Casino

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Contempt – Thème de Camille
recording of:
Contempt
composer:
Georges Delerue (French composer)
Georges Delerue2:32
2Angelina / Zooma, Zooma Medley
producer:
Voyle Gilmore (on 1957-07-26)
bass:
Tony Liuzza (on 1957-07-26)
drums (drum set):
Bobby Morris (on 1957-07-26)
piano:
Willie McCumber Jr. (on 1957-07-26)
tenor saxophone:
Sam Butera (on 1957-07-26)
trombone:
Jimmy 'Little Red' Blount (on 1957-07-26)
trumpet:
Louis Prima (on 1957-07-26)
vocals:
Louis Prima (on 1957-07-26)
orchestra:
The Witnesses (on 1957-07-26)
recorded at:
Harrah’s Lake Tahoe in Stateline, Nevada, United States (on 1957-07-26)
live medley including a recording of:
Angelina (on 1957-07-26)
writer:
Allan Roberts (songwriter) and Doris Fisher
live medley including a recording of:
Zooma Zooma (on 1957-07-26)
writer:
Pablo Citarella and Louis Prima
Louis Prima4:16
3Hoochie Coochie Man
recorded in:
Chicago, Illinois, United States (on 1954-01-07)
double bass:
Willie Dixon (on 1954-01-07)
drums (drum set):
Fred Below (on 1954-01-07)
guitar:
Muddy Waters (blues musician) (on 1954-01-07) and Jimmy Rogers (blues artist) (on 1954-01-07)
harmonica:
Little Walter (blues performer and songwriter) (on 1954-01-07)
piano:
Otis Spann (on 1954-01-07)
vocals:
Muddy Waters (blues musician) (on 1954-01-07)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1954)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1984), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 225)
recording of:
I’m Your Hoochie Coochie Man (on 1954-01-07)
lyricist and composer:
Willie Dixon
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Bug Music Ltd., Campbell Connelly, Hello Mr. Wilson, Hoochie Coochie Music, Jewel Music Pub Co Ltd (publisher; do NOT use as release label) and Willie Dixon Music
Muddy Waters3.852:51
4I’ll Take You There
remaster of:
I’ll Take You There by The Staple Singers
recording of:
I’ll Take You There
lyricist and composer:
Alvertis Isbell
publisher:
Music for Africa (South Africa)
The Staple Singers4:30
5Nights in White Satin
executive producer:
Hugh Mendl
producer:
Tony Clark (engineer, Abbey Road)
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1967)
recording of:
Nights in White Satin (in 1967)
lyricist and composer:
Justin Hayward (of the Moody Blues)
publisher:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. and Tyler Music Ltd.
The Moody Blues4.554:27
6How High the Moon
recording of:
How High the Moon
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Les Paul & Mary Ford2:08
7Hurt
cover recording of:
Hurt
writer:
Jimmie Crane and Al Jacobs
publisher:
Deb‐Mi Publishing Co. (ASCAP‐affiliated), EMI Miller Catalog, Inc. and Miller Music Corp.
Timi Yuro2:28
8Ain’t Got No Home
recording engineer:
Cosimo Matassa (in 1956-09)
producer:
Paul Gayten (US R&B)
double bass [bass]:
Frank Fields (in 1956-09)
drums (drum set) [drums]:
Eugene Jones (drummer) (in 1956-09)
guitar:
Walter “Papoose” Nelson (guitarist in Fats Domino's band) (in 1956-09)
piano:
Paul Gayten (US R&B) (in 1956-09)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (in 1956-09) and Eddie Smith (R&B tenor sax) (in 1956-09)
trombone:
Edgar Myles (in 1956-09)
vocals:
Clarence “Frogman” Henry (in 1956-09)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (from 1956 to present) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
J&M Studio (New Orleans, circa 1945-1955) in New Orleans, Louisiana, United States (in 1956-09)
recording of:
Ain’t Got No Home (in 1956-09)
lyricist and composer:
Clarence “Frogman” Henry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Clarence “Frogman” Henry2:23
9Without You
engineer:
Robin Geoffrey Cable
producer:
Richard Perry (producer)
acoustic guitar:
John Uribe (in 1971-06)
bass guitar:
Klaus Voormann (in 1971-06)
drums (drum set):
Jim Keltner (in 1971-06)
piano:
Gary Wright (US singer/keyboardist) (in 1971-06)
vocals:
Harry Nilsson (US singer-songwriter) (in 1971-06)
conductor:
Paul Buckmaster (in 1971-06)
brass and strings arranger:
Paul Buckmaster
phonographic copyright (℗) by:
BMG Music (in 1971, in 1991), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1971), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1971), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1972) and RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (in 1989)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 496)
cover recording of:
Without You (in 1971-06)
writer:
Tom Evans (UK guitarist for Badfinger) and W. Peter Ham
publisher:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, from 1970 to present), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Nilsson4.33:20
10Love Is the Drug
producer:
Chris Thomas (UK record producer / remixer)
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1975), Virgin EG Records Ltd. (in 1975) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1975, in 1999)
recording of:
Love Is the Drug
lyricist:
Bryan Ferry
composer:
Andy Mackay (of Roxy Music)
publisher:
BMG Music Publishing Ltd., BMG Songs, BMG Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), E.G. Music Inc., Universal Music Careers, Universal Music Publishing Group, Universal Music Publishing MGB Australia, Universal Music–MGB Songs and E.G. Music Ltd. (publisher) (in 1975)
Roxy Music4.24:09
11I’m Sorry
background vocals:
Anita Kerr Singers (mixed vocal group)
vocals:
Brenda Lee (1960s American singer)
conductor:
Owen Bradley
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 28) and Rolling Stone: The 200 Greatest Country Songs of All Time (number: 168)
recording of:
I’m Sorry (Brenda Lee song, 1960)
writer:
Dub Albritton and Ronnie Self (rockabilly singer and songwriter)
publisher:
Songs of Universal (SOCAN)
Brenda Lee3.52:38
12Go Your Own Way
assistant engineer:
Chris Morris (LA engineer & producer (late ’70s))
engineer:
Ken Caillat and Richard Dashut
additional producer:
Ken Caillat and Richard Dashut
producer:
Ken Caillat, Richard Dashut and Fleetwood Mac
bass guitar:
John McVie
drums (drum set) and percussion:
Mick Fleetwood
guitar:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
keyboard and synthesizer:
Christine McVie
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie and Stevie Nicks
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California, United States
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 119) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 401)
recording of:
Go Your Own Way
lyricist and composer:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
publisher:
Gentoo Music, Inc. and Now Sounds Music
Fleetwood Mac4.353:37
13The Thrill Is Gone
recording engineer:
Joe “Ears” Zagarino (from 1969-06-24 until 1969-06-25) and Bill Szymczyk (from 1969-06-24 until 1969-06-25)
producer:
Bill Szymczyk
bass:
Gerald “Fingers” Jemmott (from 1969-06-24 until 1969-06-25)
drums (drum set):
Herbie Lovelle (from 1969-06-24 until 1969-06-25)
electric piano, organ and piano:
Paul Harris (American keyboardist/pianist session player) (from 1969-06-24 until 1969-06-25)
guitar:
B.B. King (from 1969-06-24 until 1969-06-25) and Hugh McCracken (from 1969-06-24 until 1969-06-25)
lead vocals:
B.B. King (from 1969-06-24 until 1969-06-25)
vocals:
B.B. King (from 1969-06-24 until 1969-06-25)
performer:
Ravon Darnell (from 1969-06-24 until 1969-06-25) and Roy Hawkins (from 1969-06-24 until 1969-06-25)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1969)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (from 1969-06-24 until 1969-06-25)
remasters:
The Thrill Is Gone by B.B. King
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1985)
recording of:
The Thrill Is Gone (1951 blues song) (from 1969-06-24 until 1969-06-25)
writer:
Roy Hawkins (in 1951) and Rick Darnell (in 1951)
publisher:
BMG Music Publishing, Inc., Carlin Music Corporation, Grosvenor House Music, Modern Music Publishing Co., Inc., Pamco Music Inc., Powerforce Music, Sounds Of Lucille, Inc. and Universal Music Careers
B.B. King4.755:26
14Love Is Strange
vocals:
Mickey Baker and Sylvia Robinson
phonographic copyright (℗) by:
Vestron Music Inc. (in 1987)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 7)
recording of:
Love Is Strange (on 1956-10-17)
lyricist:
Mickey Baker, Ethel Smith (American singer, guitarist, songwriter and music producer) and Sylvia Robinson
writer:
Ethel Smith
composer:
Ethel Smith (American singer, guitarist, songwriter and music producer)
publisher:
Cromwell Music Ltd. and Ben Ghazi Music, Inc. (publisher) (in 1956)
Mickey & Sylvia4.52:54
15The “In” Crowd
instrumental recording of:
The “In” Crowd
orchestrator:
Gene Page
lyricist and composer:
Billy Page (US soul/pop songwriter & producer)
publisher:
Cross Music Ltd., American Music, Inc. (in 1964), Elvis Presley Music Inc. (in 1964) and Unichappell Music, Inc. (in 1964)
Ramsey Lewis5:51
16Stardust
recording of:
Stardust (the jazz standard)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
Hoagy Carmichael3:49
2▼CD
#TitleArtistRatingLength
1Walk on the Wild Side
recorded in:
New Jersey, United States (on 1962-03-28)
engineer:
Rudy van Gelder
producer:
Creed Taylor
alto saxophone and alto saxophone, flute and tenor saxophone:
Jerry Dodgion (on 1962-03-28) and Phil Woods (US jazz woodwind player) (on 1962-03-28)
baritone saxophone and baritone saxophone, flute and tenor saxophone:
George Barrow (on 1962-03-28)
bass trombone:
Thomas Mitchell (US jazz trombonist) (on 1962-03-28)
double bass:
George Duvivier (on 1962-03-28) and Milt Hinton (on 1962-03-28)
drums (drum set) and drums (drum set) and percussion:
Ed Shaughnessy (on 1962-03-28)
flute and tenor saxophone:
Robert Ashton (saxophonist) (on 1962-03-28) and Babe Clark (saxophonist) (on 1962-03-28)
guitar:
Barry Galbraith (on 1962-03-28)
Hammond organ and organ:
Jimmy Smith (US jazz organist) (on 1962-03-28)
tenor saxophone:
Bob Ashton (on 1962-03-28) and Arthur Clarke (baritone saxophonist) (on 1962-03-28)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1962-03-28), Urbie Green (on 1962-03-28) and Britt Woodman (on 1962-03-28)
trumpet:
Joe Newman (US jazz trumpeter) (on 1962-03-28), Ernie Royal (on 1962-03-28), Doc Severinsen (on 1962-03-28) and Joe Wilder (on 1962-03-28)
orchestra:
Oliver Nelson’s Orchestra
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1962-03-28)
arranger and orchestrator:
Oliver Nelson (saxophone, arranger, composer)
instrumental recording of:
Walk on the Wild Side (on 1962-03-28)
lyricist:
Mack David (American lyricist and songwriter)
composer:
Elmer Bernstein (American score composer)
publisher:
Columbia Pictures
part of:
The 35th Academy Award for Best Original Song (number: 2)
Jimmy Smith5:56
2Fa‐Fa‐Fa‐Fa‐Fa (Sad Song)
recording of:
Fa‐Fa‐Fa‐Fa‐Fa (Sad Song)
writer:
Steve Cropper and Otis Redding
Otis Redding32:42
3I Ain’t Superstitious
engineer:
Ken Scott (UK record producer & engineer)
producer:
Mickie Most (English record producer)
bass:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
guitar:
Jeff Beck (English rock guitarist)
membranophone:
Micky Waller
lead vocals:
Rod Stewart
vocals and performer:
Rod Stewart
cover recording of:
I Ain’t Superstitious (from 1968-05-14 until 1968-05-26)
lyricist and composer:
Willie Dixon
publisher:
Hoochie Coochie Music
Jeff Beck3.54:54
4The Glory of Love
recording of:
The Glory of Love
lyricist and composer:
Billy Hill (US songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Velvetones2:52
5(I Can’t Get No) Satisfaction
engineer:
Conny Plank (German producer and sound engineer)
producer:
Brian Eno
recorded at and mixed at:
Conny’s Studio in Neunkirchen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany
part of:
New York Post: 100 Greatest Covers (2007) (number: 17)
cover recording of:
(I Can’t Get No) Satisfaction
writer:
Mick Jagger and Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), BMG VM Music Ltd. and Essex Music International
recording of:
(I Can’t Get No) Satisfaction
writer:
Mick Jagger and Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), BMG VM Music Ltd. and Essex Music International
DEVO4.62:40
6What a Difference a Day Makes
producer:
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player) (on 1959-02-19)
double bass:
Milt Hinton (on 1959-02-19)
drums (drum set):
Panama Francis (US swing jazz drummer) (on 1959-02-19)
flute:
Jerome Richardson (on 1959-02-19)
guitar:
Kenny Burrell (on 1959-02-19)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1959-02-19)
lead vocals:
Dinah Washington (on 1959-02-19)
vocals:
Dinah Washington (on 1959-02-19)
orchestra:
Belford Hendricks' Orchestra (on 1959-02-19)
conductor:
Belford Hendricks (on 1959-02-19)
arranger:
Belford Hendricks
cover recording of:
What a Diff’rence a Day Made (on 1959-02-19)
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Dinah Washington3.252:29
7Working in a Coalmine
recording of:
Working in the Coal Mine
lyricist and composer:
Allen Toussaint
publisher:
Marsaint Music Inc. (publishing), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Lee Dorsey2:46
8House of the Rising Sun
cover recording of:
House of the Rising Sun
lyricist and composer:
[traditional] (special purpose artist)
publisher:
Beechwood Music Corp., Ole Cantaloupe Music and Sonet Publishing Ltd.
Eric Burdon54:38
9Those Were the Days
recording engineer:
Adrian Barber (producer/engineer) (from 1968-02 until 1968-06) and Tom Dowd (from 1968-02 until 1968-06)
engineer:
Adrian Barber (producer/engineer) and Tom Dowd
producer:
Felix Pappalardi
bass and lead vocals:
Jack Bruce (from 1968-02 until 1968-06)
drums (drum set), marimba and tubular bells:
Ginger Baker (from 1968-02 until 1968-06)
guitar:
Eric Clapton (from 1968-02 until 1968-06)
handbell [Swiss hand bells]:
Felix Pappalardi (from 1968-02 until 1968-06)
vocals:
Eric Clapton (from 1968-02 until 1968-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (in 1968-02, in 1968-06)
recording of:
Those Were the Days (from 1968-02 until 1968-06)
writer:
Ginger Baker and Mike Taylor (British jazz pianist and composer)
publisher:
Casserole Music Corp., Dratleaf Music Ltd., Unichappell Music, Inc. and Warner Chappell Music, Inc.
Cream32:55
10Who Can I Turn To (When Nobody Needs Me)
vocals:
Tony Bennett (US jazz/standards vocalist)
conductor:
George Siravo
arranger:
George Siravo
cover recording of:
Who Can I Turn To (When Nobody Needs Me)
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd, Downtown DMP Songs, Musical Comedy Prods. and TRO Muscal Comedy Productions, Inc.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
Tony Bennett2:56
11Slippin’ and Slidin’
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1956-02-07)
bass guitar:
Frank Fields (on 1956-02-07)
drums (drum set):
Earl Palmer (on 1956-02-07)
guitar:
Edgar Blanchard (on 1956-02-07)
piano and lead vocals:
Little Richard (on 1956-02-07)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1956-02-07)
recorded at:
J&M Music Shop in New Orleans, Louisiana, United States (on 1956-02-07)
recording of:
Slippin’ and Slidin’ (on 1956-02-07)
writer:
Edwin Bocage, Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”), Richard Wayne Penniman and James Smith (composer of “Slippin’ and Slidin’”)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing MGB Ltd. and Venice Music
Little Richard2:43
12You’re Nobody Till Somebody Loves You
producer:
Lee Gillette
bass:
Joe Comfort (on 1960-05-10)
cello:
Jacques Gasselin (on 1960-05-10), Edgar Lustgarten (on 1960-05-10) and Eleanor Slatkin (US cellist, b. Aller) (on 1960-05-10)
drums (drum set):
Alvin Stoller (on 1960-05-10)
guitar:
Al Hendrickson (on 1960-05-10)
piano:
Bill Miller (pianist) (on 1960-05-10)
saxophone:
Buddy Collette (on 1960-05-10), Plas Johnson (on 1960-05-10), Harry Klee (on 1960-05-10), Joe Koch (on 1960-05-10) and Wilbur Schwartz (on 1960-05-10)
trombone:
Russell Brown (Swing trombonist) (on 1960-05-10), Dick Noel (trombone) (on 1960-05-10), Tom Pederson (on 1960-05-10) and Thomas Shepard (on 1960-05-10)
trumpet:
Pete Candoli (on 1960-05-10), Conrad Gozzo (on 1960-05-10), Carroll Lewis (trumpeter) (on 1960-05-10) and Shorty Sherock (on 1960-05-10)
viola:
Alvin Dinkin (on 1960-05-10) and Paul Robyn (on 1960-05-10)
violin:
Victor Bay (on 1960-05-10), Alex Beller (on 1960-05-10), Dan Lube (on 1960-05-10), Felix Slatkin (on 1960-05-10), Marshall Sosson (on 1960-05-10) and Gerald Vinci (American violinist and strings conductor) (on 1960-05-10)
vocals:
Dean Martin (American singer/actor) (on 1960-05-10)
orchestra:
Nelson Riddle and His Orchestra (on 1960-05-10)
conductor:
Nelson Riddle (on 1960-05-10)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1960-05-10)
cover recording of:
You’re Nobody Till Somebody Loves You (on 1960-05-10)
writer:
James Cavanaugh, Russ Morgan (Big Band orchestra leader) and Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
part of:
The Real Book (compilation of jazz standards, Volume I)
Dean Martin4.352:13
13Compared To What
recording of:
Compared to What
lyricist and composer:
Gene McDaniels
publisher:
Lonport
Les McCann & Eddie Harris8:36
14Basin Street Blues / When It’s Sleepy Time Down South
producer:
Voyle Gilmore
tenor saxophone:
Sam Butera (on 1956-04-19)
trumpet and lead vocals:
Louis Prima (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-04-19)
medley including a recording of:
Basin Street Blues (on 1956-04-19)
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
medley including a recording of:
When It’s Sleepy Time Down South (on 1956-04-19)
lyricist:
Leon René and Otis René
composer:
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication and Sherwin Music (publisher)
Louis Prima4:13
15Mathaus Passion
choir vocals:
Chicago Symphony Chorus (in 1987-03)
orchestra:
Chicago Symphony Orchestra (in 1987-03)
conductor:
Sir Georg Solti (conductor) (in 1987-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 1987-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Chicago Symphony Orchestra6:28