Turangalîla-symphonie / Quatuor pour la fin du temps

~ Release by Messiaen; City of Birmingham Symphony Orchestra, Simon Rattle, Tristan Murail, Peter Donohoe, Erich Gruenberg, Gervase de Peyer, William Pleeth, Michel Béroff (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Turangalîla-Symphonie: IX. Turangalîla III
producer:
David R. Murray
ondes Martenot:
Tristan Murail (French composer) (from 1986-01-30 until 1986-02-01)
piano:
Peter Donohoe (British classical pianist) (from 1986-01-30 until 1986-02-01)
orchestra:
City of Birmingham Symphony Orchestra (from 1986-01-30 until 1986-02-01)
conductor:
Simon Rattle (conductor) (from 1986-01-30 until 1986-02-01)
balance engineer:
John Kurlander (engineer) (from 1986-01-30 until 1986-02-01)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1986-01-30 until 1986-02-01)
recording of:
Turangalîla-Symphonie, I/29: IX. Turangalîla 3 (from 1986-01-30 until 1986-02-01)
composer:
Olivier Messiaen (composer and organist) (from 1946 until 1948)
part of:
Turangalîla-Symphonie, I/29
Olivier Messiaen4:26
2Turangalîla-Symphonie: X. Final
producer:
David R. Murray
ondes Martenot:
Tristan Murail (French composer) (from 1986-01-30 until 1986-02-01)
piano:
Peter Donohoe (British classical pianist) (from 1986-01-30 until 1986-02-01)
orchestra:
City of Birmingham Symphony Orchestra (from 1986-01-30 until 1986-02-01)
conductor:
Simon Rattle (conductor) (from 1986-01-30 until 1986-02-01)
balance engineer:
John Kurlander (engineer) (from 1986-01-30 until 1986-02-01)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1986-01-30 until 1986-02-01)
recording of:
Turangalîla-Symphonie, I/29: X. Final (from 1986-01-30 until 1986-02-01)
composer:
Olivier Messiaen (composer and organist) (from 1946 until 1948)
part of:
Turangalîla-Symphonie, I/29
Olivier Messiaen7:36
3Quatuor pour la Fin du Temps: I. Liturgie de Cristal
producer:
Christopher Bishop (conductor/producer) (in 1968)
cello:
William Pleeth (cellist) (from 1968-10-14 until 1968-10-16)
clarinet:
Gervase de Peyer (clarinetist) (from 1968-10-14 until 1968-10-16)
piano:
Michel Béroff (French pianist) (from 1968-10-14 until 1968-10-16)
violin:
Erich Gruenberg (from 1968-10-14 until 1968-10-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-10-14 until 1968-10-16)
recording of:
Quatuor pour la fin du Temps : I. Liturgie de cristal (from 1968-10-14 until 1968-10-16)
composer:
Olivier Messiaen (composer and organist) (in 1940)
part of:
Quatuor pour la fin du Temps (Quartet for the End of Time)
Olivier Messiaen3:01
4Quatuor pour la Fin du Temps: II. Vocalise, pour l'Ange qui annonce la Fin du Temps
producer:
Christopher Bishop (conductor/producer) (in 1968)
cello:
William Pleeth (cellist) (from 1968-10-14 until 1968-10-16)
clarinet:
Gervase de Peyer (clarinetist) (from 1968-10-14 until 1968-10-16)
piano:
Michel Béroff (French pianist) (from 1968-10-14 until 1968-10-16)
violin:
Erich Gruenberg (from 1968-10-14 until 1968-10-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-10-14 until 1968-10-16)
recording of:
Quatuor pour la fin du Temps : II. Vocalise, pour l'Ange qui annonce la fin du Temps (from 1968-10-14 until 1968-10-16)
composer:
Olivier Messiaen (composer and organist) (in 1940)
part of:
Quatuor pour la fin du Temps (Quartet for the End of Time)
Olivier Messiaen5:38
5Quatuor pour la Fin du Temps: III. Abîme des oiseaux
producer:
Christopher Bishop (conductor/producer) (in 1968)
cello:
William Pleeth (cellist) (from 1968-10-14 until 1968-10-16)
clarinet:
Gervase de Peyer (clarinetist) (from 1968-10-14 until 1968-10-16)
piano:
Michel Béroff (French pianist) (from 1968-10-14 until 1968-10-16)
violin:
Erich Gruenberg (from 1968-10-14 until 1968-10-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-10-14 until 1968-10-16)
recording of:
Quatuor pour la fin du Temps : III. Abîme des oiseaux (from 1968-10-14 until 1968-10-16)
composer:
Olivier Messiaen (composer and organist) (in 1940)
part of:
Quatuor pour la fin du Temps (Quartet for the End of Time)
Olivier Messiaen6:25
6Quatuor pour la Fin du Temps: IV. Intermède
producer:
Christopher Bishop (conductor/producer) (in 1968)
cello:
William Pleeth (cellist) (from 1968-10-14 until 1968-10-16)
clarinet:
Gervase de Peyer (clarinetist) (from 1968-10-14 until 1968-10-16)
piano:
Michel Béroff (French pianist) (from 1968-10-14 until 1968-10-16)
violin:
Erich Gruenberg (from 1968-10-14 until 1968-10-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-10-14 until 1968-10-16)
recording of:
Quatuor pour la fin du Temps : IV. Intermède (from 1968-10-14 until 1968-10-16)
composer:
Olivier Messiaen (composer and organist) (in 1940)
part of:
Quatuor pour la fin du Temps (Quartet for the End of Time)
Olivier Messiaen1:42
7Quatuor pour la Fin du Temps: V. Louange à l'Eternité de Jésus
producer:
Christopher Bishop (conductor/producer) (in 1968)
cello:
William Pleeth (cellist) (from 1968-10-14 until 1968-10-16)
clarinet:
Gervase de Peyer (clarinetist) (from 1968-10-14 until 1968-10-16)
piano:
Michel Béroff (French pianist) (from 1968-10-14 until 1968-10-16)
violin:
Erich Gruenberg (from 1968-10-14 until 1968-10-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-10-14 until 1968-10-16)
recording of:
Quatuor pour la fin du Temps : V. Louange à l'Éternité de Jesus (from 1968-10-14 until 1968-10-16)
composer:
Olivier Messiaen (composer and organist) (in 1940)
part of:
Quatuor pour la fin du Temps (Quartet for the End of Time)
Olivier Messiaen7:00
8Quatuor pour la Fin du Temps: VI. Danse de la fureur, pour les sept trompettes
producer:
Christopher Bishop (conductor/producer) (in 1968)
cello:
William Pleeth (cellist) (from 1968-10-14 until 1968-10-16)
clarinet:
Gervase de Peyer (clarinetist) (from 1968-10-14 until 1968-10-16)
piano:
Michel Béroff (French pianist) (from 1968-10-14 until 1968-10-16)
violin:
Erich Gruenberg (from 1968-10-14 until 1968-10-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-10-14 until 1968-10-16)
recording of:
Quatuor pour la fin du Temps : VI. Danse de la fureur pour les sept trompettes (from 1968-10-14 until 1968-10-16)
composer:
Olivier Messiaen (composer and organist) (in 1940)
part of:
Quatuor pour la fin du Temps (Quartet for the End of Time)
Olivier Messiaen6:40
9Quatuor pour la Fin du Temps: VII. Fouillis d'arcs-en-ciel, pour l'Ange qui annonce la Fin du Temps
producer:
Christopher Bishop (conductor/producer) (in 1968)
cello:
William Pleeth (cellist) (from 1968-10-14 until 1968-10-16)
clarinet:
Gervase de Peyer (clarinetist) (from 1968-10-14 until 1968-10-16)
piano:
Michel Béroff (French pianist) (from 1968-10-14 until 1968-10-16)
violin:
Erich Gruenberg (from 1968-10-14 until 1968-10-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-10-14 until 1968-10-16)
recording of:
Quatuor pour la fin du Temps : VII. Fouillis d'arc-en-ciel, pour l'Ange qui annonce la fin du Temps (from 1968-10-14 until 1968-10-16)
composer:
Olivier Messiaen (composer and organist) (in 1940)
part of:
Quatuor pour la fin du Temps (Quartet for the End of Time)
Olivier Messiaen7:25
10Quatuor pour la Fin du Temps: VIII. Louange à l'Immortalité de Jésus
producer:
Christopher Bishop (conductor/producer) (in 1968)
cello:
William Pleeth (cellist) (from 1968-10-14 until 1968-10-16)
clarinet:
Gervase de Peyer (clarinetist) (from 1968-10-14 until 1968-10-16)
piano:
Michel Béroff (French pianist) (from 1968-10-14 until 1968-10-16)
violin:
Erich Gruenberg (from 1968-10-14 until 1968-10-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-10-14 until 1968-10-16)
recording of:
Quatuor pour la fin du Temps : VIII. Louange à l'Immortalité de Jésus (Quartet for the End of Time: VII. Praise to the Immortality of Jesus) (from 1968-10-14 until 1968-10-16)
composer:
Olivier Messiaen (composer and organist) (in 1940)
part of:
Quatuor pour la fin du Temps (Quartet for the End of Time)
Olivier Messiaen7:25
11Le merle noir
producer:
Gerd Berg (producer) (in 1971)
flute:
Karlheinz Zöller (flutist) (from 1971-01-07 until 1971-01-11)
piano:
Aloys Kontarsky (pianist) (from 1971-01-07 until 1971-01-11)
balance engineer:
Johannes Matthes (sound engineer) (in 1971)
recorded at:
Zehlendorf Studio in Berlin, Germany (from 1971-01-07 until 1971-01-11)
recording of:
Le Merle noir (from 1971-01-07 until 1971-01-11)
composer:
Olivier Messiaen (composer and organist) (in 1952)
Olivier Messiaen5:57

Credits

Release

part of:Gemini (EMI Classics) (order: 13)
ASIN:UK: B0007RA7BS [info]