: Strauss: Eine Alpensinfonie / Don Juan
32▶CD: Strauss: Ein Heldenleben / Metamorphosen
33▶CD: Strauss: Rosenkavalier Waltzes / Burleske / Capriccio Sextet