Why - We Love the 90s

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Countries excluded (Spotify + Deezer)

(As of 2024-01-11).

  • Eastern Europe: 🇧🇾 Belarus (by)
Annotation last modified on 2024-01-11 00:48 UTC.

Tracklist

1Digital Media
#TitleArtistRatingLength
1Why
recording of:
Why
Tiggy3:45
2Go West (2003 remaster)
programming:
Pete Gleadall
engineer:
Pete Gleadall and Bob Kraushaar
additional producer:
Brothers in Rhythm
producer:
Brothers in Rhythm
mixer:
Mike “Spike” Drake and Stephen Hague
lead vocals:
Neil Tennant
remixer:
Brothers in Rhythm and Stephen Hague
phonographic copyright (℗) by:
Pet Shop Boys Partnership Ltd. (in 1993)
cover recording of:
Go West
lyricist:
Henri Belolo and Victor Willis (Victor Edward Willis, member of the Village People)
composer:
Jacques Morali
publisher:
EMI Music (do not use as release label! this is a music publisher), Leosong Copyright Service Ltd., Scorpio Music (work publisher of "Scorpio Music") and Zomba Management and Publishers Ltd.
version of:
À l'ouest
Pet Shop Boys4.25:04
3Under the Bridge
engineer:
Brendan O’Brien (engineer)
producer:
Rick Rubin (US record producer, former co‐president of Columbia Records)
bass:
Flea (US bassist)
drums (drum set):
Chad Smith (drummer from Red Hot Chili Peppers)
guitar:
John Frusciante
guest choir vocals:
Gail Frusciante
lead vocals:
Anthony Kiedis
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1991) and Warner Bros., Inc. (not for release label use!) (in 1991)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 33), BILLIONS CLUB and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 328)
recording of:
Under the Bridge
lyricist:
Anthony Kiedis
composer:
John Frusciante, Anthony Kiedis, Michael Peter Balzary (US bassist) and Chad Smith (drummer from Red Hot Chili Peppers)
publisher:
EMI Blackwood Music Inc., Moebetoblame Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Artemis Music
Red Hot Chili Peppers4.34:24
4Ironic
recording engineer:
Glen Ballard and Ted Blaisdell
producer:
Glen Ballard
mixer:
Chris Fogel (engineer)
bass:
Lance Morrison
drums (drum set) and percussion:
Rob Ladd
guitar:
Glen Ballard and Basil Fung
organ:
Michael Thompson (American arranger, keyboardist, trombonist, accordionist and drummer)
vocals:
Alanis Morissette
music videos:
Ironic by Alanis Morissette
recording of:
Ironic
lyricist:
Alanis Morissette
composer:
Glen Ballard and Alanis Morissette
publisher:
Aerostation Corporation, Arlovol Music and Vanhurst Place Music
part of:
Jagged Little Pill (the musical)
Alanis Morissette43:46
5Basket Case
additional engineer:
Casey McCrankin'
engineer:
Neil King (sound engineer)
producer:
Rob Cavallo and Green Day
mixer:
Rob Cavallo, Jerry Finn and Green Day
bass:
Mike Dirnt
drums (drum set):
Tré Cool
guitar:
Billie Joe
vocals:
Billie Joe and Mike Dirnt
phonographic copyright (℗) by:
Reprise Records (in 1994) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1994)
music videos:
Basket Case by Green Day
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 33), BILLIONS CLUB, Indie 88: Top 500 Indie Rock Songs (number: 35) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 150)
recording of:
Basket Case
lyricist:
Billie Joe Armstrong
composer:
Billie Joe Armstrong, Frank E. Wright III and Mike Pritchard
publisher:
Green Daze Music (ended, ), WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
is based on:
Avui m'he Llevat
Green Day4.353:02
6My Lovin’ (You’re Never Gonna Get It)
recording engineer:
Steve Counter
additional engineer:
Neil King (sound engineer) and Michael Semanick
assistant engineer:
John Jackson (engineer)
producer:
Denzil Foster (songwriter, musician, producer) and Thomas McElroy (songwriter, musician, producer)
mixer:
Ken Kessie
arranger:
Denzil Foster (songwriter, musician, producer) and Thomas McElroy (songwriter, musician, producer)
phonographic copyright (℗) by:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 2022)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
mixed at:
Can Am Studios in Tarzana, Los Angeles, California, United States
samples:
The Payback by James Brown (The Godfather of Soul)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 2) (number: 2) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 471)
recording of:
My Lovin’ (You’re Never Gonna Get It)
writer:
Denzil Foster (songwriter, musician, producer) and Thomas McElroy (songwriter, musician, producer)
publisher:
EMI Blackwood Music Inc., Two Tuff Enuff Publishing and Irving Music (BMI) (from 1992 to present)
En Vogue4.64:42
7In the MeantimeSpacehog4.25:00
8The Boy Is Mine (radio edit)
producer:
Dallas Austin, Brandy (US R&B singer) and Rodney Jerkins
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1998) and WEA International, Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
produced for:
Brand Nu, Inc., Darkchild Entertainment, Inc. and Darp, Inc.
edit of:
The Boy Is Mine (album version) by Brandy (US R&B singer) & Monica (US R&B singer)
recording of:
The Boy Is Mine
writer:
Brandy Norwood (US R&B singer), LaShawn Daniels (US contemporary R&B songwriter), Fred Jerkins, Rodney Jerkins and Japhe Tejeda
publisher:
Bran-Bran Music, EMI April Music Inc., EMI Blackwood Music Inc., Ensign Music Publishing, Famous Music Publishing, Fred Jerkins Publishing, Henchi Music and Sony/ATV Melody
is based on:
The Girl Is Mine
Brandy & Monica44:00
93am
assistant recording engineer:
John Nielsen (engineer)
engineer:
Jeff Tomei
producer:
Matt Serletic
assistant mixer:
Malcolm Springer
mixer:
Greg Archilla and Matt Serletic
editor:
Don C. Tyler (mastering engineer, electronic music producer, graphic designer)
bass guitar [bass]:
Brian Yale
drums (drum set) [drums]:
Paul Doucette (member of Matchbox Twenty)
guitar [lead guitar]:
Kyle Cook (member of Matchbox Twenty)
guitar [rhythm guitar]:
Adam Gaynor
background vocals [BG’s]:
Kyle Cook (member of Matchbox Twenty) and Adam Gaynor
vocals:
Rob Thomas (Matchbox Twenty)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (from 2005 to present)
recorded at:
Triclops Recording in Atlanta, Georgia, United States
mixed at:
House of Blues Studios in Memphis, Tennessee, United States
recording of:
3 A.M.
writer:
John Goff (Orlando guitarist/producer, worked with Rob Thomas), Jay Stanley (Orlando guitarist for Tabitha's Secret), Rob Thomas (Matchbox Twenty) and Brian Yale
Matchbox Twenty3.53:46
10Girls and Boys
producer:
Stephen Street (famous producer, songwriter)
recording of:
Girls & Boys
lyricist:
Damon Albarn
composer:
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) and Dave Rowntree
publisher:
MCA Music Ltd.
Blur3.74:19
11I Swear
producer:
David Foster (Canadian music producer, arranger and composer)
part of:
The Downloader’s Music Source Book (number: 389)
cover recording of:
I Swear
writer:
Gary Baker (songwriter) and Frank J. Meyers (country music singer, songwriter, record producer)
publisher:
MorganActive Songs, Inc. and Rick Hall Music, Inc.
All‐4‐One44:20
12Just a Little Bit (radio edit)Gina G43:24
13Cupid
recording engineer and mixer:
Michael Patterson (engineer)
additional engineer:
Doug A. Wilson (engineer)
producer:
Arnold Hennings and Daron Jones
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1996)
produced for:
Darp, Inc.
recorded at and mixed at:
Daddy’s House Recording Studios in New York, New York, United States and Purple Dragon Recordings in Atlanta, Georgia, United States
music videos:
Cupid by 112
recording of:
Cupid
writer:
Arnold Hennings, Daron Jones, Michael Keith (US r&b artist, in 112), Marvin Scandrick (US R&B artist Marvin Scandrick, of group 112), Quinnes Parker and Courtney Sills
publisher:
Arn Music, Beane Tribe Music, C. Sills Publishing, Da 12 Music, EMI-April Music, Inc., Hitco South, Justin Combs Publishing, Kevin Wales Music and Music of Windswept
1124:12
14See You Soon
assistant recording engineer:
Simon “Barny” Barnicott
recording engineer and producer:
Chris Allison
mixer:
Chris Allison and Simon “Barny” Barnicott
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1999) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2000)
recording of:
See You Soon
writer:
Guy Berryman, Jonny Buckland, Will Champion and Chris Martin (lead singer of Coldplay)
Coldplay2.752:51
15Never Ever
additional producer:
Mystro (US DJ and producer Sean Mather) and Rickidy Raw
producer:
Magnus Fiennes and Cameron McVey
mixer:
Niven Garland
phonographic copyright (℗) by:
London Records (UK, 1947–1999, re-launched 2011–present) (in 1997)
recording of:
Never Ever
writer:
Robert Jazayeri (aka Esmail or Afshin Jazayeri), Shaznay Lewis and Sean Mather (US DJ and producer Sean Mather)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rickidy Raw Productions Inc. and STL Songs Ltd.
All Saints3.86:28
16They Reminisce Over You
recording engineer:
Jamie Staub
co-producer:
CL Smooth
producer:
DJ Pete Rock (US hip hop producer)
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
co-produced for:
Untouchables Entertainment
produced for:
Untouchables Entertainment
samples:
Today by Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 430)
recording of:
They Reminisce Over You (T.R.O.Y.)
lyricist:
Corey Penn
composer:
Peter Phillips (US hip hop producer)
Pete Rock & C.L. Smooth54:47
17Semi‐Charmed Life
programming:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind) and Eric Valentine (Eric Dodd, producer and instrumentalist)
assistant engineer:
Jaquire King and Kevin Scott (engineer)
engineer and mixer:
Eric Valentine (Eric Dodd, producer and instrumentalist)
additional producer:
Kevin Cadogan and Arion Salazar
co-producer:
Eric Valentine (Eric Dodd, producer and instrumentalist)
producer:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
bass guitar:
Arion Salazar
brushes and lead vocals:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
drums (drum set):
Brad Hargreaves
guitar:
Kevin Cadogan and Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
background vocals:
Kevin Cadogan
additional arranger:
Ren Klyce
arranger:
Kevin Cadogan and Arion Salazar
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 138) and Indie 88: Top 500 Indie Rock Songs (number: 347)
recording of:
Semi‐Charmed Life
lyricist and composer:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
publisher:
3EB Publishing
Third Eye Blind4.254:29
18I’ll Be Missing YouDiddy, Faith Evans & 11225:07
19Stroke You Up
Changing Faces5:52
20Freak Me
recording of:
Freak Me
writer:
Anthony Johnson (a.k.a. Anthony "Teno" Johnson), Roy Murray (Producer, songwriter, keyboardist, worked with Keith Sweat) and Keith Sweat
Silk4:35
21Plush
additional engineer:
Dick Kaneshiro
engineer:
Nick DiDia
producer:
Brendan O’Brien (engineer)
bass guitar:
Robert DeLeo
drums (drum set):
Eric Kretz
guitar:
Dean DeLeo
lead vocals:
Weiland
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Rumbo Recorders in Canoga Park, Los Angeles, California, United States
mixed at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States
part of:
Indie 88: Top 500 Indie Rock Songs (number: 255)
recording of:
Plush
lyricist:
Eric Kretz and Scott Weiland
composer:
Robert DeLeo and Scott Weiland
publisher:
Floated Music, Milksongs and Triple Kauf Noplate Muzak
Stone Temple Pilots4.35:10
22Let Me Let Go (2007 remaster)
producer:
Faith Hill (country pop singer) and Dann Huff
recording of:
Let Me Let Go
writer:
Steve Diamond (songwriter, musician and producer) and Dennis Morgan (US songwriter)
publisher:
Diamond Mine Music and Little Shop of Morgansongs (BMI)
Faith Hill3.54:24
23Twisted
Keith Sweat4:21
24Freak Like Me
samples:
I’d Rather Be With You by Bootsy Collins (US funk musician & songwriter)
instrumental versions:
Freak Like Me (instrumental) by Adina Howard
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 370)
recording of:
Freak Like Me (Adina Howard)
lyricist:
Eugene Hanes, Loren Hill and Marc Valentine
composer:
George Clinton (US funk musician), Bootsy Collins (US funk musician & songwriter) and Gary “Mudbone” Cooper
publisher:
Notting Dale Songs, Inc., Rubber Band Music and Universal Music Corp. (USA, affiliated with ASCAP)
is based on:
I’d Rather Be With You
Adina Howard4.254:14
25So Into You
samples:
Say Yeah by Commodores (US funk/soul band with Lionel Richie)
recording of:
So Into You
writer:
Tim Kelley, Ronald LaPread, Lionel Richie, Bob Robinson (US R&B producer/songwriter) and Tamia Washington (Canadian R&B and soul singer)
publisher:
Cambrae Music, Jobete Music Co., Inc., Libren Music, Plus 1 Publishing, Songs by Barometer Music Royalty Fund I, Time for Flytes Music and WC Music Corp.
is based on:
Say Yeah
Tamia4:22
26Kiss from a Rose
assistant producer:
Richard Lowe (UK producer/engineer)
producer:
Trevor Horn
assistant mixer:
Tom Elmhirst (mixing engineer)
mixer:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
lead vocals:
Seal (English‐born singer and songwriter)
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1994), Warner Music Argentina S.A. (in 2009) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2009)
produced for:
Horn Productions
recorded at and mixed at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 308)
recording of:
Kiss From a Rose
lyricist and composer:
Seal (English‐born singer and songwriter) (in 1987)
publisher:
Beethoven Street Music, DTCM Blvd., Perfect Songs (UK publisher, affiliated with BMI) and SPZ Music Incorporated (BMI affiliated)
Seal3.754:48
27Sleeping Satellite
recording of:
Sleeping Satellite
writer:
Tasmin Archer (British singer-songwriter), John Beck (Writer, producer & musician) and John Hughes (Writer, Producer, Musician)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tasmin Archer44:19
28I’m Gonna Be (500 Miles)
engineer:
Barry Hammond
producer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
acoustic guitar:
Jerry Donahue and Charlie Reid
bass guitar:
Phil Cranham
drums (drum set):
Paul Robinson (UK drummer, also Turning Point member)
electric guitar:
Jerry Donahue
fiddle:
Steve Shaw (Steve Brennan)
keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
mandolin and tin whistle:
Stuart Nisbet
steel guitar:
Gerry Hogan
vocals:
Charlie Reid and Craig Reid
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) and Chrysalis Records, Inc. (not for release label use!) (in 1988)
recorded at and mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 21)
recording of:
I’m Gonna Be (500 Miles)
writer:
Charlie Reid and Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:39
29Mysterious Girl (radio edit)
miscellaneous support:
Bubbler Ranx (task: toast)
producer and mixer:
Ollie J
bass, drums (drum set) [drums] and keyboard [keyboards]:
Ollie J
saxophone:
Claudio Galdes
background vocals [backing vocals]:
Glen Goldsmith, Bubbler Ranx and Samantha Scott
mixed for and produced for:
Roll Over Productions
recorded at:
Roll Over Studios London in London (Greater London), England, United Kingdom
recording of:
Mysterious Girl
writer:
Peter Andre, Glen Goldsmith, Phillip Jacobs, Oliver Jacobs and Bubbler Ranx
publisher:
Int. Music Network, Mushroom Music (Mushroom label’s publishing company), Perfect Songs (UK publisher, affiliated with BMI), Roll Over Music and Warner Chappell Music (publisher as Warner/Chappell Music)
Peter Andre3.13:39
30Far Behind
assistant engineer:
Jon Plum
engineer:
Kelly Gray
producer and mixer:
Candlebox and Kelly Gray
bass:
Bardi Martin
drums (drum set):
Scott Mercado
guitar:
Peter Klett
vocals:
Kevin Martin (Candlebox vocalist)
recorded at:
Robert Lang Studios in Shoreline, Washington, United States (on 1992-04-19)
recording of:
Far Behind
lyricist:
Kevin Martin (Candlebox vocalist)
composer:
Candlebox
Candlebox4.65:00
31I Wanna Sex You Up (single version)Color Me Badd4.64:02
32Spaceman
producer:
Jas Mann and Steve Power
mixer:
Clive Black
edit of:
Spaceman by Babylon Zoo
recording of:
Spaceman
lyricist and composer:
Jas Mann
Babylon Zoo3.54:02
33Believe
producer:
Brian Rawling and Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
mixer:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1998)
produced for:
Metro (production company) and Rive Droite Music Productions
recorded at and mixed at:
Dreamhouse Studios in London (Greater London), England, United Kingdom
part of:
Grammy Award: Best Dance/Electronic Recording nominees (number: 2000 winner), RuPaul’s Drag Race Lip Sync Performances (season 3) (number: 9), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 159) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 337)
recording of:
Believe
lyricist:
Brian Higgins (British producer and song writer) and Matt Gray (UK techno DJ/producer, former video game composer)
composer:
Brian Higgins (British producer and song writer) (in 1998), Matt Gray (UK techno DJ/producer, former video game composer) (in 1998), Stuart McLennan (in 1998), Paul Michael Barry (songwriter/musician) (in 1998), Tim Powell (Songwriter and producer, ex-Xenomania) (in 1998) and Steve Torch (in 1998)
publisher:
BMG Rights Management (Australia) Pty Ltd (not for release label use! use “BMG” (post 2008) instead.), Rive Droite Music and Warner Chappell (Warner/Chappell Music, Inc.)
Cher3.73:59
34Let Me Show You (7” edit)
recording of:
Let Me Show You
writer:
Jon Kingsley Hall, Paul Roberts (house producer & DJ), Peter George Stewart, Nick Whitecross and Andy Williams (K-Klass)
K‐Klass3:32
35One Week
recording engineer and engineer:
David Leonard (US producer and engineer) and Susan Rogers (US sound engineer)
miscellaneous support:
Ed (task: Dans la Maison) and Tyler (task: Dans la Maison)
producer:
Barenaked Ladies, David Leonard (US producer and engineer) and Susan Rogers (US sound engineer)
mixer:
David Leonard (US producer and engineer)
acoustic guitar:
Ed
drums (drum set):
Tyler
electric guitar:
Ed and Kevin
electric upright bass [electric double bass]:
Jim
keyboard:
Kevin
vocals:
Ed and Steven (Barenaked Ladies)
recorded at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States (in 1998-02) and Phase One Studios in Toronto, Ontario, Canada (in 1998-03)
mixed at:
East Iris Studios in Nashville, Tennessee, United States (from 1998-03 until 1998-04)
music videos:
One Week by Barenaked Ladies
recording of:
One Week
lyricist and composer:
Ed Robertson
publisher:
Treat Baker Music and WB Music Corp. (1929–2019)
Barenaked Ladies4.12:50
36Shimmy Shimmy Ya
phonographic copyright (℗) by:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1995)
recording of:
Shimmy Shimmy Ya
writer:
Robert Diggs, Jr. (American rapper and actor) and Russell Jones (Wu‐Tang founder, NYC rapper/producer)
publisher:
Ramecca Publishing, Universal Music Careers, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Wu‐Tang Publishing, Inc.
Ol’ Dirty Bastard52:41
37Get Money
phonographic copyright (℗) by:
Bad Boy Records LLC (in 2007) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2007)
samples:
Don’t Look Any Further by Dennis Edwards (US soul & R’n’B singer) & Siedah Garrett and You Can't Turn Me Away by Sylvia Striplin
recording of:
Get Money
Junior M.A.F.I.A.3.54:35
38Just a Friend
engineer:
Ivan “Doc” Rodriguez
co-producer:
Cutmaster Cool V (hip hop DJ Vaughan Lee)
producer and mixer:
The Diabolical Biz Markie
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 477) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 480)
recording of:
Just a Friend
lyricist:
Joe Flizzow, Leaflizard, Malique and Biz Markie
composer:
Biz Markie
Biz Markie3.83:58
39Put Your Hands Where My Eyes Could See
assistant recording engineer:
Tom Passetti (Audio engineer)
recording engineer:
Vinny Nicoletti
co-producer:
Epitome (American producer, songwriter, instrumentalist)
producer:
Buddah (US hip-hop producer Roger Munroe) and Shamello (US producer Darrol Durant)
assistant mixer:
Michael Tocci
mixer:
Busta Rhymes and Rick St. Hillaire
background vocals:
Fabulous Fab (vocals, management)
arranger:
Busta Rhymes
mixed for and arranged for:
Flipmode Entertainment, Inc.
produced for:
Prophecy Prod
recorded at:
Soundtrack Studios, NY in New York, New York, United States
mixed at:
Electric Lady Studios, NY in Greenwich Village, New York, New York, United States
samples:
Sweet Green Fields by Seals & Crofts
recording of:
Put Your Hands Where My Eyes Could See
writer:
D. Durant (US producer Darrol Durant), J. Seals, R. Munroe (US hip-hop producer Roger Munroe) and T. Smith (Busta Rhymes)
publisher:
Alshamighty Music (ASCAP), Big Baller Music (ASCAP), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) and T’ziah’s Music
Busta Rhymes4.43:15
40Angel of MineEternal2.754:19
41Return of the Mack (C & J Street mix)
additional producer:
Cutfather & Joe
producer:
Phil Chill and Mark Morrison (r&b vocalist)
remixer:
Cutfather & Joe
recording of:
Return of the Mack
lyricist and composer:
Mark Morrison (r&b vocalist)
Mark Morrison & Cutfather & Joe3.53:33
42Baby, I Love Your Way
cover recording of:
Baby, I Love Your Way
lyricist and composer:
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
Big Mountain34:10
43Can We Talk
recording of:
Can We Talk
writer:
Babyface (R&B musician Kenny Edmonds) and Daryl Simmons
Tevin Campbell44:45
44Hypnotize (2014 remaster)
recording engineer:
Axel Niehaus (German-born engineer and producer) and Doug Wilson (engineer)
engineer:
Lorrenn Argumedes, Rasheed Goodlowe, Lynn Montrose and Steve Jones (engineer R&B / Urban)
additional producer:
Richard “Younglord” Frierson (producer Richard Frierson)
producer:
Deric “D‐Dot” Angelettie, Ron “Amen‐Ra” Lawrence (US hip-hop producer aka Amen-Ra) and Sean “Puffy” Combs (Sean Combs, aka Puff Daddy, P. Diddy)
mixer:
Lane Craven and Sean “Puffy” Combs (Sean Combs, aka Puff Daddy, P. Diddy)
editor:
Richard “Younglord” Frierson (producer Richard Frierson)
background vocals:
Pam Long
lead vocals:
The Notorious B.I.G.
phonographic copyright (℗) by:
Bad Boy Records LLC (in 2007) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2007)
produced for:
Bad Boy Entertainment, Inc. and The Mystery System, Inc.
recorded at:
Caribbean Sound Basin in Port of Spain, Trinidad and Tobago and Daddy’s House Recording Studios in New York, New York, United States
mixed at:
Daddy’s House Recording Studios in New York, New York, United States and The Hit Factory in Manhattan, New York, New York, United States
engineered at:
Daddy’s House Recording Studios in New York, New York, United States
samples:
Rise by Herb Alpert
part of:
BILLIONS CLUB
recording of:
Hypnotize
writer:
Andy Armer, Christopher Wallace (The Notorious B.I.G.), Deric Angelettie, Ron Lawrence (US hip-hop producer aka Amen-Ra), Randy Alpert and Sean Combs (Sean Combs, aka Puff Daddy, P. Diddy)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), B.I.G. Poppa Music, Badazz Music Company, EMI‐April Music Inc., Justin Combs Publishing and Mystery System Music
quotes lyrics from:
La Di Da Di
The Notorious B.I.G.4.83:50
45Good
recording engineer and producer:
Dan Rothchild
phonographic copyright (℗) by:
Swell Records (label associated with Better Than Ezra) (in 1993) and Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1995)
recording of:
Good
lyricist and composer:
Kevin Griffin (member of Better Than Ezra)
Better Than Ezra4.253:05