Claudio Abbado & London Symphony Orchestra: Complete Deutsche Grammophon and Decca Recordings

~ Release by Claudio Abbado & London Symphony Orchestra (see all versions of this release, 1 available)

Tracklist

1▶CD: Bartók: The Miraculous Mandarin, 2 Portraits
2▶CD: Berg: Lulu-Suite / Altenberg-Lieder / 3 Orchesterstücke
3▶CD: Bizet: L'Arlésienne Suites Nos. 1 & 2; Carmen Suite
4▶CD: Bizet: Carmen [disc 1]
5▶CD: Bizet: Carmen [disc 2]
6▶CD: Brahms: Symphony No. 4
7▶CD: Chopin & Liszt: First Piano Concertos
8▶CD: Debussy: La Damoiselle élue, Ibéria, Prélude à l'après-midi d'un faune
9▶CD: Hindemith: Symphonische Metamorphosen; Janáček: Sinfonietta; Prokofiev: Romeo & Juliet
10▶CD: Mendelssohn: Symphonies Nos. 3 "Scottish" & 4 "Italian" [1968]
11▶CD: Mendelssohn: Symphony No. 1 & Overtures
12▶CD: Mendelssohn: Symphony No. 2 "Lobegesang"
13▶CD: Mendelssohn: Symphony No. 3 "Scottish"
14▶CD: Mendelssohn: Symphonies Nos. 4 "Italian" & 5 "Refornation"
15▶CD: Mozart: Symphonies Nos. 40 & 41 "Jupiter"
16▶CD: Mozart: Piano Concertos Nos. 8 & 12 [Serkin]
17▶CD: Mozart: Piano Concertos Nos. 9 & 17 [Serkin]
18▶CD: Mozart: Piano Concertos Nos. 15 & 22 [Serkin]
19▶CD: Mozart: Piano Concertos Nos. 18 & 24 [Serkin]
20▶CD: Mozart: Piano Concertos Nos. 19 & 25 [Serkin]
21▶CD: Mozart: Piano Concertos Nos. 20 & 27 [Serkin]
22▶CD: Mozart: Piano Concertos Nos. 21 & 23 [Serkin]
23▶CD: Mussorgsky: Pictures at an Exhibition
24▶CD: Pergolesi: Stabat Mater
25▶CD: Prokofiev: Symphonies Nos. 1 & 3
26▶CD: Prokofiev: Alexander Nevsky
27▶CD: Ravel: Boléro, Rapsodie espagnole, Ma mère l’oye, Pavane
28▶CD: Ravel: Daphnis et Chloé & Valses nobles et sentimentales
29▶CD: Ravel: Shéhérazade, Alborada del gracioso, Une barque sur l'océan, La Valse
30▶CD: Ravel: Piano Concertos [Argerich & Béroff]
31▶CD: Rossini: Overtures
32▶CD: Rossini: Il barbiere di Siviglia [disc 1]
33▶CD: Rossini: Il barbiere di Siviglia [disc 2]
34▼CD: Rossini: La Cenerentola [disc 1]
#TitleArtistRatingLength
1La Cenerentola: Sinfonia
miscellaneous support:
Theodor Guschlbauer (conductor) (task: musical assistant)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord:
Theodor Guschlbauer (conductor) (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (conductor) (from 1971-08-24 until 1971-09-05)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
recording of:
La Cenerentola: Sinfonia (from 1971-08-24 until 1971-09-05)
composer:
Gioachino Rossini (composer)
part of:
La Cenerentola, ossia La bontà in trionfo
Gioachino Rossini8:10
2La Cenerentola: Atto I. Introduzione "No, no, no: non v'è" (Clorinda, Tisbe)
miscellaneous support:
Theodor Guschlbauer (conductor) (task: musical assistant)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord:
Theodor Guschlbauer (conductor) (from 1971-08-24 until 1971-09-05)
mezzo-soprano vocals [Tisbe]:
Laura Zannini (soprano) (from 1971-08-24 until 1971-09-05)
soprano vocals [Clorinda]:
Margherita Guglielmi (soprano) (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (conductor) (from 1971-08-24 until 1971-09-05)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
partial recording of:
La Cenerentola: Atto I, scena 1. Introduzione “No, no, no: non v'è” … “Una volta c'era un re” (Clorinda, Tisbe, Cenerentola) (from 1971-08-24 until 1971-09-05)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
Gioachino Rossini1:43
3La Cenerentola: Atto I. Introduzione "Una volta c'era un re" (Cenerentola, Clorinda, Tisbe, Alidoro)
miscellaneous support:
Theodor Guschlbauer (conductor) (task: musical assistant)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord:
Theodor Guschlbauer (conductor) (from 1971-08-24 until 1971-09-05)
bass vocals [Alidoro]:
Ugo Trama (operatic bass) (from 1971-08-24 until 1971-09-05)
mezzo-soprano vocals [Angelina, sotto il nome di Cenerentola, figliastra di Don Magnifico]:
Teresa Berganza (mezzo-soprano) (from 1971-08-24 until 1971-09-05)
mezzo-soprano vocals [Tisbe]:
Laura Zannini (soprano) (from 1971-08-24 until 1971-09-05)
soprano vocals [Clorinda]:
Margherita Guglielmi (soprano) (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (conductor) (from 1971-08-24 until 1971-09-05)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
partial recording of:
La Cenerentola: Atto I, scena 1. Introduzione “No, no, no: non v'è” … “Una volta c'era un re” (Clorinda, Tisbe, Cenerentola) (from 1971-08-24 until 1971-09-05)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
partial recording of:
La Cenerentola: Atto I, scena 1. Introduzione “Un tantin di carita” … “O figlie amabili” … “Cenerentola vien qua” (Alidoro, Cenerentola, Coro, Clorinda, Tisbe) (from 1971-08-24 until 1971-09-05)
composer:
Gioachino Rossini (composer)
part of:
La Cenerentola: Atto I
Gioachino Rossini4:43
4La Cenerentola: Atto I. Introduzione "O figlie amabili" (Coro, Clorinda, Tisbe, Cenerentola, Alidoro)
miscellaneous support:
Theodor Guschlbauer (conductor) (task: musical assistant)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord:
Theodor Guschlbauer (conductor) (from 1971-08-24 until 1971-09-05)
bass vocals [Alidoro]:
Ugo Trama (operatic bass) (from 1971-08-24 until 1971-09-05)
choir vocals:
Scottish Opera Chorus (from 1971-08-24 until 1971-09-05)
mezzo-soprano vocals [Angelina, sotto il nome di Cenerentola, figliastra di Don Magnifico]:
Teresa Berganza (mezzo-soprano) (from 1971-08-24 until 1971-09-05)
mezzo-soprano vocals [Tisbe]:
Laura Zannini (soprano) (from 1971-08-24 until 1971-09-05)
soprano vocals [Clorinda]:
Margherita Guglielmi (soprano) (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (conductor) (from 1971-08-24 until 1971-09-05)
chorus master:
Arthur Oldham (chorus master) (from 1971-08-24 until 1971-09-05)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
partial recording of:
La Cenerentola: Atto I, scena 1. Introduzione “Un tantin di carita” … “O figlie amabili” … “Cenerentola vien qua” (Alidoro, Cenerentola, Coro, Clorinda, Tisbe) (from 1971-08-24 until 1971-09-05)
composer:
Gioachino Rossini (composer)
part of:
La Cenerentola: Atto I
Gioachino Rossini4:23
5La Cenerentola: Atto I. Recitativo "Cenerentola, presto" (Tisbe, Clorinda, Cenerentola)
miscellaneous support:
Theodor Guschlbauer (conductor) (task: musical assistant)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord:
Theodor Guschlbauer (conductor) (from 1971-08-24 until 1971-09-05)
choir vocals:
Scottish Opera Chorus (from 1971-08-24 until 1971-09-05)
mezzo-soprano vocals [Angelina, sotto il nome di Cenerentola, figliastra di Don Magnifico]:
Teresa Berganza (mezzo-soprano) (from 1971-08-24 until 1971-09-05)
mezzo-soprano vocals [Tisbe]:
Laura Zannini (soprano) (from 1971-08-24 until 1971-09-05)
soprano vocals [Clorinda]:
Margherita Guglielmi (soprano) (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (conductor) (from 1971-08-24 until 1971-09-05)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
recording of:
La Cenerentola: Atto I, scena 1. Recitativo “Date lor mezzo scudo” … “Cenerentola, presto” (Clorinda, Cenerentola, Alidoro, Tisbe) (from 1971-08-24 until 1971-09-05)
composer:
Luca Agolini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
Gioachino Rossini0:46
6La Cenerentola: Atto I. Cavatina "Miei rampolli femminini" (Magnifico)
miscellaneous support:
Theodor Guschlbauer (conductor) (task: musical assistant)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord:
Theodor Guschlbauer (conductor) (from 1971-08-24 until 1971-09-05)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (operatic bass) (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (conductor) (from 1971-08-24 until 1971-09-05)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
recording of:
La Cenerentola: Atto I, scena 1. Cavatina “Miei rampolli femminini” (Magnifico) (from 1971-08-24 until 1971-09-05)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
Gioachino Rossini5:01
7La Cenerentola: Atto I. Recitativo "Sappiate che fra poco" (Clorinda, Tisbe, Magnifico)
miscellaneous support:
Theodor Guschlbauer (conductor) (task: musical assistant)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord:
Theodor Guschlbauer (conductor) (from 1971-08-24 until 1971-09-05)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (operatic bass) (from 1971-08-24 until 1971-09-05)
mezzo-soprano vocals [Tisbe]:
Laura Zannini (soprano) (from 1971-08-24 until 1971-09-05)
soprano vocals [Clorinda]:
Margherita Guglielmi (soprano) (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (conductor) (from 1971-08-24 until 1971-09-05)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
recording of:
La Cenerentola: Atto I, scena 1. Recitativo “Sappiate che fra poco” (Clorinda, Tisbe, Magnifico) (from 1971-08-24 until 1971-09-05)
composer:
Luca Agolini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
Gioachino Rossini1:08
8La Cenerentola: Atto I. Scena "Tutto è deserto" (Ramiro, Cenerentola)
miscellaneous support:
Theodor Guschlbauer (conductor) (task: musical assistant)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord:
Theodor Guschlbauer (conductor) (from 1971-08-24 until 1971-09-05)
mezzo-soprano vocals [Angelina, sotto il nome di Cenerentola, figliastra di Don Magnifico]:
Teresa Berganza (mezzo-soprano) (from 1971-08-24 until 1971-09-05)
tenor vocals [Don Ramiro, principe di Salerno]:
Luigi Alva (tenor) (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (conductor) (from 1971-08-24 until 1971-09-05)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
partial recording of:
La Cenerentola: Atto I, scena 1. Scena e duetto “Tutto e deserto” … “Un soave non so che” (Ramiro, Cenerentola) (from 1971-08-24 until 1971-09-05)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
Gioachino Rossini3:23
9La Cenerentola: Atto I. Duetto "Un soave non so che" (Ramiro, Cenerentola, Clorinda, Tisbe)
miscellaneous support:
Theodor Guschlbauer (conductor) (task: musical assistant)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord:
Theodor Guschlbauer (conductor) (from 1971-08-24 until 1971-09-05)
mezzo-soprano vocals [Angelina, sotto il nome di Cenerentola, figliastra di Don Magnifico]:
Teresa Berganza (mezzo-soprano) (from 1971-08-24 until 1971-09-05)
mezzo-soprano vocals [Tisbe]:
Laura Zannini (soprano) (from 1971-08-24 until 1971-09-05)
soprano vocals [Clorinda]:
Margherita Guglielmi (soprano) (from 1971-08-24 until 1971-09-05)
tenor vocals [Don Ramiro, principe di Salerno]:
Luigi Alva (tenor) (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (conductor) (from 1971-08-24 until 1971-09-05)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
partial recording of:
La Cenerentola: Atto I, scena 1. Scena e duetto “Tutto e deserto” … “Un soave non so che” (Ramiro, Cenerentola) (from 1971-08-24 until 1971-09-05)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
Gioachino Rossini7:12
10La Cenerentola: Atto I. Recitativo "Non so che dir" (Ramiro, Magnifico)
miscellaneous support:
Theodor Guschlbauer (conductor) (task: musical assistant)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord:
Theodor Guschlbauer (conductor) (from 1971-08-24 until 1971-09-05)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (operatic bass) (from 1971-08-24 until 1971-09-05)
tenor vocals [Don Ramiro, principe di Salerno]:
Luigi Alva (tenor) (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (conductor) (from 1971-08-24 until 1971-09-05)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
recording of:
La Cenerentola: Atto I, scena 1. Recitativo “Non so che dir” (Ramiro, Magnifico) (from 1971-08-24 until 1971-09-05)
composer:
Luca Agolini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
Gioachino Rossini1:08
11La Cenerentola: Atto I. Coro "Scegli la sposa" - Cavatina "Come un'ape ne' giorni d'aprile" (Dandini, Clorinda, Tisbe, Magnifico, Ramiro, coro)
miscellaneous support:
Theodor Guschlbauer (conductor) (task: musical assistant)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord:
Theodor Guschlbauer (conductor) (from 1971-08-24 until 1971-09-05)
baritone vocals [Dandini, suo cameriere]:
Renato Capecchi (baritone) (from 1971-08-24 until 1971-09-05)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (operatic bass) (from 1971-08-24 until 1971-09-05)
choir vocals:
Scottish Opera Chorus (from 1971-08-24 until 1971-09-05)
mezzo-soprano vocals [Tisbe]:
Laura Zannini (soprano) (from 1971-08-24 until 1971-09-05)
soprano vocals [Clorinda]:
Margherita Guglielmi (soprano) (from 1971-08-24 until 1971-09-05)
tenor vocals [Don Ramiro, principe di Salerno]:
Luigi Alva (tenor) (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (conductor) (from 1971-08-24 until 1971-09-05)
chorus master:
Arthur Oldham (chorus master) (from 1971-08-24 until 1971-09-05)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
recording of:
La Cenerentola: Atto I, scena 1. Coro “Scegli la sposa” / Cavatina “Come un’ape ne’giorni d’aprile” (Coro, Dandini, Clorinda, Tisbe, Magnifico, Ramiro) (from 1971-08-24 until 1971-09-05)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
Gioachino Rossini6:47
12La Cenerentola: Atto I. Recitativo "Allegrissimamente, che bei quadri!" (Dandini, Clorinda, Magnifico, Ramiro, Tisbe, Cenerentola)
miscellaneous support:
Theodor Guschlbauer (conductor) (task: musical assistant)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord:
Theodor Guschlbauer (conductor) (from 1971-08-24 until 1971-09-05)
baritone vocals [Dandini, suo cameriere]:
Renato Capecchi (baritone) (from 1971-08-24 until 1971-09-05)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (operatic bass) (from 1971-08-24 until 1971-09-05)
mezzo-soprano vocals [Angelina, sotto il nome di Cenerentola, figliastra di Don Magnifico]:
Teresa Berganza (mezzo-soprano) (from 1971-08-24 until 1971-09-05)
mezzo-soprano vocals [Tisbe]:
Laura Zannini (soprano) (from 1971-08-24 until 1971-09-05)
soprano vocals [Clorinda]:
Margherita Guglielmi (soprano) (from 1971-08-24 until 1971-09-05)
tenor vocals [Don Ramiro, principe di Salerno]:
Luigi Alva (tenor) (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (conductor) (from 1971-08 until 1971-09)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
recording of:
La Cenerentola: Atto I, scena 1. Recitativo “Allegrissimamente” (Dandini, Clorinda, Magnifico, Ramiro, Tisbe) (from 1971-08-24 until 1971-09-05)
composer:
Luca Agolini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
Gioachino Rossini1:55
13La Cenerentola: Atto I. Quintetto "Signor, una parola" (Cenerentola, Magnifico, Dandini, Ramiro, Alidoro)
miscellaneous support:
Theodor Guschlbauer (conductor) (task: musical assistant)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord:
Theodor Guschlbauer (conductor) (from 1971-08-24 until 1971-09-05)
baritone vocals [Dandini, suo cameriere]:
Renato Capecchi (baritone) (from 1971-08-24 until 1971-09-05)
bass vocals [Alidoro, filosofo, maestro di Don Ramiro]:
Ugo Trama (operatic bass) (from 1971-08-24 until 1971-09-05)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (operatic bass) (from 1971-08-24 until 1971-09-05)
mezzo-soprano vocals [Angelina, sotto il nome di Cenerentola, figliastra di Don Magnifico]:
Teresa Berganza (mezzo-soprano) (from 1971-08-24 until 1971-09-05)
tenor vocals [Don Ramiro, principe di Salerno]:
Luigi Alva (tenor) (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (conductor) (from 1971-08-24 until 1971-09-05)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
recording of:
La Cenerentola: Atto I, scena 1. Recitativo e quintetto “Signor, una parola” (Cenerentola, Ramiro, Dandini, Magnifico, Alidoro) (from 1971-08-24 until 1971-09-05)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
Gioachino Rossini11:11
14La Cenerentola: Atto I. Recitativo "Si, tutto cangerà" (Alidoro, Cenerentola)
miscellaneous support:
Theodor Guschlbauer (conductor) (task: musical assistant)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord:
Theodor Guschlbauer (conductor) (from 1971-08-24 until 1971-09-05)
bass vocals [Alidoro, filosofo, maestro di Don Ramiro]:
Ugo Trama (operatic bass) (from 1971-08-24 until 1971-09-05)
mezzo-soprano vocals [Angelina, sotto il nome di Cenerentola, figliastra di Don Magnifico]:
Teresa Berganza (mezzo-soprano) (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (conductor) (from 1971-08-24 until 1971-09-05)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
recording of:
La Cenerentola: Atto I, scena 1. Recitativo “Figlia? Figlia voi mi chiamate?” … “Si, tutto cangera” (Alidoro, Cenerentola) (from 1971-08-24 until 1971-09-05)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
Gioachino Rossini2:37
15La Cenerentola: Atto I. Aria "Là del ciel nell'arcano profondo" (Alidoro)
miscellaneous support:
Theodor Guschlbauer (conductor) (task: musical assistant)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord:
Theodor Guschlbauer (conductor) (from 1971-08-24 until 1971-09-05)
bass vocals [Alidoro, filosofo, maestro di Don Ramiro]:
Ugo Trama (operatic bass) (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (conductor) (from 1971-08-24 until 1971-09-05)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
recording of:
La Cenerentola: Atto I, scena 1. Aria “La del ciel nel’arcano profondo” (Alidoro) (from 1971-08-24 until 1971-09-05)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
Gioachino Rossini5:42
16La Cenerentola: Atto I. Recitativo "Ma bravo, bravo" (Dandini, Magnifico, Ramiro, Clorinda, Tisbe)
miscellaneous support:
Theodor Guschlbauer (conductor) (task: musical assistant)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord:
Theodor Guschlbauer (conductor) (from 1971-08-24 until 1971-09-05)
baritone vocals [Dandini, suo cameriere]:
Renato Capecchi (baritone) (from 1971-08-24 until 1971-09-05)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (operatic bass) (from 1971-08-24 until 1971-09-05)
mezzo-soprano vocals [Tisbe]:
Laura Zannini (soprano) (from 1971-08-24 until 1971-09-05)
soprano vocals [Clorinda]:
Margherita Guglielmi (soprano) (from 1971-08 until 1971-09)
tenor vocals [Don Ramiro, principe di Salerno]:
Luigi Alva (tenor) (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (conductor) (from 1971-08-24 until 1971-09-05)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
recording of:
La Cenerentola: Atto I, scena 2. Recitativo “Ma bravo! Ma bravo!” … “Ora sono da voi” (Dandini, Magnifico, Ramiro, Clorinda, Tisbe) (from 1971-08-24 until 1971-09-05)
composer:
Luca Agolini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
Gioachino Rossini2:53
17La Cenerentola: Atto I. Coro "Conciossiacosacché" - Aria "Intendente? Direttor?" (Coro, Magnifico)
miscellaneous support:
Theodor Guschlbauer (conductor) (task: musical assistant)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord:
Theodor Guschlbauer (conductor) (from 1971-08-24 until 1971-09-05)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (operatic bass) (from 1971-08-24 until 1971-09-05)
choir vocals:
Scottish Opera Chorus (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (conductor) (from 1971-08-24 until 1971-09-05)
chorus master:
Arthur Oldham (chorus master) (from 1971-08-24 until 1971-09-05)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
recording of:
La Cenerentola: Atto I, scena 3. Coro “Conciossiacosacche” … “Noi Don Magnifico” (Coro, Magnifico) (from 1971-08-24 until 1971-09-05)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
Gioachino Rossini5:14
35▶CD: Rossini: La Cenerentola [disc 2]
36▶CD: Schumann: Piano Concertos & Weber: Klavierstücke [Brendel]
37▶CD: Richard Strauss: Don Juan; Till Eulenspiegel; Tod und Verklarung
38▶CD: Stravinsky: Le Sacre du printemps; L'Oiseau de feu; Jeu de cartes
39▶CD: Pétrouchka & Pulcinella Suite
40▶CD: Tchaikovsky: Symphony No. 5
41▶CD: Tchaikovsky: Piano Concerto No. 1 [Pogorelich]
42▶CD: Nicolai Ghiuarov: Great Scenes from Verdi Operas
43▶CD: Vivaldi: Le Quattro Stagioni [Kremer]
44▶CD: Berlioz: Te Deum
45▶CD: Brahms: Rinaldo
46▶CD: Tchaikovsky: Symphony No. 2 "Ukranian"