The Very Best of Roy Orbison: The German Collection

~ Veröffentlichung von Roy Orbison (alle Versionen dieser Veröffentlichung ansehen, 8 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1You Got It
Techniker(in):
Richard Dodd (mastering engineer, producer and engineer), Phil McDonald (engineer and producer) und Don Smith (producer, engineer and mixer)
Produzent(in):
Jeff Lynne
Akustikgitarre:
Roy Orbison (in 1988-04) und Tom Petty (in 1988-04)
Bassgitarre, E-Gitarre, Keyboard und Klavier:
Jeff Lynne (in 1988-04)
Perkussion und Schlagzeug:
Phil Jones (Percussionist) (in 1988-04)
Hintergrundgesang:
Jeff Lynne (in 1988-04), Roy Orbison (in 1988-04) und Tom Petty (in 1988-04)
Sologesang:
Roy Orbison (in 1988-04)
phonographisches Urheberrecht (℗) von:
Roys Boy’s, LLC (in 1989, in 2014) und Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989)
aufgenommen bei:
F.P.S.H.O.T. (Friar Park Studio) in Henley-on-Thames, Oxfordshire, England, Vereinigtes Königreich (in 1988-04), M.C. Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1988-04) und Rumbo Recorders in Canoga Park, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1988-04)
recording of:
You Got It (in 1988-04)
Verfasser(in):
Jeff Lynne, Roy Orbison und Tom Petty
publisher:
EMI Songs, Gone Gator Music (ASCAP affiliated), Island Music Ltd., MCA Gilbey, Mushroom Music (Mushroom label’s publishing company) und SBK Songs Ltd.
4.553:32
2Oh, Pretty Woman
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1964-08-01)
Produzent(in):
Fred Foster
Gitarre:
Jerry Kennedy (am 1964-08-01), Wayne Moss (am 1964-08-01) und Billy Sanford (guitar) (am 1964-08-01)
Klavier:
Floyd Cramer (am 1964-08-01)
Kontrabass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (am 1964-08-01)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1964-08-01)
Perkussion:
Paul Garrison (am 1964-08-01)
Saxophon:
Boots Randolph (am 1964-08-01)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1964-08-01)
zwölfsaitige Gitarre [12 string guitar Epiphone] und Sologesang:
Roy Orbison (am 1964-08-01)
vocals:
Roy Orbison
phonographisches Urheberrecht (℗) von:
Orbison Records, Orbison Records, Inc. und Monument Record Corp. (not for release label use!) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (am 1964-08-01)
Texter und Komponist(in):
Bill Dees (songwriter, singer, guitarist) und Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (am 1964-08-26) und Acuff-Rose (BMI) (in 1972)
4.23:03
3California Blue
Techniker(in):
Richard Dodd (mastering engineer, producer and engineer), Phil McDonald (engineer and producer) und Don Smith (producer, engineer and mixer)
Produzent(in):
Jeff Lynne
Akustikgitarre:
Mike Campbell (Tom Petty and the Heartbreakers guitarist) (in 1988-04), Roy Orbison (in 1988-04) und Tom Petty (in 1988-04)
Bassgitarre, E-Gitarre und Keyboard:
Jeff Lynne (in 1988-04)
Mandoline:
Mike Campbell (Tom Petty and the Heartbreakers guitarist) (in 1988-04)
Perkussion und Schlagzeug:
Ian Wallace (drummer, ex‐King Crimson) (in 1988-04)
Hintergrundgesang:
Jeff Lynne (in 1988-04), Roy Orbison (in 1988-04) und Tom Petty (in 1988-04)
Sologesang:
Roy Orbison (in 1988-04)
conductor:
Louis Clark (in 1988-04)
phonographisches Urheberrecht (℗) von:
Roys Boy’s, LLC (in 1989, in 2014) und Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989)
aufgenommen bei:
M.C. Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1988-04)
recording of:
California Blue (in 1988-04)
Verfasser(in):
Jeff Lynne, Roy Orbison und Tom Petty
publisher:
EMI Songs Ltd., Island Music (Island Music Ltd.) und MCA Music Ltd.
4.353:58
4Crying
Produzent(in):
Pete Anderson (US producer/guitarist), David Was und Don Was
Mix:
Don Smith (producer, engineer and mixer)
Bass:
James Johnson (American ambient musician)
Gitarre:
Steve Gibson (US country vocalist and guitarist)
Keyboard:
David Briggs (US producer and musician)
Mundharmonika:
Terry McMillan
Schlagzeug:
Kenny Buttery
vocals:
k.d. lang und Roy Orbison
recording of:
Crying
Texter:
Joe Melson (in 1961) und Roy Orbison (in 1961)
Komponist(in):
Joe Melson und Roy Orbison
publisher:
Acuff Rose Music Ltd. (UK), Acuff Rose Music, Inc. (not for publishing), Barbara Orbison Music Company, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Orbi-Lee Music, R-Key Darkus Music, Rondor Music, Rondor Music (Australia) P/L, Universal/MCA Music Publishing Pty Ltd und Acuff-Rose Publications, Inc. (BMI) (am 1961-08-16)
Teil von:
50/50
3.53:47
5Only the Lonely
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1960-03-26)
Produzent(in):
Fred Foster
Gitarre:
Hank Garland (am 1960-03-26) und Harold Bradley (am 1960-03-26)
Klavier:
Floyd Cramer (am 1960-03-26)
Kontrabass [bass]:
Bob Moore (U.S. bassist and bandleader) (am 1960-03-26)
Schlagzeug [drums]:
Buddy Harman (Session drummer and songwriter) (am 1960-03-26)
Hintergrundgesang:
Joe Melson (am 1960-03-26) und The Anita Kerr Singers (mixed vocal group) (am 1960-03-26)
vocals:
Roy Orbison (am 1960-03-26)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 2) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Only the Lonely (Know the Way I Feel) (am 1960-03-26)
Verfasser(in):
Joe Melson und Roy Orbison
publisher:
Acuff-Rose Music Limited (UK) und Acuff-Rose Publications, Inc. (BMI) (am 1960-05-04)
was commissioned by:
Rondor Music (London) Ltd.
4.72:28
6Claudette
recording engineer und Mix:
Richard Bosworth
assistierende(r) Techniker(in):
Julie Last und Duane Seykora
zusätzliche(r) Techniker(in):
Arthur Kelm (engineer)
Produzent(in):
Roy Orbison und Michael Utley
aufgenommen bei und mixed at:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Claudette (in 1986-01)
Texter und Komponist(in):
Roy Orbison
publisher:
Acuff-Rose (BMI)
52:34
7She's a Mystery to Me
Techniker(in) und Mix:
Don Smith (producer, engineer and mixer)
Produzent(in):
Bono (singer of U2)
Bassgitarre:
Howie Epstein
Gitarre:
Bono (singer of U2) und Roy Orbison
Klavier und Synthesizer [cheap strings]:
Benmont Tench
Schlagzeug:
Jim Keltner
Sologesang:
Roy Orbison
Synthesizer arranger:
Benmont Tench
phonographisches Urheberrecht (℗) von:
Roys Boy’s, LLC (in 1989, in 2014) und Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989)
recording of:
She’s a Mystery to Me (in 1988)
Verfasser(in):
David Evans (U2 guitarist David Evans) und Paul Hewson (singer of U2)
4.654:17
8We'll Take the Night
Assistent recording engineer:
Dan Bosworth (engineer)
recording engineer:
Rik Pekkonen
Produzent(in):
Don Was
assistierende(r) Mix:
Brett Swain
Mix:
Ed Cherney
Akustikgitarre:
Dean Parks (American session guitarist)
Bass:
James Hutchinson
E-Gitarre:
Reggie Young (guitarist and songwriter)
Hammond-Orgel:
Benmont Tench
Klavier:
Larry Knechtel
Saxophon:
Clarence Clemons
Schlagzeug:
Jeff Porcaro
Hintergrundgesang:
Everett Drake, Andrew Gold, Willie Greene, Jr., Wayne Murray und Francine Reed
Saiteninstrumente arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
aufgenommen bei:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
We'll Take the Night
Verfasser(in):
Will Jennings, Roy Orbison und J.D. Souther
54:56
9It's Over
Gitarre:
Bruce Springsteen (am 1987-09-30)
vocals:
Roy Orbison (am 1987-09-30)
aufgenommen bei:
1987‐09‐30: Cocoanut Grove, Ambassador Hotel, Los Angeles, CA, USA (1987-09-30) (Roy Orbison’s Black & White Night)
aufgenommen bei:
Cocoanut Grove in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1987-09-30)
live recording of:
It’s Over (am 1987-09-30)
Verfasser(in):
Bill Dees (songwriter, singer, guitarist) und Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Kobalt Music Publishing Ltd. (UK), Rondor Music (London) Ltd., Sony/ATV Music Publishing (UK) Ltd. und Acuff-Rose Publications, Inc. (BMI) (am 1964-04-07)
43:13
10The Only One
Techniker(in):
Don Smith (producer, engineer and mixer)
Produzent(in):
Mike Campbell (Tom Petty and the Heartbreakers guitarist) und Roy Orbison
Mix:
Randy Straun und Don Smith (producer, engineer and mixer)
Akustikgitarre und Sologesang:
Roy Orbison
Bassgitarre und Hintergrundgesang:
Howie Epstein
Gitarre:
Steve Cropper
Holzblasinstrumente [horns]:
Jim Horn (saxophonist, hornist, flutist and oboist)
Klavier und Orgel:
Benmont Tench
Schlagzeug:
Jim Keltner
Holzblasinstrumente [horns] arranger:
Steve Cropper
phonographisches Urheberrecht (℗) von:
Roys Boy’s, LLC (in 1989, in 2014) und Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989)
recording of:
The Only One
Verfasser(in):
Wesley Orbison (son of Roy Orbison) und Craig Wiseman (country music songwriter)
33:50
11Blue Bayou
recording engineer und Mix:
Richard Bosworth
assistierende(r) Techniker(in):
Julie Last und Duane Seykora
zusätzliche(r) Techniker(in):
Arthur Kelm (engineer)
Produzent(in):
Roy Orbison und Michael Utley
aufgenommen bei und mixed at:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Blue Bayou (in 1986-01)
Texter:
Joe Melson (in 1963) und Roy Orbison (in 1963)
Komponist(in):
Joe Melson und Roy Orbison
publisher:
Acuff-Rose Publications, Inc. (BMI) (in 1961)
42:48
12In Dreams
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1963-01-04)
Produzent(in):
Fred Foster
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 312)
recording of:
In Dreams (am 1963-01-04)
Texter und Komponist(in):
Roy Orbison
publisher:
Barbara Orbison Music Company, Roy Orbison Music Company, Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) und Acuff-Rose Publications, Inc. (BMI) (am 1963-02-13)
42:50
13Dream Baby
Gitarre:
Bruce Springsteen (am 1987-09-30)
vocals:
Roy Orbison (am 1987-09-30) und Bruce Springsteen (am 1987-09-30)
aufgenommen bei:
1987‐09‐30: Cocoanut Grove, Ambassador Hotel, Los Angeles, CA, USA (1987-09-30) (Roy Orbison’s Black & White Night)
aufgenommen bei:
Cocoanut Grove in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1987-09-30)
live cover recording of:
Dream Baby (How Long Must I Dream) (am 1987-09-30)
Texter und Komponist(in):
Cindy Walker (US songwriter, singer and dancer)
publisher:
Acuff-Rose Music Ltd. (UK), Combine Music Corp. und Acuff-Rose (BMI) (in 1971)
2.53:53
14Blue Angel
recording engineer und Mix:
Richard Bosworth
assistierende(r) Techniker(in):
Julie Last und Duane Seykora
zusätzliche(r) Techniker(in):
Arthur Kelm (engineer)
Produzent(in):
Roy Orbison und Michael Utley
aufgenommen bei und mixed at:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Blue Angel (in 1986-01)
Verfasser(in):
Joe Melson und Roy Orbison
publisher:
Acuff-Rose Publications, Inc. (BMI)
32:47
15I Drove All Night
recording engineer und Mix:
Richard Dodd (mastering engineer, producer and engineer)
Produzent(in):
Jeff Lynne
Gitarre und Sologesang:
Roy Orbison (in 1987)
Instrumente:
Jeff Lynne (von 1987 bis 1991)
phonographisches Urheberrecht (℗) von:
Estate Of Roy Orbison (Rights company of the late Roy Orbison) (in 1991)
produced for:
Trembler Prods. Inc. (Jeff Lynne production company)
recording of:
I Drove All Night (von 1987 bis 1991)
Verfasser(in):
Tom Kelly (songwriter) und Billy Steinberg
publisher:
Billy Steinberg Music, Denise Barry Music, Sony/ATV Music Publishing Ltd. und Warner Chappell Music Ltd.
4.653:47
16Ooby Dooby
recording of:
Ooby Dooby
Texter und Komponist(in):
Wade Moore und Dick Penner
publisher:
Hi Lo Music, Peer International Corporation (BMI) und Southern Music Publishing Company Limited
2:23
17Falling
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1963-01-04)
Produzent(in):
Fred Foster
Gitarre:
Ray Edenton (am 1963-01-04), Harold Bradley (am 1963-01-04) und Joe Tanner (producer, arranger and songwriter of Roy Orbison and others) (am 1963-01-04)
Klavier:
Floyd Cramer (am 1963-01-04)
Kontrabass [bass]:
Bob Moore (U.S. bassist and bandleader) (am 1963-01-04)
Schlagzeug [drums]:
Buddy Harman (Session drummer and songwriter) (am 1963-01-04) und John Greubel (US drummer) (am 1963-01-04)
vocals:
Roy Orbison (am 1963-01-04)
phonographisches Urheberrecht (℗) von:
Monument Record Corp. (not for release label use!) (in 1963)
recording of:
Falling (am 1963-01-04)
Texter:
Roy Orbison (in 1963)
Komponist(in):
Roy Orbison
42:26
18Love Time
recording of:
Love in Time
Verfasser(in):
Will Jennings und Roy Orbison
5:32
19God Love You
recording of:
God Love You
Verfasser(in):
Joe Melson und Roy Orbison
publisher:
Orbi Lee Publishing, R Key Darkus Publishing, Roys Boy’s, LLC und Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
2:54
20A Love So Beautiful
Techniker(in):
Richard Dodd (mastering engineer, producer and engineer), Phil McDonald (engineer and producer) und Don Smith (producer, engineer and mixer)
Produzent(in):
Jeff Lynne
Akustikgitarre:
George Harrison (The Beatles) (in 1988-04), Jeff Lynne (in 1988-04) und Roy Orbison (in 1988-04)
Bassgitarre und Keyboard:
Jeff Lynne (in 1988-04)
Schlagzeug:
Ray Cooper (percussionist) (in 1988-04)
Hintergrundgesang:
Jeff Lynne (in 1988-04) und Roy Orbison (in 1988-04)
Sologesang:
Roy Orbison (in 1988-04)
conductor:
Louis Clark (in 1988-04)
phonographisches Urheberrecht (℗) von:
Roys Boy’s, LLC (in 1989, in 2014) und Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989)
aufgenommen bei:
M.C. Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1988-04)
live recording of:
A Love So Beautiful (in 1988-04)
Texter:
Jeff Lynne
Komponist(in):
Roy Orbison
43:34
21In the Real World
Techniker(in) und Mix:
Don Smith (producer, engineer and mixer)
Produzent(in):
Mike Campbell (Tom Petty and the Heartbreakers guitarist), Barbara Orbison und Roy Orbison
Akustikgitarre und Sologesang:
Roy Orbison
Bassgitarre und E-Gitarre:
Mike Campbell (Tom Petty and the Heartbreakers guitarist)
elektronische Orgel:
Al Kooper
Schlagzeug:
Jim Keltner
Hintergrundgesang:
Howie Epstein, Jim Keltner, Barbara Orbison, Roy Orbison, Tom Petty und Roy Kelton Orbison
Saiteninstrumente arranger:
Mike Utley
phonographisches Urheberrecht (℗) von:
Roys Boy’s, LLC (in 1989, in 2014) und Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989)
cover recording of:
In the Real World
Verfasser(in):
Waylon Jennings (US country musician) und Richard Kerr
publisher:
Blue Sky Rider Songs und Buchanan Kerr Music, Inc.
33:43
22Too Soon to Know
recording of:
Too Soon to Know
Texter und Komponist(in):
Don Gibson (US songwriter and country musician)
2:46

Nennungen

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/465812 [Info]