Born Stiff: The Stiff Records Collection

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1One Step Beyond
Produzent(in):
Clive Langer & Alan Winstanley
baritone saxophone und Tenorsaxophon:
Lee “Kix” Thompson (Madness)
Bassgitarre:
Mark Bedford
Gitarre:
Chris Foreman (UK musician, aka “Chrissy Boy”)
Keyboard:
Mike Barson
Schlagzeug und Perkussion:
Daniel Woodgate
Hintergrundgesang:
Chas Smash
vocals:
Suggs und Lee “Kix” Thompson (Madness)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1979)
cover recording of:
One Step Beyond…
Texter und Komponist(in):
Cecil Bustamente Campbell
publisher:
Melodisc Music Ltd.
recording of:
One Step Beyond…
Texter und Komponist(in):
Cecil Bustamente Campbell
publisher:
Melodisc Music Ltd.
Madness4.552:20
2Second Choice
Produzent(in):
John Wood (UK producer)
phonographisches Urheberrecht (℗) von:
Stiff Records
aufgenommen bei:
Pennine Sound Studios in Oldham, Greater Manchester, England, Vereinigtes Königreich (am 1980-05-31) und The Venue (Victoria Street, London) in London (Greater London), England, Vereinigtes Königreich (am 1980-05-31)
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
recording of:
Second Choice (am 1980-05-31)
Texter und Komponist(in):
Clive Gregson
Any Trouble2:58
3Mercury Poisoning
Graham Parker & The Rumour3:10
4Stop the Cavalry
Produzent(in):
Bob Andrews (keyboardist and producer), Bob Andrews (UK keyboardist/producer) und Jona Lewie
vocals und Interpret(in):
Jona Lewie
phonographisches Urheberrecht (℗) von:
Stiff Records (in 1980) und Stiff Records Ltd. (in 1980)
recording of:
Stop the Cavalry
Texter und Komponist(in):
Jona Lewie
publisher:
Zomba Music Productions Ltd., Zomba Music Publishing Ltd. und Street Music Ltd. (in 1980)
Jona Lewie3.82:55
5Swords of a Thousand Men
Produzent(in):
Bob Andrews (keyboardist and producer) und Alan Winstanley (English record producer)
phonographisches Urheberrecht (℗) von:
Stiff Records Ltd. (in 1981)
recording of:
Swords of a Thousand Men
Texter und Komponist(in):
Edward Tudor-Pole
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tenpole Tudor4.22:57
6Pretend
cover recording of:
Pretend (1952 song popularized by Nat King Cole)
Texter:
Lew Douglas, Frank Lavere und Cliff Parman
Komponist(in):
Dan Belloc, Lew Douglas, Frank Lavere und Cliff Parman
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Alvin Stardust2:44
7Loud Music in Cars
Billy Bremner2:47
8Wunderbar
Tenpole Tudor3:01
9It Must Be Love
cover recording of:
It Must Be Love
Texter und Komponist(in):
Labi Siffre
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated)
Madness43:21
10The Clapping Song
Techniker(in):
Phil Chapman (engineer), Pete Hammond (UK producer aka “Mixmaster”), Phil Harding (engineer, producer and remixer) und Julian Mendelsohn (Australian record producer and engineer)
Produzent(in):
Peter Collins (producer)
alto saxophone:
Miranda Joyce
Bassgitarre:
Lesley Shone
Gitarre:
Sarah‐Jane Owen
Schlagzeug:
Judy Parsons
Sologesang:
Jennie Matthias
cover recording of:
The Clapping Song
Texter und Komponist(in):
Lincoln Chase (songwriter)
publisher:
Embassy Music Corporation und EMI Al Gallico Music Corp.
The Belle Stars3:14
11I Love You
phonographisches Urheberrecht (℗) von:
Universal Music Domestic Division (do not use as a release label! sub-division of Universal Music GmbH) (in 1983)
recording of:
I Love You
Texter:
Dieter Meier (member of Yello)
Komponist(in):
Boris Blank
publisher:
Neue Welt Musikverlag GmbH (2017 – present) und Warner Bros. Music Co. Inc.
Yello4:09
12House of Fun
Produzent(in):
Clive Langer und Alan Winstanley (English record producer)
recording of:
House of Fun
Texter:
Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) und Daniel Woodgate
Komponist(in):
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Carl Smyth und Daniel Woodgate
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3.652:47
13They Don’t Know
Produzent(in):
Peter Collins (producer)
Musikvideos:
They Don't Know von Tracey Ullman
cover recording of:
They Don’t Know
Texter und Komponist(in):
Kirsty MacColl
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
recording of:
They Don’t Know
Texter und Komponist(in):
Kirsty MacColl
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Tracey Ullman3:01
14Sign of the Times
Techniker(in):
Phil Chapman (engineer), Pete Hammond (UK producer aka “Mixmaster”), Phil Harding (engineer, producer and remixer) und Julian Mendelsohn (Australian record producer and engineer)
Produzent(in):
Peter Collins (producer)
alto saxophone:
Miranda Joyce
Bassgitarre:
Lesley Shone
Gitarre:
Sarah‐Jane Owen
Schlagzeug:
Judy Parsons
Sologesang:
Jennie Matthias
phonographisches Urheberrecht (℗) von:
Stiff Records Ltd. (in 1983)
recording of:
Sign of the Times
Verfasser(in):
Stella Barker, Clare Hirst, Miranda Joyce, Jennie Matthias, Sarah‐Jane Owen, Judy Parsons und Lesley Shone
The Belle Stars4.52:53
15A New England
Produzent(in):
Steve Lillywhite
phonographisches Urheberrecht (℗) von:
Stiff Records Ltd. (in 1985)
Musikvideos:
A New England von Kirsty MacColl
cover recording of:
A New England
Texter und Komponist(in):
Billy Bragg
publisher:
BMG Music Publishing Ltd. und Chappell Music Ltd.
Kirsty MacColl43:50
16Free Yourself
The Untouchables4:08
17Brilliant Mind
Techniker(in):
John Brough, Renny Hill (engineer) und Seb (Engineer)
Produzent(in):
Mick Glossop (producer & engineer)
Bass:
Sally Still
Gitarre und Hintergrundgesang:
Tim Whelan
Keyboard:
Maya Gilder (Keyboardist)
Perkussion und Schlagzeug:
Hamilton Lee
Saiteninstrumente:
Tim Beaton und Charlie Buchannon
Saxophon:
Larry Whelan (Saxophonist)
Sologesang:
Jim Irvin
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1986)
aufgenommen bei:
Townhouse 3 in Battersea, Wandsworth, London (Greater London), England, Vereinigtes Königreich
mixed at:
Sarm East (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 86)
recording of:
Brilliant Mind
Verfasser(in):
Jim Irvin, Hamilton Lee, Sally Still und Tim Whelan
publisher:
Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Furniture3.353:42
18Don’t Wait Up
Dr. Feelgood4:01
19Sally MacLennane
Techniker(in):
Nick Robbins (engineer) und Paul Scully
Produzent(in):
Elvis Costello
aufgenommen bei:
Elephant Studios in Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
recording of:
Sally MacLennane
Komponist(in):
Shane MacGowan
The Pogues52:45
20Fat as a Fiddle
Chris Difford3:28
21Here Comes My Ship
Wreckless Eric & Amy Rigby2:52
22Don’t You Love Me No More (R.E.D.U.N.D.A.N.T.)
Henry Priestman3:27

Nennungen

Veröffentlichungsgruppe

Allmusic:https://www.allmusic.com/album/mw0002048750 [Info]