Aspects of America

~ Release by Shepherd, Currier, Rouse, Bunch, Barber; Oregon Symphony, Carlos Kalmar (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Magiya
recording engineer:
John Newton (editor, engineer mixer)
producer:
Blanton Alspaugh (Producer)
mixer:
Mark Donahue (engineer)
orchestra:
Oregon Symphony (in 2017)
conductor:
Carlos Kalmar (in 2017)
recorded at:
Arlene Schnitzer Concert Hall in Portland, Oregon, United States (in 2017)
live recording of:
Magiya (in 2017)
composer:
Sean Shepherd (American composer) (in 2013)
Sean Shepherd7:14
2Microsymph
recording engineer:
John Newton (editor, engineer mixer)
producer:
Blanton Alspaugh (Producer)
mixer:
Mark Donahue (engineer)
orchestra:
Oregon Symphony (in 2017)
conductor:
Carlos Kalmar (in 2017)
recorded at:
Arlene Schnitzer Concert Hall in Portland, Oregon, United States (in 2017)
live recording of:
Microsymph (in 2017)
composer:
Sebastian Currier (American composer) (in 1997)
Sebastian Currier12:33
3Supplica
recording engineer:
John Newton (editor, engineer mixer)
producer:
Blanton Alspaugh (Producer)
mixer:
Mark Donahue (engineer)
orchestra:
Oregon Symphony (in 2016)
conductor:
Carlos Kalmar (in 2016)
recorded at:
Arlene Schnitzer Concert Hall in Portland, Oregon, United States (in 2016)
live recording of:
Supplica (in 2016)
composer:
Christopher Rouse (American composer) (in 2013)
premiered by:
Pittsburgh Symphony Orchestra (on 2014-04-04) and Juraj Valčuha (on 2014-04-04)
premiered at:
Heinz Hall for the Performing Arts in Pittsburgh, Pennsylvania, United States (on 2014-04-04)
Christopher Rouse14:11
4Aspects of an Elephant: Introduction: Into Darkness
recording engineer:
John Newton (editor, engineer mixer)
producer:
Blanton Alspaugh (Producer)
mixer:
Mark Donahue (engineer)
orchestra:
Oregon Symphony (in 2017)
conductor:
Carlos Kalmar (in 2017)
recorded at:
Arlene Schnitzer Concert Hall in Portland, Oregon, United States (in 2017)
live recording of:
Aspects of an Elephant: Introduction: Into Darkness (in 2017)
composer:
Kenji Bunch (American composer) (in 2017)
part of:
Aspects of an Elephant
Kenji Bunch2:18
5Aspects of an Elephant: Var. I: The Elephant is a Whip
recording engineer:
John Newton (editor, engineer mixer)
producer:
Blanton Alspaugh (Producer)
mixer:
Mark Donahue (engineer)
orchestra:
Oregon Symphony (in 2017)
conductor:
Carlos Kalmar (in 2017)
recorded at:
Arlene Schnitzer Concert Hall in Portland, Oregon, United States (in 2017)
live recording of:
Aspects of an Elephant: Var. I: The Elephant is a Whip (in 2017)
composer:
Kenji Bunch (American composer) (in 2017)
part of:
Aspects of an Elephant
Kenji Bunch1:44
6Aspects of an Elephant: Var. II: The Elephant is a Spear
recording engineer:
John Newton (editor, engineer mixer)
producer:
Blanton Alspaugh (Producer)
mixer:
Mark Donahue (engineer)
orchestra:
Oregon Symphony (in 2017)
conductor:
Carlos Kalmar (in 2017)
recorded at:
Arlene Schnitzer Concert Hall in Portland, Oregon, United States (in 2017)
live recording of:
Aspects of an Elephant: Var. II: The Elephant is a Spear (in 2017)
composer:
Kenji Bunch (American composer) (in 2017)
part of:
Aspects of an Elephant
Kenji Bunch1:38
7Aspects of an Elephant: Var. III: The Elephant is a Silk Cloth
recording engineer:
John Newton (editor, engineer mixer)
producer:
Blanton Alspaugh (Producer)
mixer:
Mark Donahue (engineer)
orchestra:
Oregon Symphony (in 2017)
conductor:
Carlos Kalmar (in 2017)
recorded at:
Arlene Schnitzer Concert Hall in Portland, Oregon, United States (in 2017)
live recording of:
Aspects of an Elephant: Var. III: The Elephant is a Silk Cloth (in 2017)
composer:
Kenji Bunch (American composer) (in 2017)
part of:
Aspects of an Elephant
Kenji Bunch2:30
8Aspects of an Elephant: Var. IV: The Elephant is a Tree
recording engineer:
John Newton (editor, engineer mixer)
producer:
Blanton Alspaugh (Producer)
mixer:
Mark Donahue (engineer)
orchestra:
Oregon Symphony (in 2017)
conductor:
Carlos Kalmar (in 2017)
recorded at:
Arlene Schnitzer Concert Hall in Portland, Oregon, United States (in 2017)
live recording of:
Aspects of an Elephant: Var. IV: The Elephant is a Tree (in 2017)
composer:
Kenji Bunch (American composer) (in 2017)
part of:
Aspects of an Elephant
Kenji Bunch2:02
9Aspects of an Elephant: Var. V: The Elephant is a Snake
recording engineer:
John Newton (editor, engineer mixer)
producer:
Blanton Alspaugh (Producer)
mixer:
Mark Donahue (engineer)
orchestra:
Oregon Symphony (in 2017)
conductor:
Carlos Kalmar (in 2017)
recorded at:
Arlene Schnitzer Concert Hall in Portland, Oregon, United States (in 2017)
live recording of:
Aspects of an Elephant: Var. V: The Elephant is a Snake (in 2017)
composer:
Kenji Bunch (American composer) (in 2017)
part of:
Aspects of an Elephant
Kenji Bunch1:43
10Aspects of an Elephant: Var. VI: The Elephant is a Throne
recording engineer:
John Newton (editor, engineer mixer)
producer:
Blanton Alspaugh (Producer)
mixer:
Mark Donahue (engineer)
orchestra:
Oregon Symphony (in 2017)
conductor:
Carlos Kalmar (in 2017)
recorded at:
Arlene Schnitzer Concert Hall in Portland, Oregon, United States (in 2017)
live recording of:
Aspects of an Elephant: Var. VI: The Elephant is a Throne (in 2017)
composer:
Kenji Bunch (American composer) (in 2017)
part of:
Aspects of an Elephant
Kenji Bunch1:55
11Aspects of an Elephant: The Argument
recording engineer:
John Newton (editor, engineer mixer)
producer:
Blanton Alspaugh (Producer)
mixer:
Mark Donahue (engineer)
orchestra:
Oregon Symphony (in 2017)
conductor:
Carlos Kalmar (in 2017)
recorded at:
Arlene Schnitzer Concert Hall in Portland, Oregon, United States (in 2017)
live recording of:
Aspects of an Elephant: The Argument (in 2017)
composer:
Kenji Bunch (American composer) (in 2017)
part of:
Aspects of an Elephant
Kenji Bunch1:34
12Aspects of an Elephant: Finale: The Creature Revealed
recording engineer:
John Newton (editor, engineer mixer)
producer:
Blanton Alspaugh (Producer)
mixer:
Mark Donahue (engineer)
orchestra:
Oregon Symphony (in 2017)
conductor:
Carlos Kalmar (in 2017)
recorded at:
Arlene Schnitzer Concert Hall in Portland, Oregon, United States (in 2017)
live recording of:
Aspects of an Elephant: Finale: The Creature Revealed (in 2017)
composer:
Kenji Bunch (American composer) (in 2017)
part of:
Aspects of an Elephant
Kenji Bunch6:21
13Souvenirs: Waltz
recording engineer:
John Newton (editor, engineer mixer)
producer:
Blanton Alspaugh (Producer)
mixer:
Mark Donahue (engineer)
orchestra:
Oregon Symphony (in 2017)
conductor:
Carlos Kalmar (in 2017)
recorded at:
Arlene Schnitzer Concert Hall in Portland, Oregon, United States (in 2017)
live recording of:
Souvenirs, op. 28: I. Waltz (in 2017)
composer:
Samuel Barber (American composer) (from 1951 until 1952)
part of:
Souvenirs, op. 28
Samuel Barber4:05
14Souvenirs: Schottische
recording engineer:
John Newton (editor, engineer mixer)
producer:
Blanton Alspaugh (Producer)
mixer:
Mark Donahue (engineer)
orchestra:
Oregon Symphony (in 2017)
conductor:
Carlos Kalmar (in 2017)
recorded at:
Arlene Schnitzer Concert Hall in Portland, Oregon, United States (in 2017)
live recording of:
Souvenirs, op. 28: II. Schottische (in 2017)
composer:
Samuel Barber (American composer) (from 1951 until 1952)
part of:
Souvenirs, op. 28
Samuel Barber2:24
15Souvenirs: Pas de deux
recording engineer:
John Newton (editor, engineer mixer)
producer:
Blanton Alspaugh (Producer)
mixer:
Mark Donahue (engineer)
orchestra:
Oregon Symphony (in 2017)
conductor:
Carlos Kalmar (in 2017)
recorded at:
Arlene Schnitzer Concert Hall in Portland, Oregon, United States (in 2017)
live recording of:
Souvenirs, op. 28: III. Pas de deux (in 2017)
composer:
Samuel Barber (American composer) (from 1951 until 1952)
part of:
Souvenirs, op. 28
Samuel Barber4:38
16Souvenirs: Two-Step
recording engineer:
John Newton (editor, engineer mixer)
producer:
Blanton Alspaugh (Producer)
mixer:
Mark Donahue (engineer)
orchestra:
Oregon Symphony (in 2017)
conductor:
Carlos Kalmar (in 2017)
recorded at:
Arlene Schnitzer Concert Hall in Portland, Oregon, United States (in 2017)
live recording of:
Souvenirs, op. 28: IV. Two-step (in 2017)
composer:
Samuel Barber (American composer) (from 1951 until 1952)
part of:
Souvenirs, op. 28
Samuel Barber1:53
17Souvenirs: Hesitation-Tango
recording engineer:
John Newton (editor, engineer mixer)
producer:
Blanton Alspaugh (Producer)
mixer:
Mark Donahue (engineer)
orchestra:
Oregon Symphony (in 2017)
conductor:
Carlos Kalmar (in 2017)
recorded at:
Arlene Schnitzer Concert Hall in Portland, Oregon, United States (in 2017)
live recording of:
Souvenirs, op. 28: V. Hesitation-Tango (in 2017)
composer:
Samuel Barber (American composer) (from 1951 until 1952)
part of:
Souvenirs, op. 28
Samuel Barber3:52
18Souvenirs: Galop
recording engineer:
John Newton (editor, engineer mixer)
producer:
Blanton Alspaugh (Producer)
mixer:
Mark Donahue (engineer)
orchestra:
Oregon Symphony (in 2017)
conductor:
Carlos Kalmar (in 2017)
recorded at:
Arlene Schnitzer Concert Hall in Portland, Oregon, United States (in 2017)
live recording of:
Souvenirs, op. 28: VI. Galop (in 2017)
composer:
Samuel Barber (American composer) (from 1951 until 1952)
part of:
Souvenirs, op. 28
Samuel Barber2:42

Credits

Release

photography:Leah Nash (photographer)
liner notes:Elizabeth Schwartz (writer, musician, and music historian)
design:Joost de Boo (graphic designer)
purchase for download:https://itunes.apple.com/us/album/id1426093291 [info]
stream for free:https://open.spotify.com/album/2iDqpMrHw36ekuTV2YieIW [info]