Mass in B Minor

~ Release by Johann Sebastian Bach; Dunedin Consort & Players, John Butt (see all versions of this release, 1 available)

Tracklist

1▶Hybrid SACD
2▼Hybrid SACD
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1Hohe Messe in H-Moll, BWV 232: IIIa. Coro "Credo in unum Deum"
choir vocals:
Dunedin Consort (Scottish baroque music ensemble)
orchestra:
Dunedin Consort (Scottish baroque music ensemble)
conductor:
John Butt (conductor and organist)
recorded at:
Greyfriars Kirk in Edinburgh, Scotland, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (from 2009-09-11 until 2009-09-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:46
2Hohe Messe in H-Moll, BWV 232: IIIb. Coro "Patrem omnipotentem"
choir vocals:
Dunedin Consort (Scottish baroque music ensemble)
orchestra:
Dunedin Consort (Scottish baroque music ensemble)
conductor:
John Butt (conductor and organist)
recorded at:
Greyfriars Kirk in Edinburgh, Scotland, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (from 2009-09-11 until 2009-09-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:54
3Hohe Messe in H-Moll, BWV 232: IIIc. Duetto (Soprano I, Alto) "Et in unum Dominum"
alto vocals:
Margot Oitzinger (mezzo-soprano)
soprano vocals [Sop I]:
Susan Hamilton (Scottish soprano)
orchestra:
Dunedin Consort (Scottish baroque music ensemble)
conductor:
John Butt (conductor and organist)
recorded at:
Greyfriars Kirk in Edinburgh, Scotland, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (from 2009-09-11 until 2009-09-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:11
4Hohe Messe in H-Moll, BWV 232: IIId. Coro "Et incarnatus est"
choir vocals:
Dunedin Consort (Scottish baroque music ensemble)
orchestra:
Dunedin Consort (Scottish baroque music ensemble)
conductor:
John Butt (conductor and organist)
recorded at:
Greyfriars Kirk in Edinburgh, Scotland, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (from 2009-09-11 until 2009-09-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:55
5Hohe Messe in H-Moll, BWV 232: IIIe. Coro "Crucifixus"
choir vocals:
Dunedin Consort (Scottish baroque music ensemble)
orchestra:
Dunedin Consort (Scottish baroque music ensemble)
conductor:
John Butt (conductor and organist)
recorded at:
Greyfriars Kirk in Edinburgh, Scotland, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (from 2009-09-11 until 2009-09-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:03
6Hohe Messe in H-Moll, BWV 232: IIIf. Coro "Et resurrexit"
choir vocals:
Dunedin Consort (Scottish baroque music ensemble)
orchestra:
Dunedin Consort (Scottish baroque music ensemble)
conductor:
John Butt (conductor and organist)
recorded at:
Greyfriars Kirk in Edinburgh, Scotland, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (from 2009-09-11 until 2009-09-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:02
7Hohe Messe in H-Moll, BWV 232: IIIg. Aria (Basso) "Et in Spiritum Sanctum"
bass vocals:
Matthew Brook (bass-baritone)
orchestra:
Dunedin Consort (Scottish baroque music ensemble)
conductor:
John Butt (conductor and organist)
recorded at:
Greyfriars Kirk in Edinburgh, Scotland, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (from 2009-09-11 until 2009-09-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:28
8Hohe Messe in H-Moll, BWV 232: IIIh. Coro "Confiteor unum baptisma"
choir vocals:
Dunedin Consort (Scottish baroque music ensemble)
orchestra:
Dunedin Consort (Scottish baroque music ensemble)
conductor:
John Butt (conductor and organist)
recorded at:
Greyfriars Kirk in Edinburgh, Scotland, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (from 2009-09-11 until 2009-09-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:40
9Hohe Messe in H-Moll, BWV 232: IIIi. Coro "Et expecto"
choir vocals:
Dunedin Consort (Scottish baroque music ensemble)
orchestra:
Dunedin Consort (Scottish baroque music ensemble)
conductor:
John Butt (conductor and organist)
recorded at:
Greyfriars Kirk in Edinburgh, Scotland, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (from 2009-09-11 until 2009-09-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:07
10Hohe Messe in H-Moll, BWV 232: IVa. Coro "Sanctus"
choir vocals:
Dunedin Consort (Scottish baroque music ensemble)
orchestra:
Dunedin Consort (Scottish baroque music ensemble)
conductor:
John Butt (conductor and organist)
recorded at:
Greyfriars Kirk in Edinburgh, Scotland, United Kingdom
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (from 2009-09-11 until 2009-09-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:58
11Hohe Messe in H-Moll, BWV 232: IVb. Coro "Hosanna"
choir vocals:
Dunedin Consort (Scottish baroque music ensemble)
orchestra:
Dunedin Consort (Scottish baroque music ensemble)
conductor:
John Butt (conductor and organist)
recorded at:
Greyfriars Kirk in Edinburgh, Scotland, United Kingdom
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (from 2009-09-11 until 2009-09-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:38
12Hohe Messe in H-Moll, BWV 232: IVc. Aria (Tenore) "Benedictus"
tenor vocals:
Thomas Hobbs (tenor)
orchestra:
Dunedin Consort (Scottish baroque music ensemble)
conductor:
John Butt (conductor and organist)
recorded at:
Greyfriars Kirk in Edinburgh, Scotland, United Kingdom
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (from 2009-09-11 until 2009-09-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:55
13Hohe Messe in H-Moll, BWV 232: IVd. Coro "Hosanna"
choir vocals:
Dunedin Consort (Scottish baroque music ensemble)
orchestra:
Dunedin Consort (Scottish baroque music ensemble)
conductor:
John Butt (conductor and organist)
recorded at:
Greyfriars Kirk in Edinburgh, Scotland, United Kingdom
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (from 2009-09-11 until 2009-09-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:40
14Hohe Messe in H-Moll, BWV 232: IVe. Aria (Alto) "Agnus Dei"
alto vocals:
Margot Oitzinger (mezzo-soprano)
orchestra:
Dunedin Consort (Scottish baroque music ensemble)
conductor:
John Butt (conductor and organist)
recorded at:
Greyfriars Kirk in Edinburgh, Scotland, United Kingdom
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (from 2009-09-11 until 2009-09-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:26
15Hohe Messe in H-Moll, BWV 232: IVf. Coro "Dona nobis pacem"
choir vocals:
Dunedin Consort (Scottish baroque music ensemble)
orchestra:
Dunedin Consort (Scottish baroque music ensemble)
conductor:
John Butt (conductor and organist)
recorded at:
Greyfriars Kirk in Edinburgh, Scotland, United Kingdom
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (from 2009-09-11 until 2009-09-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:16