NOW Yearbook ’82

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

Annotazione

Special Edition digibook, incl. 28-page booklet.

Annotazione modificata l'ultima volta il 2025-02-02 22:14 UTC.

Elenco tracce

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1▼CD
#TitoloArtistaValutazioneDurata
1Young Guns (Go for It!)
produttore:
Steve Brown (engineer/music producer) e George Michael
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1982)
registrazione di:
Young Guns (Go for It!)
paroliere e compositore:
George Michael
editore:
Morrison Leahy Music Ltd.
Wham!3:41
2Goody Two Shoes (single version)
assistente tecnico:
George Chambers (engineer a/k/a George “Chappie” Chambers)
tecnico:
Alan Douglas (Scottish born engineer)
produttore:
Adam Ant (English new wave singer and actor), Chris Hughes (producer, aka “Merrick”) e Marco Pirroni (British musician and producer)
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1982)
registrazione di:
Goody Two Shoes
autore:
Adam Ant (English new wave singer and actor) e Marco Pirroni (British musician and producer)
editore:
Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing MGB Limited e EMI Music Publishing Ltd. (PRS‐affiliated) (nel 1982)
Adam Ant3:19
3The Look of Love – Pt. 1
tecnico:
Gary Langan
produttore:
Trevor Horn
chitarra basso :
Mark Lickley
tastiera :
Mark White (ABC/Vice Versa)
voce principale:
Martin Fry
arrangiatore archi :
Anne Dudley (English score composer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982), Mercury Records Ltd. (London) (for copyrights use only) (nel 1982), Phonogram Ltd. (not for release label use!) (nel 1982) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1982)
mixata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1982)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 4), The Downloader’s Music Source Book (numero: 73) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 43)
registrazione parziale di:
The Look of Love
autore:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton e Mark White (ABC/Vice Versa)
editore:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. e Virgin Music, Inc. (US arm of Virgin’s publishing company)
parte di:
Mantrap (ABC long-form film)
ABC3.93:29
4Hungry Like the Wolf
tecnico e produttore:
Colin Thurston
esecutore:
Duran Duran (English rock band) (nel 1982)
diritti fonografici (℗) detenuti da:
Tritec Music Ltd. (publisher and copyrights holder) (nel 1982) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1998)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 398)
registrazione di:
Hungry Like the Wolf
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
EMI Songs, EMI Songs Australia Pty. Ltd. e Tritec Music Ltd. (publisher and copyrights holder)
adattamenti:
Hungry Like a Pig
Duran Duran3.353:25
5Instinction (edit)
produttore:
Richard James Burgess e Trevor Horn
registrazione di:
Instinction
paroliere e compositore:
Gary Kemp
editore:
Reformation Publishing Co. Ltd.
Spandau Ballet3:34
6Love Plus One
produttore:
Bob Sargeant
batteria :
Blair Cunningham
chitarra :
Graham Jones (Haircut 100)
percussione :
Marc Fox (Percussionist for the 80s New Wave band Haircut 100)
sassofono :
Phil Smith (Saxophonist)
strumenti:
Leslie Nemes
voce:
Nick Heyward
diritti fonografici (℗) detenuti da:
BMG Eurodisc Ltd. (nel 1982) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1982)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 90)
registrazione di:
Love Plus One
paroliere e compositore:
Nick Heyward
editore:
Bryan Morrison Music Ltd.
Haircut 10043:38
7Do You Really Want to Hurt Me (remastered 2002)
assistente tecnico:
Gordon Milne (engineer)
tecnico e produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
batteria e vibrafono :
Jon Moss
chitarra , pianoforte elettrico e sintetizzatore :
Roy Hay (Member of Culture Club and composer for film and television)
chitarra basso :
Mikey Craig (Culture Club bassist)
synclavier :
Keith Miller (Synthesiser Pioneer)
voce aggiuntiva:
Helen Terry (UK singer)
voce principale:
Boy George
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982)
registrata presso:
Red Bus Studios in London (Greater London), England, Regno Unito (nel 1982)
video musicali:
Do You Really Want to Hurt Me di Culture Club (English pop group)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 58)
registrazione di:
Do You Really Want to Hurt Me
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) e Jon Moss
editore:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. e Virgin Music (Publishers) Ltd.
Culture Club3.954:21
8Under Attack
tecnico:
Michael B. Tretow
produttore:
Benny Andersson (ABBA) e Björn Ulvaeus
batteria e percussione :
Per Lindvall (dal 1982-08-01 al 1982-08-03)
chitarra :
Janne Schaffer (dal 1982-08-01 al 1982-08-03)
chitarra basso :
Rutger Gunnarsson (dal 1982-08-01 al 1982-08-03)
tastiera :
Benny Andersson (ABBA) (dal 1982-08-01 al 1982-08-03)
arrangiatore:
Benny Andersson (ABBA) e Björn Ulvaeus
diritti fonografici (℗) detenuti da:
Polar Music International AB (nel 1982)
registrata presso:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Svezia (dal 1982-08-01 al 1982-08-03)
mixata presso:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Svezia (il 1982-08-26)
registrazione di:
Under Attack (dal 1982-08-01 al 1982-08-03)
autore:
Benny Andersson (ABBA) e Björn Ulvaeus
editore:
Union Songs AB (publisher) e Universal (Sweden)
parte di:
Mamma Mia! (1999 musical)
ABBA2.53:47
9The Land of Make Believe
diritti fonografici (℗) detenuti da:
BMG Records (UK) Limited (1987–1996) (nel 1981)
registrazione di:
The Land of Make Believe
supporto a vario titolo:
Andy Hill (English producer & songwriter)
autore:
Andy Hill (English producer & songwriter) e Peter Sinfield
editore:
BMG Music Publishing Ltd., Concord Copyrights London Limited, EMI Virgin Music Ltd. (do not use this as a release label!), Paper Music Ltd., Universal Music Publishing MGB Limited, Universal Music–MGB Songs e Universal Music–Z Tunes LLC
Bucks Fizz3.353:49
10Fantasy Island
registrazione cover di:
Fantasy Island (english version)
autore:
Martin Duiser e Piet Souer (composer)
editore:
Roba Music GmbH (publisher)
Tight Fit3:27
11Videotheque
registrazione di:
Videotheque
Dollar3:34
12House of Fun
produttore:
Clive Langer e Alan Winstanley (English record producer)
registrazione di:
House of Fun
paroliere:
Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) e Daniel Woodgate
compositore:
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Carl Smyth e Daniel Woodgate
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3.652:47
13Come On Eileen
produttore:
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) e Alan Winstanley (English record producer)
direzione creativa:
Clive Langer e Alan Winstanley (English record producer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982) e Phonogram Ltd. (not for release label use!) (nel 1982)
registrazione di:
Come On Eileen
autore:
Kevin Adams, James Mitchell Paterson e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) e Kevin Adams Music Ltd.
Dexys Midnight Runners4.154:00
14Town Called Malice
produttore:
The Jam (late 70s/early 80s UK punk/mod revival band) e Peter Wilson (UK Producer)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1982)
registrata presso:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Regno Unito (nel 1981-12)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 151)
registrazione di:
Town Called Malice
paroliere e compositore:
Paul Weller (English singer‐songwriter and musician)
editore:
Notting Hill Music (UK) Ltd., Stylist Music Ltd. e Universal Music Publishing MGB Australia
The Jam4.82:52
15Go Wild in the Country
registrazione di:
Go Wild in the Country
autore:
Matthew Ashman, Dave Barbarossa, Leigh Gorman (English rock musician, record producer & composer) e Malcolm McLaren
editore:
EMI Songs Ltd.
Bow Wow Wow32:59
16It Ain’t What You Do It’s the Way That You Do It
produttore:
Fun Boy Three e Dave Jordan (UK producer/remixer)
registrazione cover di:
It Ain’t What You Do (It’s the Way That You Do It)
autore:
Sy Oliver e Trummy Young
Fun Boy Three feat. Bananarama3.652:48
17Pass the Dutchie (original 7″ version)
produttore:
Peter Collins (producer)
batteria :
Junior
chitarra :
Kelvin
chitarra basso :
Patrick
tastiera :
Michael (Keyboard player for Musical Youth)
voce:
Dennis
diritti fonografici (℗) detenuti da:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1982)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 25)
registrazione cover di:
Pass the Kouchie
autore:
“Deadly” Headley Bennett, Lloyd “Judge” Ferguson, Huford Brown (Jamaican reggae deejay), Robbie Lyn, Jackie Mittoo, Leroy Sibbles (Jamaican reggae) e Fitzroy “Bunny” Simpson
parte di:
My Kind of People
Musical Youth43:23
18Zoom (radio edit)
registrazione di:
Zoom
autore:
Bobby Eli e Len Barry
Fat Larry’s Band44:16
19Heartbreaker
tecnico:
Karl Richardson
produttore:
Albhy Galuten, Barry Gibb e Karl Richardson
batteria :
Steve Gadd (drummer) (nel 1982)
chitarra acustica e voce di accompagnamento:
Barry Gibb (nel 1982)
chitarra basso :
George “Chocolate” Perry (bassist aka "Chocolate") (nel 1982)
chitarra elettrica :
George Terry (guitar player with Clapton in 70's) (nel 1982)
voce principale:
Dionne Warwick (nel 1982)
direttore d'orchestra:
Albhy Galuten (nel 1982)
arrangiatore archi :
Albhy Galuten e Barry Gibb
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1982)
è stato produttore per:
Karlbhy Productions
registrata in aggiunta presso:
Mediasound Studios in New York, New York, Stati Uniti (nel 1982)
registrata presso:
Middle Ear Studio in Miami Beach, Florida, Stati Uniti (nel 1982)
registrazione di:
Heartbreaker (Dionne Warwick song) (nel 1982)
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music, BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Unichappell Music, Inc. e Universal Music Publishing International MGB Ltd.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Dionne Warwick3.54:17
20Truly (album version)
tecnico di registrazione:
Calvin Harris
tecnico:
Jim Cassell
assistente produttore:
Brenda Harvey–Richie
produttore:
James Anthony Carmichael e Lionel Richie
tecnico di missaggio:
Calvin Harris, Michael Johnson (Motown related), Fred Law e Stephan Smith (US 70s/80s soul/funk engineer)
archi :
Assa Drori, Allan Harshman (violist), Joy Lyle e Paul Shure
arpa :
Gayle Levant (American studio musician, harpist)
basso :
Joe Chemay
batteria :
Paul Leim
chitarra :
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
chitarra acustica :
Tim May (session/jazz guitarist)
contrabbasso :
Árni Egilsson e Buell Neidlinger
corno francese :
Arthur Maebe (US horn player), Richard Perissi e Henry Sigismonti
flauto :
Louise DiTullio
piano Rhodes [Fender rhodes] :
William Payne
viola :
Alan DeVeritch, Allan Harshman (violist), Virginia Majewski (violist) e Gareth Nuttycombe (violist)
violino :
Bonnie Douglas, Assa Drori, Endre Granat (Hungarian violinist), Joy Lyle, Donald Palmer (US violinist and concertmaster), Henry Roth (violinist), Sheldon Sandu (violinist), Jack Shulman, Paul Shure, Mari Tsumura (aka Mari Tsumura‐Botnick) e Charles Veal Jr. (violinist, conductor and arranger)
violoncello :
Jesse Ehrlich, Paula Hochhalter, Armand Kaproff e Dennis Karmazyn
voce di accompagnamento:
Lionel Richie
arrangiatore:
James Anthony Carmichael e Gene Page
arrangiatore voci:
Lionel Richie
primo violino:
Harry Bluestone
registrata presso:
A&M Recording Studios in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Motown / Hitsville U.S.A Recording Studios (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, Stati Uniti
versioni strumentali:
Truly (instrumental) di Lionel Richie
registrazione di:
Truly
paroliere e compositore:
Lionel Richie
Lionel Richie3.43:20
21Sexual Healing
assistente tecnico:
Henri Van Durme e Didier Leonard
tecnico:
Dan Bates (strumenti a fiato [horns]), Mike Butcher (recording engineer and guitarist) e John Kovorak
produttore:
Marvin Gaye
produttore esecutivo:
Larkin Arnold
tecnico di missaggio e editor:
Harvey Fuqua
batteria , bonghi , campana [bells] , campana [orchestra bells] , cimbalini a dita , congas , glockenspiel , organo , pianoforte elettrico [Fender Rhodes] e sintetizzatore :
Marvin Gaye
chitarra :
Gordon Banks
strumenti a fiato [horns] :
The L.A. Horn Section e David Stout (American trombonist)
voce:
Marvin Gaye
voce di accompagnamento:
Gordon Banks, Harvey Fuqua e Marvin Gaye
direttore d'orchestra:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer) (strumenti a fiato [horns])
arrangiatore strumenti a fiato [horns] :
McKinley T. Jackson (Trombone player, songwriter, arranger and producer)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1982), Sony BMG Music Entertainment Inc. (nel 1982) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982)
registrata presso:
Arco Studios in München (Munich), Bayern (Baviera), Germania (voce principale, voce di accompagnamento), Kendun Recorders in Burbank, California, Stati Uniti (strumenti a fiato [horns]), Studio Katy in Waterloo, Brabant wallon (Provincia del Brabante Vallone), Wallonie (Wallonia), Belgio e Studio Katy in Waterloo, Brabant wallon (Provincia del Brabante Vallone), Wallonie (Wallonia), Belgio (voce principale, voce di accompagnamento)
mixata presso:
Studio Katy in Waterloo, Brabant wallon (Provincia del Brabante Vallone), Wallonie (Wallonia), Belgio
editing effettuato presso e remixata presso:
Devonshire Studios in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 198) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 231)
registrazione di:
Sexual Healing
autore:
Odell Brown, Marvin Gaye e David Ritz (American author)
editore:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. e April Music Inc. (nel 1982)
Marvin Gaye3.654:00
22State of Independence (7″ version)
registrazione cover di:
State of Independence
paroliere:
Jon Anderson (Yes/Jon & Vangelis)
compositore:
Jon Anderson (Yes/Jon & Vangelis) e Vangelis (Greek composer of electronic, new age and classical)
editore:
EMI Music (do not use as release label! this is a music publisher), Warner Chappell North America, Spheric B.V. (dal 1981 a oggi), Toughknot Ltd. (dal 1981 a oggi) e WB Music Corp. (1929–2019) (dal 1981 a oggi)
parte di:
Spiritual High
Donna Summer24:26
2▼CD
#TitoloArtistaValutazioneDurata
1Ebony and Ivory
assistente tecnico di registrazione:
Mike Stavrou (producer/engineer) (dal 1981-02-28 al 1981-10)
tecnico di registrazione:
Geoff Emerick (British recording engineer) (dal 1981-02-28 al 1981-10)
produttore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
assistente tecnico di missaggio:
Jon Jacobs (UK producer/engineer) (il 1982-01-19)
tecnico di missaggio:
Geoff Emerick (British recording engineer) (il 1982-01-19)
basso elettrico , chitarra , pianoforte e vocoder :
Paul McCartney (The Beatles) (dal 1981-02-28 al 1981-10)
batteria e pianoforte elettrico :
Stevie Wonder (dal 1981-02-28 al 1981-10)
percussione , sintetizzatore e voce di accompagnamento e voce principale:
Paul McCartney (The Beatles) (dal 1981-02-28 al 1981-10) e Stevie Wonder (dal 1981-02-28 al 1981-10)
arrangiatore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) e Paul McCartney (The Beatles)
diritti fonografici (℗) detenuti da:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (nel 1982)
registrata presso:
AIR Studios Montserrat in Saint Peter, Montserrat (il 1981-02-28), Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Regno Unito (il 1981-03-30) e Strawberry Studios South in Dorking, Surrey, England, Regno Unito (nel 1981-10)
mixata presso:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Regno Unito (il 1982-01-19)
registrazione di:
Ebony and Ivory (dal 1981-02-28 al 1981-10)
paroliere e compositore:
Paul McCartney (The Beatles)
editore:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
versione parodia di:
Curdled Milk and Boot Polish
Paul McCartney3.253:43
2Fame (radio edit)
registrazione di:
Fame
paroliere:
Dean Pitchford
compositore:
Michael Gore (composer)
editore:
EMI Affiliated Catalog Inc.
parte di:
The 53rd Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1980 winner)
Irene Cara53:48
3A Night to Remember
registrazione di:
A Night to Remember
autore:
Nidra Beard, Dana Meyers e Charmaine Sylvers
editore:
Notting Hill Music (UK) Ltd.
Shalamar3.53:30
4Inside Out (single mix)
registrazione di:
Inside Out
paroliere e compositore:
Jesse Rae (Scottish singer/songwriter)
Odyssey3:47
5Love Come Down
registrazione di:
Love Come Down
paroliere e compositore:
Kashif (Michael Jones, B.T. Express)
editore:
MCA Music Ltd.
Evelyn “Champagne” King4.53:18
6Get Down on It (single version)
diritti fonografici (℗) detenuti da:
De-Lite Recorded Sound Corp. (not for release) (nel 1981)
registrazione di:
Get Down on It
autore:
Ronald Bell, Kool & the Gang e James “J.T.” Taylor (US R&B vocalist for Kool & the Gang)
editore:
Delightful Music Publishing Ltd., Double F Music Co., Planetary Nom (London) Ltd., Second Decade Music Co., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e WB Music Corp. (1929–2019)
Kool & the Gang4.53:33
7Why (radio edit)
produttore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
voce principale:
Carly Simon
direttore d'orchestra:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
arrangiatore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
registrazione di:
Why
paroliere e compositore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music e Sony/ATV Songs LLC
cita i testi di:
Why
Carly Simon53:34
8Buffalo Gals (edit)
registrazione di:
Buffalo Gals
compositore:
Anne Dudley (English score composer), Trevor Horn e Malcolm McLaren
editore:
Buffalo Music, Ltd., By Bug House Music, Unforgettable Music, Ltd., Universal Music Publishing, Ltd. (UK subsidiary of Universal Music Publishing Group) e Universal-Polygram International, Inc.
Malcolm McLaren, The World’s Famous Supreme Team3:42
9Walking on Sunshine
registrazione cover di:
Walking on Sunshine
paroliere e compositore:
Eddy Grant
editore:
Greenheart Music
Rockers Revenge feat. Donnie Calvin3:43
10Can’t Take My Eyes Off You (radio edit)
registrazione cover di:
Can’t Take My Eyes Off You (1967 song)
autore:
Bob Crewe e Bob Gaudio
editore:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. e Seasons Four Music Corp. (nel 1967)
sub-editore:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Boys Town Gang3:34
11Do You Wanna Funk (radio edit)
Patrick Cowley feat. Sylvester3:30
12Just an Illusion (radio edit)
registrazione di:
Just an Illusion
autore:
Ashley Ingram, Leee John, Steve Jolley e Tony Swain (songwriter, producer)
editore:
Broadley Music (International) Ltd. (PRS)
Imagination4.353:56
13Torch (original / 7″ single version)
produttore:
Mike Thorne (UK producer & keyboardist)
registrazione di:
Torch
paroliere:
Marc Almond (English pop singer and songwriter)
compositore:
Dave Ball (UK electronic musician, part of Soft Cell)
editore:
Arto Music Ltd.
Soft Cell4:08
14Mad World
programmazione:
Manny Elias, Chris Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) e Ian Stanley
produttore:
Ross Cullum e Chris Hughes (producer, aka “Merrick”)
batteria :
Manny Elias
chitarra :
Roland Orzabal (UK musician, songwriter and producer)
chitarra basso :
Curt Smith
percussione :
Chris Hughes (producer, aka “Merrick”)
tastiera :
Roland Orzabal (UK musician, songwriter and producer), Curt Smith e Ian Stanley
voce:
Curt Smith
direttore d'orchestra:
Chris Hughes (producer, aka “Merrick”)
esecutore:
Ross Cullum e Phil Palmer (guitarist)
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (London) (company name, NOT a label!) (nel 1985)
video musicali:
Mad World di Tears for Fears
registrazione di:
Mad World
paroliere e compositore:
Roland Orzabal (UK musician, songwriter and producer)
editore:
BMG Blue, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Publishing e Virgin Music Ltd.
Tears for Fears3.953:34
15Mirror Man (remasterd 2012)
produttore:
The Human League e Martin Rushent
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982)
video musicali:
Mirror Man di The Human League
registrazione di:
Mirror Man
autore:
Ian Burden, Jo Callis e Philip Oakey
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Publishing Australia P/L e PolyGram Music Publishing
The Human League23:50
16Wishing (If I Had a Photograph of You)
registrazione di:
Wishing (If I Had a Photograph of You)
autore:
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score e Mike Score
editore:
Zomba Enterprises, Inc. e Zomba Management Ltd. (Don’t confuse with Zomba Management and Publishers Ltd.)
A Flock of Seagulls4:09
17The Damned Don’t Cry
produttore:
Midge Ure e Visage (new romantic band from London)
registrazione di:
The Damned Don’t Cry
compositore:
Rusty Egan
Visage4:02
18Promised You a Miracle (2002 digital remaster)
produttore:
Keith Forsey (drummer, producer and songwriter) e Peter Walsh (UK producer)
registrazione di:
Promised You a Miracle
autore:
Charlie Burchill, Derek Forbes, Jim Kerr (of Simple Minds) e Michael MacNeil
Simple Minds3:58
19Reap the Wild Wind
registrazione di:
Reap the Wild Wind
autore:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie e Midge Ure
Ultravox53:43
20Maid of Orleans (The Waltz of Joan of Arc) (remastered 2019)
tecnico:
Howard Gray (UK producer, engineer, and electronic musician) e Brian Tench
produttore:
Richard Manwaring (Producer) e Orchestral Manoeuvres in the Dark
diritti fonografici (℗) detenuti da:
Dindisc (nel 1981), Dinsong Limited (nel 1981) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1981)
registrazione di:
Joan of Arc (Maid of Orleans)
paroliere e compositore:
Andy McCluskey
editore:
April Musikverlag GmbH (publisher), Dinsong Ltd. e EMI Virgin Music Ltd. (do not use this as a release label!)
Orchestral Manoeuvres in the Dark2.54:11
21Ghosts (single version / remastered 2003)
registrazione di:
Ghosts
paroliere e compositore:
David Sylvian
editore:
Chadwick-Nomis Ltd e Virgin Music (Publishers) Ltd.
Japan3:56
3▼CD
#TitoloArtistaValutazioneDurata
1Eye of the Tiger
assistente tecnico:
Hill Swimmer
tecnico:
Phil Bonnano e Mike Clink
produttore:
Jim Peterik e Frankie Sullivan (US guitarist and songwriter, member of Survivor)
diritti fonografici (℗) detenuti da:
Scotti Bros. Industries Inc (company credits only; do not use as release label!) (nel 1982), Volcano Entertainment III, L.L.C. (nel 1982, nel 1985) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 2016)
registrata presso:
Rumbo Recorders in Canoga Park, Los Angeles, California, Stati Uniti
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 28) e VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 63)
registrazione di:
Eye of the Tiger
autore:
Jim Peterik e Frankie Sullivan (US guitarist and songwriter, member of Survivor)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (fino al 2017-03-31) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
parte di:
The 55th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1982 nominee)
Survivor4.454:06
2Dead Ringer for Love
produttore:
Jimmy Iovine e Jim Steinman
batteria :
Liberty DeVitto (US drummer)
chitarra [guitars] :
Davey Johnstone
chitarra basso :
Steve Buslowe
corno :
Alan Rubin, Lou Delgatto, Lou Marani e Tom Malone (US trombonist)
percussione :
Jimmy Maelen (percussion)
pianoforte :
Roy Bittan
tamburo a fessura [African logs] :
Neleam Ymmij
voce:
Cher e Meat Loaf
voce di accompagnamento:
Allan Nicholls (Canadian musician), Rhonda Coullet, Rory Dodd, Ted Neeley e Eric Troyer
esecutore:
Cher
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1981) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1981)
registrazione di:
Dead Ringer for Love
paroliere e compositore:
Jim Steinman
editore:
Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (nel 1981), Neverland Music Publishing Company (nel 1981) e Peg Music Company (nel 1981)
Meat Loaf with Cher3.84:23
3Centerfold
tecnico:
Dave Thoener
produttore:
Seth Justman
arrangiatore:
Seth Justman
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981) e EMI Catalog (nel 2006)
registrata presso:
Long View Farm in North Brookfield, Massachusetts, Stati Uniti
mixata presso:
Mix Room, Record Plant (NYC) in New York, New York, Stati Uniti
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 38), Billboard: Greatest of All Time Hot 100 Songs (numero: 73) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 314)
registrazione di:
Centerfold (song by The J. Geils Band)
paroliere e compositore:
Seth Justman
editore:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) e Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band43:37
4Abracadabra (2003 digital remaster)
diritti fonografici (℗) detenuti da:
Sailor Music (nel 1982)
video musicali:
Abracadabra di Steve Miller Band (American rock band)
registrazione di:
Abracadabra
paroliere e compositore:
Steve Miller (leader of Steve Miller Band)
editore:
Sailor Music
Steve Miller Band4.33:38
5Back on the Chain Gang
tecnico:
Steve Churchyard
produttore:
Chris Thomas (UK record producer / remixer)
batteria :
Martin Chambers (drummer for The Pretenders)
chitarra :
Billy Bremner e Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
chitarra basso :
Tony Butler (English rock bassist with Big Country)
voce di accompagnamento:
Tony Butler (English rock bassist with Big Country), Martin Chambers (drummer for The Pretenders) e Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
voce principale:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1982) e WEA Records Ltd. (holding company based in the UK) (nel 1982)
registrata presso:
Air Studios (located at Oxford Street 1970–1991) in London (Greater London), England, Regno Unito
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 486)
registrazione di:
Back on the Chain Gang
paroliere e compositore:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
dedicata a:
James Honeyman‐Scott
editore:
Al Gallico Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Music Publishing (do not use as a release label!)
Pretenders4.53:51
6I Can’t Go for That (No Can Do)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1981), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1981) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1981)
registrazione di:
I Can’t Go for That (No Can Do)
paroliere:
Sara Allen, Daryl Hall e John Oates
compositore:
Daryl Hall
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Geomantic Music, Hot Cha Music Co., Primary Wave Brian, Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Daryl Hall & John Oates4.53:45
7Arthur’s Theme (Best That You Can Do)
assistente tecnico:
Stuart Gitlin e Margaret Gwynne (engineer)
tecnico aggiunto:
John Guess, Lee Herschberg, Mark Linett e Richard Mullen
produttore:
Michael Omartian
tecnico di missaggio:
Chet Himes
voce principale:
Christopher Cross (US singer‐songwriter)
direttore d'orchestra:
Michael Omartian
arrangiatore archi :
Michael Omartian
arrangiatore:
Christopher Cross (US singer‐songwriter), Rob Meurer e Michael Omartian
primo violino:
Assa Drori
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1981, nel 1983)
registrata presso e mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 19)
registrazione di:
Arthur’s Theme (Best That You Can Do)
autore:
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager e Christopher Cross (US singer‐songwriter)
editore:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner-Barham Music LLC, Warner/Chappell North America, Woolnough Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 54th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1981 winner)
Christopher Cross53:51
8Hard to Say I’m Sorry (2009 remaster)
produttore:
David Foster (Canadian music producer, arranger and composer)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 2010)
registrazione di:
Hard to Say I’m Sorry (Chicago song)
autore:
Peter Cetera (nel 1982) e David Foster (Canadian music producer, arranger and composer) (nel 1982)
editore:
Peermusic III, Ltd. (BMI), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Double Virgo Music (nel 1982) e Foster Frees Music Inc. (nel 1982)
Chicago4.653:48
9Waiting for a Girl Like You
assistente tecnico:
Edwin Hobgood (engineer) e Michael Sauvage
tecnico:
Tony Platt (UK engineer and producer), Brad Samuelsohn e Dave Wittman
produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Robert John “Mutt” Lange (Robert John Lange)
batteria :
Dennis Elliott
chitarra basso :
Rick Wills
chitarra elettrica [lead guitar] :
Mick Jones (Foreigner/Spooky Tooth, worked in France)
sintetizzatore :
Thomas Dolby
tastiera :
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Bob Mayo (US session keyboardist & guitarist)
voce di accompagnamento:
Dennis Elliott, Mick Jones (Foreigner/Spooky Tooth, worked in France), Robert John “Mutt” Lange (Robert John Lange), Ian Lloyd (of Stories), Mark Rivera e Rick Wills
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1981, nel 2002), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1981) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
registrazione di:
Waiting for a Girl Like You
autore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31), Evansongs Ltd. (publisher) (nel 1981), Somerset Songs Publishing Inc. (nel 1981) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
Foreigner3.354:47
10Avalon (2003 digital remaster)
produttore:
Rhett Davies e Roxy Music
tecnico di missaggio:
Bob Clearmountain
batteria :
Andy Newmark (dal 1981 al 1982)
chitarra :
Neil Hubbard (dal 1981 al 1982) e Phil Manzanera (dal 1981 al 1982)
chitarra basso :
Alan Spenner (dal 1981 al 1982)
percussione :
Jimmy Maelen (percussion) (dal 1981 al 1982)
sassofono :
Andy Mackay (of Roxy Music) (dal 1981 al 1982)
tastiera e voce principale:
Bryan Ferry (dal 1981 al 1982)
voce di accompagnamento:
Yannick Etienne (dal 1981 al 1982) e Fonzi Thornton (dal 1981 al 1982)
esecutore:
Roxy Music (dal 1981 al 1982)
diritti fonografici (℗) detenuti da:
E.G. Records Ltd. (company credits only; do NOT use as release label) (dal 1982 a oggi, nel 1982), Virgin EG Records Ltd. (nel 1982) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982, nel 1999)
registrata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1981 al 1982)
registrazione di:
Avalon (dal 1981 al 1982)
paroliere e compositore:
Bryan Ferry
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. e E.G. Music Ltd. (publisher) (nel 1982)
Roxy Music4.154:12
11Golden Brown
co-produttore:
Steve Churchyard
produttore:
Steve Churchyard e The Stranglers
tecnico di missaggio:
Tony Visconti
esecutore:
The Stranglers
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981)
registrazione di:
Golden Brown
autore:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
editore:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. e Plumbshaft-Ltd.
The Stranglers4.43:27
12Fireworks
registrazione di:
Fireworks
paroliere:
Steven Severin
compositore:
John McGeoch, Peter Clarke (UK drummer Peter Clarke of The Banshees, The Creatures, etc.), Steven Severin e Siouxsie Sioux (Susan Janet Ballion)
Siouxsie and the Banshees54:23
13Rock the Casbah
tecnico:
Bob Clearmountain
produttore:
Guy Stevens
tecnico di missaggio:
Glyn Johns
batteria :
Topper Headon
chitarra :
Mick Jones (The Clash/Big Audio Dynamite) e Joe Strummer
chitarra basso :
Paul Simonon
voce:
Mick Jones (The Clash/Big Audio Dynamite) e Joe Strummer
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
video musicali:
Rock the Casbah di The Clash (70s–80s British punk rock band)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 58)
registrazione di:
Rock the Casbah
autore:
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite) e Joe Strummer
The Clash4.63:41
14Beat Surrender
produttore:
Peter Wilson (UK Producer)
tromba :
Martin Drover e Luke Tunney
voce di accompagnamento:
Afrodiziac, Claudia Fontaine (vocals, background vocals), Tracie (80s UK pop singer Tracie Young) e Caron Wheeler (English singer, songwriter, and record producer)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.)
registrata presso:
Phonogram Studios in London (Greater London), England, Regno Unito (nel 1982-10)
registrazione di:
Beat Surrender (nel 1982-10)
paroliere e compositore:
Paul Weller (English singer‐songwriter and musician)
editore:
Notting Hill Music (UK) Ltd. e Stylist Music Ltd.
The Jam3:25
15Our House
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 13) e VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 29)
registrazione di:
Our House
paroliere:
Mike Barson, Mark Bedford, Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) e Daniel Woodgate
compositore:
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Lee “Kix” Thompson (Madness) e Daniel Woodgate
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3.93:24
16Brave New World
registrazione di:
Brave New World
autore:
Joel Bogen e Toyah Willcox
Toyah3:34
17See Those Eyes (7″ version)
tecnico:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
produttore:
Martin Rushent
registrazione di:
See Those Eyes
paroliere e compositore:
Tich Anderson, Clare Grogan, Tony McDaid, Johnny McElhone e Jim McKinven
Altered Images3:08
18John Wayne is Big Leggy (single version)
registrazione di:
John Wayne Is Big Leggy
autore:
Paul Caplin, Kate Garner e Jeremy Healy
editore:
Carlin Music Corporation, Chrysalis Music Ltd. (music publisher, affiliated with PRS) e EMI Music Publishing Ltd. (PRS‐affiliated)
Haysi Fantayzee3:19
19Party Fears Two (2016 remaster; single edit)
registrazione di:
Party Fears Two
autore:
Billy MacKenzie (Scottish tenor singer & songwriter) e Alan Rankine
The Associates4:08
20Temptation (7″ version)
registrazione di:
Temptation (New Order)
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Be Music (New Order’s own publishing company) e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
New Order5:22
4▼CD
#TitoloArtistaValutazioneDurata
1The Day Before You Came
tecnico:
Michael B. Tretow
produttore:
Benny Andersson (ABBA) e Björn Ulvaeus
diritti fonografici (℗) detenuti da:
Polar Music International AB (nel 1982)
registrazione di:
The Day Before You Came (nel 1982)
autore:
Benny Andersson (ABBA) e Björn Ulvaeus
editore:
Union Songs AB (publisher), Universal (Sweden), EMI Waterford Music (nel 1982), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (nel 1982) e Universal/Union Songs Musikförlag AB (nel 1982)
ABBA3.55:51
2Blue Eyes (remastered 2017)
tecnico di registrazione:
Bill Price (UK producer/engineer) (nel 1982-02)
produttore:
Chris Thomas (UK record producer / remixer)
basso elettrico :
Dee Murray (nel 1982-02)
batteria :
Jeffrey Porcaro (nel 1982-02)
chitarra :
Richie Zito (nel 1982-02)
pianoforte e voce principale:
Elton John (English singer, songwriter, pianist, and composer) (nel 1982-02)
pianoforte elettrico e sintetizzatore :
James Newton Howard (American score composer) (nel 1982-02)
arrangiatore archi e arrangiatore ottoni :
James Newton Howard (American score composer)
diritti fonografici (℗) detenuti da:
Happenstance Ltd. (record and publishing company) (nel 1982)
registrata presso:
AIR Studios Montserrat in Saint Peter, Montserrat (nel 1982-02)
video musicali:
Blue Eyes di Elton John (English singer, songwriter, pianist, and composer)
registrazione di:
Blue Eyes (nel 1982-02)
paroliere:
Gary Osborne
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
Big Pig Music Ltd. (publisher) e Universal–Songs of PolyGram International, Inc.
Elton John2.753:25
3Save a Prayer
tecnico e produttore:
Colin Thurston
arrangiatore:
Duran Duran (English rock band)
diritti fonografici (℗) detenuti da:
Tritec Music Ltd. (publisher and copyrights holder) (dal 1982 a oggi)
registrazione di:
Save a Prayer (Duran Duran)
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
Gloucester Place Music Ltd.
Duran Duran4.055:27
4All of My Heart (edit)
produttore:
Trevor Horn
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (London) (company name, NOT a label!) (nel 1982)
registrazione di:
All of My Heart
autore:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton e Mark White (ABC/Vice Versa)
editore:
10 Music Ltd., EMI 10 Music Ltd., Neutron Music e Virgin Music (Publishers) Ltd.
parte di:
Mantrap (ABC long-form film)
ABC4:50
5Starmaker
registrazione di:
Starmaker
autore:
Carole Bayer Sager e Bruce Roberts (American singer-songwriter)
editore:
Alley Music Corp., EMI Sosaha Music, Inc., R2M Music (BMI), Songs of Lastrada (BMI-affiliated), Trio Music Company, フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), The EMP Company (dal 1974 a oggi), The Times Square Music Publications Co. (dal 1974 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Kids From “Fame”4:06
6My Camera Never Lies
Bucks Fizz3:33
7Mirror Mirror
registrazione di:
Mirror Mirror (Mon amour)
autore:
Trevor Horn e Bruce Woolley
Dollar3:31
8One Step Further
produttore:
Andy Hill (English producer & songwriter)
voce:
Steve Fisher (of Bardo) e Sally Ann Triplett
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!)
parte di:
United Kingdom in the Eurovision Song Contest (Regno Unito all'Eurovision Song Contest) (numero: 1982)
registrazione di:
One Step Further
paroliere e compositore:
Simon Jefferies
editore:
Big Note Music Productions Ltd.
Bardo3:02
9View from a Bridge
produttore:
Ricky Wilde
voce principale:
Kim Wilde
diritti fonografici (℗) detenuti da:
Cherry Pop (a division of Cherry Red Records Ltd.), RAK, EMI France (nel 1993), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1996, nel 2001) e EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2006)
registrazione di:
View From a Bridge
autore:
Marty Wilde e Ricky Wilde
Kim Wilde43:30
10Fantastic Day
produttore:
Bob Sargeant
registrazione di:
Fantastic Day
paroliere e compositore:
Nick Heyward
Haircut 1002.53:13
11Best Years of Our Lives
registrazione di:
Best Years of Our Lives
paroliere aggiunto:
Rick Carey e Marvin Prosper
autore:
Geoff Deane e David Jaymes
editore:
Business Art Prod Ltd, Chrysalis Music Ltd. (music publisher, affiliated with PRS), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Modern Romance2:36
12Island of Lost Souls
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (nel 1981-12)
chitarra :
Frank Infante (nel 1981-12) e Chris Stein (nel 1981-12)
chitarra basso :
Nigel Harrison (nel 1981-12)
corno ospite :
Rick Davies (US trombonist, member of Grupo Sabor) (nel 1981-12), Mac Gollehon (nel 1981-12), Ray Maldonado (nel 1981-12) e Luis “Perico” Ortiz (nel 1981-12)
tastiera :
Jimmy Destri (nel 1981-12)
voce principale:
Deborah Harry (nel 1981-12)
arrangiatore strumenti:
Robert Aaron
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1982), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1982), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1982) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1982)
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti (nel 1981-12)
registrazione di:
Island of Lost Souls (nel 1981-12)
paroliere:
Deborah Harry
compositore:
Chris Stein
editore:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Monster Island Music Publishing Corporation e Rare Blue Music Inc (nel 1982)
Blondie3.153:48
13The Lion Sleeps Tonight
diritti fonografici (℗) detenuti da:
Jive Records (may or may not be the company behind the Jive imprint; not for release label use!) (nel 1982) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1982)
video musicali:
The Lion Sleeps Tonight di Tight Fit
registrazione cover di:
The Lion Sleeps Tonight
paroliere:
George David Weiss (nel 1961)
autore:
Luigi Creatore, Hugo Peretti e Albert Stanton (pseudonym for Al Brackman)
compositore:
Solomon Linda
editore:
Abilene Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Luigi Creatore Music (ASCAP) e Memory Lane Music Ltd.
si basa su:
Mbube
si basa su:
Wimoweh
versione di:
Wimoweh
parte di:
The Lion King (stage musical)
parte di:
The Lion King (2019 film soundtrack)
Tight Fit3.653:13
14Oh Julie (7″ version)
registrazione di:
Oh Julie (1982 song)
paroliere e compositore:
Shakin’ Stevens
editore:
SM Limited e Warner/Chappell Music Ltd. (1996–2019)
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Shakin’ Stevens42:32
15Just What I Always Wanted
produttore:
Tony Mansfield (producer & songwriter)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only)
registrazione di:
Just What I Always Wanted
paroliere e compositore:
Teddy Johns
Mari Wilson3:25
16A Little Peace
registrazione di:
A Little Peace
paroliere:
Bernd Meinunger
compositore:
Ralph Siegel
traduttore:
Paul Greedus
versione tradotta di:
Ein bißchen Frieden
Nicole3:02
17I’ve Never Been to Me (original single version)
produttore:
Don Costa (US pop music arranger & producer), Berry Gordy e Ron Miller (Motown songwriter Ronald Norman Miller)
arrangiatore:
Don Costa (US pop music arranger & producer)
diritti fonografici (℗) detenuti da:
Motown Records (not for label use; use “Motown” instead) (nel 1977) e Motown Record Company, L.P. (company credits only; do NOT use as release label) (dal 1982 a oggi)
registrazione di:
I’ve Never Been to Me
autore:
Ken Hirsch (American pop songwriter, composer, pianist, producer, and arranger) e Ron Miller (Motown songwriter Ronald Norman Miller)
editore:
Stone Diamond Music Corporation
Charlene3:55
18Theme from Harrys Game
tecnico:
Richard Dodd (mastering engineer, producer and engineer) e Austin Ince (engineer)
produttore:
Richard Dodd (mastering engineer, producer and engineer)
direttore d'orchestra:
James Horner (American score composer) (nel 1992)
diritti fonografici (℗) detenuti da:
RCA Ltd. (UK arm of RCA) (nel 1983)
registrata presso e mixata presso:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irlanda
registrazione di:
Theme From Harry’s Game
paroliere e compositore:
Ciarán Ó Braonáin e Pól Ó Braonáin
editore:
Television Music Ltd.
si basa su:
[old text from County Galway]
Clannad4.652:29
19I Won’t Let You Down
registrazione di:
I Won’t Let You Down
autore:
Jim Diamond (Scottish singer/songwriter/guitarist) e Tony Hymas
Ph.D.44:05
20I Second That Emotion
produttore:
John Punter
diritti fonografici (℗) detenuti da:
Hansa Productions Ltd. (nel 1982)
registrazione cover di:
I Second That Emotion
autore:
Al Cleveland (songwriter 1930-1996) e Smokey Robinson
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Japan43:46
21Say Hello, Wave Goodbye (7″ single version)
tecnico:
Don Wershba (engineer)
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
registrata presso:
Camden Cell Studios
registrazione di:
Say Hello, Wave Goodbye
paroliere:
Marc Almond (English pop singer and songwriter)
autore:
Almond (English pop singer and songwriter) e David Ball (UK electronic musician, part of Soft Cell)
compositore:
Dave Ball (UK electronic musician, part of Soft Cell)
editore:
Metropolis Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e WB Music Corp. (1929–2019)
Soft Cell55:24

Accreditamenti

Gruppo di pubblicazioni

parte di:Now Yearbook (UK Now subseries) (numero: 1982) (ordine: 18)