| recording location for |
|---|
| 1981-04 | La Boîte à Joujoux: I. Prélude - Le sommeil de la boîte | | Sinfonieorchester Basel, Armin Jordan | 2:30 |
| 1981-04 | La Boîte à Joujoux: II. Premier tableau - La maison des jouets | | Sinfonieorchester Basel, Armin Jordan | 11:18 |
| 1981-04 | La Boîte à Joujoux: III. Deuxième tableau - Le champ de bataille | | Sinfonieorchester Basel, Armin Jordan | 9:10 |
| 1981-04 | La Boîte à Joujoux: IV. Troisième Tableau - La bergerie à vendre | | Sinfonieorchester Basel, Armin Jordan | 5:54 |
| 1981-04 | La Boîte à Joujoux: V. Quatrième Tableau - Aprés fortune faite | | Sinfonieorchester Basel, Armin Jordan | 2:13 |
| 1981-04 | La Boîte à Joujoux: VI. Épilogue | | Sinfonieorchester Basel, Armin Jordan | 1:09 |
| 1985-04 | Symphonie en si bémol majeur, op. 20: I. Lent - Allegro vivo | | Basler Sinfonie-Orchester, Armin Jordan | 13:08 |
| 1985-04 | Symphonie en si bémol majeur, op. 20: II. Très lent | | Basler Sinfonie-Orchester, Armin Jordan | 9:23 |
| 1985-04 | Symphonie en si bémol majeur, op. 20: III. Animé | | Basler Sinfonie-Orchester, Armin Jordan | 14:04 |
| 1985-04 | Viviane, poème symphonique, op. 5 | | Basler Sinfonie-Orchester, Armin Jordan | 11:51 |
| 2012-02 | Cachua al Nacimento de Christo Nuestro Señor | | Patricia Petibon, La Cetra Barockorchester Basel, Andrea Marcon | 3:14 |
| 2012-02 | Cantata spagnuola, HWV 140: No se enmendará jamás | | Patricia Petibon, La Cetra Barockorchester Basel, Andrea Marcon | 3:36 |
| 2012-02 | Danse du Grand Calumet de la Paix (Rondeau) – Duet & Chorus “Forêts paisibles” (Zima, Adario, Sauvages) | | Kevin Greenlaw, Patricia Petibon, La Cetra Barockorchester Basel, Andrea Marcon | 4:13 |
| 2012-02 | Dido and Aeneas, Act 3: Thy Hand, Belinda… When I Am Laid in Earth (Dido’ lament) | | Patricia Petibon, La Cetra Barockorchester Basel, Andrea Marcon | 5:22 |
| 2012-02 | Greensleeves | | Patricia Petibon, La Cetra Barockorchester Basel, Andrea Marcon | 4:09 |
| 2012-02 | J’ai vu le loup | | Patricia Petibon, La Cetra Barockorchester Basel, Andrea Marcon | 2:54 |
| 2012-02 | King Arthur, Act 5: Fairest Isle | | Patricia Petibon, La Cetra Barockorchester Basel, Andrea Marcon | 3:38 |
| 2012-02 | Les Indes galantes: La nuit couvre les cieux ! | | Patricia Petibon, La Cetra Barockorchester Basel, Andrea Marcon | 4:45 |
| 2012-02 | Médée, Act 3: Scene 3. Quel prix de mon amour ! (Médée) | | Patricia Petibon, La Cetra Barockorchester Basel, Andrea Marcon | 5:35 |
| 2012-02 | Médée, Act 3: Scene 5. Noires filles du Styx (Médée) / Scene 6. L’Enfer obéit à ta voix (Médée, La Jalousie, La Vengeance, Démons) | | Patricia Petibon, La Cetra Barockorchester Basel, Andrea Marcon | 3:57 |
| 2012-02 | Médée, Act 3: Scene 7. Dieu du Cocyte et des royaumes sombres – Seconde entrée des Démons (Médée, La Jalousie, La Vengeance, Démons) | | Patricia Petibon, La Cetra Barockorchester Basel, Andrea Marcon | 4:49 |
| 2012-02 | Mon amy s’en est allé (Branle double) | | Patricia Petibon, La Cetra Barockorchester Basel, Andrea Marcon | 3:35 |
| 2012-02 | Sans frayeur dans ce bois (Chaconne) | | Patricia Petibon, La Cetra Barockorchester Basel, Andrea Marcon | 2:29 |
| 2012-02 | Tonada El Congo a voz y bajo para bailar cantando | | Patricia Petibon, La Cetra Barockorchester Basel, Andrea Marcon | 3:20 |
| 2012-02 | Tonada La Lata a voz y bajo para bailar cantando | | Patricia Petibon, La Cetra Barockorchester Basel, Andrea Marcon | 2:10 |
| 2012-02 | Vendado es amor, no es ciego: Aria “El bajel que no recela” (Eumene) | | Patricia Petibon, La Cetra Barockorchester Basel, Andrea Marcon | 5:31 |
| 2012-02 | Vendado es amor, no es ciego: En amor, pastorcillos (Anquises) | | Patricia Petibon, La Cetra Barockorchester Basel, Andrea Marcon | 1:48 |
| 2012-02 | Yo soy la locura (Passacaille: La folie) | | Patricia Petibon, La Cetra Barockorchester Basel, Andrea Marcon | 2:40 |
| 2020-06-19 – 2020-06-21 | Concerto in A minor, op. 7 no. 5: Allegro assai | | Leila Schayegh, La Cetra Barockorchester Basel | 4:56 |
| 2020-06-19 – 2020-06-21 | Concerto in A minor, op. 7 no. 5: Largo – Adagio | | Leila Schayegh, La Cetra Barockorchester Basel | 3:48 |
| 2020-06-19 – 2020-06-21 | Concerto in A minor, op. 7 no. 5: Vivace | | Leila Schayegh, La Cetra Barockorchester Basel | 5:46 |
| 2020-06-19 – 2020-06-21 | Concerto in E minor, op. 10 no. 5: Allegro | | Leila Schayegh, La Cetra Barockorchester Basel | 5:26 |
| 2020-06-19 – 2020-06-21 | Concerto in E minor, op. 10 no. 5: Allegro ma poco | | Leila Schayegh, La Cetra Barockorchester Basel | 6:21 |
| 2020-06-19 – 2020-06-21 | Concerto in E minor, op. 10 no. 5: Largo | | Leila Schayegh, La Cetra Barockorchester Basel | 5:08 |
| 2020-06-19 – 2020-06-21 | Concerto in F major, op. 7 no. 4: Adagio | | Leila Schayegh, La Cetra Barockorchester Basel | 5:37 |
| 2020-06-19 – 2020-06-21 | Concerto in F major, op. 7 no. 4: Allegro | | Leila Schayegh, La Cetra Barockorchester Basel | 3:33 |
| 2020-06-19 – 2020-06-21 | Concerto in F major, op. 7 no. 4: Allegro moderato | | Leila Schayegh, La Cetra Barockorchester Basel | 4:52 |
| 2020-06-19 – 2020-06-21 | Concerto in F major, op. 10 no. 4: Allegro | | Leila Schayegh, La Cetra Barockorchester Basel | 5:13 |
| 2020-06-19 – 2020-06-21 | Concerto in F major, op. 10 no. 4: Allegro ma poco | | Leila Schayegh, La Cetra Barockorchester Basel | 7:05 |
| 2020-06-19 – 2020-06-21 | Concerto in F major, op. 10 no. 4: Aria. Andante gratioso | | Leila Schayegh, La Cetra Barockorchester Basel | 4:27 |
| 2023-09-29 – 2023-10-02 | Mass in B minor, BWV 232: I. Kyrie: No. 1. Kyrie eleison I (Chorus) | | La Cetra Basel & Andrea Marcon | 9:39 |
| 2023-09-29 – 2023-10-02 | Mass in B minor, BWV 232: I. Kyrie: No. 2. Christe eleison (Sopranos 1 & 2) | | La Cetra Basel, Andrea Marcon, Miriam Feuersinger & Hana Blažíková | 4:41 |
| 2023-09-29 – 2023-10-02 | Mass in B minor, BWV 232: I. Kyrie: No. 3. Kyrie eleison II (Chorus) | | La Cetra Basel & Andrea Marcon | 3:59 |
| 2023-09-29 – 2023-10-02 | Mass in B minor, BWV 232: II. Gloria: No. 1. Gloria in excelsis Deo (Chorus) | | La Cetra Basel & Andrea Marcon | 1:48 |
| 2023-09-29 – 2023-10-02 | Mass in B minor, BWV 232: II. Gloria: No. 2. Et in terra pax (Chorus) | | La Cetra Basel & Andrea Marcon | 4:43 |
| 2023-09-29 – 2023-10-02 | Mass in B minor, BWV 232: II. Gloria: No. 3. Laudamus te (Soprano 2) | | La Cetra Basel, Andrea Marcon & Hana Blažíková | 4:11 |
| 2023-09-29 – 2023-10-02 | Mass in B minor, BWV 232: II. Gloria: No. 4. Gratias agimus tibi (Chorus) | | La Cetra Basel & Andrea Marcon | 3:13 |
| 2023-09-29 – 2023-10-02 | Mass in B minor, BWV 232: II. Gloria: No. 5. Domine Deus (Soprano 1, Tenor) | | La Cetra Basel, Andrea Marcon, Miriam Feuersinger & Jakob Pilgram | 5:30 |
| 2023-09-29 – 2023-10-02 | Mass in B minor, BWV 232: II. Gloria: No. 6. Qui tollis peccata mundi (Chorus) | | La Cetra Basel & Andrea Marcon | 2:57 |
| 2023-09-29 – 2023-10-02 | Mass in B minor, BWV 232: II. Gloria: No. 7. Qui sedes ad dexteram Patris (Alto) | | La Cetra Basel, Andrea Marcon & Carlos Mena | 3:55 |
| 2023-09-29 – 2023-10-02 | Mass in B minor, BWV 232: II. Gloria: No. 8. Quoniam tu solus sanctus (Bass) | | La Cetra Basel, Andrea Marcon & Tobias Berndt | 4:13 |
| 2023-09-29 – 2023-10-02 | Mass in B minor, BWV 232: II. Gloria: No. 9. Cum sancto Spiritu (Chorus) | | La Cetra Basel & Andrea Marcon | 3:54 |
| 2023-09-29 – 2023-10-02 | Mass in B minor, BWV 232: III. Symbolum Nicenum, Credo: No. 1. Credo in unum Deum (Chorus) | | La Cetra Basel & Andrea Marcon | 2:24 |
| 2023-09-29 – 2023-10-02 | Mass in B minor, BWV 232: III. Symbolum Nicenum, Credo: No. 2. Patrem omnipotentem (Chorus) | | La Cetra Basel & Andrea Marcon | 1:55 |
| 2023-09-29 – 2023-10-02 | Mass in B minor, BWV 232: III. Symbolum Nicenum, Credo: No. 3. Et in unum Dominum (Soprano 1, Alto) | | La Cetra Basel, Andrea Marcon, Miriam Feuersinger & Carlos Mena | 4:51 |
| 2023-09-29 – 2023-10-02 | Mass in B minor, BWV 232: III. Symbolum Nicenum, Credo: No. 4. Et incarnatus est (Chorus) | | La Cetra Basel & Andrea Marcon | 3:02 |
| 2023-09-29 – 2023-10-02 | Mass in B minor, BWV 232: III. Symbolum Nicenum, Credo: No. 5. Crucifixus (Chorus) | | La Cetra Basel & Andrea Marcon | 2:32 |
| 2023-09-29 – 2023-10-02 | Mass in B minor, BWV 232: III. Symbolum Nicenum, Credo: No. 6. Et resurrexit (Chorus) | | La Cetra Basel & Andrea Marcon | 4:02 |
| 2023-09-29 – 2023-10-02 | Mass in B minor, BWV 232: III. Symbolum Nicenum, Credo: No. 7. Et in Spiritum Sanctum (Bass) | | La Cetra Basel, Andrea Marcon & Tobias Berndt | 5:02 |
| 2023-09-29 – 2023-10-02 | Mass in B minor, BWV 232: III. Symbolum Nicenum, Credo: No. 8. Confiteor (Chorus) | | La Cetra Basel & Andrea Marcon | 3:29 |
| 2023-09-29 – 2023-10-02 | Mass in B minor, BWV 232: III. Symbolum Nicenum, Credo: No. 9. Et expecto resurrectionem mortuorum (Chorus) | | La Cetra Basel & Andrea Marcon | 3:24 |
| 2023-09-29 – 2023-10-02 | Mass in B minor, BWV 232: IV. Sanctus: No. 1. Sanctus (Chorus) | | La Cetra Basel & Andrea Marcon | 4:39 |
| 2023-09-29 – 2023-10-02 | Mass in B minor, BWV 232: V. Osanna, Benedictus, Agnus Dei et Dona nobis pacem: No. 2. Osanna in excelsis (Chorus) | | La Cetra Basel & Andrea Marcon | 2:40 |
| 2023-09-29 – 2023-10-02 | Mass in B minor, BWV 232: V. Osanna, Benedictus, Agnus Dei et Dona nobis pacem: No. 3. Benedictus (Tenor) | | La Cetra Basel, Andrea Marcon & Jakob Pilgram | 4:38 |
| 2023-09-29 – 2023-10-02 | Mass in B minor, BWV 232: V. Osanna, Benedictus, Agnus Dei et Dona nobis pacem: No. 4. Osanna (Chorus) | | La Cetra Basel & Andrea Marcon | 2:43 |
| 2023-09-29 – 2023-10-02 | Mass in B minor, BWV 232: V. Osanna, Benedictus, Agnus Dei et Dona nobis pacem: No. 5. Agnus Dei (Alto) | | La Cetra Basel, Andrea Marcon & Carlos Mena | 5:27 |
| 2023-09-29 – 2023-10-02 | Mass in B minor, BWV 232: V. Osanna, Benedictus, Agnus Dei et Dona nobis pacem: No. 6. Dona nobis pacem (Chorus) | | La Cetra Basel, Andrea Marcon | 3:51 |
| 2023-10-09 – 2023-10-11 | Barmherzig und gnädig ist der Herr | | Voces Suaves, Akademie für Alte Musik Berlin | 5:58 |
| 2023-10-09 – 2023-10-11 | Die Welt, das ungestüme Meer | | Voces Suaves, Akademie für Alte Musik Berlin | 8:31 |
| 2023-10-09 – 2023-10-11 | Fürchte dich nicht | | Voces Suaves, Akademie für Alte Musik Berlin | 4:24 |
| 2023-10-09 – 2023-10-11 | Gott ist unser Zuversicht und Stärke | | Voces Suaves, Akademie für Alte Musik Berlin | 8:41 |
| 2023-10-09 – 2023-10-11 | Nun ist alles überwunden | | Voces Suaves, Akademie für Alte Musik Berlin | 4:31 |
| 2023-10-09 – 2023-10-11 | Partie à 4 in G major, T. 339: I. Sonatina | | Akademie für Alte Musik Berlin | 2:10 |
| 2023-10-09 – 2023-10-11 | Partie à 4 in G major, T. 339: II. Allamana | | Akademie für Alte Musik Berlin | 1:41 |
| 2023-10-09 – 2023-10-11 | Partie à 4 in G major, T. 339: III. Gavott | | Akademie für Alte Musik Berlin | 0:40 |
| 2023-10-09 – 2023-10-11 | Partie à 4 in G major, T. 339: IV. Courant | | Akademie für Alte Musik Berlin | 0:57 |
| 2023-10-09 – 2023-10-11 | Partie à 4 in G major, T. 339: V. Aria | | Akademie für Alte Musik Berlin | 0:32 |
| 2023-10-09 – 2023-10-11 | Partie à 4 in G major, T. 339: VI. Sarabandt | | Akademie für Alte Musik Berlin | 1:46 |
| 2023-10-09 – 2023-10-11 | Partie à 4 in G major, T. 339: VII. Gigue | | Akademie für Alte Musik Berlin | 1:25 |
| 2023-10-09 – 2023-10-11 | Partie à 4 in G major, T. 339: VIII. Finale | | Akademie für Alte Musik Berlin | 0:46 |
| 2023-10-09 – 2023-10-11 | Partie IV in E minor, P. 373: I. Sonata. Adagio | | Akademie für Alte Musik Berlin | 1:46 |
| 2023-10-09 – 2023-10-11 | Partie IV in E minor, P. 373: II. Aria | | Akademie für Alte Musik Berlin | 2:24 |
| 2023-10-09 – 2023-10-11 | Partie IV in E minor, P. 373: III. Courant | | Akademie für Alte Musik Berlin | 1:08 |
| 2023-10-09 – 2023-10-11 | Partie IV in E minor, P. 373: IV. Aria | | Akademie für Alte Musik Berlin | 0:39 |
| 2023-10-09 – 2023-10-11 | Partie IV in E minor, P. 373: V. Ciacona | | Akademie für Alte Musik Berlin | 2:43 |
| 2023-10-09 – 2023-10-11 | Sei, lieber Tag, willkommen | | Voces Suaves, Akademie für Alte Musik Berlin | 5:28 |
| 2023-10-09 – 2023-10-11 | Wer gnädig wird beschützet | | Voces Suaves, Akademie für Alte Musik Berlin | 8:11 |
| 2024-06-08 – 2024-06-12 | Arsilda, RV 700, Atto primo, Scena 1: Aria “L’esperto nocchiero” (Cisardo) | | José Coca Loza, La Cetra Barockorchester Basel, Andrea Marcon | 3:31 |
| 2024-06-08 – 2024-06-12 | Arsilda, RV 700, Atto primo, Scena 1: Coro “Tutto il Regno in lieta gara” (Il Popolo) | | La Cetra Vokalensemble, La Cetra Barockorchester Basel, Andrea Marcon | 1:03 |
| 2024-06-08 – 2024-06-12 | Arsilda, RV 700, Atto primo, Scena 1: Recitativo “Figli, non men che miei vassalli” (Lisea) | | Vasilisa Berzhanskaya, La Cetra Barockorchester Basel, Andrea Marcon | 0:47 |
| 2024-06-08 – 2024-06-12 | Arsilda, RV 700, Atto primo, Scena 1: Recitativo “Questa, o fidi è mia sposa” (Lisea, Nicandro, Mirinda, Cisardo, Arsilda) | | Vasilisa Berzhanskaya, José Coca Loza, Marie Lys, Shira Patchornik, La Cetra Barockorchester Basel, Andrea Marcon | 2:07 |
| 2024-06-08 – 2024-06-12 | Arsilda, RV 700, Atto primo, Scena 1: Recitativo “Questo, o populi, è il giorno” (Cisardo) | | José Coca Loza, La Cetra Barockorchester Basel, Andrea Marcon | 0:43 |
| 2024-06-08 – 2024-06-12 | Arsilda, RV 700, Atto primo, Scena 2: Aria “Del goder la bella speme” (Arsilda) | | Benedetta Mazzucato, La Cetra Barockorchester Basel, Andrea Marcon | 4:15 |
| 2024-06-08 – 2024-06-12 | Arsilda, RV 700, Atto primo, Scena 2: Recitativo “Sposa. A che tal mi chiami” (Lisea, Arsilda, Nicandro, Mirinda) | | Vasilisa Berzhanskaya, Marie Lys, Benedetta Mazzucato, Shira Patchornik, La Cetra Barockorchester Basel, Andrea Marcon | 2:29 |
| 2024-06-08 – 2024-06-12 | Arsilda, RV 700, Atto primo, Scena 3: Aria “Col piacer della mia fede” (Nicandro) | | Shira Patchornik, La Cetra Barockorchester Basel, Andrea Marcon | 4:19 |
| 2024-06-08 – 2024-06-12 | Arsilda, RV 700, Atto primo, Scena 3: Recitativo “Sol di Bitinia il Prence” (Lisea, Nicandro) | | Vasilisa Berzhanskaya, Shira Patchornik, La Cetra Barockorchester Basel, Andrea Marcon | 0:34 |
| 2024-06-08 – 2024-06-12 | Arsilda, RV 700, Atto primo, Scena 4: Aria “Fingi d’aver un cor” (Lisea) | | Vasilisa Berzhanskaya, La Cetra Barockorchester Basel, Andrea Marcon | 2:35 |
| 2024-06-08 – 2024-06-12 | Arsilda, RV 700, Atto primo, Scena 4: Recitativo “Partano i servi” (Lisea, Mirinda) | | Vasilisa Berzhanskaya, Marie Lys, La Cetra Barockorchester Basel, Andrea Marcon | 2:51 |
| 2024-06-08 – 2024-06-12 | Arsilda, RV 700, Atto primo, Scena 5: Aria “Non m’è caro amar penando” (Mirinda) | | Marie Lys, La Cetra Barockorchester Basel, Andrea Marcon | 4:26 |
| 2024-06-08 – 2024-06-12 | Arsilda, RV 700, Atto primo, Scena 5: Recitativo “Dunque questo che amor” (Mirinda) | | Marie Lys, La Cetra Barockorchester Basel, Andrea Marcon | 0:55 |
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