Simply the Best

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Packaged as two separate jewel cases in a cardboard slipcase. Barcode is only present on the slipcase, while catalog numbers are also present on each jewel case.

Matrix (CD1): 05911 WSMCD021-1 SP F 23522 112400
Mastering SID code (CD1): ifpi LD81
Mould SID code (CD1): ifpi 8Y12

Matrix (CD1): 05912 WSMCD021-2 SP F 23523 112400
Mastering SID code (CD1): ifpi LD81
Mould SID code (CD1): ifpi 8Y13

Back of the slipcase credits mastering to Dennis @ Heathmans Mastering. Back inlay of both jewel cases credits it to Dennis Cass @ Heathmans Mastering. Back of both booklets credits it to Dennis & Cass @ Heathmans Mastering.

Annotation last modified on 2022-07-26 17:53 UTC.

Tracklist

1CD
2CD
#TitleArtistRatingLength
11999
recording engineer:
Peggy McCreary (from 1982-07 until 1982-08)
producer:
Prince Rogers Nelson (Prince, “The Artist Formerly Known as…”)
cowbell, cymbal, drum machine [Linn LM-1], electric bass guitar, electric guitar, electronic drum set [Pearl SY-1 Syncussion], handclaps, synthesizer [ARP Omni-2], synthesizer [Oberheim OB-Xa] and tambourine:
Prince (“The Artist Formerly Known as…”) (from 1982-07 until 1982-08)
background vocals:
Jesse Johnson (original guitarist for The Time) (from 1982-07 until 1982-08)
lead vocals:
Lisa Coleman (US pianist/keyboardist & composer) (from 1982-07 until 1982-08), Dez Dickerson (from 1982-07 until 1982-08), Jill Jones (American singer, songwriter, and actress) (from 1982-07 until 1982-08) and Prince (“The Artist Formerly Known as…”) (from 1982-07 until 1982-08)
arranger:
Prince Rogers Nelson (Prince, “The Artist Formerly Known as…”)
edit of:
1999 (album version) by Prince (“The Artist Formerly Known as…”)
music videos:
1999 by Prince (“The Artist Formerly Known as…”)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 212) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 339)
recording of:
1999 (from 1982-07 until 1982-08)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music, Warner Chappell Music (publisher as Warner/Chappell Music) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Prince43:32
2Stop
additional programming:
Mike Higham (British score composer) (on 1998-06-09)
engineer:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
producer:
Absolute (UK house/garage/production/songwriting team)
assistant mixer:
Paul "P. Dub"
mixer:
Mark “Spike” Stent (producer, engineer)
brass:
Kick Horns (on 1998-06-09)
guitar:
Milton McDonald (on 1998-06-09)
instruments:
Absolute (UK house/garage/production/songwriting team) (on 1998-06-09)
vocals:
Victoria Beckham (née Adams) (on 1998-06-09), Emma Bunton (on 1998-06-09), Melanie C (on 1998-06-09), Geri Halliwell (on 1998-06-09) and Mel B (Mel B) (on 1998-06-09)
recorded at:
Parco Novi Sad in Modena, Modena, Emilia-Romagna, Italy (on 1998-06-09)
live recording of:
Stop (on 1998-06-09)
writer:
Andy Watkins (Absolute, Bristol Baseline Productions, Cortex), Melanie Brown (Mel B), Emma Bunton, Geri Halliwell, Melanie Chisholm, Paul Wilson (member of “Absolute”) and Victoria Beckham (née Adams)
Spice Girls3.853:25
3You Win AgainBee Gees3:14
4Change the World
additional engineer:
Kyle Bess, Bill Kinsley and Thomas Russo
engineer:
Brad Gilderman
producer:
Babyface (R&B musician Kenny Edmonds)
mixer:
Mick Guzauski
guest background vocals:
Babyface (R&B musician Kenny Edmonds)
phonographic copyright (℗) by:
Reprise Records (in 1996)
cover recording of:
Change the World
writer:
Gordon Kennedy (US country/bluegrass songwriter/musician), Wayne Kirkpatrick (American songwriter, musician and producer) and Tommy Sims (r&b, ccm)
publisher:
Magic Beans Music, Universal Music - Brentwood Benson Publishing (ASCAP), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Warner/Chappell (Warner/Chappell Music, Inc.) and シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.)
Eric Clapton3.353:55
5Baby Jane
engineer:
George Tutko (engineer, producer)
co-producer:
Jim Cregan (producer & member of Family) and George Tutko (engineer, producer)
producer:
Tom Dowd and Rod Stewart
mixer:
Jim Cregan (producer & member of Family), Tom Dowd and George Tutko (engineer, producer)
recording of:
Baby Jane
lyricist:
Rod Stewart
composer:
Jay Davis (guitarist)
publisher:
Cardinal Music Ltd. and Carlin Music Corp.
Rod Stewart4:38
6From a Distance
producer:
Arif Mardin and Bette Midler
lead vocals:
Bette Midler (in 1990)
arranger:
Arif Mardin and Steve Skinner
vocals arranger:
Marc Shaiman (American score composer and lyricist)
phonographic copyright (℗) by:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US)
cover recording of:
From a Distance (in 1990)
lyricist and composer:
Julie Gold (in 1985)
publisher:
Grow Your Own Music, Wing and Wheel Music, ビクターミュージックアーツ 第四事業部, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bette Midler2.54:39
7It’s a Man’s Man’s World
recorded in:
New York, New York, United States (on 1966-02-16)
engineer:
Ron Lenhoff
producer:
James Brown (The Godfather of Soul)
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1966-02-16)
drums (drum set):
Bernard “Pretty” Purdie (on 1966-02-16)
guitar:
Billy Butler (jazz guitarist) (on 1966-02-16)
trumpet:
Dud Bascomb (Sr., jazz trumpeter) (on 1966-02-16), Waymon Reed (on 1966-02-16) and Lammar Wright (on 1966-02-16)
lead vocals:
James Brown (The Godfather of Soul) (on 1966-02-16)
recorded at:
Talent Masters Studios in New York, New York, United States (on 1966-02-16)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 123)
recording of:
It’s a Man’s Man’s Man’s World (on 1966-02-16)
writer:
James Brown (The Godfather of Soul) and Betty Jean Newsome
James Brown4.42:38
8Up Where We Belong
recording of:
Up Where We Belong (An Officer and a Gentleman)
lyricist:
Will Jennings
composer:
Jack Nitzsche (American musician and score composer) and Buffy Sainte‐Marie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 55th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1982 winner)
Joe Cocker & Jennifer Warnes3:40
9Kingston Town
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1989)
cover recording of:
Kingston Town
lyricist and composer:
Kenrick Patrick
UB404.53:39
10Signed, Sealed, Delivered I’m Yours
recording of:
Signed, Sealed, Delivered I’m Yours
writer:
Lee Garrett, Lula Mae Hardaway (songwriter), Syreeta (US singer‐songwriter active 1970s–80s) and Stevie Wonder
publisher:
Black Bull Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music and 大洋音楽 (Taiyō Music)
Stevie Wonder2:30
11Don’t Stop
assistant engineer:
Chris Morris (LA engineer & producer (late ’70s))
engineer:
Ken Caillat and Richard Dashut
additional producer:
Ken Caillat and Richard Dashut
producer:
Ken Caillat, Richard Dashut and Fleetwood Mac
bass guitar:
John McVie
drums (drum set) and percussion:
Mick Fleetwood
guitar:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
keyboard and synthesizer:
Christine McVie
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie and Stevie Nicks
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977) and Warner Bros. (holding: file NO releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California, United States
recording of:
Don’t Stop
lyricist and composer:
Christine McVie
publisher:
BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music (publisher), Universal Music Publishing (use ONLY if no country‐specific information is available) and Gentoo Music, Inc. (in 1977)
Fleetwood Mac4.23:09
12Shout
recording of:
Shout
writer:
Roland Orzabal (UK musician, songwriter and producer) and Ian Stanley
publisher:
10 Music Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Roland Orzabal Ltd. and Virgin Music (Publishers) Ltd.
Tears for Fears6:15
13Relax
engineer:
Stephen Lipson
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) and Anne Dudley (English score composer) (in 1983)
guest percussion:
Luís Jardim (in 1983)
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
lead vocals:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) and Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) and Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1983)
karaoke version of:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) by DJ Schmolli
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 10) and Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 44)
recording of:
Relax (in 1983)
lyricist:
Holly Johnson
composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) and SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:58
14Blue MondayNew Order4:03
15Kiss
producer:
Art of Noise, Anne Dudley (English score composer) and J.J. Jeczalik
lead vocals:
Tom Jones (Welsh pop singer) (in 1988)
performer:
Art of Noise (in 1988)
arranger:
Art of Noise, Anne Dudley (English score composer) and J.J. Jeczalik
phonographic copyright (℗) by:
China Records (UK label founded by Derek Green) (in 1988)
samples:
Close (to the Edit) by Art of Noise, Dragnet by Art of Noise, Moments in Love by Art of Noise, Paranoimia (7″ mix) by The Art of Noise with Max Headroom (titular character from "Max Headroom") and Peter Gunn by The Art of Noise featuring Duane Eddy
music videos:
Kiss by Art of Noise featuring Tom Jones (Welsh pop singer)
cover recording of:
Kiss (in 1988)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Art of Noise feat. Tom Jones33:31
16Missing
additional producer:
Todd Terry (US house DJ, producer and remixer)
producer:
John Coxon and Everything but the Girl
editor:
Ben Watt
vocals:
Tracey Thorn (of Everything but the Girl) and Ben Watt
remixer:
Todd Terry (US house DJ, producer and remixer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1994, in 1995)
edit of:
Missing (Todd Terry club mix) by Everything but the Girl
recording of:
Missing
lyricist:
Tracey Thorn (of Everything but the Girl)
composer:
Tracey Thorn (of Everything but the Girl) and Ben Watt
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Sony Music Publishing (worldwide except Japan, ended 1995)
Everything but the Girl3.553:55
17Kiss From a Rose
assistant producer:
Richard Lowe (UK producer/engineer)
producer:
Trevor Horn
assistant mixer:
Tom Elmhirst (mixing engineer)
mixer:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
lead vocals:
Seal (English‐born singer and songwriter)
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1994), Warner Music Argentina S.A. (in 2009) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2009)
produced for:
Horn Productions
recorded at and mixed at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 308)
recording of:
Kiss From a Rose
lyricist and composer:
Seal (English‐born singer and songwriter) (in 1987)
publisher:
Beethoven Street Music, DTCM Blvd., Perfect Songs (UK publisher, affiliated with BMI) and SPZ Music Incorporated (BMI affiliated)
Seal3.754:48
18On the Beach
recording of:
On the Beach (Chris Rea)
lyricist and composer:
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea4:59
19Love Is All Around
co-producer:
Graeme Duffin
conductor:
Fiachra Trench
strings arranger:
Fiachra Trench
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1994) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1994)
music videos:
Love Is All Around by Wet Wet Wet
cover recording of:
Love Is All Around
lyricist and composer:
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
recording of:
Love Is All Around
lyricist and composer:
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.853:55
20Hello
producer:
James Anthony Carmichael and Lionel Richie
performer:
Ocobamba
brass [horn] arranger and strings [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael and Lionel Richie
vocals arranger:
Lionel Richie
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
Hello
lyricist and composer:
Lionel Richie
writer:
James Anthony Carmichael
publisher:
Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Lionel Richie3.854:05

Credits

Release

mastering:Cass (mixing and mastering engineer, co-founder of Wired Masters)
Dennis (recording engineer)
design:Blade
rights society:BIEM (international rights organization representing member societies from 58 countries)
GEMA (German rights society; do not use this as a label or work publisher!)
distributed by:The Entertainment Network (TEN)
copyrighted (©) by and phonographic copyright (℗) by:Universal Music TV (UK, a division of Universal Music Operations Limited) (in 2000)
Warner Music UK Ltd. (not for release label use!) (in 2000)
mastered at:Heathman’s Mastering in Fulham, Hammersmith and Fulham, London (Greater London), England, United Kingdom