The Verdi Collection

~ Release by Giuseppe Verdi; Riccardo Muti (see all versions of this release, 1 available)

Tracklist

1▶CD: Nabucco CD 1 (1977-78)
2▶CD: Nabucco CD 2 (1977-78)
3▶CD: Ernani CD 1 (1982)
4▶CD: Ernani CD 2 (1982)
5▶CD: Attila, CD 1 (1989)
6▶CD: Attila, CD 2 (1989)
7▶CD: Macbeth, CD 1 (1976)
8▶CD: Macbeth, CD 2 (1976)
9▶CD: Rigoletto, CD 1 (1988)
10▶CD: Rigoletto, CD 2 (1988)
11▶CD: La traviata, CD 1 (1980)
12▶CD: La traviata, CD 2 (1980)
13▶CD: I Vespri Siciliani, CD 1 (1989-90)
14▶CD: I Vespri Siciliani, CD 2 (1989-90)
15▶CD: I Vespri Siciliani, CD 3 (1989-90)
16▶CD: Un ballo in maschera, CD 1 (1975)
17▶CD: Un ballo in maschera, CD 2 (1975)
18▶CD: La forza del destino, CD 1 (1986)
19▶CD: La forza del destino, CD 2 (1986)
20▶CD: La forza del destino, CD 3 (1986)
21▶CD: Don Carlo, CD 1 (1992)
22▼CD: Don Carlo, CD 2 (1992)
#TitleArtistRatingLength
1Don Carlo: Act II, Scene 1. Preludio
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto II. Preludio (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi2:23
2Don Carlo: Act II, Scene 1. A mezzanotte, ai giardin della Regina...
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
mezzo-soprano vocals [La Principessa d'Eboli]:
Luciana d'Intino (mezzo-soprano) (in 1992-12)
tenor vocals [Don Carlo]:
Luciano Pavarotti (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto II, scena 1. N°1 “A mezzanotte, ai giardin della Regina” … “Sei tu, sei tu, bell'adorata” (Carlo, Eboli) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi2:30
3Don Carlo: Act II, Scene 1. V'è ignoto forse
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
mezzo-soprano vocals [La Principessa d'Eboli]:
Luciana d'Intino (mezzo-soprano) (in 1992-12)
tenor vocals [Don Carlo]:
Luciano Pavarotti (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto II, scena 1. N°2 “Ciel! Non è la Regina!” (Carlo, Eboli) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi2:45
4Don Carlo: Act II, Scene 1. Ai mio furor sfuggite invano
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass-baritone vocals [Rodrigo, Marchese di Posa]:
Paolo Coni (Baritone) (in 1992-12)
mezzo-soprano vocals [La Principessa d'Eboli]:
Luciana d'Intino (mezzo-soprano) (in 1992-12)
tenor vocals [Don Carlo]:
Luciano Pavarotti (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto II, scena 1. N°3 “Che disse mai!” … “Il mio furore sfuggite invano” (Rodrigo, Eboli, Carlo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi2:15
5Don Carlo: Act II, Scene 1. Ed io, che tremava al suo aspetto!
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass-baritone vocals [Rodrigo, Marchese di Posa]:
Paolo Coni (Baritone) (in 1992-12)
mezzo-soprano vocals [La Principessa d'Eboli]:
Luciana d'Intino (mezzo-soprano) (in 1992-12)
tenor vocals [Don Carlo]:
Luciano Pavarotti (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
partial recording of:
Don Carlo: Atto II, scena 1. N°3 “Ed io, che tremava al suo aspetto!” … “Trema per te, falso figliuolo” (Eboli, Rodrigo, Carlo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi1:20
6Don Carlo: Act II, Scene 1. Trema per te, falso figliuolo
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass-baritone vocals [Rodrigo, Marchese di Posa]:
Paolo Coni (Baritone) (in 1992-12)
mezzo-soprano vocals [La Principessa d'Eboli]:
Luciana d'Intino (mezzo-soprano) (in 1992-12)
tenor vocals [Don Carlo]:
Luciano Pavarotti (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
partial recording of:
Don Carlo: Atto II, scena 1. N°3 “Ed io, che tremava al suo aspetto!” … “Trema per te, falso figliuolo” (Eboli, Rodrigo, Carlo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi1:15
7Don Carlo: Act II, Scene 1. Carlo! se mai su te fogli importanti serbi
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass-baritone vocals [Rodrigo, Marchese di Posa]:
Paolo Coni (Baritone) (in 1992-12)
tenor vocals [Don Carlo]:
Luciano Pavarotti (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto II, scena 1. N°4 “Carlo! se mai su te fogli importanti serbi” (Rodrigo, Carlo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi2:19
8Don Carlo: Act II, Scene 2. Spuntato ecco il dì d'esultanza
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto II, scena 2. N°5 “Spuntato ecco il dì d’esultanza” (coro) (Autodafé scene) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer) (in 1867)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi3:40
9Don Carlo: Act II, Scene 2. Corteggio reale, Spuntato ecco il di d'esultanza
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto II, scena 2. N°6 Il corteggio reale (Orchestra, Coro) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi3:22
10Don Carlo: Act II, Scene 2. Schiusa or sia la porta del tempio!
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1992-12)
tenor vocals [Un araldo reale]:
Mario Bolognesi (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto II, scena 2. N°6 “Schiusa or sia la porta del tempio!” (L'araldo, Coro) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi1:59
11Don Carlo: Act II, Scene 2. Nel posar sul mio cappo la corona
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass vocals [Filippo II]:
Samuel Ramey (bass-baritone) (in 1992-12)
bass-baritone vocals [Rodrigo, Marchese di Posa]:
Paolo Coni (Baritone) (in 1992-12)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1992-12)
soprano vocals [Elisabetta di Valois]:
Daniela Dessì (soprano) (in 1992-12)
tenor vocals [Don Carlo]:
Luciano Pavarotti (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
partial recording of:
Don Carlo: Atto II, scena 2. N°7 “Nel posar sul mio capo la corona” – “Qui Carlo! O ciel” (Filippo, Coro, Elisabetta, Rodrigo, Carlo, Deputati) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi1:33
12Don Carlo: Act II, Scene 2. No, l'ora estrema ancora non suonò
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass vocals [Filippo II]:
Samuel Ramey (bass-baritone) (in 1992-12)
bass-baritone vocals [Rodrigo, Marchese di Posa]:
Paolo Coni (Baritone) (in 1992-12)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1992-12)
soprano vocals [Elisabetta di Valois]:
Daniela Dessì (soprano) (in 1992-12)
soprano vocals [Tebaldo]:
Marilena Laurenza (soprano) (in 1992-12)
tenor vocals [Don Carlo]:
Luciano Pavarotti (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
partial recording of:
Don Carlo: Atto II, scena 2. N°7 “Nel posar sul mio capo la corona” – “Qui Carlo! O ciel” (Filippo, Coro, Elisabetta, Rodrigo, Carlo, Deputati) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi4:49
13Don Carlo: Act II, Scene 2. Sire! egli è tempo ch'io viva!
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass vocals [Filippo II]:
Samuel Ramey (bass-baritone) (in 1992-12)
bass-baritone vocals [Rodrigo, Marchese di Posa]:
Paolo Coni (Baritone) (in 1992-12)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1992-12)
soprano vocals [Elisabetta di Valois]:
Daniela Dessì (soprano) (in 1992-12)
soprano vocals [Tebaldo]:
Marilena Laurenza (soprano) (in 1992-12)
tenor vocals [Don Carlo]:
Luciano Pavarotti (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto II, scena 2. N°8 “Sire! Egli è tempo ch'io viva!” (Carlo, Filippo, Elisabetta, Rodrigo, Tebaldo, Coro) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi2:12
14Don Carlo: Act II, Scene 2. Ciel! Tu! Rodrigo!
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass vocals [Filippo II]:
Samuel Ramey (bass-baritone) (in 1992-12)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1992-12)
mezzo-soprano vocals [La Principessa d'Eboli]:
Luciana d'Intino (mezzo-soprano) (in 1992-12)
soprano vocals [Elisabetta di Valois]:
Daniela Dessì (soprano) (in 1992-12)
soprano vocals [Una voce dal cielo]:
Nuccia Focile (soprano) (in 1992-12)
tenor vocals [Don Carlo]:
Luciano Pavarotti (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto II, scena 2. N°9 “O ciel! Tu! Rodrigo!” (Carlo, Coro, Eboli, Elisabetta, Filippo, Una voce dal cielo, Deputati) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi3:10
23▶CD: Don Carlo, CD 3 (1992)
24▶CD: Aida, CD 1 (1974)
25▶CD: Aida, CD 2 (1974)
26▶CD: Aida, CD 3 (1974)
27▶CD: Requiem CD 1 (1978-1979)
28▶CD: Requiem CD 2 (1978-1979) / Four Sacred Pieces (1982)