| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Be Bop a Lula | Gene Vincent | | 2:44 |
| 2 | Just Walking in the Rain | Johnnie Ray | | 2:50 |
| 3 | I Walk the Line | Johnny Cash | | 2:41 |
| 4 | Blue Suede Shoes- Gitarre:
- Carl Perkins (in 1955-12) und Jay Perkins (in 1955-12)
- Kontrabass:
- Clayton Perkins (in 1955-12)
- Schlagzeug:
- W.S. Holland (in 1955-12)
- vocals:
- Carl Perkins (in 1955-12)
- phonographisches Urheberrecht (℗) von:
- Sun (in 1955, vom 1956 bis heute)
- Teil von:
- Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 5) und Rolling Stone: 500 Greatest Songs of All Time (Nummer: 95)
- recording of:
- Blue Suede Shoes (in 1955-12)
- Texter und Komponist(in):
- Carl Perkins (in 1955)
- publisher:
- Aberbach (London) , Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing , Hi Lo Music, Hill and Range Songs, Inc. , Unichappell Music, Unichappell Music, Inc. und Wren Music Co.
- Teil von:
- Million Dollar Quartet
| Carl Perkins | 4 | 2:17 |
| 5 | See You Later Aligator | Bill Haley & His Comets | | 2:45 |
| 6 | Standing on the Corner | The Four Lads | | 2:42 |
| 7 | Heartbreak Hotel- Techniker(in):
- Bob Ferris
- Bass:
- Bill Black (am 1956-01-10)
- Gitarre:
- Chet Atkins (am 1956-01-10), Scotty Moore (am 1956-01-10) und Elvis Presley (am 1956-01-10)
- Klavier:
- Floyd Cramer (am 1956-01-10)
- Schlagzeug:
- D.J. Fontana (am 1956-01-10)
- Sologesang:
- Elvis Presley (am 1956-01-10)
- vocals:
- Elvis Presley , Ben Speer (am 1956-01-10), Lena Brock "Mom" Speer (am 1956-01-10) und Gordon Stoker (am 1956-01-10)
- Herausgeber:
- Sony/ATV Songs LLC
- phonographisches Urheberrecht (℗) von:
- BMG Entertainment (in 1956), BMG Music (in 1956) und Sony BMG Music Entertainment (in 2002)
- aufgenommen bei:
- RCA Studios in Nashville, Tennessee, Vereinigte Staaten (am 1956-01-10)
- Teil von:
- Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (Nummer: 45) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 347)
- recording of:
- Heartbreak Hotel (am 1956-01-10)
- Verfasser(in):
- Mae Boren Axton, Tommy Durden und Elvis Presley
- publisher:
- Belwin Mills Music Ltd., Durden Breyer Publishing, EMI Harmonies Limited, EMI Mills Music Limited , Sony/ATV Songs LLC, Sony/ATV Tree Publishing und Unichappell Music
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス , コンソーシアム音楽出版 C・F事業部 (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (vom 2021-07-01 bis heute)
| Elvis Presley | 3.7 | 2:09 |
| 8 | Blueberry Hill | Fats Domino | | 2:34 |
| 9 | Ooby Dooby | Roy Orbison | 5 | 2:13 |
| 10 | Dimples | John Lee Hooker | | 2:11 |
| 11 | Bye Bye Love | The Everly Brothers | | 2:43 |
| 12 | Peggy Sue- Produzent(in):
- Norman Petty
- Bass:
- Joe B. Mauldin (am 1957-07-01)
- Gitarre:
- Buddy Holly (am 1957-07-01) und Niki Sullivan (am 1957-07-01)
- Schlagzeug:
- Jerry Allison (am 1957-07-01)
- vocals:
- Buddy Holly (am 1957-07-01)
- phonographisches Urheberrecht (℗) von:
- Geffen Records (in 1957) und MCA Records, Inc. (in 1957)
- aufgenommen bei:
- Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01)
- Teil von:
- Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 5), Rolling Stone: 500 Greatest Songs of All Time (Nummer: 194) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 370)
- recording of:
- Peggy Sue (von 1957-06-29 bis 1957-07-01)
- Verfasser(in):
- Jerry Allison, Buddy Holly und Norman Petty
- publisher:
- Copyright Control , McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. , MPL Musik Verlags GmbH, Peermusic (UK) Limited, Southern Music und Wren Music Co.
| Buddy Holly & The Picks | 4.5 | 2:30 |
| 13 | Love Letters in the Sand | Pat Boone | | 2:19 |
| 14 | At the Hop | Danny & the Juniors | 3.5 | 2:39 |
| 15 | Searchin’ | The Coasters | | 3:17 |
| 16 | Lucille | Little Richard | | 2:10 |
| 17 | Raunchy | Bill Justis | | 2:20 |
| 18 | School Day | Chuck Berry | | 3:23 |
| 19 | Butterfly | Andy Williams | | 2:21 |
| 20 | Great Balls of Fire | Jerry Lee Lewis | | 1:54 |