Chants sacrés

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

This release is a compilation by EMI France. The CDs are made in Canada and distributed by EMI Music Canada.

Annotation last modified on 2019-02-26 02:50 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1Ave Maria
Johann Sebastian Bach, Charles Gounod2:47
2Jésus, que ma joie demeure
producer:
Christopher Bishop (conductor/producer)
choir vocals:
King’s College Choir, Cambridge
orchestra:
Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields)
conductor:
Sir Neville Marriner (conductor) and Sir David Willcocks (UK composer, organist, choral conductor)
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Jesu, Joy of Man’s Desiring
orchestrator:
Leopold Stokowski (conductor)
lyricist:
Robert Bridges (poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
translated version of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:29
3Bist du bei mir
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach) (from 1975-10-07 until 1975-10-09)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/S/4), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 508), Notebook for Anna Magdalena Bach (1725) (number: 25), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 508) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 508)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach) (on 1975-10-17)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/S/4), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 508), Notebook for Anna Magdalena Bach (1725) (number: 25), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 508) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 508)
Johann Sebastian Bach2:52
4Wir eilen mit Schwachen
alto vocals:
Sybil Michelow (from 1965-05-31 until 1965-06-03)
contralto vocals:
Sybil Michelow
soprano vocals:
Edith Mathis (soprano) (from 1965-05-31 until 1965-06-03)
orchestra:
Consortium Musicum (from 1965-05-31 until 1965-06-03)
conductor:
Wolfgang Gönnenwein (conductor) (from 1965-05-31 until 1965-06-03)
recorded at:
Strassenbahner Erholungsheim in Stuttgart, Baden-Württemberg, Germany (from 1965-05-31 until 1965-06-03)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": II. Aria (Duetto Sopran, Alt) "Wir eilen mit schwachen, doch emsigen Schritten" (from 1965-05-31 until 1965-06-03)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
Johann Sebastian Bach5:12
5Jauchzet Gött in allen Landen
producer:
John Fraser (UK producer)
trumpet:
Maurice André (French trumpeter) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
soprano vocals:
Helen Donath (soprano) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
orchestra:
Academy of St Martin in the Fields (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
conductor:
Sir Neville Marriner (conductor) (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-12-17 until 1982-12-20, from 1983-08-06 until 1983-08-07)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen" (from 1982-12-17 until 1982-12-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen" (from 1983-08-06 until 1983-08-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach3:47
6Qui sedes
producer:
Christfried Bickenbach, Reinhard Harnacher and John Willan (producer)
alto vocals:
Brigitte Fassbaender (mezzo-soprano) (from 1980-03-29 until 1980-04-03)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1980-03-29 until 1980-04-03)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1980-03-29 until 1980-04-03)
conductor:
Eugen Jochum (conductor) (from 1980-03-29 until 1980-04-03)
balance engineer:
Martin Wöhr
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1980-03-29 until 1980-04-03)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris") (from 1980-03-29 until 1980-04-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:45
7Ruht wohl
choir vocals:
Süddeutscher Madrigalchor
orchestra:
Consortium Musicum
conductor:
Wolfgang Gönnenwein (conductor)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany
recording of:
Johannes-Passion, BWV 245: Teil II. No. 39 Chorus "Ruht wohl, ihr heiligen Gebeine" (in 1969-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach7:54
8Eja mater, fons amoris
Antonio Vivaldi2:50
9Rejoice greatly
George Frideric Handel4:36
10Alleluia
George Frideric Handel4:00
11Laudate Dominum
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
soprano vocals:
Lucia Popp (soprano)
orchestra:
English Chamber Orchestra
conductor:
Georgie Fisher (pianist and conductor)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Vesperae solennes de confessore, K. 339
Wolfgang Amadeus Mozart5:16
12Ave verum corpus
producer:
James Mallinson (producer)
choir vocals:
Stockholmer Kammerchor (Stockholm Chamber Choir) (from 1987-02-14 until 1987-02-15) and Swedish Radio Choir (from 1987-02-14 until 1987-02-15)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1987-02-14 until 1987-02-15)
conductor:
Riccardo Muti (conductor) (from 1987-02-14 until 1987-02-15)
chorus master:
Eric Ericson (from 1987-02-14 until 1987-02-15)
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1987-02-14 until 1987-02-15)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ) (from 1987-02-14 until 1987-02-15)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)
Wolfgang Amadeus Mozart3:23
13Et incarnatus est
bass vocals:
Franz Crass (operatic bass)
soprano vocals:
Helen Donath (soprano) and Edith Mathis (soprano)
tenor vocals:
Theo Altmeyer (German tenor)
orchestra:
Südwestdeutsches Kammerorchester
conductor:
Wolfgang Gönnenwein (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
Missa in c-Moll, K.427/417a ('Große Messe'): IIIb. Credo: “Et incarnatus est”
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1782 until 1783)
part of:
Missa in c-Moll, K.427/417a ('Große Messe'): III. Credo
Wolfgang Amadeus Mozart8:24
14Alleluia
Wolfgang Amadeus Mozart2:32
15Inflammatus et accensus
Gioachino Rossini4:51
16Pie Jesu
Luigi Cherubini3:50
2▼CD
#TitleArtistRatingLength
1Ave Maria
Franz Schubert5:54
2Prière du seigneur
Franz Schubert3:12
3Panis angelicus
César Franck3:53
4Sanctus
organ:
Henriette Puig-Roget (French pianist, organist and composer)
bass vocals:
Franz Crass (operatic bass) (in 1963-06)
choir vocals:
Chœurs René Duclos (in 1963-06)
soprano vocals:
Pilar Lorengar (soprano) (in 1963-06)
tenor vocals:
Heinz Hoppe (tenor) (in 1963-06)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1963-06)
conductor:
Jean-Claude Hartemann (conductor) (in 1963-06)
recorded at:
Église Saint-Roch de Paris in Paris, Île-de-France, France (in 1963-06)
recording of:
Messe solennelle de Sainte Cécile : V. Sanctus
composer:
Charles Gounod (French composer)
part of:
Messe solennelle de Sainte Cécile, CG 56 (St. Cecilia Mass, en sol majeur pour solistes, chœur, orchestre et orgue)
Charles Gounod5:18
5Le ciel a visité la terre
soprano vocals:
Martha Angelici (soprano)
orchestra:
Orchestre de l'Association des Concerts Colonne
recording of:
Le ciel a visité la terre (song for voice or unison chorus & piano (or organ))
composer:
Charles Gounod (French composer)
Charles Gounod2:52
6Cantique de Jean Racine
organ:
François-Henri Houbart (organist)
choir vocals:
Groupe vocal de France
conductor:
John Alldis (chorusmaster and conductor)
recording of:
Cantique de Jean Racine, op. 11 (for choir and piano or organ)
lyricist:
Jean Racine (French dramatist)
composer:
Gabriel Fauré (French composer) (in 1865)
dedicated to:
César Franck (Belgian‐born French composer)
part of:
Works of Gabriel Fauré by opus number (number: op. 11)
Gabriel Fauré5:12
7Pie Jesu
producer:
René Challan (French composer)
organ:
Henriette Puig-Roget (French pianist, organist and composer) (from 1962-02-14 until 1962-05-26)
choir vocals:
Chœurs Élisabeth Brasseur
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-14 until 1962-05-26)
orchestra:
Paris Conservatoire Orchestra (from 1962-02-14 until 1962-05-26)
conductor:
André Cluytens (Belgian-born French conductor) (from 1962-02-14 until 1962-05-26)
phonographic copyright (℗) by:
EMI Music France (1994–2013) (in 1963) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
recorded at:
Église Saint-Roch de Paris in Paris, Île-de-France, France (from 1962-02-14 until 1962-05-26)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version) (from 1962-02-14 until 1962-05-26)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
included in:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:17
8Libera me
producer:
Eric Macleod (producer)
organ:
Ariette Amyel (from 1984-07-16 until 1984-07-27)
baritone vocals:
José van Dam (Belgian operatic bass-baritone) (from 1984-07-16 until 1984-07-27)
choir vocals:
Orfeón Donostiarra (Spanish choir) (from 1984-07-16 until 1984-07-27)
orchestra:
Orchestre de Capitole de Toulouse (from 1984-07-16 until 1984-07-27)
conductor:
Michel Plasson (conductor) (from 1984-07-16 until 1984-07-27)
balance engineer:
Serge Rémy (from 1984-07-16 until 1984-07-27)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1984-07-16 until 1984-07-27)
recording of:
Requiem, op. 48: VI. Libera me (1890, second version) (from 1984-07-16 until 1984-07-27)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré6:06
9Légende de la sauge
baritone vocals:
Michel Dens (French baryton vocalist)
orchestra:
Orchestre du Théâtre National de l'Opéra de Paris
conductor:
Pierre Dervaux (French conductor and composer)
recording of:
Le Jongleur de Notre-Dame : Acte II. Légende de la sauge « Marie, avec l'enfant Jésus » (Boniface)
composer:
Jules Massenet (French Romantic composer)
part of:
Le Jongleur de Notre-Dame : Acte II
Jules Massenet5:04
10Ave Maria
producer:
Suvi Raj Grubb
choir vocals:
https://musicbrainz.org/artist/c44ca179-80e1-4959-8c47-5c6d516d67fa (London choir aka New Philharmonia Chorus from 1964–1977) (in 1966-11)
conductor:
Wilhelm Pitz (chorus master) (in 1966-11)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1966-11)
recording of:
Ave Maria, WAB 6 (for choir a cappella) (in 1966-11)
composer:
Anton Bruckner (Austrian composer) (in 1861)
part of:
Werkverzeichnis Anton Bruckners (number: WAB 6)
recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
lyricist:
[anonymous] (special purpose artist)
composer:
Franz Schubert (composer)
version of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
Anton Bruckner3:09
11Prière d'Elisabeth
soprano vocals:
Hildegard Behrens (soprano)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Peter Schneider (classical and opera conductor)
Richard Wagner6:10
12La Vergine degli angeli
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
soprano vocals and soprano vocals [Leonora]:
Montserrat Caballé (soprano)
vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Royal Philharmonic Orchestra
conductor:
Anton Guadagno (conductor)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recording of:
La forza del destino: Atto II, scena 2. “La vergine degli angeli” (Leonora, Melitone, Guardiano, coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto II
Giuseppe Verdi3:27
13Ave Maria
recording of:
Otello: Atto IV. “Ave Maria” (Desdemona)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01, in 1887)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi4:24
14Regina coeli
choir vocals:
Chorus of the Royal Opera House, Covent Garden
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Lamberto Gardelli (conductor)
recording of:
Cavalleria rusticana: “Regina coeli laetare” (Coro) (Easter Hymn, Easter Hymn)
composer:
Pietro Mascagni (composer & conductor)
librettist:
Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Cavalleria rusticana
Pietro Mascagni6:01
15Salve Regina
vocals:
Groupe vocal de France
conductor:
John Alldis (chorusmaster and conductor)
recording of:
Salve Regina, FP 110
composer:
Francis Poulenc (French composer and pianist) (in 1941)
part of:
Francis Poulenc’s works (FP) (number: FP 110)
Francis Poulenc4:15
16Hosanna
Andrew Lloyd Webber3:12