The Complete Decca Recordings – Operas 1959-1970

~ Release by Joan Sutherland (see all versions of this release, 1 available)

Tracklist

1▶CD: Alcina [Disc 1]
2▶CD: Alcina [Disc 2]
3▶CD: Acis and Galatea
4▶CD: Don Giovanni [Disc 1]
5▶CD: Don Giovanni [Disc 2]
6▶CD: Don Giovanni [Disc 3]
7▶CD: Rigoletto [Disc 1]
8▶CD: Rigoletto [Disc 2]
9▶CD: Lucia di Lammermoor [Disc 1]
10▶CD: Lucia di Lammermoor [Disc 2]
11▶CD: Alcina [Disc 1]
12▶CD: Alcina [Disc 2]
13▶CD: Alcina [Disc 3]
14▶CD: La sonnambula [Disc 1]
15▶CD: La sonnambula [Disc 2]
16▶CD: La traviata [Disc 1]
17▶CD: La traviata [Disc 2]
18▶CD: Carmen [Disc 1]
19▶CD: Carmen [Disc 2]
20▶CD: I Puritani [Disc 1]
21▶CD: I Puritani [Disc 2]
22▶CD: I Puritani [Disc 3]
23▶CD: Giulio Cesare [Highlights]
24▶CD: Norma [Disc 1]
25▶CD: Norma [Disc 2]
26▶CD: Norma [Disc 3]
27▶CD: Semiramide [Disc 1]
28▶CD: Semiramide [Disc 2]
29▶CD: Semiramide [Disc 3]
30▶CD: Beatrice di Tenda [Disc 1]
31▶CD: Beatrice di Tenda [Disc 2]
32▶CD: Faust [Disc 1]
33▶CD: Faust [Disc 2]
34▶CD: Faust [Disc 3]
35▶CD: Griselda [Highlights]
36▶CD: Montezuma [Highlights]
37▶CD: Donizetti: La fille du régiment (I)
38▶CD: Donizetti: La fille du régiment (II)
39▶CD: Lakmé [Disc 1]
40▶CD: Lakmé [Disc 2]
41▶CD: Don Giovanni [Disc 1]
42▶CD: Don Giovanni [Disc 2]
43▶CD: Don Giovanni [Disc 3]
44▶CD: Les Huguenots [Disc 1]
45▶CD: Les Huguenots [Disc 2]
46▶CD: Les Huguenots [Disc 3]
47▶CD: Les Huguenots [Disc 4]
48▶CD: L’elisir d’amore [Disc 1]
49▼CD: L’elisir d’amore [Disc 2]
#TitleArtistRatingLength
1L’elisir d’amore: Atto II. “Cantiamo, cantiam, cantiam” (Belcore, Dulcamara, Giannetta, Adina, mietitori)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Dulcamara]:
Spiro Malas (bass-baritone) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Coro d’introduzione “Cantiamo, facciam brindisi” (Belcore, Dulcamara, Giannetta, Adina, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti3:38
2L’elisir d’amore: Atto II. “Barcaruola a due voci” (Dulcamara, Adina, mietitori)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Dulcamara]:
Spiro Malas (bass-baritone) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Barcaruola “Io son ricco e tu sei bella” (Dulcamara, Adina, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti2:26
3L’elisir d’amore: Atto II. “Silenzio! È qua il notaro” (Belcore, Dulcamara, Adina, Giannetta, Nemorino, mietitori)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Belcore]:
Dominic Cossa (baritone) (from 1970-01 until 1970-06)
bass vocals [Dulcamara]:
Spiro Malas (bass-baritone) (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Recitativo “Silenzio! È qua il notaro”… “Cantiamo, facciam brindisi (reprise)” (Belcore, Dulcamara, Adina, Gianetta, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:34
4L’elisir d’amore: Atto II. “La donna è un animale” (Belcore, Nemorino)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Belcore]:
Dominic Cossa (baritone) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
partial recording of:
L’elisir d’amore: Atto II. Scena e Duetto “La donna è un animale stravagante” … “Venti scudi!” (Belcore, Nemorino) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti2:44
5L’elisir d’amore: Atto II. “Ai perigli della guerra” (Nemorino, Belcore)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Belcore]:
Dominic Cossa (baritone) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. “Ai perigli della guerra” (Nemorino) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti7:16
6L’elisir d’amore: Atto II. “Saria possibile?” (Giannetta, mietitori)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Coro “Saria possibile?” (Coro, Giannetta) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:21
7L’elisir d’amore: Atto II. “Dell 'elisir mirabile” (Nemorino, Giannetta, Adina, Dulcamara, mietitori)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Dulcamara]:
Spiro Malas (bass-baritone) (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
partial recording of:
L’elisir d’amore: Atto II. Quartetto “Dell’elisir mirabile” … “Io già m’immagino” (Nemorino, Giannetta, Adina, Dulcamara, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:28
8L’elisir d’amore: Atto II. “Io già m'immagino” (Nemorino, Adina, Dulcamara, Giannetta, mietitori)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Dulcamara]:
Spiro Malas (bass-baritone) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
partial recording of:
L’elisir d’amore: Atto II. Quartetto “Dell’elisir mirabile” … “Io già m’immagino” (Nemorino, Giannetta, Adina, Dulcamara, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti5:26
9L’elisir d’amore: Atto II. “Quanto amore! Ed io spietata!” (Adina, Dulcamara)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Dulcamara]:
Spiro Malas (bass-baritone) (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Duetto “Quanto amore! Ed io, spietata!” (Adina, Dulcamara) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti7:54
10L’elisir d’amore: Atto II. “Una furtiva lagrima” (Nemorino, Adina)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti56:41
11L’elisir d’amore: Atto II. “Prendi; per me sei libero” (Adina, Nemorino)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Aria “Prendi, per me sei libero” (Adina, Nemorino) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti11:16
12L’elisir d’amore: Atto II. “Alto! Fronte!” (Belcore, Adina, Dulcamara, Nemorino, Giannetta, mietitori)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Belcore]:
Dominic Cossa (baritone) (from 1970-01 until 1970-06)
bass vocals [Dulcamara]:
Spiro Malas (bass-baritone) (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (soprano and mezzo-soprano) (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Recitativo “Alto! Fronte! Che vedo?” (Belcore, Adina, Dulcamara, Nemorino, Giannetta, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti1:44
13L’elisir d’amore: Atto II. “Ei corregge ogni difetto” (Dulcamara, Adina, Nemorino, Belcore, mietitori)
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals [Belcore]:
Dominic Cossa (baritone) (from 1970-01 until 1970-06)
bass vocals [Dulcamara]:
Spiro Malas (bass-baritone) (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Aria finale “Ei corregge ogni difetto” (Dulcamara, Adina, Nemorino, Belcore, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti2:26