Du blues au poing levé

~ Release by Nina Simone (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1Backlash Blues
recording engineer:
Mickey Crofford (on 1967-01-05) and Ray Hall (engineer) (on 1967-01-05)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
phonographic copyright (℗) by:
BMG Music (in 1967)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1967-01-05)
recording of:
Backlash Blues (on 1967-01-05)
lyricist:
Langston Hughes
composer:
Nina Simone
publisher:
Filmtrax-Mogul (publisher; do NOT use as release label) and Rolls Royce Music (publisher; do NOT use as release label)
4.652:31
2Obeah Woman
recording engineer:
Ed Begley (sound engineer in RCA Victor)
executive producer:
Bruce Somerfeld
producer:
Nina Simone
acoustic guitar, bass, classical guitar [Spanish guitar] and sitar:
Avram Schackman
other instruments [Guinee Kuna], other instruments [Madagascar harp], other instruments [Mama-Likembi] and other instruments [Tal Viha]:
Nadi Qamar (American jazz pianist and ethnomusicologist.)
piano and lead vocals:
Nina Simone
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1973-06-28)
live cover recording of:
Obeah Man (Obeah Man) (on 1973-06-28)
lyricist and composer:
Exuma
6:19
3Dambala
recording engineer:
Ed Begley (sound engineer in RCA Victor)
executive producer:
Bruce Somerfeld
producer:
Nina Simone
acoustic guitar, bass, classical guitar [Spanish guitar] and sitar:
Avram Schackman
other instruments [Guinee Kuna], other instruments [Madagascar harp], other instruments [Mama-Likembi] and other instruments [Tal Viha]:
Nadi Qamar (American jazz pianist and ethnomusicologist.)
piano and lead vocals:
Nina Simone
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1973-06-28)
live cover recording of:
Dambala (on 1973-06-28)
lyricist and composer:
Tony McKay
6:54
4To Be Young, Gifted and Black
engineer:
Ray Hall (engineer) (from 1969-08-25 until 1969-08-26)
phonographic copyright (℗) by:
BMG Music (in 1969)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (from 1969-08-25 until 1969-08-26)
recording of:
To Be Young, Gifted and Black (from 1969-08-25 until 1969-08-26)
lyricist:
Weldon Irvine
composer:
Nina Simone
32:51
5I Wish I Knew How It Would Feel to Be Free
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
mixer:
Mark Hartry
vocals:
Nina Simone
conductor:
Sammy Lowe
arranger:
Sammy Lowe
phonographic copyright (℗) by:
BMG Music (in 1967)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1967-06-15)
part of:
CBC Music: 10 Songs That Have Changed the World
cover recording of:
I Wish I Knew How It Would Feel to Be Free (on 1967-06-15)
writer:
Billy Taylor (jazz/bop pianist) and Richard Lamb
publisher:
Duane Music Inc. and Westminster Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
4.353:09
622nd Century
producer:
Nat Shapiro and Harold Wheeler
conductor:
Harold Wheeler
arranger:
Nina Simone and Harold Wheeler
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (in 1971-02)
48:45
7I Shall Be Released
recording engineer:
Ray Hall (engineer) and Mike Moran (American engineer, associated with RCA)
bass [Fender bass] and electric bass guitar:
Gene A Perla
drums (drum set):
Don Alias
drums (drum set) [drums]:
Charles D. Alias
guitar:
Al Schackman
organ:
Weldon J. Irvine, Jr.
piano and lead vocals:
Nina Simone
background vocals and background vocals [vocalist]:
Virdia Crawford and Doris Willingham
conductor:
Nina Simone
arranger:
Nina Simone
phonographic copyright (℗) by:
BMG Music (in 1969)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States
edit of:
I Shall Be Released ('To Love Somebody' album version, with Nina Simone talking in the studio at the beginning) by Nina Simone
cover recording of:
I Shall Be Released (original lyrics) (from 1967-01-08 until 1967-01-27)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and Dwarf Music (from 1967 to present)
3.653:55
8I Think It’s Going to Rain Today
recording engineer:
Ray Hall (engineer)
piano:
Nina Simone (on 1968-09-16)
vocals:
Nina Simone (on 1968-09-16)
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1968-09-16)
cover recording of:
I Think It’s Going to Rain Today (on 1968-09-16)
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), January Music Corp., Warner/Chappell North America and Unichappell Music, Inc. (in 1966)
4.53:21
9Black is the Color of My True Love’s Hair
recording engineer:
Ed Begley (sound engineer in RCA Victor)
piano:
Nina Simone
vocals:
Emile Latimer and Nina Simone
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1969-10-26)
live cover recording of:
Black Is the Color of My True Love’s Hair (Arranged by Nina Simone) (on 1969-10-26)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Company (publisher; do NOT use as release label)
arrangement of:
Black Is the Colour (of My True Love’s Hair)
7:28
10Why? (The King of Love is Dead)
drums (drum set):
Buck Clarke (on 1968-04-07)
electric bass guitar:
Gene Taylor (US jazz bassist) (on 1968-04-07)
electric guitar:
Rudy Stevenson (on 1968-04-07)
instruments:
Sam Waymon (on 1968-04-07)
piano:
Nina Simone (on 1968-04-07)
vocals:
Nina Simone (on 1968-04-07)
recorded at:
Westbury Music Fair in Westbury, New York, United States (on 1968-04-07)
live recording of:
Why? (The King of Love Is Dead) (on 1968-04-07)
lyricist and composer:
Gene Taylor (US jazz bassist)
dedicated to:
Dr. Martin Luther King (group)
part of:
Martin Luther King Suite
12:52
11Mississippi Goddam
drums (drum set):
Buck Clarke (on 1968-04-07)
electric bass guitar:
Gene Taylor (US jazz bassist) (on 1968-04-07)
electric guitar:
Rudy Stevenson (on 1968-04-07)
instruments:
Sam Waymon (on 1968-04-07)
piano:
Nina Simone (on 1968-04-07)
vocals:
Nina Simone (on 1968-04-07)
recorded at:
Westbury Music Fair in Westbury, New York, United States (on 1968-04-07)
live recording of:
Mississippi Goddam (on 1968-04-07)
lyricist and composer:
Nina Simone
publisher:
Sam Fox Publishing Co. (LDN) Ltd. and Sam Fox Publishing Company (publisher; do NOT use as release label)
part of:
Martin Luther King Suite
6:55
12Sunday in Savannah
drums (drum set):
Buck Clarke (on 1968-04-07)
electric bass guitar:
Gene Taylor (US jazz bassist) (on 1968-04-07)
electric guitar:
Rudy Stevenson (on 1968-04-07)
instruments:
Sam Waymon (on 1968-04-07)
piano:
Nina Simone (on 1968-04-07)
vocals:
Nina Simone (on 1968-04-07)
phonographic copyright (℗) by:
BMG Music (in 1968)
live cover recording of:
Sunday in Savannah (on 1968-04-07)
lyricist and composer:
Hugh M. MacKay
part of:
Martin Luther King Suite
6:16
13Everything Must Change
electric bass guitar:
Gary King (jazz bassist, arranger and songwriter)
membranophone:
Jimmy Madison
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
cover recording of:
Everything Must Change
lyricist and composer:
Benard Ighner
publisher:
Almo Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Trans Traditional Suite
3.53:59

Credits

Release

ASIN:FR: 1908709391 [info]