Great Vocal Works: Johannes Brahms

~ Release by Johannes Brahms (see all versions of this release, 1 available)

Tracklist

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1▼Digital Media
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1Ein deutsches Requiem: 1. Selig sind, die da leid tragen
sound engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Ein deutsches Requiem, op. 45: I. “Selig sind, die da Leid tragen” (Chor)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
11:49
2Ein deutsches Requiem: 2. Denn alles Fleisch es ist wie Gras
sound engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras” (Chor)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
15:53
3Ein deutsches Requiem: 3. Herr, lehre doch mich
sound engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart
solo baritone vocals:
Gilles Cachemaille (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich” (Chor, Bariton)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
9:51
4Ein deutsches Requiem: 4. Wie lieblich sind deine Wohnungen
sound engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind Deine Wohnungen” (Chor)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
4:54
5Ein deutsches Requiem: 5. Ihr habt nun Traurigkeit
sound engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart
solo soprano vocals:
Donna Brown (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Ein deutsches Requiem, op. 45: V. “Ihr habt nun Traurigkeit” (Chor, Sopran)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
6:57
6Ein deutsches Requiem: 6. Denn wir haben hie keine bleibende Statt
sound engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart
solo baritone vocals:
Gilles Cachemaille (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt” (Chor, Bariton)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
12:08
7Ein deutsches Requiem: 7. Selig sind die Toten
sound engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Ein deutsches Requiem, op. 45: VII. “Selig sind die Toten” (Chor)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
12:24
2▼Digital Media
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13 Motets, Op. 110: No. 1, Ich aber bin elend und mir ist wehe
3:57
23 Motets, Op. 110: No. 2, Ach, arme Welt, du truegest mich
2:18
33 Motets, Op. 110: No. 3, Wenn wir in höchsten Nöten sind
3:38
4Fest- und Gedenksprüche, Op. 109: No. 1, Unsere Väter hofften auf dich
2:36
5Fest- und Gedenksprüche, Op. 109: No. 2, Wenn ein starker Gewappneter
3:07
6Fest- und Gedenksprüche, Op. 109: No. 3, Wo ist ein so herrlich Volk
4:44
7Begräbnisgesang, Op. 13
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Begräbnisgesang, op. 13
lyricist:
Michael Weiße (German theologian and hymn writer)
composer:
Johannes Brahms (German composer)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 13)
7:51
8Schicksalslied, Op. 54
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Schicksalslied, op. 54
lyricist:
Friedrich Hölderlin
composer:
Johannes Brahms (German composer) (from 1868 until 1871)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 54)
15:52
9Orchesternachspiel mit Chor
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Schicksalslied, op. 54
lyricist:
Friedrich Hölderlin
composer:
Johannes Brahms (German composer) (from 1868 until 1871)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 54)
2:51
10Nänie, Op. 82
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Nänie, op. 82
lyricist:
Friedrich Schiller (German poet and playwright)
composer:
Johannes Brahms (German composer)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 82)
13:11
11Gesang der Parzen, Op. 89
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Gesang der Parzen, op. 89
lyricist:
Johann Wolfgang von Goethe
composer:
Johannes Brahms (German composer) (in 1882)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 89)
12:12
3▼Digital Media
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1Rinaldo, Op. 50: Auf dem Meere
30:32
2Rinaldo, Op. 50: Schlußchor
6:28
3Alto Rhapsody, Op. 53
12:29
44 Gesänge, Op. 17: No. 1, Es tönt ein voller Harfenklang
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
4 Gesänge, op. 17: Nr. 1. Es tönt ein voller Harfenklang
lyricist:
Friedrich Ruperti
composer:
Johannes Brahms (German composer) (in 1860)
part of:
4 Gesänge, op. 17
3:16
54 Gesänge, Op. 17: No. 2, Lied von Shakespeare
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
4 Gesänge, op. 17: Nr. 2. Lied von Shakespeare
lyricist:
William Shakespeare (English poet and playwright)
composer:
Johannes Brahms (German composer) (in 1860)
translator:
August Wilhelm Schlegel
part of:
4 Gesänge, op. 17
1:58
64 Gesänge, Op. 17: No. 3, Der Gärtner
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
4 Gesänge, op. 17: Nr. 3. Der Gärtner
lyricist:
Joseph von Eichendorff
composer:
Johannes Brahms (German composer) (in 1860)
part of:
4 Gesänge, op. 17
2:53
74 Gesänge, Op. 17: No. 4, Gesang aus Fingal
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
4 Gesänge, op. 17: Nr. 4. Gesang aus Fingal
lyricist:
Ossian (Scottish poet James Macpherson)
composer:
Johannes Brahms (German composer) (in 1860)
translator:
Johann Gottfried von Herder
part of:
4 Gesänge, op. 17
6:07
4▼Digital Media
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1Liebeslieder Waltzes, Op. 52: No. 1, Rede Mädchen, allzu liebes
piano:
Jürgen Uhde and Renate Werner (pianist)
choir vocals:
Gächinger Kantorei Stuttgart
conductor:
Helmuth Rilling (conductor)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 1. Rede, Mädchen, allzu liebes
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
1:24
2Liebeslieder Waltzes, Op. 52: No. 2, Am Gesteine rauscht die Flut
piano:
Jürgen Uhde and Renate Werner (pianist)
choir vocals:
Gächinger Kantorei Stuttgart
conductor:
Helmuth Rilling (conductor)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 2. Am Gesteine rauscht die Flut
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
1:01
3Liebeslieder Waltzes, Op. 52: No. 3, O die Frauen
piano:
Jürgen Uhde and Renate Werner (pianist)
choir vocals:
Gächinger Kantorei Stuttgart
conductor:
Helmuth Rilling (conductor)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 3. O die Frauen
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
1:12
4Liebeslieder Waltzes, Op. 52: No. 4, Wie des Abends schöne Röte
piano:
Jürgen Uhde and Renate Werner (pianist)
choir vocals:
Gächinger Kantorei Stuttgart
conductor:
Helmuth Rilling (conductor)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 4. Wie des Abends schöne Röte
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
0:45
5Liebeslieder Waltzes, Op. 52: No. 5, Die grüne Hopfenranke
piano:
Jürgen Uhde and Renate Werner (pianist)
choir vocals:
Gächinger Kantorei Stuttgart
conductor:
Helmuth Rilling (conductor)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 5. Die grüne Hopfenranke
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
1:21
6Liebeslieder Waltzes, Op. 52: No. 6, Ein kleiner, hübscher Vogel
piano:
Jürgen Uhde and Renate Werner (pianist)
choir vocals:
Gächinger Kantorei Stuttgart
conductor:
Helmuth Rilling (conductor)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 6. Ein kleiner, hübscher Vogel
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
2:27
7Liebeslieder Waltzes, Op. 52: No. 7, Wohl schön bewandt war es vor ehe
piano:
Jürgen Uhde and Renate Werner (pianist)
choir vocals:
Gächinger Kantorei Stuttgart
conductor:
Helmuth Rilling (conductor)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 7. Wohl schön bewandt war es
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
1:19
8Liebeslieder Waltzes, Op. 52: No. 8, Wenn so lind dein Auge mir
piano:
Jürgen Uhde and Renate Werner (pianist)
choir vocals:
Gächinger Kantorei Stuttgart
conductor:
Helmuth Rilling (conductor)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 8. Wenn so lind dein Auge mir
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
1:18
9Liebeslieder Waltzes, Op. 52: No. 9, Am Donaustrande
piano:
Jürgen Uhde and Renate Werner (pianist)
choir vocals:
Gächinger Kantorei Stuttgart
conductor:
Helmuth Rilling (conductor)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 9. Am Donaustrande
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
1:45
10Liebeslieder Waltzes, Op. 52: No. 10, O, wie sanft die Quelle sich
piano:
Jürgen Uhde and Renate Werner (pianist)
choir vocals:
Gächinger Kantorei Stuttgart
conductor:
Helmuth Rilling (conductor)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 10. O, wie sanft die Quelle
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
1:12
11Liebeslieder Waltzes, Op. 52: No. 11, Nein, es ist nicht auszukommen
piano:
Martin Galling (pianist and harpsichordist) and Michael Leuschner
orchestra:
Gächinger Kantorei Stuttgart
chorus master:
Helmuth Rilling (conductor)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 11. Nein, es ist nicht auszukommen
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
1:02
12Liebeslieder Waltzes, Op. 52: No. 12, Schlosser auf, und mache Schlösser
piano:
Jürgen Uhde and Renate Werner (pianist)
choir vocals:
Gächinger Kantorei Stuttgart
conductor:
Helmuth Rilling (conductor)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 12. Schlosser auf, und mache Schlösser
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
0:51
13Liebeslieder Waltzes, Op. 52: No. 13, Vöglein durchrauscht die Luft
piano:
Martin Galling (pianist and harpsichordist) and Michael Leuschner
orchestra:
Gächinger Kantorei Stuttgart
chorus master:
Helmuth Rilling (conductor)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 13. Vöglein durchrauscht die Luft
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
0:56
14Liebeslieder Waltzes, Op. 52: No. 14, Sieh, wie ist die Welle klar
piano:
Jürgen Uhde and Renate Werner (pianist)
choir vocals:
Gächinger Kantorei Stuttgart
conductor:
Helmuth Rilling (conductor)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 14. Sieh', wie ist die Welle klar
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
1:10
15Liebeslieder Waltzes, Op. 52: No. 15, Nachtigall, sie singt so schön
piano:
Jürgen Uhde and Renate Werner (pianist)
choir vocals:
Gächinger Kantorei Stuttgart
conductor:
Helmuth Rilling (conductor)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 15. Nachtigall, sie singt so schön
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
1:00
16Liebeslieder Waltzes, Op. 52: No. 16, Ein dunkler Schacht ist Liebe
piano:
Jürgen Uhde and Renate Werner (pianist)
choir vocals:
Gächinger Kantorei Stuttgart
conductor:
Helmuth Rilling (conductor)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 16. Ein dunkeler Schacht ist Liebe
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
1:24
17Liebeslieder Waltzes, Op. 52: No. 17, Nicht wandle, mein Licht
piano:
Jürgen Uhde and Renate Werner (pianist)
choir vocals:
Gächinger Kantorei Stuttgart
conductor:
Helmuth Rilling (conductor)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 17. Nicht wandle, mein Licht
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
2:18
18Liebeslieder Waltzes, Op. 52: No. 18, Es bebet das Gesträuche
piano:
Jürgen Uhde and Renate Werner (pianist)
choir vocals:
Gächinger Kantorei Stuttgart
conductor:
Helmuth Rilling (conductor)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 18. Es bebet das Gesträuche
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
1:38
19Neue Liebeslieder Waltzes, Op. 65: No. 1, Verzicht o Herz, auf Rettung
piano:
Jürgen Uhde and Renate Werner (pianist)
choir vocals:
Gächinger Kantorei Stuttgart
conductor:
Helmuth Rilling (conductor)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 12. Schlosser auf, und mache Schlösser
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
0:54
20Neue Liebeslieder Waltzes, Op. 65: No. 2, Finstere Schatten der Nacht
piano:
Jürgen Uhde and Renate Werner (pianist)
choir vocals:
Gächinger Kantorei Stuttgart
conductor:
Helmuth Rilling (conductor)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 17. Nicht wandle, mein Licht
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
2:14
21Neue Liebeslieder Waltzes, Op. 65: No. 3, An jeder Hand die Finger
piano:
Martin Galling (pianist and harpsichordist) and Michael Leuschner
orchestra:
Gächinger Kantorei Stuttgart
chorus master:
Helmuth Rilling (conductor)
recording of:
Neue Liebeslieder, op. 65: Nr. 3. An jeder Hand die Finger
composer:
Johannes Brahms (German composer) (from 1869 until 1874)
librettist:
Georg Friedrich Daumer
part of:
Neue Liebeslieder, op. 65
1:04
22Neue Liebeslieder Waltzes, Op. 65: No. 4, Ihr schwarzen Augen
piano:
Martin Galling (pianist and harpsichordist) and Michael Leuschner
orchestra:
Gächinger Kantorei Stuttgart
chorus master:
Helmuth Rilling (conductor)
recording of:
Neue Liebeslieder, op. 65: Nr. 4. Ihr schwarzen Augen
composer:
Johannes Brahms (German composer) (from 1869 until 1874)
librettist:
Georg Friedrich Daumer
part of:
Neue Liebeslieder, op. 65
0:55
23Neue Liebeslieder Waltzes, Op. 65: No. 5, Wahre, wahre deinen Sohn
piano:
Martin Galling (pianist and harpsichordist) and Michael Leuschner
orchestra:
Gächinger Kantorei Stuttgart
chorus master:
Helmuth Rilling (conductor)
recording of:
Neue Liebeslieder, op. 65: Nr. 5. Wahre, wahre deinen Sohn
composer:
Johannes Brahms (German composer) (from 1869 until 1874)
librettist:
Georg Friedrich Daumer
part of:
Neue Liebeslieder, op. 65
1:05
24Neue Liebeslieder Waltzes, Op. 65: No. 6, Rosen steckt mir an die Mutter
piano:
Martin Galling (pianist and harpsichordist) and Michael Leuschner
orchestra:
Gächinger Kantorei Stuttgart
chorus master:
Helmuth Rilling (conductor)
recording of:
Neue Liebeslieder, op. 65: Nr. 6. Rosen steckt mir an die Mutter
composer:
Johannes Brahms (German composer) (from 1869 until 1874)
librettist:
Georg Friedrich Daumer
part of:
Neue Liebeslieder, op. 65
0:37
25Neue Liebeslieder Waltzes, Op. 65: No. 7, Vom Gebirge Well’ auf Well’
piano:
Martin Galling (pianist and harpsichordist) and Michael Leuschner
orchestra:
Gächinger Kantorei Stuttgart
chorus master:
Helmuth Rilling (conductor)
recording of:
Neue Liebeslieder, op. 65: Nr. 7. Vom Gebirge Well' auf Well'
composer:
Johannes Brahms (German composer) (from 1869 until 1874)
librettist:
Georg Friedrich Daumer
part of:
Neue Liebeslieder, op. 65
1:09
26Neue Liebeslieder Waltzes, Op. 65: No. 8, Weiche Gräser im Revier
piano:
Martin Galling (pianist and harpsichordist) and Michael Leuschner
orchestra:
Gächinger Kantorei Stuttgart
chorus master:
Helmuth Rilling (conductor)
recording of:
Neue Liebeslieder, op. 65: Nr. 8. Weiche Gräser im Revier
composer:
Johannes Brahms (German composer) (from 1869 until 1874)
librettist:
Georg Friedrich Daumer
part of:
Neue Liebeslieder, op. 65
1:46
27Neue Liebeslieder Waltzes, Op. 65: No. 9, Nagen am Herzen
piano:
Martin Galling (pianist and harpsichordist) and Michael Leuschner
orchestra:
Gächinger Kantorei Stuttgart
chorus master:
Helmuth Rilling (conductor)
recording of:
Neue Liebeslieder, op. 65: Nr. 10. Ich kose süss mit der und der
composer:
Johannes Brahms (German composer) (from 1869 until 1874)
librettist:
Georg Friedrich Daumer
part of:
Neue Liebeslieder, op. 65
1:15
28Neue Liebeslieder Waltzes, Op. 65: No. 10, Ich kose süß mit der und der
piano:
Martin Galling (pianist and harpsichordist) and Michael Leuschner
orchestra:
Gächinger Kantorei Stuttgart
chorus master:
Helmuth Rilling (conductor)
recording of:
Neue Liebeslieder, op. 65: Nr. 10. Ich kose süss mit der und der
composer:
Johannes Brahms (German composer) (from 1869 until 1874)
librettist:
Georg Friedrich Daumer
part of:
Neue Liebeslieder, op. 65
1:31
29Neue Liebeslieder Waltzes, Op. 65: No. 11, Alles, alles in den Wind
piano:
Martin Galling (pianist and harpsichordist) and Michael Leuschner
orchestra:
Gächinger Kantorei Stuttgart
chorus master:
Helmuth Rilling (conductor)
recording of:
Neue Liebeslieder, op. 65: Nr. 11. Alles, alles in den Wind
composer:
Johannes Brahms (German composer) (from 1869 until 1874)
librettist:
Georg Friedrich Daumer
part of:
Neue Liebeslieder, op. 65
0:49
30Neue Liebeslieder Waltzes, Op. 65: No. 12, Schwarzer Wald,dein Schatten ist so düster
piano:
Martin Galling (pianist and harpsichordist) and Michael Leuschner
orchestra:
Gächinger Kantorei Stuttgart
chorus master:
Helmuth Rilling (conductor)
recording of:
Neue Liebeslieder, op. 65: Nr. 12. Schwarzer Wald
composer:
Johannes Brahms (German composer) (from 1869 until 1874)
librettist:
Georg Friedrich Daumer
part of:
Neue Liebeslieder, op. 65
1:38
31Neue Liebeslieder Waltzes, Op. 65: No. 13, Nein, Geliebter, setze dich
piano:
Martin Galling (pianist and harpsichordist) and Michael Leuschner
orchestra:
Gächinger Kantorei Stuttgart
chorus master:
Helmuth Rilling (conductor)
recording of:
Neue Liebeslieder, op. 65: Nr. 13. Nein, Geliebter, setze dich
composer:
Johannes Brahms (German composer) (from 1869 until 1874)
librettist:
Georg Friedrich Daumer
part of:
Neue Liebeslieder, op. 65
2:02
32Neue Liebeslieder Waltzes, Op. 65: No. 14, Flammenauge dunkles Haar
piano:
Martin Galling (pianist and harpsichordist) and Michael Leuschner
orchestra:
Gächinger Kantorei Stuttgart
chorus master:
Helmuth Rilling (conductor)
recording of:
Neue Liebeslieder, op. 65: Nr. 14. Flammenauge, dunkles Haar
composer:
Johannes Brahms (German composer) (from 1869 until 1874)
librettist:
Georg Friedrich Daumer
part of:
Neue Liebeslieder, op. 65
1:58
33Neue Liebeslieder Waltzes, Op. 65: No. 15, Zum Schluß (Nun ihr Musen, genug)
piano:
Martin Galling (pianist and harpsichordist) and Michael Leuschner
orchestra:
Gächinger Kantorei Stuttgart
chorus master:
Helmuth Rilling (conductor)
recording of:
Neue Liebeslieder, op. 65: Nr. 15. Nun, ihr Musen, genug!
composer:
Johannes Brahms (German composer) (from 1869 until 1874)
librettist:
Johann Wolfgang von Goethe
part of:
Neue Liebeslieder, op. 65
3:02
5▼Digital Media
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13 Quartets, Op. 31 (Arr. for Choir & Piano): No. 1, Wechsellied zum Tanze
engineer:
Peter Laenger (engineer/producer) and Andreas Spreer
piano:
Andreas Rothkopf (organist and pianist) (in 1983-01)
choir vocals:
Kammerchor Stuttgart (in 1983-01)
conductor:
Frieder Bernius (chorus master) (in 1983-01)
recorded at:
Südwest Tonstudio GmbH in Stuttgart, Baden-Württemberg, Germany (in 1983-01)
recording of:
3 Quartette, op. 31: Nr. 1. Wechsellied zum Tanze (in 1983-01)
lyricist:
Johann Wolfgang von Goethe
composer:
Johannes Brahms (German composer) (in 1859)
part of:
3 Quartette, op. 31
6:14
23 Quartets, Op. 31 (Arr. for Choir & Piano): No. 2, Neckereien
engineer:
Peter Laenger (engineer/producer) and Andreas Spreer
piano:
Andreas Rothkopf (organist and pianist) (in 1983-01)
choir vocals:
Kammerchor Stuttgart (in 1983-01)
conductor:
Frieder Bernius (chorus master) (in 1983-01)
recorded at:
Südwest Tonstudio GmbH in Stuttgart, Baden-Württemberg, Germany (in 1983-01)
recording of:
3 Quartette, op. 31: Nr. 2. Neckereien (in 1983-01)
lyricist:
Josef Wenzig
composer:
Johannes Brahms (German composer) (in 1863)
part of:
3 Quartette, op. 31
2:23
33 Quartets, Op. 31 (Arr. for Choir & Piano): No. 3, Der Gang zum Liebchen
engineer:
Peter Laenger (engineer/producer) and Andreas Spreer
piano:
Andreas Rothkopf (organist and pianist) (in 1983-01)
choir vocals:
Kammerchor Stuttgart (in 1983-01)
conductor:
Frieder Bernius (chorus master) (in 1983-01)
recorded at:
Südwest Tonstudio GmbH in Stuttgart, Baden-Württemberg, Germany (in 1983-01)
recording of:
3 Quartette, op. 31: Nr. 3. Der Gang zum Liebchen (in 1983-01)
lyricist:
Josef Wenzig
composer:
Johannes Brahms (German composer) (in 1863)
part of:
3 Quartette, op. 31
2:30
43 Quartets, Op. 64 (Arr. for Choir & Piano): No. 1, An die Heimat
engineer:
Peter Laenger (engineer/producer) and Andreas Spreer
piano:
Andreas Rothkopf (organist and pianist) (in 1983-01)
choir vocals:
Kammerchor Stuttgart (in 1983-01)
conductor:
Frieder Bernius (chorus master) (in 1983-01)
recorded at:
Südwest Tonstudio GmbH in Stuttgart, Baden-Württemberg, Germany (in 1983-01)
recording of:
3 Quartette, op. 64: Nr. 1. An die Heimat (in 1983-01)
lyricist:
C.O. Sternau
composer:
Johannes Brahms (German composer)
part of:
3 Quartette, op. 64
6:14
53 Quartets, Op. 64 (Arr. for Choir & Piano): No. 2, Der Abend
engineer:
Peter Laenger (engineer/producer) and Andreas Spreer
piano:
Andreas Rothkopf (organist and pianist) (in 1983-01)
choir vocals:
Kammerchor Stuttgart (in 1983-01)
conductor:
Frieder Bernius (chorus master) (in 1983-01)
recorded at:
Südwest Tonstudio GmbH in Stuttgart, Baden-Württemberg, Germany (in 1983-01)
recording of:
3 Quartette, op. 64: Nr. 2. Der Abend (in 1983-01)
lyricist:
Friedrich Schiller (German poet and playwright)
composer:
Johannes Brahms (German composer) (in 1874)
part of:
3 Quartette, op. 64
4:33
63 Quartets, Op. 64 (Arr. for Choir & Piano): No. 3, Fragen
engineer:
Peter Laenger (engineer/producer) and Andreas Spreer
piano:
Andreas Rothkopf (organist and pianist) (in 1983-01)
choir vocals:
Kammerchor Stuttgart (in 1983-01)
conductor:
Frieder Bernius (chorus master) (in 1983-01)
recorded at:
Südwest Tonstudio GmbH in Stuttgart, Baden-Württemberg, Germany (in 1983-01)
recording of:
3 Quartette, op. 64: Nr. 3. Fragen (in 1983-01)
lyricist:
Georg Friedrich Daumer
composer:
Johannes Brahms (German composer)
part of:
3 Quartette, op. 64
3:45
74 Quartets, Op. 92 (Arr. for Choir & Piano): No. 1, O schöne Nacht!
engineer:
Peter Laenger (engineer/producer) and Andreas Spreer
piano:
Andreas Rothkopf (organist and pianist) (in 1983-01)
choir vocals:
Kammerchor Stuttgart (in 1983-01)
conductor:
Frieder Bernius (chorus master) (in 1983-01)
recorded at:
Südwest Tonstudio GmbH in Stuttgart, Baden-Württemberg, Germany (in 1983-01)
recording of:
4 Quartette, op. 92: Nr. 1. O schöne Nacht! (in 1983-01)
lyricist:
Georg Friedrich Daumer
composer:
Johannes Brahms (German composer) (in 1877)
part of:
4 Quartette, op. 92
3:22
84 Quartets, Op. 92 (Arr. for Choir & Piano): No. 2, Spätherbst
engineer:
Peter Laenger (engineer/producer) and Andreas Spreer
piano:
Andreas Rothkopf (organist and pianist) (in 1983-01)
choir vocals:
Kammerchor Stuttgart (in 1983-01)
conductor:
Frieder Bernius (chorus master) (in 1983-01)
recorded at:
Südwest Tonstudio GmbH in Stuttgart, Baden-Württemberg, Germany (in 1983-01)
recording of:
4 Quartette, op. 92: Nr. 2. Spätherbst (in 1983-01)
lyricist:
Hermann Allmers
composer:
Johannes Brahms (German composer) (in 1884)
part of:
4 Quartette, op. 92
2:24
94 Quartets, Op. 92 (Arr. for Choir & Piano): No. 3, Abendlied
engineer:
Peter Laenger (engineer/producer) and Andreas Spreer
piano:
Andreas Rothkopf (organist and pianist) (in 1983-01)
choir vocals:
Kammerchor Stuttgart (in 1983-01)
conductor:
Frieder Bernius (chorus master) (in 1983-01)
recorded at:
Südwest Tonstudio GmbH in Stuttgart, Baden-Württemberg, Germany (in 1983-01)
recording of:
4 Quartette, op. 92: Nr. 3. Abendlied (in 1983-01)
lyricist:
Friedrich Hebbel (German poet and dramatist)
composer:
Johannes Brahms (German composer) (in 1884)
part of:
4 Quartette, op. 92
3:07
104 Quartets, Op. 92 (Arr. for Choir & Piano): No. 4, Warum?
engineer:
Peter Laenger (engineer/producer) and Andreas Spreer
piano:
Andreas Rothkopf (organist and pianist) (in 1983-01)
choir vocals:
Kammerchor Stuttgart (in 1983-01)
conductor:
Frieder Bernius (chorus master) (in 1983-01)
recorded at:
Südwest Tonstudio GmbH in Stuttgart, Baden-Württemberg, Germany (in 1983-01)
recording of:
4 Quartette, op. 92: Nr. 4. Warum? (in 1983-01)
lyricist:
Johann Wolfgang von Goethe
composer:
Johannes Brahms (German composer)
part of:
4 Quartette, op. 92
2:09
116 Quartets, Op. 112 (Excerpts Arr. for Choir & Piano): No. 1, Sehnsucht
engineer:
Peter Laenger (engineer/producer) and Andreas Spreer
piano:
Andreas Rothkopf (organist and pianist) (in 1983-01)
choir vocals:
Kammerchor Stuttgart (in 1983-01)
conductor:
Frieder Bernius (chorus master) (in 1983-01)
recorded at:
Südwest Tonstudio GmbH in Stuttgart, Baden-Württemberg, Germany (in 1983-01)
recording of:
6 Quartette, op. 112: Nr. 1. Sehnsucht (in 1983-01)
lyricist:
Franz Theodor Kugler
composer:
Johannes Brahms (German composer) (in 1888)
part of:
6 Quartette, op. 112
3:22
126 Quartets, Op. 112 (Excerpts Arr. for Choir & Piano): No. 2, Nächtens
engineer:
Peter Laenger (engineer/producer) and Andreas Spreer
piano:
Andreas Rothkopf (organist and pianist) (in 1983-01)
choir vocals:
Kammerchor Stuttgart (in 1983-01)
conductor:
Frieder Bernius (chorus master) (in 1983-01)
recorded at:
Südwest Tonstudio GmbH in Stuttgart, Baden-Württemberg, Germany (in 1983-01)
recording of:
6 Quartette, op. 112: Nr. 2. Nächtens (in 1983-01)
lyricist:
Franz Theodor Kugler
composer:
Johannes Brahms (German composer) (in 1888)
part of:
6 Quartette, op. 112
1:45
134 Ernste Gesänge, Op. 121: No. 1, Denn es gehet dem Menschen wie dem Vieh
producer:
Heinrich Keilholz
piano:
Hertha Klust (pianist and singer) (in 1949-09)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1949-09)
recorded at:
Kleistsaal in Berlin, Germany (in 1949-09)
recording of:
4 ernste Gesänge, op. 121: Nr. 1. Denn es gehet dem Menschen wie dem Vieh (in 1949-09)
lyricist:
[anonymous] (special purpose artist)
composer:
Johannes Brahms (German composer)
translator:
Martin Luther (German theologian of the Reformation)
part of:
4 ernste Gesänge, op. 121
4:44
144 Ernste Gesänge, Op. 121: No. 2, Ich wandte mich und sahe an alle
producer:
Heinrich Keilholz
piano:
Hertha Klust (pianist and singer) (in 1949-09)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1949-09)
recorded at:
Kleistsaal in Berlin, Germany (in 1949-09)
recording of:
4 ernste Gesänge, op. 121: Nr. 2. Ich wandte mich und sahe an alle (in 1949-09)
lyricist:
[anonymous] (special purpose artist)
composer:
Johannes Brahms (German composer)
translator:
Martin Luther (German theologian of the Reformation)
part of:
4 ernste Gesänge, op. 121
4:29
154 Ernste Gesänge, Op. 121: No. 3, O Tod, wie bitter bist du
producer:
Heinrich Keilholz
piano:
Hertha Klust (pianist and singer) (in 1949-09)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1949-09)
recorded at:
Kleistsaal in Berlin, Germany (in 1949-09)
recording of:
4 ernste Gesänge, op. 121: Nr. 3. O Tod, wie bitter bist du (in 1949-09)
lyricist:
[anonymous] (special purpose artist)
composer:
Johannes Brahms (German composer)
translator:
Martin Luther (German theologian of the Reformation)
part of:
4 ernste Gesänge, op. 121
4:27
164 Ernste Gesänge, Op. 121: No. 4, Wenn ich mit Menschen- und mit Engelszungen redete
producer:
Heinrich Keilholz
piano:
Hertha Klust (pianist and singer) (in 1949-09)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1949-09)
recorded at:
Kleistsaal in Berlin, Germany (in 1949-09)
recording of:
4 ernste Gesänge, op. 121: Nr. 4. Wenn ich mit Menschen- und mit Engelszungen redete (in 1949-09)
lyricist:
[anonymous] (special purpose artist)
composer:
Johannes Brahms (German composer)
translator:
Martin Luther (German theologian of the Reformation)
part of:
4 ernste Gesänge, op. 121
4:59
6▼Digital Media
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18 Lieder & Songs, Op. 59 (Excerpts): No. 2, Auf dem See
2:55
25 Poems, Op. 19: No. 5, An eine Äolsharfe
4:41
35 Songs, Op. 71 (Excerpts): No. 3, Geheimnis
2:18
48 Lieder & Songs, Op. 59 (Excerpts): No. 1, Dämmrung senkte sich von oben
4:15
56 Lieder, Op. 85 (Excerpts): No. 6, In Waldeinsamkeit
2:59
66 Lieder, Op. 86: No. 2, Feldeinsamkeit
4:29
78 Lieder & Songs, Op. 59 (Excerpts): No. 3, Regenlied
5:31
88 Lieder & Songs, Op. 59 (Excerpts): No. 4, Nachklang
1:52
95 Songs, Op. 72 (Excerpts): No. 1, Alte Liebe
3:32
105 Songs, Op. 72 (Excerpts): No. 4, Verzagen
2:58
115 Songs, Op. 71 (Excerpts): No. 1, Es liebt sich so lieblich im Lenze!
2:09
126 Lieder, Op. 85 (Excerpts): No. 1, Sommerabend
3:01
136 Lieder, Op. 85 (Excerpts): No. 2, Mondenschein
2:49
144 Lieder, Op. 96 (Excerpts): No. 1, Der Tod, das ist die kühle Nacht
3:46
154 Lieder, Op. 96 (Excerpts): No. 3, Es schauen die Blumen
1:20
164 Lieder, Op. 96 (Excerpts): No. 4, Meerfahrt
3:03
1749 Deutsche Volkslieder, WoO 33 (Excerpts): No. 8, Ach, englische Schäferin
2:38
1849 Deutsche Volkslieder, WoO 33 (Excerpts): No. 6, Da unten im Tale
2:43
1949 Deutsche Volkslieder, WoO 33 (Excerpts): No. 5, Die Sonne scheint nicht mehr
1:57
2049 Deutsche Volkslieder, WoO 33 (Excerpts): No. 15, Schwesterlein, Schwesterlein, wann gehn wir
3:27
2149 Deutsche Volkslieder, WoO 33 (Excerpts): No. 18, So wünsch’ ich ihr ein gute Nacht
2:38
2249 Deutsche Volkslieder, WoO 33 (Excerpts): No. 12, Feinsliebchen, du sollst mir nicht barfuss gehn
3:24
2349 Deutsche Volkslieder, WoO 33 (Excerpts): No. 42, In stiller Nacht, zur ersten Wacht
3:47
245 Lieder, Op. 49: No. 4, Wiegenlied
2:20