Bach 333: Sacred Cantatas IV

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1CD: Cantatas 168, 137, 164, 79, 110 (1725)
2CD: Cantatas 57, 151, 28, 16 (1725-1726)
3CD: Cantatas 32, 13, 72, 43 (1726)
4CD: Cantatas 146, 129, 39 (1726)
5CD: Cantatas 88, 170, 187, 45 (1726)
6CD: Cantatas 102, 35, 17, 19 (1726)
7CD: Cantatas 27, 47, 169, 56 (1726)
#TitleRatingLength
1"Wer weiß, wie nahe mir mein Ende", BWV 27: 1. [Chorale &] Recitative: "Wer weiß, wie nahe mir mein Ende?"
sound engineer:
Andreas Ruge (in 2010-02)
producer:
Rita Hermeyer
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 2010-02)
countertenor vocals:
Robin Blaze (countertenor) (in 2010-02)
soprano vocals:
Hana Blažíková (in 2010-02)
tenor vocals:
Satoshi Mizukoshi (in 2010-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-02)
performer:
Bach Collegium Japan (in 2010-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-02)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": I. Choral e Recitativi (Soprano, Alto, Tenore, Basso) "Wer weiß, wie nahe mir mein Ende?" (in 2010-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ämilie Juliane von Schwarzburg-Rudolstadt (in 1695)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
4:31
2"Wer weiß, wie nahe mir mein Ende", BWV 27: 2. Recitative: "Mein Leben hat kein ander Ziel"
sound engineer:
Andreas Ruge (in 2010-02)
producer:
Rita Hermeyer
tenor vocals:
Satoshi Mizukoshi (in 2010-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-02)
performer:
Bach Collegium Japan (in 2010-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-02)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": II. Recitativo (Tenore) "Mein Leben hat kein ander Ziel" (in 2010-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
0:55
3"Wer weiß, wie nahe mir mein Ende", BWV 27: 3. Aria: "Willkommen! will ich sagen"
sound engineer:
Andreas Ruge (in 2010-02)
producer:
Rita Hermeyer
countertenor vocals:
Robin Blaze (countertenor) (in 2010-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-02)
performer:
Bach Collegium Japan (in 2010-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-02)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": III. Aria (Alto) "Willkommen! will ich sagen" (in 2010-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Erdmann Neumeister
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
3:51
4"Wer weiß, wie nahe mir mein Ende", BWV 27: 4. Recitative: "Ach, wer doch schon im Himmel wär!"
sound engineer:
Andreas Ruge (in 2010-02)
producer:
Rita Hermeyer
soprano vocals:
Hana Blažíková (in 2010-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-02)
performer:
Bach Collegium Japan (in 2010-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-02)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": IV. Recitativo (Soprano) "Ach, wer doch schon im Himmel wär!" (in 2010-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
0:47
5"Wer weiß, wie nahe mir mein Ende", BWV 27: 5. Aria: "Gute Nacht, du Weltgetümmel!"
sound engineer:
Andreas Ruge (in 2010-02)
producer:
Rita Hermeyer
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 2010-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-02)
performer:
Bach Collegium Japan (in 2010-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-02)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": V. Aria (Basso) "Gute Nacht, du Weltgetümmel!" (in 2010-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
3:22
6"Wer weiß, wie nahe mir mein Ende", BWV 27: 6. Chorale: "Welt, ade! ich bin dein müde"
sound engineer:
Andreas Ruge (in 2010-02)
producer:
Rita Hermeyer
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-02)
performer:
Bach Collegium Japan (in 2010-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-02)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": VI. Choral "Welt, ade! ich bin dein müde" (in 2010-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Georg Albinus (in 1649)
part of:
Breitkopf 389 Choralgesänge (number: 350)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
1:17
7"Wer weiß, wie nahe mir mein Ende", BWV 27: 7. Aria: "Willkommen! will ich sagen" [Organ version]
sound engineer:
Andreas Ruge (in 2010-02)
producer:
Rita Hermeyer
countertenor vocals:
Robin Blaze (countertenor) (in 2010-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-02)
performer:
Bach Collegium Japan (in 2010-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-02)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": III. Aria (Alto) "Willkommen! will ich sagen" (organ version) (in 2010-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Erdmann Neumeister
arrangement of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": III. Aria (Alto) "Willkommen! will ich sagen"
4:02
8"Wer sich selbst erhöhet, der soll erniedriget werden", BWV 47: 1. [Chorus:] "Wer sich selbst erhöhet, der soll erniedriget werden"
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-10-14)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-10-14)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-10-14)
recorded at:
Alhelgonakyrkan in Lund, Skåne (Skåne county), Sweden (on 2000-10-14)
live recording of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": I. Coro "Wer sich selbst erhöhet, der soll erniedriget werden" (on 2000-10-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden"
5:22
9"Wer sich selbst erhöhet, der soll erniedriget werden", BWV 47: 2. Aria: "Wer ein wahrer Christ will heißen"
alto vocals:
Nathalie Stutzmann (contralto and conductor) (on 2000-10-14)
soprano vocals:
Katherine Fuge (on 2000-10-14)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-10-14)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-10-14)
recorded at:
Alhelgonakyrkan in Lund, Skåne (Skåne county), Sweden (on 2000-10-14)
live recording of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": II. Aria (Soprano) "Wer ein wahrer Christ will heißen" (on 2000-10-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Friedrich Helbig (in 1720)
part of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden"
9:55
10"Wer sich selbst erhöhet, der soll erniedriget werden", BWV 47: 3. Recitative: "Der Mensch ist Kot, Staub, Asch und Erde"
bass vocals:
Stephan Loges (bass-baritone) (on 2000-10-14)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-10-14)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-10-14)
recorded at:
Alhelgonakyrkan in Lund, Skåne (Skåne county), Sweden (on 2000-10-14)
live recording of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": III. Recitativo (Basso) "Der Mensch ist Kot, Stank, Asch und Erde" (on 2000-10-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Friedrich Helbig (in 1720)
part of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden"
1:37
11"Wer sich selbst erhöhet, der soll erniedriget werden", BWV 47: 4. Aria: "Jesu, beuge doch mein Herze"
bass vocals:
Stephan Loges (bass-baritone) (on 2000-10-14)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-10-14)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-10-14)
recorded at:
Alhelgonakyrkan in Lund, Skåne (Skåne county), Sweden (on 2000-10-14)
live recording of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": IV. Aria (Basso) "Jesu, beuge doch mein Herze" (on 2000-10-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Friedrich Helbig (in 1720)
part of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden"
4:08
12"Wer sich selbst erhöhet, der soll erniedriget werden", BWV 47: 5. Chorale: "Der zeitlichen Ehrn will ich gern entbehrn"
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-10-14)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-10-14)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-10-14)
recorded at:
Alhelgonakyrkan in Lund, Skåne (Skåne county), Sweden (on 2000-10-14)
live recording of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": V. Choral "Der zeitlichen Ehrn will ich gern entbehrn" (on 2000-10-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist) (in 1557)
part of:
Breitkopf 389 Choralgesänge (number: 333)
part of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden"
0:50
13"Gott soll allein mein Herze haben", BWV 169: 1. Sinfonia
orchestra:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
recorded at:
Les Dominicains de Haute-Alsace in Guebwiller, Haut-Rhin, Grand Est (Great East), France
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": I. Sinfonia (from 2011-01-23 until 2011-01-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
7:55
14"Gott soll allein mein Herze haben", BWV 169: 2. Arioso: "Gott soll allein mein Herze haben"
countertenor vocals:
Andreas Scholl (countertenor)
orchestra:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
conductor:
Julia Schröder (violinist)
recorded at:
Les Dominicains de Haute-Alsace in Guebwiller, Haut-Rhin, Grand Est (Great East), France
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": II. Arioso (Alt) "Gott soll allein mein Herze haben" (from 2011-01-23 until 2011-01-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
2:46
15"Gott soll allein mein Herze haben", BWV 169: 3. Aria: "Gott soll allein mein Herze haben"
countertenor vocals:
Andreas Scholl (countertenor)
orchestra:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
recorded at:
Les Dominicains de Haute-Alsace in Guebwiller, Haut-Rhin, Grand Est (Great East), France
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": III. Aria (Alt) "Gott soll allein mein Herze haben" (from 2011-01-23 until 2011-01-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
6:18
16"Gott soll allein mein Herze haben", BWV 169: 4. Recitative: "Was ist die Liebe Gottes?"
countertenor vocals:
Andreas Scholl (countertenor)
orchestra:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
recorded at:
Les Dominicains de Haute-Alsace in Guebwiller, Haut-Rhin, Grand Est (Great East), France
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": IV. Recitativo (Alt) "Was ist die Liebe Gottes?" (from 2011-01-23 until 2011-01-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
0:53
17"Gott soll allein mein Herze haben", BWV 169: 5. Aria "Stirb in mir"
countertenor vocals:
Andreas Scholl (countertenor)
orchestra:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
recorded at:
Les Dominicains de Haute-Alsace in Guebwiller, Haut-Rhin, Grand Est (Great East), France
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": V. Aria (Alt) "Stirb in mir, Welt" (from 2011-01-23 until 2011-01-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
5:06
18"Gott soll allein mein Herze haben", BWV 169: 6. Recitative: "Doch meint es auch dabei"
countertenor vocals:
Andreas Scholl (countertenor)
orchestra:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
recorded at:
Les Dominicains de Haute-Alsace in Guebwiller, Haut-Rhin, Grand Est (Great East), France
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": VI. Recitativo (Alt) "Doch meint es auch dabei" (from 2011-01-23 until 2011-01-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
0:28
19"Gott soll allein mein Herze haben", BWV 169: 7. Chorale: "Du süße Liebe, schenk uns deine Gunst"
bass vocals:
Raitis Grigalis (Latvian conductor and bass)
countertenor vocals:
Andreas Scholl (countertenor)
soprano vocals:
Junko Takamaya (soprano)
tenor vocals:
Michael Feyfar (Swiss tenor)
orchestra:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
recorded at:
Les Dominicains de Haute-Alsace in Guebwiller, Haut-Rhin, Grand Est (Great East), France
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": VII. Choral "Du süße Liebe, schenk uns deine Gunst" (from 2011-01-23 until 2011-01-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 256)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
1:17
20"Ich will den Kreuzstab gerne tragen", BWV 56: 1. Aria "Ich will den Kreuzstab gerne tragen"
bass-baritone vocals:
Thomas Quasthoff (bass-baritone)
orchestra:
Berliner Barock Solisten
conductor:
Rainer Kussmaul (violinist) (in 2004-01)
performer:
Thomas Quasthoff (bass-baritone) (in 2004-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2004-01)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": I. Aria "Ich will den Kreuzstab gerne tragen" (in 2004-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
7:00
21"Ich will den Kreuzstab gerne tragen", BWV 56: 2. Recitative: "Mein Wandel auf der Welt"
bass-baritone vocals:
Thomas Quasthoff (bass-baritone)
orchestra:
Berliner Barock Solisten
conductor:
Rainer Kussmaul (violinist) (in 2004-01)
performer:
Thomas Quasthoff (bass-baritone) (in 2004-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2004-01)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": II. Recitative "Mein Wandel auf der Welt" (in 2004-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
2:06
22"Ich will den Kreuzstab gerne tragen", BWV 56: 3. Aria: "Endlich, endlich wird mein Joch"
bass-baritone vocals:
Thomas Quasthoff (bass-baritone)
orchestra:
Berliner Barock Solisten
conductor:
Rainer Kussmaul (violinist) (in 2004-01)
performer:
Thomas Quasthoff (bass-baritone) (in 2004-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2004-01)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": III. Aria "Endlich, endlich wird mein Joch" (in 2004-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
5:44
23"Ich will den Kreuzstab gerne tragen", BWV 56: 4. Recitative: "Ich stehe fertig und bereit"
bass-baritone vocals:
Thomas Quasthoff (bass-baritone)
orchestra:
Berliner Barock Solisten
conductor:
Rainer Kussmaul (violinist) (in 2004-01)
performer:
Thomas Quasthoff (bass-baritone) (in 2004-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2004-01)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": IV. Recitative and Arioso "Ich stehe fertig und bereit" (in 2004-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
1:46
24"Ich will den Kreuzstab gerne tragen", BWV 56: 5. Chorale: "Komm, o Tod, du Schlafes Bruder"
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Berliner Barock Solisten
conductor:
Rainer Kussmaul (violinist) (in 2004-01)
chorus master:
Daniel Reuss (conductor) (in 2004-01)
performer:
RIAS Kammerchor (German chamber choir) (in 2004-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2004-01)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": V. Chorale "Komm, o Tod, du Schlafes Bruder" (in 2004-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
John Franck (in 1653)
part of:
Breitkopf 389 Choralgesänge (number: 72)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
1:34
8CD: Cantatas 49, 98, 55, 52, 58 (1726-1727)
9CD: Cantatas 82, 157, 84 (1727)
10CD: Cantatas 34, 193, 117, 188 (1727-1728)
11CD: Cantatas 171, 156, 159, 120a (1729)
12CD: Cantatas 174, 149, 51, 192, 112 (1729-1731)
13CD: Cantatas 29, 140, 36 (1731)
14CD: Cantatas 177, 9, 97, 14 (1732-1735)
15CD: Cantatas 100, 195, 197, 197a (c. 1728-1736)
16CD: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
17CD: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas

Credits

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]