The Planets-Suite, op. 32: I. Mars, the Bringer of War: Allegro
~ Recording by Philharmonia Orchestra, Sir Adrian Boult
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Relationships
| producer: | Peter Andry (producer) |
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| orchestra: | Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1967) |
| conductor: | Sir Adrian Boult (conductor) (in 1967) |
| balance engineer: | Christopher Parker (classical recording and balance engineer, active from 1950s) |
| recorded at: | Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-07-21 until 1966-07-22) |
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| recording of: | The Planets, op. 32: I. Mars, the Bringer of War (in 1967) |
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Related works
The Planets, op. 32: I. Mars, the Bringer of War
| composer: | Gustav Holst (composer) (from 1914 until 1916) |
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| referred to in medleys: | Prelude to Madness |
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| later versions: | Angelic Hymns: Mars |
| part of: | The Planets, op. 32 (Suite for Large Orchestra) (movement) (order: 1) |
| is the basis for: | Ramses Bringer of War The Devil’s Triangle |
| orchestration of: | The Planets, op. 32: I. Mars, the Bringer of War (for two pianos) |
| arrangements: | Mars (from The Planets) (for large brass ensemble, Sauer) The Planets Suite: I. Mars, The Bringer of War (for five pianos, Anderson) The Planets, op. 32: I. Mars, the Bringer of War (for brass quintet and organ) The Planets, op. 32: I. Mars, the Bringer of War (for organ, Sykes) The Planets, op. 32: I. Mars, the Bringer of War (for wind ensemble, Reed/McAlister) The Planets, op. 32: I. Mars, the Bringer of War (for organ, Challenger) The Planets: I. Mars (for brass) |
| music quoted in: | Ragnarok III: Strange Meeting |
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