Piano Trio in D major, op. 70 no. 1: II. Largo assai ed espressivo
~ Recording by Pau Casals, Karl Engel, Sándor Végh
Appears on releases
| # | Title | Length | Track artist | Release title | Release artist | Release group type | Country/Date | Label | Catalog# |
|---|---|---|---|---|---|---|---|---|---|
| Official | |||||||||
| 1.2 | Piano Trio in D major, op. 70 no. 1: II. Largo assai ed espressivo | 11:59 | Ludwig van Beethoven | Piano Trios: «Erzherzogs-Trio» / «Geister-Trio» | Beethoven; Karl Engel, Mieczyslaw Horszowski, Sándor Végh | Album |
| Philips Classics (See annotation to check it's really this label.) | 420 855-2 |
| 1.2 | Trio for piano in D major, op. 70 no. 1 “Fantôme”: II. Largo assai ed espressivo | 11:59 | Ludwig van Beethoven | Piano Trios (cello: Pablo Casals) | Ludwig van Beethoven | Album |
| Musical Heritage Society | 512553W |
| 1.6 | Trio for Piano, Violin, and Cello No. 5 in D major, Op. 70 No. 1 "Ghost": II. Largo assai ed espressivo | 11:55 | Ludwig van Beethoven | Piano Trios & Cello Sonatas | Beethoven; Casals, Végh, Horszowski, Engel, Kempff | Album + Live |
| Philips Classics (See annotation to check it's really this label.) | 438 521-2, 438 522-2, 438 523-2 |
Relationships
| recorded in: | Prades, Pyrénées-Orientales, Occitanie (Occitania), France (in 1961-07) |
|---|
| cello: | Pau Casals (cellist, aka Pablo Casals) (in 1961-07) |
|---|---|
| piano: | Karl Engel (pianist) (in 1961-07) |
| violin: | Sándor Végh (violinist/conductor/teacher) (in 1961-07) |
| recording of: | Trio for Piano, Violin, and Cello no. 5 in D major, op. 70 no. 1 “Ghost”: II. Largo assai e espressivo (in 1961-07: live) |
|---|
Related works
Trio for Piano, Violin, and Cello no. 5 in D major, op. 70 no. 1 “Ghost”: II. Largo assai e espressivo
| composer: | Ludwig van Beethoven (German composer) (in 1808) |
|---|
| part of: | Trio for Piano, Violin, and Cello no. 5 in D major, op. 70 no. 1 “Ghost” (movement) (order: 2) |
|---|---|
| arrangements: | Trio for Piano, Violin, and Cello no. 5 in D major, op. 70 no. 1 “Ghost”: II. Largo assai e espressivo (catch-all for arrangements) |
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