| # | Title | Rating | Length |
|---|
| 1 | Let It Rock- engineer:
- Ron Malo and Bill Wolf
- assistant producer:
- Joshua Blardo and Richard Loren
- producer:
- John Kahn
- mixer:
- Bill Wolf
- bell, congas and shakers:
- Bobbye Hall (in 1974-02)
- drums (drum set):
- Ron Tutt (in 1974-02)
- electric bass guitar:
- John Kahn (in 1974-02)
- guitar:
- Arthur Adams (in 1974-02) and Jerry Garcia (in 1974-02)
- piano and tack piano:
- Michael Omartian (in 1974-02)
- vocals:
- Jerry Garcia (in 1974-02)
- recorded at:
- Wally Heider Recording Studio in Hollywood, Los Angeles, California, United States, Wally Heider Studios in San Francisco, California, United States, Western Recorders in Los Angeles, California, United States and Devonshire Sound Studios in North Hollywood, Los Angeles, California, United States (in 1974-02)
- mixed at:
- Devonshire Sound Studios in North Hollywood, Los Angeles, California, United States
- live cover recording of:
- Let It Rock (in 1974-02)
- lyricist and composer:
- Chuck Berry
- publisher:
- Arc Music , Arc Music Corporation and Isalee Music Publishing Company
| | 3:15 |
| 2 | When the Hunter Gets Captured by the Game- engineer:
- Ron Malo and Bill Wolf
- assistant producer:
- Joshua Blardo and Richard Loren
- producer:
- John Kahn
- mixer:
- Bill Wolf
- congas:
- Bobbye Hall (in 1974-02)
- drums (drum set):
- Ron Tutt (in 1974-02)
- electric bass guitar:
- John Kahn (in 1974-02)
- guitar:
- Larry Carlton (in 1974-02) and Jerry Garcia (in 1974-02)
- organ:
- Merl Saunders (in 1974-02)
- piano:
- Michael Omartian (in 1974-02)
- vocals:
- Jerry Garcia (in 1974-02)
- recorded at:
- Wally Heider Recording Studio in Hollywood, Los Angeles, California, United States, Wally Heider Studios in San Francisco, California, United States, Western Recorders in Los Angeles, California, United States and Devonshire Sound Studios in North Hollywood, Los Angeles, California, United States (in 1974-02)
- mixed at:
- Devonshire Sound Studios in North Hollywood, Los Angeles, California, United States
- cover recording of:
- The Hunter Gets Captured by the Game (in 1974-02)
- lyricist, writer and composer:
- Smokey Robinson
- publisher:
- Jobete Music (UK) Ltd. and Jobete Music Co., Inc. (in 1966)
| | 2:49 |
| 3 | That’s What Love Will Make You Do- engineer:
- Ron Malo and Bill Wolf
- assistant producer:
- Joshua Blardo and Richard Loren
- producer:
- John Kahn
- mixer:
- Bill Wolf
- baritone saxophone:
- Jackie Kelso (in 1974-02)
- congas, cowbell, güiro and wood block:
- Bobbye Hall (in 1974-02)
- drums (drum set):
- Ron Tutt (in 1974-02)
- electric bass guitar:
- John Kahn (in 1974-02)
- guitar:
- Larry Carlton (in 1974-02) and Jerry Garcia (in 1974-02)
- organ:
- Merl Saunders (in 1974-02)
- Rhodes piano:
- Michael Omartian (in 1974-02)
- trombone:
- Gene Connors (in 1974-02)
- trumpet:
- Melvin Moore (in 1974-02)
- vocals:
- Jerry Garcia (in 1974-02)
- horn arranger:
- Gene Connors
- recorded at:
- Wally Heider Recording Studio in Hollywood, Los Angeles, California, United States, Wally Heider Studios in San Francisco, California, United States, Western Recorders in Los Angeles, California, United States and Devonshire Sound Studios in North Hollywood, Los Angeles, California, United States (in 1974-02)
- mixed at:
- Devonshire Sound Studios in North Hollywood, Los Angeles, California, United States
- cover recording of:
- That's What Love Will Make You Do (in 1974-02)
- writer:
- James Banks, Eddie Marion and Henderson Thigpen
- publisher:
- Irving Music, Inc.
| | 3:50 |
| 4 | Russian Lullaby- engineer:
- Ron Malo and Bill Wolf
- assistant producer:
- Joshua Blardo and Richard Loren
- producer:
- John Kahn
- mixer:
- Bill Wolf
- clarinet:
- Joel Tepp (in 1974-02)
- classical guitar:
- Jerry Garcia (in 1974-02)
- electric bass guitar:
- John Kahn (in 1974-02)
- trombone:
- Amos Garrett (in 1974-02)
- violin:
- Richard Greene (in 1974-02)
- recorded at:
- Wally Heider Recording Studio in Hollywood, Los Angeles, California, United States, Wally Heider Studios in San Francisco, California, United States, Western Recorders in Los Angeles, California, United States and Devonshire Sound Studios in North Hollywood, Los Angeles, California, United States (in 1974-02)
- mixed at:
- Devonshire Sound Studios in North Hollywood, Los Angeles, California, United States
- cover recording of:
- Russian Lullaby (in 1974-02)
- lyricist and composer:
- Irving Berlin
| | 3:08 |
| 5 | Turn on the Bright Lights- engineer:
- Ron Malo and Bill Wolf
- assistant producer:
- Joshua Blardo and Richard Loren
- producer:
- John Kahn
- mixer:
- Bill Wolf
- baritone saxophone and tenor saxophone:
- Jackie Kelso (in 1974-02)
- drums (drum set):
- Ron Tutt (in 1974-02)
- electric bass guitar:
- John Kahn (in 1974-02)
- guitar:
- Arthur Adams (in 1974-02) and Jerry Garcia (in 1974-02)
- organ:
- Merl Saunders (in 1974-02)
- piano:
- Michael Omartian (in 1974-02)
- trombone:
- Gene "Mighty Flea" Conners (in 1974-02)
- trumpet:
- Melvin Moore (in 1974-02)
- vocals:
- Jerry Garcia (in 1974-02)
- arranger:
- Gene "Mighty Flea" Conners
- recorded at:
- Wally Heider Recording Studio in Hollywood, Los Angeles, California, United States, Wally Heider Studios in San Francisco, California, United States, Western Recorders in Los Angeles, California, United States and Devonshire Sound Studios in North Hollywood, Los Angeles, California, United States (in 1974-02)
- mixed at:
- Devonshire Sound Studios in North Hollywood, Los Angeles, California, United States
- cover recording of:
- Turn on the Bright Lights (in 1974-02)
- writer:
- Albert Washington
| | 5:38 |
| 6 | He Ain’t Give You None- engineer:
- Ron Malo and Bill Wolf
- assistant producer:
- Joshua Blardo and Richard Loren
- producer:
- John Kahn
- mixer:
- Bill Wolf
- electric bass guitar:
- John Kahn (in 1974-02)
- guitar:
- Larry Carlton (in 1974-02) and Jerry Garcia (in 1974-02)
- organ:
- Merl Saunders (in 1974-02)
- background vocals:
- Merry Clayton (in 1974-02) and Clydie King (in 1974-02)
- vocals:
- Jerry Garcia (in 1974-02)
- recorded at:
- Wally Heider Recording Studio in Hollywood, Los Angeles, California, United States, Wally Heider Studios in San Francisco, California, United States, Western Recorders in Los Angeles, California, United States and Devonshire Sound Studios in North Hollywood, Los Angeles, California, United States (in 1974-02)
- mixed at:
- Devonshire Sound Studios in North Hollywood, Los Angeles, California, United States
- cover recording of:
- He Ain’t Give You None (in 1974-02)
- lyricist and composer:
- Van Morrison
- publisher:
- Universal–Songs of PolyGram International, Inc. and Web IV Music Inc. (in 1967)
| | 3:26 |
| 7 | What Goes Around- engineer:
- Ron Malo and Bill Wolf
- assistant producer:
- Joshua Blardo and Richard Loren
- producer:
- John Kahn
- mixer:
- Bill Wolf
- clarinet:
- Geoff Muldaur (in 1974-02)
- drums (drum set):
- Ron Tutt (in 1974-02)
- electric bass guitar:
- John Kahn (in 1974-02)
- guitar:
- Jerry Garcia (in 1974-02)
- organ:
- Merl Saunders (in 1974-02)
- piano:
- Michael Omartian (in 1974-02)
- trombone:
- Amos Garrett (in 1974-02)
- vocals:
- Jerry Garcia (in 1974-02)
- recorded at:
- Wally Heider Recording Studio in Hollywood, Los Angeles, California, United States, Wally Heider Studios in San Francisco, California, United States, Western Recorders in Los Angeles, California, United States and Devonshire Sound Studios in North Hollywood, Los Angeles, California, United States (in 1974-02)
- mixed at:
- Devonshire Sound Studios in North Hollywood, Los Angeles, California, United States
- cover recording of:
- What Comes Around (Goes Around) (in 1974-02)
- writer:
- Mac Rebennack
| | 3:09 |
| 8 | Let’s Spend the Night Together- engineer:
- Ron Malo and Bill Wolf
- assistant producer:
- Joshua Blardo and Richard Loren
- producer:
- John Kahn
- mixer:
- Bill Wolf
- cowbell and tambourine:
- Bobbye Hall (in 1974-02)
- drums (drum set):
- Ron Tutt (in 1974-02)
- electric bass guitar:
- John Kahn (in 1974-02)
- guitar:
- Arthur Adams (in 1974-02) and Jerry Garcia (in 1974-02)
- organ:
- Merl Saunders (in 1974-02)
- piano:
- Michael Omartian (in 1974-02)
- violin:
- Richard Greene (in 1974-02)
- background vocals:
- Maria Muldaur (in 1974-02)
- vocals:
- Jerry Garcia (in 1974-02)
- recorded at:
- Wally Heider Recording Studio in Hollywood, Los Angeles, California, United States, Wally Heider Studios in San Francisco, California, United States, Western Recorders in Los Angeles, California, United States and Devonshire Sound Studios in North Hollywood, Los Angeles, California, United States (in 1974-02)
- mixed at:
- Devonshire Sound Studios in North Hollywood, Los Angeles, California, United States
- cover recording of:
- Let’s Spend the Night Together (in 1974-02)
- writer:
- Mick Jagger and Keith Richards
- publisher:
- ABKCO Music, Inc.
| | 3:42 |
| 9 | Mississippi Moon- engineer:
- Ron Malo and Bill Wolf
- assistant producer:
- Joshua Blardo and Richard Loren
- producer:
- John Kahn
- mixer:
- Bill Wolf
- bass:
- Arnie Egilsson
- bass clarinet:
- Julian Speer (in 1974-02)
- cello:
- Terry Adams (in 1974-02) and Judiyaba (in 1974-02)
- clarinet [B-flat clarinet]:
- Gary Ray (in 1974-02) and Willie Green (in 1974-02)
- double bass:
- Ray Siegal (in 1974-02)
- drums (drum set):
- Ron Tutt (in 1974-02)
- E-flat clarinet:
- Johnny Rotella (in 1974-02)
- electric bass guitar:
- John Kahn (in 1974-02)
- guitar:
- Ben Benay (in 1974-02) and Jerry Garcia (in 1974-02)
- piano:
- Michael Omartian (in 1974-02)
- viola:
- Miriam Dye (in 1974-02) and Nancy Ellis (in 1974-02)
- violin:
- Sid Page (in 1974-02), Carl Pedersen (in 1974-02), Nathan Rubin (in 1974-02) and Emily Van Valkenburgh (in 1974-02)
- vocals:
- Jerry Garcia (in 1974-02)
- horn arranger and strings arranger:
- John Kahn (in 1974-02)
- recorded at:
- Wally Heider Recording Studio in Hollywood, Los Angeles, California, United States, Wally Heider Studios in San Francisco, California, United States, Western Recorders in Los Angeles, California, United States and Devonshire Sound Studios in North Hollywood, Los Angeles, California, United States (in 1974-02)
- mixed at:
- Devonshire Sound Studios in North Hollywood, Los Angeles, California, United States
- cover recording of:
- Mississippi Moon (in 1974-02)
- writer:
- Peter Rowan
- publisher:
- Sea Lion Music
| | 3:09 |
| 10 | Midnight Town- engineer:
- Ron Malo and Bill Wolf
- assistant producer:
- Joshua Blardo and Richard Loren
- producer:
- John Kahn
- mixer:
- Bill Wolf
- cello:
- Terry Adams (in 1974-02) and Judiyaba (in 1974-02)
- double bass:
- Ray Siegel (in 1974-02)
- drums (drum set):
- Ron Tutt (in 1974-02)
- electric bass guitar:
- John Kahn (in 1974-02)
- guitar:
- Larry Carlton (in 1974-02) and Jerry Garcia (in 1974-02)
- organ:
- Merl Saunders (in 1974-02)
- piano:
- Michael Omartian (in 1974-02)
- viola:
- Miriam Dye (in 1974-02) and Nancy Ellis (in 1974-02)
- violin:
- Sid Page (in 1974-02), Carl Pedersen (in 1974-02), Nathan Rubin (in 1974-02) and Emily Van Valkenburgh (in 1974-02)
- background vocals:
- Merry Clayton (in 1974-02) and Clydie King (in 1974-02)
- vocals:
- Jerry Garcia (in 1974-02)
- recorded at:
- Wally Heider Recording Studio in Hollywood, Los Angeles, California, United States, Wally Heider Studios in San Francisco, California, United States, Western Recorders in Los Angeles, California, United States and Devonshire Sound Studios in North Hollywood, Los Angeles, California, United States (in 1974-02)
- mixed at:
- Devonshire Sound Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- Midnight Town (in 1974-02)
- lyricist:
- Robert Hunter
- composer:
- John Kahn
- publisher:
- Ice Nine Publishing Company, Inc.
| | 3:22 |
| 11 | That’s a Touch I Like- engineer:
- Ron Malo and Bill Wolf
- assistant producer:
- Joshua Blardo and Richard Loren
- producer:
- John Kahn
- drums (drum set):
- Ron Tutt (in 1974-02)
- electric bass guitar:
- John Kahn (in 1974-02)
- guitar:
- Jerry Garcia (in 1974-02)
- organ:
- Merl Saunders (in 1974-02)
- piano:
- Michael Omartian (in 1974-02)
- vocals:
- Jerry Garcia (in 1974-02)
- recorded at:
- Wally Heider Recording Studio in Hollywood, Los Angeles, California, United States, Wally Heider Studios in San Francisco, California, United States, Western Recorders in Los Angeles, California, United States and Devonshire Sound Studios in North Hollywood, Los Angeles, California, United States (in 1974-02)
- cover recording of:
- That's A Touch I Like (in 1974-02)
- lyricist and composer:
- Jesse Winchester
- publisher:
- Fourth Floor Music Inc. and WC Music Corp.
| | 3:40 |
| 12 | (I’m a) Road Runner- engineer:
- Ron Malo and Bill Wolf
- assistant producer:
- Joshua Blardo and Richard Loren
- producer:
- John Kahn
- drums (drum set):
- Ron Tutt (in 1974-02)
- electric bass guitar:
- John Kahn (in 1974-02)
- guitar:
- Jerry Garcia (in 1974-02)
- organ:
- Merl Saunders (in 1974-02)
- piano:
- Michael Omartian (in 1974-02)
- vocals:
- Jerry Garcia (in 1974-02)
- recorded at:
- Wally Heider Recording Studio in Hollywood, Los Angeles, California, United States, Wally Heider Studios in San Francisco, California, United States, Western Recorders in Los Angeles, California, United States and Devonshire Sound Studios in North Hollywood, Los Angeles, California, United States (in 1974-02)
- cover recording of:
- (I’m a) Road Runner (in 1974-02)
- lyricist:
- Eddie Holland
- composer:
- Lamont Dozier and Brian Holland
- publisher:
- Stone Agate Music, Stone Agate Music Corp., イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| | 4:10 |
| 13 | It’s Too Late- engineer:
- Ron Malo and Bill Wolf
- assistant producer:
- Joshua Blardo and Richard Loren
- producer:
- John Kahn
- drums (drum set):
- Ron Tutt (in 1974-02)
- electric bass guitar:
- John Kahn (in 1974-02)
- guitar:
- Jerry Garcia (in 1974-02)
- organ:
- Merl Saunders (in 1974-02)
- piano:
- Michael Omartian (in 1974-02)
- vocals:
- Jerry Garcia (in 1974-02)
- recorded at:
- Wally Heider Recording Studio in Hollywood, Los Angeles, California, United States, Wally Heider Studios in San Francisco, California, United States, Western Recorders in Los Angeles, California, United States and Devonshire Sound Studios in North Hollywood, Los Angeles, California, United States (in 1974-02)
- recording of:
- It’s Too Late (in 1974-02)
- lyricist and composer:
- Chuck Willis
- publisher:
- Chuck Willis Music Corp., Sony/ATV Songs LLC, Tideland Music Publishing Corp. and Unichappell Music, Inc.
| | 4:28 |
| 14 | I’ll Forget You- engineer:
- Ron Malo and Bill Wolf
- assistant producer:
- Joshua Blardo and Richard Loren
- producer:
- John Kahn
- drums (drum set):
- Ron Tutt (in 1974-02)
- electric bass guitar:
- John Kahn (in 1974-02)
- guitar:
- Jerry Garcia (in 1974-02)
- organ:
- Merl Saunders (in 1974-02)
- piano:
- Michael Omartian (in 1974-02)
- vocals:
- Jerry Garcia (in 1974-02)
- recorded at:
- Wally Heider Recording Studio in Hollywood, Los Angeles, California, United States, Wally Heider Studios in San Francisco, California, United States, Western Recorders in Los Angeles, California, United States and Devonshire Sound Studios in North Hollywood, Los Angeles, California, United States (in 1974-02)
- cover recording of:
- I'll Forget You (in 1974-02)
- writer:
- Bob Garner and John Roberts
| | 3:21 |
| 15 | Tragedy- engineer:
- Ron Malo and Bill Wolf
- assistant producer:
- Joshua Blardo and Richard Loren
- producer:
- John Kahn
- drums (drum set):
- Ron Tutt (in 1974-02)
- electric bass guitar:
- John Kahn (in 1974-02)
- guitar:
- Jerry Garcia (in 1974-02)
- organ:
- Merl Saunders (in 1974-02)
- piano:
- Michael Omartian (in 1974-02)
- vocals:
- Jerry Garcia (in 1974-02)
- recorded at:
- Wally Heider Recording Studio in Hollywood, Los Angeles, California, United States, Wally Heider Studios in San Francisco, California, United States, Western Recorders in Los Angeles, California, United States and Devonshire Sound Studios in North Hollywood, Los Angeles, California, United States (in 1974-02)
- cover recording of:
- Tragedy (in 1974-02)
- writer:
- Fred Burch and Gerald Nelson
- publisher:
- Burlington Music Co., Ltd., Embassy Music Corporation, Wren Music Co., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| | 3:52 |
| 16 | Think- engineer:
- Ron Malo and Bill Wolf
- assistant producer:
- Joshua Blardo and Richard Loren
- producer:
- John Kahn
- clavinet and organ:
- Merl Saunders (in 1974-02)
- drums (drum set):
- Ron Tutt (in 1974-02)
- electric bass guitar:
- John Kahn (in 1974-02)
- guitar:
- Arthur Adams (in 1974-02) and Jerry Garcia (in 1974-02)
- piano:
- Michael Omartian (in 1974-02)
- vocals:
- Jerry Garcia (in 1974-02)
- recorded at:
- Wally Heider Recording Studio in Hollywood, Los Angeles, California, United States, Wally Heider Studios in San Francisco, California, United States, Western Recorders in Los Angeles, California, United States and Devonshire Sound Studios in North Hollywood, Los Angeles, California, United States (in 1974-02)
- cover recording of:
- Think (in 1974-02)
- lyricist and composer:
- Deadric Malone and Jimmy McCracklin
| | 4:12 |
| 17 | I Know It’s a Sin- engineer:
- Ron Malo and Bill Wolf
- assistant producer:
- Joshua Blardo and Richard Loren
- producer:
- John Kahn
- drums (drum set):
- Ron Tutt (in 1974-02)
- electric bass guitar:
- John Kahn (in 1974-02)
- guitar:
- Jerry Garcia (in 1974-02)
- organ:
- Merl Saunders (in 1974-02)
- piano:
- Michael Omartian (in 1974-02)
- vocals:
- Jerry Garcia (in 1974-02)
- recorded at:
- Wally Heider Recording Studio in Hollywood, Los Angeles, California, United States, Wally Heider Studios in San Francisco, California, United States, Western Recorders in Los Angeles, California, United States and Devonshire Sound Studios in North Hollywood, Los Angeles, California, United States (in 1974-02)
- cover recording of:
- I Know It’s a Sin (in 1974-02)
- lyricist and composer:
- Jimmy Reed
- publisher:
- BMG Platinum Songs US, Conrad Music and Seeds of Reed Music
| | 2:41 |
| 18 | Lonesome Town- engineer:
- Ron Malo and Bill Wolf
- assistant producer:
- Joshua Blardo and Richard Loren
- producer:
- John Kahn
- drums (drum set):
- Ron Tutt (in 1974-02)
- electric bass guitar:
- John Kahn (in 1974-02)
- guitar:
- Arthur Adams (in 1974-02) and Jerry Garcia (in 1974-02)
- organ:
- Merl Saunders (in 1974-02)
- piano:
- Michael Omartian (in 1974-02)
- vocals:
- Jerry Garcia (in 1974-02)
- recorded at:
- Wally Heider Recording Studio in Hollywood, Los Angeles, California, United States, Wally Heider Studios in San Francisco, California, United States, Western Recorders in Los Angeles, California, United States and Devonshire Sound Studios in North Hollywood, Los Angeles, California, United States (in 1974-02)
- cover recording of:
- Lonesome Town (in 1974-02)
- lyricist and composer:
- Baker Knight Jr.
- publisher:
- Imagem London Ltd. and Matragun Music Inc.
| | 6:20 |
| 19 | Cardiac Arrest (studio jam)- engineer:
- Ron Malo and Bill Wolf
- assistant producer:
- Joshua Blardo and Richard Loren
- producer:
- John Kahn
- drums (drum set):
- Ron Tutt (in 1974-02)
- electric bass guitar:
- John Kahn (in 1974-02)
- guitar:
- Jerry Garcia (in 1974-02)
- organ:
- Merl Saunders (in 1974-02)
- piano:
- Michael Omartian (in 1974-02)
- arranger:
- Jerry Garcia , John Kahn, Michael Omartian, Merl Saunders and Ron Tutt
- recorded at:
- Wally Heider Recording Studio in Hollywood, Los Angeles, California, United States, Wally Heider Studios in San Francisco, California, United States, Western Recorders in Los Angeles, California, United States and Devonshire Sound Studios in North Hollywood, Los Angeles, California, United States (in 1974-02)
| | 1:40 |
| 20 | Back Home in Alabama- engineer:
- Ron Malo and Bill Wolf
- assistant producer:
- Joshua Blardo and Richard Loren
- producer:
- John Kahn
- drums (drum set):
- Ron Tutt (in 1974-02)
- electric bass guitar:
- John Kahn (in 1974-02)
- guitar:
- Jerry Garcia (in 1974-02) and David Nichtern (in 1974-02)
- mandolin:
- David Grisman (in 1974-02)
- violin:
- Vassar Clements (in 1974-02)
- vocals:
- Jerry Garcia (in 1974-02)
- recorded at:
- Wally Heider Recording Studio in Hollywood, Los Angeles, California, United States, Wally Heider Studios in San Francisco, California, United States, Western Recorders in Los Angeles, California, United States and Devonshire Sound Studios in North Hollywood, Los Angeles, California, United States (in 1974-02)
- instrumental cover recording of:
- Indiana (Back Home Again in Indiana) (in 1974-02)
- lyricist:
- Ballard MacDonald (in 1917)
- composer:
- James F. Hanley (in 1917)
- publisher:
- B. Feldman & Co. Ltd.
| | 7:08 |
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