In Concert at the Met: The Complete Concert of March 28, 1982

~ Release by Leontyne Price, Marilyn Horne, The Metropolitan Opera Orchestra, James Levine (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Così fan tutte: Atto I. “Ah, guarda, sorella”
recording engineer:
William King (American sound engineer) (on 1982-03-28)
producer:
Clemente D'Alessio and Jay David Saks (producer of classical and musical theatre recordings)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano) (on 1982-03-28)
soprano vocals:
Leontyne Price (soprano) (on 1982-03-28)
orchestra:
Metropolitan Opera Orchestra (on 1982-03-28)
conductor:
James Levine (US conductor and pianist) (on 1982-03-28)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1983) and The Metropolitan Opera Association (in 1983)
recorded at:
Metropolitan Opera House (Lincoln Center for the Performing Arts) in Manhattan, New York, New York, United States (on 1982-03-28)
live recording of:
Così fan tutte: Atto I. No. 4 Duetto “Ah, guarda, sorella” (Fiordiligi, Dorabella) (on 1982-03-28)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:47
2Le nozze di Figaro: Atto III. “Dove sono”
recording engineer:
William King (American sound engineer) (on 1982-03-28)
producer:
Clemente D'Alessio and Jay David Saks (producer of classical and musical theatre recordings)
soprano vocals:
Leontyne Price (soprano) (on 1982-03-28)
orchestra:
Metropolitan Opera Orchestra (on 1982-03-28)
conductor:
James Levine (US conductor and pianist) (on 1982-03-28)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1983) and The Metropolitan Opera Association (in 1983)
recorded at:
Metropolitan Opera House (Lincoln Center for the Performing Arts) in Manhattan, New York, New York, United States (on 1982-03-28)
live recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (on 1982-03-28)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart6:25
3Rodelinda, HWV 19: “Vivi, tiranno!”
recording engineer:
William King (American sound engineer) (on 1982-03-28)
producer:
Clemente D'Alessio and Jay David Saks (producer of classical and musical theatre recordings)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano) (on 1982-03-28)
orchestra:
Metropolitan Opera Orchestra (on 1982-03-28)
conductor:
James Levine (US conductor and pianist) (on 1982-03-28)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1983) and The Metropolitan Opera Association (in 1983)
recorded at:
Metropolitan Opera House (Lincoln Center for the Performing Arts) in Manhattan, New York, New York, United States (on 1982-03-28)
live recording of:
Rodelinda, regina de' Longobardi, HWV 19: Atto III, no. 66. "Vivi, tiranno!" (Bertarido) (on 1982-03-28)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Nicola Francesco Haym
part of:
Rodelinda, regina de' Longobardi, HWV 19: Atto III
George Frideric Handel5:44
4Rinaldo: Atto I. “Fermati! No, crudel!”
recording engineer:
William King (American sound engineer) (on 1982-03-28)
producer:
Clemente D'Alessio and Jay David Saks (producer of classical and musical theatre recordings)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano) (on 1982-03-28)
soprano vocals:
Leontyne Price (soprano) (on 1982-03-28)
orchestra:
Metropolitan Opera Orchestra (on 1982-03-28)
conductor:
James Levine (US conductor and pianist) (on 1982-03-28)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1983) and The Metropolitan Opera Association (in 1983)
recorded at:
Metropolitan Opera House (Lincoln Center for the Performing Arts) in Manhattan, New York, New York, United States (on 1982-03-28)
live recording of:
Rinaldo, HWV 7a: Atto II, Scene VI, no. 24. Duetto "Fermati! No, crudel!" (Armida, Rinaldo) (on 1982-03-28)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Giacomo Rossi
part of:
Rinaldo, HWV 7a: Atto II
George Frideric Handel3:05
5Aida: Atto I. “Silenzio! Aida verso noi s'avanza”
recording engineer:
William King (American sound engineer) (on 1982-03-28)
producer:
Clemente D'Alessio and Jay David Saks (producer of classical and musical theatre recordings)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano) (on 1982-03-28)
soprano vocals:
Leontyne Price (soprano) (on 1982-03-28)
orchestra:
Metropolitan Opera Orchestra (on 1982-03-28)
conductor:
James Levine (US conductor and pianist) (on 1982-03-28)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1983) and The Metropolitan Opera Association (in 1983)
recorded at:
Metropolitan Opera House (Lincoln Center for the Performing Arts) in Manhattan, New York, New York, United States (on 1982-03-28)
live partial recording of:
Aida: Atto II, scena 1. Scena e duetto: “Silenzio! Aida verso noi s'avanza” – “Fu la sorte dell’armi a'tuoi funesta” – “Ebben, qual nuovo fremito t'assal, gentile Aida?” (Amneris, Aida) (on 1982-03-28)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi10:36
6L'assedio di Corinto: Atto II. “Non temer, d'un basso affetto“
recording engineer:
William King (American sound engineer) (on 1982-03-28)
producer:
Clemente D'Alessio and Jay David Saks (producer of classical and musical theatre recordings)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano) (on 1982-03-28)
orchestra:
Metropolitan Opera Orchestra (on 1982-03-28)
conductor:
James Levine (US conductor and pianist) (on 1982-03-28)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1983) and The Metropolitan Opera Association (in 1983)
recorded at:
Metropolitan Opera House (Lincoln Center for the Performing Arts) in Manhattan, New York, New York, United States (on 1982-03-28)
live partial recording of:
L'assedio di Corinto (on 1982-03-28)
composer:
Gioachino Rossini (composer)
librettist:
Luigi Balocchi and Alexandre Soumet
translator:
Calisto Bassi
reconstructed by:
Randolph Mickelson (musicologist, bel canto expert) and Thomas Schippers (conductor and composer)
translated version of:
Le Siège de Corinthe
Gioachino Rossini8:45
7La forza del destino: Atto IV. “Pace, pace mio dio”
recording engineer:
William King (American sound engineer) (on 1982-03-28)
producer:
Clemente D'Alessio and Jay David Saks (producer of classical and musical theatre recordings)
soprano vocals:
Leontyne Price (soprano) (on 1982-03-28)
orchestra:
Metropolitan Opera Orchestra (on 1982-03-28)
conductor:
James Levine (US conductor and pianist) (on 1982-03-28)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1983) and The Metropolitan Opera Association (in 1983)
recorded at:
Metropolitan Opera House (Lincoln Center for the Performing Arts) in Manhattan, New York, New York, United States (on 1982-03-28)
live recording of:
La forza del destino: Atto IV, scena 2. “Pace, pace, mio Dio” (Leonora) (on 1982-03-28)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto IV
Giuseppe Verdi5:43
8Norma: Atto III. “Mira, o Norma”
recording engineer:
William King (American sound engineer) (on 1982-03-28)
producer:
Clemente D'Alessio and Jay David Saks (producer of classical and musical theatre recordings)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano) (on 1982-03-28)
soprano vocals:
Leontyne Price (soprano) (on 1982-03-28)
orchestra:
Metropolitan Opera Orchestra (on 1982-03-28)
conductor:
James Levine (US conductor and pianist) (on 1982-03-28)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1983) and The Metropolitan Opera Association (in 1983)
recorded at:
Metropolitan Opera House (Lincoln Center for the Performing Arts) in Manhattan, New York, New York, United States (on 1982-03-28)
live recording of:
Norma: Atto II, scena 1. Duetto “Mira, o Norma” (Norma, Adalgisa) (on 1982-03-28)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini13:52
9Les Huguenots : Acte II. « Non, non, non... Vous n'avez jamais, je gage »
recording engineer:
William King (American sound engineer) (on 1982-03-28)
producer:
Clemente D'Alessio and Jay David Saks (producer of classical and musical theatre recordings)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano) (on 1982-03-28)
orchestra:
Metropolitan Opera Orchestra (on 1982-03-28)
conductor:
James Levine (US conductor and pianist) (on 1982-03-28)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1983) and The Metropolitan Opera Association (in 1983)
recorded at:
Metropolitan Opera House (Lincoln Center for the Performing Arts) in Manhattan, New York, New York, United States (on 1982-03-28)
live partial recording of:
Les Huguenots: Acte II (on 1982-03-28)
composer:
Giacomo Meyerbeer (composer)
librettist:
Émile Deschamps (poet) and Eugène Scribe
part of:
Les Huguenots
Giacomo Meyerbeer5:49
10La rondine: Atto I. “Chi il bel sogno di Doretta”
recording engineer:
William King (American sound engineer) (on 1982-03-28)
producer:
Clemente D'Alessio and Jay David Saks (producer of classical and musical theatre recordings)
soprano vocals:
Leontyne Price (soprano) (on 1982-03-28)
orchestra:
Metropolitan Opera Orchestra (on 1982-03-28)
conductor:
James Levine (US conductor and pianist) (on 1982-03-28)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1983) and The Metropolitan Opera Association (in 1983)
recorded at:
Metropolitan Opera House (Lincoln Center for the Performing Arts) in Manhattan, New York, New York, United States (on 1982-03-28)
live recording of:
La rondine: Atto I. “Ch’il bel sogno di Doretta” (Prunier, Magda, Lisette, Suzy, Yvette, Bianca) (on 1982-03-28)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami
part of:
La rondine: Atto I
Giacomo Puccini2:58
11Madama Butterfly: Atto II. “Scuoti quella fronda”
recording engineer:
William King (American sound engineer) (on 1982-03-28)
producer:
Clemente D'Alessio and Jay David Saks (producer of classical and musical theatre recordings)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano) (on 1982-03-28)
soprano vocals:
Leontyne Price (soprano) (on 1982-03-28)
orchestra:
Metropolitan Opera Orchestra (on 1982-03-28)
conductor:
James Levine (US conductor and pianist) (on 1982-03-28)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1983) and The Metropolitan Opera Association (in 1983)
recorded at:
Metropolitan Opera House (Lincoln Center for the Performing Arts) in Manhattan, New York, New York, United States (on 1982-03-28)
live recording of:
Madama Butterfly: Atto II. “Scuoti quella fronda di ciliegio” (Butterfly, Suzuki) (on 1982-03-28)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini5:08