Jazz Advance

~ Release by Cecil Taylor Quartet (see all versions of this release, 8 available)

Annotation

Recording Date: 1956/09/14
Recording Location: Boston, USA
Additional:
Taylor's first released album.
A 7th track (Sweet And Lovely 6:35) from this session exists, and has been added to most later issues of this.

Annotation last modified on 2023-02-19 09:42 UTC.

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1Bemsha Swing
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
double bass:
Buell Neidlinger (on 1956-09-14)
drums (drum set):
Denis Charles (drums) (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
cover recording of:
Bemsha Swing (instrumental) (on 1956-09-14)
composer:
Denzil Best and Thelonious Monk
publisher:
Bayes Music Corporation, Bocu Music Ltd., Embassy Music Corporation, Second Floor Music and Thelonious Music
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) and 日音 Synch事業部 (NICHION, INC. Synch Division)
7:31
A2Charge ’Em Blues
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
double bass:
Buell Neidlinger (on 1956-09-14)
drums (drum set):
Denis Charles (drums) (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004) (on 1956-09-14)
recording of:
Charge ’Em Blues (on 1956-09-14)
composer:
Cecil Taylor
11:10
A3Azure
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
double bass:
Buell Neidlinger (on 1956-09-14)
drums (drum set):
Denis Charles (drums) (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
cover recording of:
Azure (on 1956-09-14)
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1937)
7:32
B1Song
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
double bass:
Buell Neidlinger (on 1956-09-14)
drums (drum set):
Denis Charles (drums) (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004) (on 1956-09-14)
recording of:
Song (on 1956-09-14)
composer:
Cecil Taylor
5:23
B2You’d Be So Nice to Come Home To
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
cover recording of:
You’d Be So Nice to Come Home To (on 1956-09-14)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
9:21
B3Rick Kick Shaw
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
double bass:
Buell Neidlinger (on 1956-09-14)
drums (drum set):
Denis Charles (drums) (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
recording of:
Rick Kick Shaw (on 1956-09-14)
composer:
Cecil Taylor
6:05