Vier Tondichtungen nach Arnold Böcklin, op. 128: Die Totentinsel
~ Recording by Dresdner Philharmonie, Heinz Bongartz
Appears on releases
| # | Title | Length | Track artist | Release title | Release artist | Release group type | Country/Date | Label | Catalog# |
|---|---|---|---|---|---|---|---|---|---|
| Official | |||||||||
| 1.13 | Vier Tondichtungen nach Arnold Böcklin, op. 128: Die Totentinsel | 9:36 | Max Reger | Mozart-Variationen, op. 132 / Böcklin-Suite, op. 128 | Max Reger; Staatskapelle Dresden, Dresdner Philharmonie, Heinz Bongartz | Album |
| Berlin Classics | 0021772BC |
| 3.13 | Böcklin Tondichtungen, op. 128: Die Totentinsel. Molto sostenuto, doch nie schleppend | 9:36 | Max Reger | Orchesterwerke | Max Reger | Album + Compilation |
| Berlin Classics | 0183992BC |
Relationships
| violin: | Walter Hartwich |
|---|---|
| orchestra: | Dresdner Philharmonie (Dresden Philharmonic Orchestra) |
| conductor: | Heinz Bongartz (German conductor) |
| phonographic copyright (℗) by: | “edel” Gesellschaft für Produktmarketing mbH |
|---|
| recording of: | Four Tone Poems after A. Böcklin, op. 128: III. Die Toteninsel |
|---|
Related works
Four Tone Poems after A. Böcklin, op. 128: III. Die Toteninsel
| composer: | Max Reger (German composer) (from 1913-05 until 1913-07) |
|---|
| part of: | Four Tone Poems after A. Böcklin, op. 128 (order: 3) |
|---|
Play on ListenBrainz