Plays Cole Porter and Rogers & Hart

~ Release by The World's Greatest Jazzband of Yank Lawson & Bob Haggart (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Love for Sale
bass:
Bob Haggart
clarinet:
Peanuts Hucko
membranophone:
Gus Johnson, Jr. (drums)
piano:
Ralph Sutton (stride pianist)
tenor saxophone:
Tommy Newsome
trombone:
Carl Fontana and George Masso
trumpet:
John Best (jazz trumpeter) and Yank Lawson
recorded at:
Audio-Video Recorders in Phoenix, Arizona, United States
instrumental recording of:
Love for Sale
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
The World's Greatest Jazzband, Yank Lawson, Bob Haggart?:??
2All of You
bass:
Bob Haggart
clarinet:
Peanuts Hucko
membranophone:
Gus Johnson, Jr. (drums)
piano:
Ralph Sutton (stride pianist)
tenor saxophone:
Tommy Newsome
trombone:
Carl Fontana and George Masso
trumpet:
John Best (jazz trumpeter) and Yank Lawson
recorded at:
Audio-Video Recorders in Phoenix, Arizona, United States
instrumental recording of:
All of You (Silk Stockings musical)
lyricist and composer:
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Chappell Music (UK)
part of:
Silk Stockings (1957 musical film)
The World's Greatest Jazzband, Yank Lawson, Bob Haggart?:??
3It's Alright With Me
bass:
Bob Haggart
clarinet:
Peanuts Hucko
membranophone:
Gus Johnson, Jr. (drums)
piano:
Ralph Sutton (stride pianist)
tenor saxophone:
Tommy Newsome
trombone:
Carl Fontana and George Masso
trumpet:
John Best (jazz trumpeter) and Yank Lawson
recorded at:
Audio-Video Recorders in Phoenix, Arizona, United States
instrumental recording of:
It’s All Right with Me (Can‐Can musical)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
The World's Greatest Jazzband, Yank Lawson, Bob Haggart?:??
4Let's Do It
bass:
Bob Haggart
clarinet:
Peanuts Hucko
membranophone:
Gus Johnson, Jr. (drums)
piano:
Ralph Sutton (stride pianist)
tenor saxophone:
Tommy Newsome
trombone:
Carl Fontana and George Masso
trumpet:
John Best (jazz trumpeter) and Yank Lawson
recorded at:
Audio-Video Recorders in Phoenix, Arizona, United States
instrumental recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical)
lyricist and composer:
Cole Porter (composer) (in 1928)
part of:
Can‐Can (1960 musical film)
part of:
Paris (1928 musical)
The World's Greatest Jazzband, Yank Lawson, Bob Haggart?:??
5I Concentrate on You
bass:
Bob Haggart
clarinet:
Peanuts Hucko
membranophone:
Gus Johnson, Jr. (drums)
piano:
Ralph Sutton (stride pianist)
tenor saxophone:
Tommy Newsome
trombone:
Carl Fontana and George Masso
trumpet:
John Best (jazz trumpeter) and Yank Lawson
recorded at:
Audio-Video Recorders in Phoenix, Arizona, United States
instrumental recording of:
I Concentrate on You
lyricist and composer:
Cole Porter (composer) (in 1939)
publisher:
Chappell & Co., Inc. (USA)
The World's Greatest Jazzband, Yank Lawson, Bob Haggart?:??
6Just One of Those Things
bass:
Bob Haggart
clarinet:
Peanuts Hucko
membranophone:
Gus Johnson, Jr. (drums)
piano:
Ralph Sutton (stride pianist)
tenor saxophone:
Tommy Newsome
trombone:
Carl Fontana and George Masso
trumpet:
John Best (jazz trumpeter) and Yank Lawson
recorded at:
Audio-Video Recorders in Phoenix, Arizona, United States
instrumental recording of:
Just One of Those Things
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
The World's Greatest Jazzband, Yank Lawson, Bob Haggart?:??
7Mountain Greenery
bass:
Bob Haggart
clarinet:
Peanuts Hucko
membranophone:
Gus Johnson, Jr. (drums)
piano:
Ralph Sutton (stride pianist)
tenor saxophone:
Tommy Newsome
trombone:
Carl Fontana and George Masso
trumpet:
John Best (jazz trumpeter) and Yank Lawson
recorded at:
Audio-Video Recorders in Phoenix, Arizona, United States
instrumental recording of:
Mountain Greenery
lyricist:
Lorenz Hart (in 1926)
composer:
Richard Rodgers (composer) (in 1926)
The World's Greatest Jazzband, Yank Lawson, Bob Haggart?:??
8Have You Met Miss Jones?
bass:
Bob Haggart
clarinet:
Peanuts Hucko
membranophone:
Gus Johnson, Jr. (drums)
piano:
Ralph Sutton (stride pianist)
tenor saxophone:
Tommy Newsome
trombone:
Carl Fontana and George Masso
trumpet:
John Best (jazz trumpeter) and Yank Lawson
recorded at:
Audio-Video Recorders in Phoenix, Arizona, United States
instrumental recording of:
Have You Met Miss Jones? (I’d Rather Be Right)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
The World's Greatest Jazzband, Yank Lawson, Bob Haggart?:??
9Isn't It Romantic?
bass:
Bob Haggart
clarinet:
Peanuts Hucko
membranophone:
Gus Johnson, Jr. (drums)
piano:
Ralph Sutton (stride pianist)
tenor saxophone:
Tommy Newsome
trombone:
Carl Fontana and George Masso
trumpet:
John Best (jazz trumpeter) and Yank Lawson
recorded at:
Audio-Video Recorders in Phoenix, Arizona, United States
instrumental recording of:
Isn’t It Romantic? (from 1932 film “Love Me Tonight”)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (composer) (in 1932)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Sony/ATV Harmony
The World's Greatest Jazzband, Yank Lawson, Bob Haggart?:??
10My Funny Valentine
bass:
Bob Haggart
clarinet:
Peanuts Hucko
membranophone:
Gus Johnson, Jr. (drums)
piano:
Ralph Sutton (stride pianist)
tenor saxophone:
Al Klink
trombone:
Carl Fontana and George Masso
trumpet:
John Best (jazz trumpeter) and Yank Lawson
recorded at:
Annex Studios (Los Angeles) in Los Angeles, California, United States
instrumental recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
The World's Greatest Jazzband, Yank Lawson, Bob Haggart?:??
11Blue Room
bass:
Bob Haggart
clarinet:
Peanuts Hucko
membranophone:
Gus Johnson, Jr. (drums)
piano:
Ralph Sutton (stride pianist)
tenor saxophone:
Al Klink
trombone:
Carl Fontana and George Masso
trumpet:
John Best (jazz trumpeter) and Yank Lawson
recorded at:
Annex Studios (Los Angeles) in Los Angeles, California, United States
instrumental recording of:
Blue Room
lyricist:
Lorenz Hart (in 1926)
composer:
Richard Rodgers (composer) (in 1926)
The World's Greatest Jazzband, Yank Lawson, Bob Haggart?:??
12You Took Advantage of Me
bass:
Bob Haggart
clarinet:
Peanuts Hucko
membranophone:
Gus Johnson, Jr. (drums)
piano:
Ralph Sutton (stride pianist)
tenor saxophone:
Al Klink
trombone:
Carl Fontana and George Masso
trumpet:
John Best (jazz trumpeter) and Yank Lawson
recorded at:
Annex Studios (Los Angeles) in Los Angeles, California, United States
The World's Greatest Jazzband, Yank Lawson, Bob Haggart?:??
13Anything Goes
bass:
Bob Haggart
clarinet:
Peanuts Hucko
membranophone:
Gus Johnson, Jr. (drums)
piano:
Ralph Sutton (stride pianist)
tenor saxophone:
Al Klink
trombone:
Carl Fontana and George Masso
trumpet:
John Best (jazz trumpeter) and Yank Lawson
recorded at:
Annex Studios (Los Angeles) in Los Angeles, California, United States
instrumental recording of:
Anything Goes
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. and Warner Bros., Inc. (not for release label use!)
part of:
Anything Goes
The World's Greatest Jazzband, Yank Lawson, Bob Haggart?:??
14It's D'Lovely
bass:
Bob Haggart
clarinet:
Peanuts Hucko
membranophone:
Gus Johnson, Jr. (drums)
piano:
Ralph Sutton (stride pianist)
tenor saxophone:
Al Klink
trombone:
Carl Fontana and George Masso
trumpet:
John Best (jazz trumpeter) and Yank Lawson
recorded at:
Annex Studios (Los Angeles) in Los Angeles, California, United States
instrumental recording of:
It’s De‐Lovely
lyricist and composer:
Cole Porter (composer) (in 1936)
part of:
Anything Goes
part of:
Red, Hot and Blue (1936 Cole Porter musical)
The World's Greatest Jazzband, Yank Lawson, Bob Haggart?:??
15Rosalie
bass:
Bob Haggart
clarinet:
Peanuts Hucko
membranophone:
Gus Johnson, Jr. (drums)
piano:
Ralph Sutton (stride pianist)
tenor saxophone:
Al Klink
trombone:
Carl Fontana and George Masso
trumpet:
John Best (jazz trumpeter) and Yank Lawson
recorded at:
Annex Studios (Los Angeles) in Los Angeles, California, United States
instrumental recording of:
Rosalie (from “Rosalie”)
lyricist and composer:
Cole Porter (composer) (in 1937)
The World's Greatest Jazzband, Yank Lawson, Bob Haggart?:??
16So in Love
bass:
Bob Haggart
clarinet:
Peanuts Hucko
membranophone:
Gus Johnson, Jr. (drums)
piano:
Ralph Sutton (stride pianist)
tenor saxophone:
Al Klink
trombone:
Carl Fontana and George Masso
trumpet:
John Best (jazz trumpeter) and Yank Lawson
recorded at:
Annex Studios (Los Angeles) in Los Angeles, California, United States
instrumental recording of:
So in Love (from Kiss Me, Kate)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
part of:
Kiss Me, Kate (musical)
The World's Greatest Jazzband, Yank Lawson, Bob Haggart?:??
17You'd Be So Nice to Come Home To
bass:
Bob Haggart
clarinet:
Peanuts Hucko
membranophone:
Gus Johnson, Jr. (drums)
piano:
Ralph Sutton (stride pianist)
tenor saxophone:
Al Klink
trombone:
Carl Fontana and George Masso
trumpet:
John Best (jazz trumpeter) and Yank Lawson
recorded at:
Annex Studios (Los Angeles) in Los Angeles, California, United States
instrumental recording of:
You’d Be So Nice to Come Home To
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
The World's Greatest Jazzband, Yank Lawson, Bob Haggart?:??
18From This Moment On
bass:
Bob Haggart
clarinet:
Peanuts Hucko
membranophone:
Gus Johnson, Jr. (drums)
piano:
Ralph Sutton (stride pianist)
tenor saxophone:
Al Klink
trombone:
Carl Fontana and George Masso
trumpet:
John Best (jazz trumpeter) and Yank Lawson
recorded at:
Annex Studios (Los Angeles) in Los Angeles, California, United States
instrumental recording of:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only)
lyricist and composer:
Cole Porter (composer) (in 1950)
part of:
Kiss Me, Kate (musical)
The World's Greatest Jazzband, Yank Lawson, Bob Haggart?:??