Complete Recordings on Deutsche Grammophon

~ Release by Carlo Maria Giulini (see all versions of this release, 1 available)

Tracklist

1CD: Beethoven Symphony no. 3 & Schumann Manfred Overture
2CD: Beethoven Symphony nos. 5 & 6
3CD: Beethoven Symphony no. 9
4CD: Beethoven Piano Concertos 1 & 3
5CD: Mozart Piano Concerto no. 23 / Beethoven Emperor Concerto
6CD: Brahms Symphony no. 1 (Los Angeles Philharmonic)
7CD: Brahms Symphony no. 2 (Los Angeles Philharmonic)
8CD: Brahms Symphony no. 1 (Vienna Philharmonic)
9CD: Brahms Symphony no. 2 (Vienna Philharmonic)
10CD: Brahms Symphony no. 3 & Haydn Variations (Vienna Philharmonic)
11CD: Brahms Symphony no. 4 & Tragic Overture (Vienna Philharmonic)
12CD: Brahms German Requiem
13CD: Britten: Serenade / Les Illuminations
14CD: Bruckner Symphony no. 7
15CD: Bruckner Symphony no. 8 part 1
16CD: Bruckner Symphony no. 8 part 2
17CD: Bruckner Symphony no. 9 (movements 1-3)
18CD: Chopin Piano Concerto no. 1
19CD: Chopin Piano Concerto no. 2 & Andante spianato
20CD: Debussy: La Mer / Ravel: Ma Mère l’Oye / Rapsodie espagnole
21CD: Dvořák: Symphony no. 8 / Mussorgsky/Ravel: Pictures at an Exhibition
22CD: von Einem: An die Nachgeborenen
23CD: Fauré: Requiem / Ravel: Pavane
24CD: Franck Symphony in D minor / Psyché
25CD: Liszt Piano Concertos nos. 1 & 2
26CD: Mahler Symphony no. 9 part 1
27CD: Mahler Symphony no. 9 part 2 / Schubert Symphony no. 8
28CD: Mahler Das Lied von der Erde
29CD: Mozart Symphonies nos. 40 & 41
30CD: Rossini Stabat Mater
31CD: Schubart Symphony no. 4 / Dvořák Symphony no. 9
32CD: Schubert Symphony no. 9 / Prokofiev Symphony no. 1
33CD: Schumann Symphony no. 3 / Tchaikovsky Symphony no. 6
34CD: Verdi Rigoletto part 1
35CD: Verdi Rigoletto part 2
36CD: Verdi Il Trovatore part 1
37CD: Verdi Il Trovatore part 2
#TitleArtistRatingLength
1Il trovatore: Atto III, scena 1: “Or co' dadi”
bass vocals [Ferrando]:
Evgeny Nesterenko (Yevgeni Nesterenko, Russian operatic bass singer)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Il trovatore: Atto III, scena 1. “Or co' dadi, ma fra poco” (soldati, Ferrando) (“Soldier's Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi4:56
2Il trovatore: Atto III, scena 1: “In braccio al mio rival!”
baritone vocals [Conte Luna]:
Giorgio Zancanaro (baritone)
bass vocals [Ferrando]:
Evgeny Nesterenko (Yevgeni Nesterenko, Russian operatic bass singer)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
mezzo-soprano vocals [Azucena]:
Brigitte Fassbaender (mezzo-soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Il trovatore: Atto III, scena 1. “In braccio al mio rival!” (Conte Luna, Ferrando, Azucena, soldati)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:18
3Il trovatore: Atto III, scena 1: “Giorni poveri vivea”
baritone vocals [Conte Luna]:
Giorgio Zancanaro (baritone)
bass vocals [Ferrando]:
Evgeny Nesterenko (Yevgeni Nesterenko, Russian operatic bass singer)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
mezzo-soprano vocals [Azucena]:
Brigitte Fassbaender (mezzo-soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Il trovatore: Atto III, scena 1. “Giorni poveri vivea” (Azucena, Ferrando, Conte Luna, soldati)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi5:18
4Il trovatore: Atto III, scena 2: “Quale d'armi fragor poc'anzi intesi?”
soprano vocals [Leonora]:
Rosalind Plowright (soprano / mezzo soprano)
tenor vocals [Manrico]:
Plácido Domingo (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Il trovatore: Atto III, scena 2. “Quale d'armi fragor poc' anzi intesi?” (Leonora, Manrico)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:09
5Il trovatore: Atto III, scena 2: “Ah! sì, ben mio”
tenor vocals [Manrico]:
Plácido Domingo (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:25
6Il trovatore: Atto III, scena 2: “L'onda de' suoni mistici”
soprano vocals [Leonora]:
Rosalind Plowright (soprano / mezzo soprano)
tenor vocals [Manrico]:
Plácido Domingo (tenor)
tenor vocals [Ruiz]:
Walter Gullino (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Maria Giulini (conductor)
partial recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi0:50
7Il trovatore: Atto III, scena 2: “Manrico?”
soprano vocals [Leonora]:
Rosalind Plowright (soprano / mezzo soprano)
tenor vocals [Manrico]:
Plácido Domingo (tenor)
tenor vocals [Ruiz]:
Walter Gullino (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Maria Giulini (conductor)
partial recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi0:47
8Il trovatore: Atto III, scena 2: “Di quella pira”
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
soprano vocals [Leonora]:
Rosalind Plowright (soprano / mezzo soprano)
tenor vocals [Manrico]:
Plácido Domingo (tenor)
tenor vocals [Ruiz]:
Walter Gullino (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:49
9Il trovatore: Atto IV, scena 1: “Siam giunti”
soprano vocals [Leonora]:
Rosalind Plowright (soprano / mezzo soprano)
tenor vocals [Ruiz]:
Walter Gullino (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Il trovatore: Atto IV, scena 1. “Siam giunti; ecco la torre” … “Vanne, lasciami” (Ruiz, Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:58
10Il trovatore: Atto IV, scena 1: “D'amor sull'ali rosee”
soprano vocals [Leonora]:
Rosalind Plowright (soprano / mezzo soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:05
11Il trovatore: Atto IV, scena 1: “Miserere”
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
soprano vocals [Leonora]:
Rosalind Plowright (soprano / mezzo soprano)
tenor vocals [Manrico]:
Plácido Domingo (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi5:29
12Il trovatore: Atto IV, scena 1: “Tu vedrai che amore in terra”
soprano vocals [Leonora]:
Rosalind Plowright (soprano / mezzo soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Il trovatore: Atto IV, scena 1. “Tu vedrai che amore in terra” (Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:17
13Il trovatore: Atto IV, scena 1: “Udiste? Come albeggi”
baritone vocals [Conte Luna]:
Giorgio Zancanaro (baritone)
soprano vocals [Leonora]:
Rosalind Plowright (soprano / mezzo soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Maria Giulini (conductor)
partial recording of:
Il trovatore: Atto IV, scena 1. “Udiste? Come albeggi, la scure al figlio” … “Qual voce” (Conte Luna, Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:00
14Il trovatore: Atto IV, scena 1: “Qual voce!”
baritone vocals [Conte Luna]:
Giorgio Zancanaro (baritone)
soprano vocals [Leonora]:
Rosalind Plowright (soprano / mezzo soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Il trovatore: Atto IV, scena 1. “Mira, d'acerbe lagrime“ (Leonora, Conte Luna)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
partial recording of:
Il trovatore: Atto IV, scena 1. “Udiste? Come albeggi, la scure al figlio” … “Qual voce” (Conte Luna, Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi7:08
15Il trovatore: Atto IV, scena 2: “Madre, non dormi?”Giuseppe Verdi9:29
16Il trovatore: Atto IV, scena 2: “Che!... Non m'inganna quel fioco lume?”
baritone vocals [Conte Luna] and baritone vocals [Luna]:
Giorgio Zancanaro (baritone)
mezzo-soprano vocals [Azucena]:
Brigitte Fassbaender (mezzo-soprano)
soprano vocals [Leonora]:
Rosalind Plowright (soprano / mezzo soprano)
tenor vocals [Manrico]:
Plácido Domingo (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Il trovatore: Atto IV, scena 2. “Che! Non m’inganna quel fioco lume?” (Manrico, Leonora, Azucena, Conte Luna)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:59
17Il trovatore: Atto IV, scena 2: “Ti scosta!”
soprano vocals [Leonora]:
Rosalind Plowright (soprano / mezzo soprano)
tenor vocals [Manrico]:
Plácido Domingo (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Il trovatore: Atto IV, scena 2. “Che! Non m’inganna quel fioco lume?” (Manrico, Leonora, Azucena, Conte Luna)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 2. “Ti scosta” (Manrico, Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:56
38CD: Verdi Falstaff part 1
39CD: Verdi Falstaff part 2
40CD: Verdi Requiem part 1
41CD: Verdi Requiem part 2
42CD: Domingo Arias