| # | Title | Rating | Length |
|---|
| 1 | Riders to the Stars- additional recording engineer:
- Michael DeLugg
- recording engineer:
- John Venable
- producer:
- Ron Dante and Barry Manilow
- additional guitar:
- Sid McGinnis (from 1976-12-21 until 1977-01-02)
- bass guitar [bass]:
- Steven Donaghey (from 1976-12-21 until 1977-01-02)
- congas:
- Harold “Ricardo” Alexander (from 1976-12-21 until 1977-01-02)
- drums (drum set):
- Lee Gurst (from 1976-12-21 until 1977-01-02)
- guitar:
- Keith Loving (from 1976-12-21 until 1977-01-02)
- keyboard:
- Alan Axelrod (from 1976-12-21 until 1977-01-02)
- background vocals:
- Monica Burruss (from 1976-12-21 until 1977-01-02), Debra Byrd (from 1976-12-21 until 1977-01-02) and Reparata (from 1976-12-21 until 1977-01-02)
- lead vocals:
- Barry Manilow (from 1976-12-21 until 1977-01-02)
- conductor:
- Lee Gurst (from 1976-12-21 until 1977-01-02)
- orchestrator:
- Gerald Alters
- phonographic copyright (℗) by:
- Arista Records, LLC (in 1977, in 2006)
- recorded at:
- Uris Theatre in Midtown Manhattan, New York, New York, United States (from 1976-12-21 until 1977-01-02)
- mixed at:
- Mediasound Studios in New York, New York, United States
- live recording of:
- Riders to the Stars (from 1976-12-21 until 1977-01-02)
- lyricist:
- Adrienne Anderson
- composer:
- Barry Manilow
- publisher:
- Angela Music Co., EMI Longitude Music, Kamakazi Music Corporation and Universal Music Careers
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| | ?:?? |
| 2 | Why Don’t We Live Together- additional recording engineer:
- Michael DeLugg
- recording engineer:
- John Venable (from 1976-12-21 until 1977-01-02)
- producer:
- Ron Dante and Barry Manilow
- additional guitar:
- Sid McGinnis (from 1976-12-21 until 1977-01-02)
- bass guitar [bass]:
- Steven Donaghey (from 1976-12-21 until 1977-01-02)
- congas:
- Harold “Ricardo” Alexander (from 1976-12-21 until 1977-01-02)
- drums (drum set):
- Lee Gurst (from 1976-12-21 until 1977-01-02)
- guitar:
- Keith Loving (from 1976-12-21 until 1977-01-02)
- keyboard:
- Alan Axelrod (from 1976-12-21 until 1977-01-02)
- piano and lead vocals:
- Barry Manilow (from 1976-12-21 until 1977-01-02)
- background vocals:
- Monica Burruss (from 1976-12-21 until 1977-01-02), Debra Byrd (from 1976-12-21 until 1977-01-02) and Reparata (from 1976-12-21 until 1977-01-02)
- conductor:
- Lee Gurst (from 1976-12-21 until 1977-01-02)
- orchestrator:
- Gerald Alters
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1977, in 1986) and Arista Records, LLC (in 1977, in 2006)
- recorded at:
- Uris Theatre in Midtown Manhattan, New York, New York, United States (from 1976-12-21 until 1977-01-02)
- mixed at:
- Mediasound Studios in New York, New York, United States
- live recording of:
- Why Don’t We Live Together (from 1976-12-21 until 1977-01-02)
- writer:
- Phil Galston and Peter Thom
- publisher:
- Chappell & Co., Inc. and Kazzoom Music, Inc.
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス
| | ?:?? |
| 3 | Looks Like We Made It- additional recording engineer:
- Michael DeLugg
- recording engineer:
- John Venable
- producer:
- Ron Dante and Barry Manilow
- additional guitar:
- Sid McGinnis (from 1976-12-21 until 1977-01-02)
- bass guitar [bass]:
- Steven Donaghey (from 1976-12-21 until 1977-01-02)
- congas:
- Harold “Ricardo” Alexander (from 1976-12-21 until 1977-01-02)
- drums (drum set):
- Lee Gurst (from 1976-12-21 until 1977-01-02)
- guitar:
- Keith Loving (from 1976-12-21 until 1977-01-02)
- keyboard:
- Alan Axelrod (from 1976-12-21 until 1977-01-02)
- piano and lead vocals:
- Barry Manilow (from 1976-12-21 until 1977-01-02)
- background vocals:
- Monica Burruss (from 1976-12-21 until 1977-01-02), Debra Byrd (from 1976-12-21 until 1977-01-02) and Reparata (from 1976-12-21 until 1977-01-02)
- conductor:
- Lee Gurst (from 1976-12-21 until 1977-01-02)
- orchestrator:
- Gerald Alters
- phonographic copyright (℗) by:
- Arista Records, LLC (in 1977, in 2006)
- recorded at:
- Uris Theatre in Midtown Manhattan, New York, New York, United States (from 1976-12-21 until 1977-01-02)
- mixed at:
- Mediasound Studios in New York, New York, United States
- live recording of:
- Looks Like We Made It (from 1976-12-21 until 1977-01-02)
- lyricist:
- Will Jennings
- composer:
- Richard Kerr
- publisher:
- Concord Songs Ltd., Irving Music and Irving Music, Inc.
- sub-publisher:
- ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
| | ?:?? |
| 4 | New York City Rhythm | | ?:?? |
| 5 | A Very Strange Medley (V.S.M.) | | ?:?? |
| 6 | Jump Shout Boogie Medley | | ?:?? |
| 7 | This One’s for You- additional recording engineer:
- Michael DeLugg
- recording engineer:
- John Venable (from 1976-12-21 until 1977-01-02)
- producer:
- Ron Dante and Barry Manilow
- additional guitar:
- Sid McGinnis (from 1976-12-21 until 1977-01-02)
- bass guitar [bass]:
- Steven Donaghey (from 1976-12-21 until 1977-01-02)
- congas:
- Harold “Ricardo” Alexander (from 1976-12-21 until 1977-01-02)
- drums (drum set):
- Lee Gurst (from 1976-12-21 until 1977-01-02)
- guitar:
- Keith Loving (from 1976-12-21 until 1977-01-02)
- keyboard:
- Alan Axelrod (from 1976-12-21 until 1977-01-02)
- piano and lead vocals:
- Barry Manilow (from 1976-12-21 until 1977-01-02)
- background vocals:
- Monica Burruss (from 1976-12-21 until 1977-01-02), Debra Byrd (from 1976-12-21 until 1977-01-02) and Reparata (from 1976-12-21 until 1977-01-02)
- conductor:
- Lee Gurst (from 1976-12-21 until 1977-01-02)
- orchestrator:
- Gerald Alters
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1977, in 1986) and Arista Records, LLC (in 1977, in 2006)
- recorded at:
- Uris Theatre in Midtown Manhattan, New York, New York, United States (from 1976-12-21 until 1977-01-02)
- mixed at:
- Mediasound Studios in New York, New York, United States
- live recording of:
- This One’s for You (from 1976-12-21 until 1977-01-02)
- lyricist:
- Marty Panzer (in 1976)
- composer:
- Barry Manilow (in 1976)
- publisher:
- SwaneeBravo! Music and Universal Music Careers
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| | ?:?? |
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