Fritz Wunderlich: Die frühen Jahre 1956–1958

~ Release by Fritz Wunderlich (see all versions of this release, 1 available)

Annotation

Cast list für "Die Zauberflöte": Cast: Fritz Wunderlich (Tamino), Peter Roth-Erang (Sarastro), Gisela Vivarelli (Königin der Nacht), Agnes Giebel (Pamina), Horst Günter (Papageno), Erna-Maria Duske (Papagena), Chor der Staatsoper Hamburg, Orchester der Staatsoper Hamburg, cond. Arthur Rother;
Cast list für "Cavalleria rusticana": Cast: Fritz Wunderlich (Turiddu), Marlies Siemeling (Santuzza), Erika Stroka (Lucia), Gerhard Niese (Alfio), Ingeborg Wenglor (Lola), Günther-Arndt-Chor, Orchester der Deutschen Oper Berlin, cond. Richard Kraus

Annotation last modified on 2021-10-29 00:00 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1La Bohème: „Ich male das Rote Meer und erfriere dabei“
baritone vocals:
Herbert Brauer and Robert Koffmane (German operatic baritone)
bass vocals:
Peter Roth-Ehrang (operatic bass)
choir vocals:
Chor der Städtischen Oper Berlin (Chorus of the German Opera Berlin)
soprano vocals:
Trude Eipperle (operatic soprano singer) and Ruth-Margret Pütz (soprano)
tenor vocals:
Fritz Wunderlich (operatic tenor)
vocals:
Leopold Clam (German baritone)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Richard Kraus (conductor)
recording of:
La Bohème: Akt I. „Ich male das Rote Meer und erfriere dabei” (Marcello)
translated version of:
La bohème: Atto I, no. 1. “Questo Mar Rosso” … “Nei cieli bigi" (Marcello, Rodolfo)
part of:
La Bohème: Akt I (German translation)
Giacomo Puccini5:06
2La Bohème: „Wer klopft?“
baritone vocals:
Herbert Brauer and Robert Koffmane (German operatic baritone)
bass vocals:
Peter Roth-Ehrang (operatic bass)
choir vocals:
Chor der Städtischen Oper Berlin (Chorus of the German Opera Berlin)
soprano vocals:
Trude Eipperle (operatic soprano singer) and Ruth-Margret Pütz (soprano)
tenor vocals:
Fritz Wunderlich (operatic tenor)
vocals:
Leopold Clam (German baritone)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Richard Kraus (conductor)
recording of:
La Bohème: Akt I. „Wer klopft?” (Benoit, Marcello, Schaunard, Rodolfo, Colline)
composer:
Giacomo Puccini (Italian composer)
translated version of:
La bohème: Atto I, no. 3. “Si può?” – “Chi è là?” (Benoît, Marcello, Schaunard, Colline, Rodolfo)
part of:
La Bohème: Akt I (German translation)
Giacomo Puccini2:07
3La Bohème: „Wie eiskalt ist dies Händchen?“
baritone vocals:
Herbert Brauer and Robert Koffmane (German operatic baritone)
bass vocals:
Peter Roth-Ehrang (operatic bass)
choir vocals:
Chor der Städtischen Oper Berlin (Chorus of the German Opera Berlin)
soprano vocals:
Trude Eipperle (operatic soprano singer) and Ruth-Margret Pütz (soprano)
tenor vocals:
Fritz Wunderlich (operatic tenor)
vocals:
Leopold Clam (German baritone)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Richard Kraus (conductor)
recording of:
La Bohème: Akt I. „Wie eiskalt ist dies Händchen” (Rodolfo)
composer:
Giacomo Puccini (Italian composer)
translated version of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo)
part of:
La Bohème: Akt I (German translation)
Giacomo Puccini4:40
4La Bohème: „Sie nennen mich Mimi“
baritone vocals:
Herbert Brauer and Robert Koffmane (German operatic baritone)
bass vocals:
Peter Roth-Ehrang (operatic bass)
choir vocals:
Chor der Städtischen Oper Berlin (Chorus of the German Opera Berlin)
soprano vocals:
Trude Eipperle (operatic soprano singer) and Ruth-Margret Pütz (soprano)
tenor vocals:
Fritz Wunderlich (operatic tenor)
vocals:
Leopold Clam (German baritone)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Richard Kraus (conductor)
recording of:
La Bohème: Akt I. „Sie nennen mich Mimi” (Mimi)
composer:
Giacomo Puccini (Italian composer)
translated version of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì)
part of:
La Bohème: Akt I (German translation)
Giacomo Puccini4:18
5La Bohème: „Orangen! Datteln!“ … „Was schaust du?“
baritone vocals:
Herbert Brauer and Robert Koffmane (German operatic baritone)
bass vocals:
Peter Roth-Ehrang (operatic bass)
choir vocals:
Chor der Städtischen Oper Berlin (Chorus of the German Opera Berlin)
soprano vocals:
Trude Eipperle (operatic soprano singer) and Ruth-Margret Pütz (soprano)
tenor vocals:
Fritz Wunderlich (operatic tenor)
vocals:
Leopold Clam (German baritone)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Richard Kraus (conductor)
recording of:
La Bohème: Akt II. „Orangen! Datteln! - Was schaust du?” (Chor, Schaunard, Colline, Rodolfo, Mimi, Marcello)
translated version of:
La bohème: Atto II. no. 10. “Aranci, datteri! Caldi i marroni!” (Venditori [Coro], Schaunard, Colline, Rodolfo, Mimi, Marcello)
part of:
La bohème: Akt II (German translation)
Giacomo Puccini4:07
6La Bohème: „Will ich allein“
baritone vocals:
Herbert Brauer and Robert Koffmane (German operatic baritone)
bass vocals:
Peter Roth-Ehrang (operatic bass)
choir vocals:
Chor der Städtischen Oper Berlin (Chorus of the German Opera Berlin)
soprano vocals:
Trude Eipperle (operatic soprano singer) and Ruth-Margret Pütz (soprano)
tenor vocals:
Fritz Wunderlich (operatic tenor)
vocals:
Leopold Clam (German baritone)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Richard Kraus (conductor)
recording of:
La Bohème: Akt II. „Will ich allein des abends in Paris mich ergeh’n“ – „Goldene Jugend“ – „Seht die letzte Szene“ (Musette, Marcello, Alcindor, Mimi, Rodolfo, Schaunard, Collin, Chor)
translated version of:
La bohème: Atto II. “Gioventù mia, tu non sei morta” (Marcello, Musetta, Alcindoro, Schaunard, Colline, Rodolfo)
translated version of:
La bohème: Atto II. no. 13. “Quando me’n vo soletta” (Musetta, Marcello, Alcindoro, Mimi, Schaunard, Colline) (Musetta’s Waltz)
part of:
La bohème: Akt II (German translation)
Giacomo Puccini3:39
7La Bohème: „Marcel, da bist du endlich“
baritone vocals:
Herbert Brauer and Robert Koffmane (German operatic baritone)
bass vocals:
Peter Roth-Ehrang (operatic bass)
choir vocals:
Chor der Städtischen Oper Berlin (Chorus of the German Opera Berlin)
soprano vocals:
Trude Eipperle (operatic soprano singer) and Ruth-Margret Pütz (soprano)
tenor vocals:
Fritz Wunderlich (operatic tenor)
vocals:
Leopold Clam (German baritone)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Richard Kraus (conductor)
recording of:
La Bohème: Akt III. „Marcel, da bist du endlich” (Rodolfo, Marcello, Mimi)
translated version of:
La bohème: Atto III. no. 17. “Marcello, finalmente” (Rodolfo, Marcello, Mimì)
part of:
La bohème: Akt III (German translation)
Giacomo Puccini4:22
8La Bohème: „Leb wohl jetzt! Woher froh sie einst kam“
baritone vocals:
Herbert Brauer and Robert Koffmane (German operatic baritone)
bass vocals:
Peter Roth-Ehrang (operatic bass)
choir vocals:
Chor der Städtischen Oper Berlin (Chorus of the German Opera Berlin)
soprano vocals:
Trude Eipperle (operatic soprano singer) and Ruth-Margret Pütz (soprano)
tenor vocals:
Fritz Wunderlich (operatic tenor)
vocals:
Leopold Clam (German baritone)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Richard Kraus (conductor)
recording of:
La Bohème: Akt III. „Leb wohl jetzt! Woher froh sie einst kam” (Mimi)
composer:
Giacomo Puccini (Italian composer)
translated version of:
La bohème: Atto III. no. 18. “Donde lieta uscì” (Mimì)
part of:
La bohème: Akt III (German translation)
Giacomo Puccini3:13
9La Bohème: „In einem Wagen“
baritone vocals:
Herbert Brauer and Robert Koffmane (German operatic baritone)
bass vocals:
Peter Roth-Ehrang (operatic bass)
choir vocals:
Chor der Städtischen Oper Berlin (Chorus of the German Opera Berlin)
soprano vocals:
Trude Eipperle (operatic soprano singer) and Ruth-Margret Pütz (soprano)
tenor vocals:
Fritz Wunderlich (operatic tenor)
vocals:
Leopold Clam (German baritone)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Richard Kraus (conductor)
recording of:
La Bohème: Akt IV. „In einem Wagen?” (Marcello, Rodolfo)
translated version of:
La bohème: Atto IV. no. 20. “In un coupé?” (Marcello, Rodolfo)
part of:
La bohème: Akt IV (German translation)
Giacomo Puccini4:51
10La Bohème: „Musette! Mimi kommt“
baritone vocals:
Herbert Brauer and Robert Koffmane (German operatic baritone)
bass vocals:
Peter Roth-Ehrang (operatic bass)
choir vocals:
Chor der Städtischen Oper Berlin (Chorus of the German Opera Berlin)
soprano vocals:
Trude Eipperle (operatic soprano singer) and Ruth-Margret Pütz (soprano)
tenor vocals:
Fritz Wunderlich (operatic tenor)
vocals:
Leopold Clam (German baritone)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Richard Kraus (conductor)
partial recording of:
La bohème: Akt IV (German translation)
composer:
Giacomo Puccini (Italian composer)
part of:
La Bohème (German translation)
Giacomo Puccini5:15
11La Bohème: „Sind wir allein?“
baritone vocals:
Herbert Brauer and Robert Koffmane (German operatic baritone)
bass vocals:
Peter Roth-Ehrang (operatic bass)
choir vocals:
Chor der Städtischen Oper Berlin (Chorus of the German Opera Berlin)
soprano vocals:
Trude Eipperle (operatic soprano singer) and Ruth-Margret Pütz (soprano)
tenor vocals:
Fritz Wunderlich (operatic tenor)
vocals:
Leopold Clam (German baritone)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Richard Kraus (conductor)
recording of:
La Bohème: Akt IV. „Sind wir allein?” (Mimi, Rodolfo)
translated version of:
La bohème: Atto IV. no. 25. “Sono andati? Fingevo di dormire” (Mimì, Rodolfo)
translated version of:
La bohème: Atto IV. no. 26. “O Dio! Mimì! … Che avvien?” (Rodolfo, Schaunard, Mimì, Musetta, Marcello, Colline)
part of:
La bohème: Akt IV (German translation)
Giacomo Puccini6:00
12Serse, HWV 40: „Ombra mai fù“
tenor vocals:
Fritz Wunderlich (operatic tenor)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
George Frideric Handel3:22
13Martha: „Ach so fromm, ach so traut“
tenor vocals:
Fritz Wunderlich (operatic tenor)
recording of:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
composer:
Friedrich von Flotow (composer)
librettist:
Friedrich Wilhelm Riese
part of:
Martha: Akt III
Friedrich von Flotow2:47
14Der Waffenschmied: „Man wird ja nur einmal geboren“
tenor vocals:
Fritz Wunderlich (operatic tenor)
recording of:
Der Waffenschmied: Akt I. „Man wird ja einmal nur geboren” (Georg)
composer and librettist:
Albert Lortzing (German composer)
part of:
Der Waffenschmied: Akt I
Albert Lortzing3:18
15Undine: „Vater, Mutter, Schwestern, Brüder“
tenor vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990)
conductor:
Artur Rother (conductor)
recording of:
Undine: Akt III. Nr. 14 Lied und Ensemble „Vater, Mutter, Schwestern, Brüder“ … „Pst, Pst“ (Veit, Hans)
composer:
Albert Lortzing (German composer)
part of:
Undine: Akt III
part of:
Undine: Akt III
Albert Lortzing3:33
16Der Evangelimann: „Selig sind, die Verfolgung leiden“
choir vocals:
Schöneberger Sängerknaben
tenor vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990)
conductor:
Artur Rother (conductor)
recording of:
Der Evangelimann: Zweiter Aufzug, I. Teil. „Selig sind, die Verfolgung leiden“ (Mathias)
composer:
Wilhelm Kienzl (Austrian composer) (in 1894)
part of:
Der Evangelimann: Zweiter Aufzug
Wilhelm Kienzl4:06
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