The Complete Warner Recordings

~ Release by Sir John Barbirolli (see all versions of this release, 1 available)

Annotation

A 109-CD collection of Sir John Barbirolli's recordings for Warner remastered in 192 kHz/24-bit by Studio Art & Son.

Annotation last modified on 2022-02-10 09:52 UTC.

Tracklist

1CD: Purcell: Hornpipe on a Ground / Mozart: Eine kleine Nachtmusik / Haydn: Symphony no. 104 in D major “London” / Elgar: Introduction and Allegro
2CD: Mozart / Casals / Gounod / Bizet / Wagner / Mascagni / Glazunov / Luigini
3CD: Ponchielli: Dance of the Hours / Delibes: Sylvia - excerpts / Rosse: Merchant of Venice / Delius: A Song before Sunrise / Overtures from Wallace, Balfe, Quilter
4CD: Schubert / Auber / Grieg / Tchaikovsky / D'Erlanger / Järnefelt
5CD: Wagner: Die Meistersinger von Nürnberg - Act 3: Suite / Rienzi - Overture / J. Strauss II: Rosen aus dem Süden / Bax: Symphony no. 3
6CD: Vaughan Williams: Symphony no. 5 / Fantasia on a Theme by Thomas Tallis / Delius: Walk to the Paradise Garden / Heming: Threnody for a soldier killed in action
7CD: Beethoven: Symphony no. 5 / Weber: Euryanthe - Overture / Wagner: Lohengrin - Preludes / R. Strauss: Der Rosenkavalier - Suite
8CD: Berlioz: Symphonie fantastique / Rossini: La gazza ladra - Overture / Mendelssohn: A Midsummer Night's Dream - Scherzo / Humperdinck: Hänsel und Gretel - Overture / Fauré: Shylock
9CD: Corelli: Concerto Grosso / Elgar: Elegy / Variations on an Original Theme “Enigma” / Introduction and Allegro / Lullaby / Vaughan Williams: Fantasia on “Greensleeves” / Trad.: Londonderry Air / Delius: Two Aquarelles
10CD: Mendelssohn: The Hebrides - Overture / Symphony no. 4 “Italian” / Grieg: Peer Gynt - Suite no. 1 / Delibes: Sylvia (excerpts) / Stravinsky: Concerto in D major for String Orchestra
11CD: Mozart: Le nozze di Figaro - Overture / Beethoven: Egmont - Overture / Haydn: Symphony no. 83 “La poule” / Schubert: Die Zauberharfe - Overture / Mendelssohn: Octet op. 20 - Scherzo / Sibelius: Symphony no. 7
12CD: Elgar: Cockaigne Overture / Serenade in E minor / Dream Children - Andante / Delius: A Song of Summer / Rubbra: Loth to depart / Symphony no. 5
13CD: Mozart: Cassation K. 99 - Andante / Bizet: L'Arlésienne - Suites 1 & 2 / Tchaikovsky: Swan Lake (excerpts) / Ireland: Mai Dun / The Forgotten Rite Prelude
14CD: Weber: Der Freischütz - Overture / Mozart: Minuet / Haydn: Symphony no. 96 “Miracle” / Brahms: Symphony no. 3
15CD: Sibelius: Symphony no. 2 / Turina: Danzas fantásticas / Donizetti: Don Pasquale - Overture / Lehár: Gold und Silber / Grieg: Geheimnis
16CD: Haydn: Symphony no. 88 / Schubert: Symphony no. 9 “The Great” / Verdi: La traviata - Preludes to Acts 1 & 3
17CD: Elgar: Symphony no. 2 / Cockaigne Overture / Introduction and Allegro for Strings
18CD: Vaughan Williams: Sinfonia Antartica / The Wasps - Overture / Five Variants of Dives and Lazarus / Fantasia on “Greensleeves”
19CD: Barbirolli: Elizabethan Suite / Chabrier: España / Rimsky-Korsakov: Capriccio espagnol / Lyadov: The Enchanted Lake / Debussy: Prélude à l'après-midi d'un faune / Fauré: Pelléas et Mélisande - Suite / Ibert: Divertissement
20CD: Suppé: Die schöne Galathée - Overture / J. Strauss I: Radetzky March / J. Strauss II: Kaiserwalzer / Villa-Lobos: Bachianas brasileiras no. 4 / Sibelius: The Swan of Tuonela / R. Strauss: Die Liebe der Danae
21CD: Elgar: Symphony no. 1 / Introduction and Allegro / Elegy
22CD: Vaughan Williams: A London Symphony (no. 2) / Symphony no. 8
23CD: Purcell: Suite for Strings, Woodwinds and Horns / Elgar: Variations “Enigma” / Butterworth: A Shropshire Lad / Bax: The Garden of Fand / German: Nell Gwyn
24CD: Delius: Prelude and Idyll / Irmelin Prelude / On Hearing the First Cuckoo in Spring / Fennimore and Gerda / The Walk to the Paradise Garden / Trad.: Londonderry Air / Grainger: Molly on the Shore / Mock Morris / Shepherd's Hey
25CD: J. Strauss II / J. Strauss I / Josef Strauss / Waldteufel / Lehár
26CD: Mozart: Symphonies nos. 29 & 41 “Jupiter” / Mendelssohn: The Hebrides - Overture
27CD: Tchaikovsky: Romeo and Juliet / Symphony no. 4
28CD: Dvořák: Symphonies nos. 7 & 8
29CD: Sibelius: Symphonies nos. 1 & 5
30CD: Humperdinck: Hänsel and Gretel - Overture / Mahler: Symphony no. 1
31CD: Grieg: Peer Gynt - Suite 1 / Two Elegiac Melodies / Symphonic Dances / Sibelius: Pohjola's Daughter / Valse triste
32CD: Overtures, Ballet Music & Intermezzi: Rossini: Guillaume Tell / Semiramide / Verdi: La forza del destino / Ponchielli: La Gioconda / Mascagni: Cavalleria Rusticana / Puccini: Manon Lescaut
33CD: Dvořák: Serenade in D minor / Gounod: Petite Symphonie in B-flat / Handel: Suites from Rodrigo & Serse
34CD: Suppé: Overtures / Nicolai: Die lustigen Weiber von Windsor - Overture / Sousa: March / Clarke: Trumpet Voluntary
35CD: Berlioz: Symphonie fantastique / La Damnation de Faust (excerpts)
36CD: Chabrier: Joyeuse marche / Massenet: Sous les tilleuls / Debussy: La Mer / Ravel: Daphnis et Chloé - Suite no. 2 / La valse / Ma mère l'oye - Suite
37CD: Dvořák: Symphony no. 9 “From the New World” / Scherzo capriccioso / Legends (excerpts)
38CD: Wagner: Preludes, Overtures & Symphonic movements from Tannhäuser, Die Meistersinger von Nürnberg, Tristan und Isolde, Lohengrin, Der fliegende Holländer
39CD: Tchaikovsky: Symphony no. 5 / Marche Slave / String Quartet no. 1 - Andante cantabile
40CD: Tchaikovsky: Symphony no. 6 “Pathétique” / Nielsen: Symphony no. 4 “Inextinguishable”
41CD: Mozart: Die Zauberflöte - Overture / Beethoven: Leonore Overture no. 3 / Symphonies nos. 1 & 8
42CD: Weber: Oberon - Overture / Brahms: Academic Festival Overture / Symphony no. 4
43CD: Vaughan Williams: Symphony no. 5 in D major / Fantasia on a Theme by Thomas Tallis / Fantasia on “Greensleeves”
44CD: Elgar: Introduction and Allegro / Serenade / Variations on an Original Theme “Enigma” / Cockaigne Overture
45CD: Elgar: Symphony no. 1 in A-flat major / Pop and Circumstance Marches nos. 1 & 4
46CD: Mahler: Symphony no. 9 in D minor
47CD: Schubert: Symphony no. 9 in C major “The Great”
48CD: Elgar: Froissart Overture / Sospiri / Elegy / Pomp and Circumstance Marches nos. 2, 3 & 5 / Falstaff
49CD: Elgar: Symphony no. 2 / Wagner: Die Meistersinger von Nürnberg - Overture
50CD: Tchaikovsky: Serenade in C / Francesca da Rimini / Arensky: Variations on a Theme of Tchaikovsky
51CD: Ireland: A London Overture / Bax: Tintagel / Delius: The Walk to the Paradise Garden / Irmelin Prelude / A Song of Summer / Barbirolli: Elizabethan Suite
52CD: J. Strauss II / J. Strauss I / Lehár / R. Strauss / Verdi
53CD: Sibelius: Symphony no. 2 / The Swan of Tuonela / Lemminkaïnen's Return / Karelia Suite
54CD: Sibelius: Symphonies nos. 5 & 7
55CD: Sibelius: Symphony no. 1 / Pelléas et Mélisande - Suite / Scènes historiques (excerpts)
56CD: Sibelius: Symphony no. 4 / Rakastava / Romance / Finlandia / Pohjola's Daughter
57CD: Sibelius: Symphonies nos. 3 & 6 / Valse triste
58CD: Brahms: Symphonies nos. 2 & 3
59CD: Brahms: Symphony no. 1 / Tragic Overture
60CD: Brahms: Symphony no. 4 / Academic Festival Overture / Variations on a Theme of Joseph Haydn
61CD: Vaughan Williams: A London Symphony / R. Strauss: Metamorphosen
62CD: Schoenberg: Pelleas und Melisande / Mahler: Symphony no. 6 “Tragic” (beginning)
63CD: Mahler: Symphony no. 6 “Tragic” (conclusion)
64CD: Beethoven: Symphony no. 3 “Eroica” / Tchaikovsky: Romeo and Juliet
65CD: Grieg: Peer Gynt (excerpts) / Lyric Suite / Sigurd Jorsalfar - Homage March
66CD: Delius: In a Summer Garden / Hassan / A Song before Sunrise / On Hearing the First Cuckoo in Spring / Summer Night on the River / Brigg Fairest
67CD: Debussy: Trois Nocturnes / La Mer / Grieg: 4 Norwegian Dances
68CD: R. Strauss: Ein Heldenleben / Purcell: Suite for Strings, Woodwinds and Horns / Bach: “Sheep may safely graze”
69CD: Mahler: Symphony no. 5
70CD: Haydn: Cello Concerto in D major / Keyboard Concerto in D major: Rondo al Ungarese / Bach: Concerto n C major for Two Keyboards / Keyboard Concerto in F minor: Allegro / Saint-Saëns: Valse Caprice / Raff: La Fileuse
71CD: Bach: Violin Concerto no. 2 / Tchaikovsky: Violin Concerto / Grieg: Piano Concerto
72CD: Mozart: Piano Concerto no. 23 / Chopin: Piano Concerto no. 2 / Tchaikovsky: Piano Concerto no. 1
73CD: Chopin: Piano Concertos nos. 1 & 2
74CD: Mozart: Violin Concerto no. 5 / Glazunov: Violin Concerto / Wieniawski: Violin Concerto no. 2 / Saint-Saëns: Introduction et Rondo Capriccioso
75CD: Tchaikovsky: Violin Concerto / Vieuxtemps: Violin Concerto no. 4 / Saint-Saëns: Havanaise / Sarasate: Zigeunerweisen
76CD: Beethoven: Violin Concerto / Brahms: Violin Concerto
77CD: Mozart: Piano Concertos nos. 22 & 27
78CD: Schumann: Cello Concerto / Violin Concerto / Mozart: Oboe Concerto in C major
79CD: Corelli: Concerto for Oboe in F major / Pergolesi: Concerto for Oboe in C major / Haydn: Oboe Concerto in C major / Vaughan Williams: Oboe Concerto in A minor
80CD: Oboe Concertos: Handel, Albinoni, Marcello, Cimarosa, Corelli
81CD: Britten: Violin Concerto / Vaughan Williams: Tuba Concerto / Saint-Saëns: Le Carnaval des Animaux / Strauss: A Strauss Fantasy
82CD: Handel: Organ Concerto, HWV 306 / Brahms: Double Concerto / Elgar: Cello Concerto
83CD: Beethoven: Piano Concerto no. 5 “Emperor” / Monn: Cello Concerto
84CD: Haydn: Cello Concerto no. 2 / Elgar: Cello Concerto
85CD: Tchaikovsky: Piano Concerto no. 1 / Franck: Variations symphoniques
86CD: Brahms: Piano Concerto no. 1
87CD: Brahms: Piano Concerto no. 2
88CD: Ireland: These Things Shall Be / Elgar: The Dream of Gerontius (Part One)
#TitleArtistRatingLength
1These Things Shall Be (J. A. Symons): I. “Say heart, what will future bring?”
producer:
Lawrance Collingwood
tenor vocals:
Parry Jones (on 1948-05-01)
vocals:
Hallé Choir (on 1948-05-01)
orchestra:
Hallé Orchestra (on 1948-05-01)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1948-05-01)
chorus master:
Herbert Bardgett (chorus master / conductor / organist) (on 1948-05-01)
balance engineer:
Arthur Clarke (engineer)
recorded at:
Houldsworth Hall in Manchester, Greater Manchester, England, United Kingdom (on 1948-05-01)
recording of:
These Things Shall Be (J. A. Symons): I. “Say heart, what will future bring?” (on 1948-05-01)
composer:
John Ireland (English composer)
part of:
These Things Shall Be
John Ireland4:26
2These Things Shall Be (J. A. Symons): II. “These things shall be”
producer:
Lawrance Collingwood
tenor vocals:
Parry Jones (on 1948-05-01)
vocals:
Hallé Choir (on 1948-05-01)
orchestra:
Hallé Orchestra (on 1948-05-01)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1948-05-01)
chorus master:
Herbert Bardgett (chorus master / conductor / organist) (on 1948-05-01)
balance engineer:
Arthur Clarke (engineer)
recorded at:
Houldsworth Hall in Manchester, Greater Manchester, England, United Kingdom (on 1948-05-01)
recording of:
These Things Shall Be (J. A. Symons): II. “These things shall be” (on 1948-05-01)
composer:
John Ireland (English composer)
part of:
These Things Shall Be
John Ireland3:28
3These Things Shall Be (J. A. Symons): III. “Nation with Nation, Land with Land”
producer:
Lawrance Collingwood
tenor vocals:
Parry Jones (on 1948-05-01)
vocals:
Hallé Choir (on 1948-05-01)
orchestra:
Hallé Orchestra (on 1948-05-01)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1948-05-01)
chorus master:
Herbert Bardgett (chorus master / conductor / organist) (on 1948-05-01)
balance engineer:
Arthur Clarke (engineer)
recorded at:
Houldsworth Hall in Manchester, Greater Manchester, England, United Kingdom (on 1948-05-01)
recording of:
These Things Shall Be (J. A. Symons): III. “Nation with Nation, Land with Land” (on 1948-05-01)
composer:
John Ireland (English composer)
part of:
These Things Shall Be
John Ireland4:14
4These Things Shall Be (J. A. Symons): IV. “When all the earth is paradise”
producer:
Lawrance Collingwood
tenor vocals:
Parry Jones (on 1948-05-01)
vocals:
Hallé Choir (on 1948-05-01)
orchestra:
Hallé Orchestra (on 1948-05-01)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1948-05-01)
chorus master:
Herbert Bardgett (chorus master / conductor / organist) (on 1948-05-01)
balance engineer:
Arthur Clarke (engineer)
recorded at:
Houldsworth Hall in Manchester, Greater Manchester, England, United Kingdom (on 1948-05-01)
recording of:
These Things Shall Be (J. A. Symons): IV. “When all the earth is paradise” (on 1948-05-01)
composer:
John Ireland (English composer)
part of:
These Things Shall Be
John Ireland4:13
5The Dream of Gerontius, op. 38: Part One. I. Prelude (Lento, mistico - Moderato - Andantino - Come prima)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
recording of:
The Dream of Gerontius, op. 38: Part I, I. Prelude (cues 1–21) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar10:14
6The Dream of Gerontius, op. 38: Part One. II. “Jesu, Maria: I am near to death” (Gerontius)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
tenor vocals [Gerontius]:
Richard Lewis (Welsh tenor) (from 1964-12-27 until 1964-12-30)
vocals:
Richard Lewis (Welsh tenor)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
recording of:
The Dream of Gerontius, op. 38: Part I, II. Jesu, Maria – I am near to death (cues 22–32) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar3:59
7The Dream of Gerontius, op. 38: Part One. III. “So pray for me … Kyrie eleison … Holy Mary, pray for him” (Gerontius, semi-chorus, chorus)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1964-12-27 until 1964-12-30), Hallé Choir (from 1964-12-27 until 1964-12-30) and Sheffield Philharmonic Chorus (from 1964-12-27 until 1964-12-30)
tenor vocals [Gerontius]:
Richard Lewis (Welsh tenor) (from 1964-12-27 until 1964-12-30)
vocals:
Richard Lewis (Welsh tenor)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (from 1964-12-27 until 1964-12-30) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
recording of:
The Dream of Gerontius, op. 38: Part I, II. Jesu, Maria – I am near to death (cues 22–32) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar2:21
8The Dream of Gerontius, op. 38: Part One. IV. “Rouse thee, my fainting soul” (Gerontius, chorus)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1964-12-27 until 1964-12-30), Hallé Choir (from 1964-12-27 until 1964-12-30) and Sheffield Philharmonic Chorus (from 1964-12-27 until 1964-12-30)
tenor vocals [Gerontius]:
Richard Lewis (Welsh tenor) (from 1964-12-27 until 1964-12-30)
vocals:
Richard Lewis (Welsh tenor)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (from 1964-12-27 until 1964-12-30) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
partial recording of:
The Dream of Gerontius, op. 38: Part I, III. Rouse thee, my fainting soul (cues 33–39) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar1:00
9The Dream of Gerontius, op. 38: Part One. V. “Be merciful” (Gerontius, chorus)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1964-12-27 until 1964-12-30), Hallé Choir (from 1964-12-27 until 1964-12-30) and Sheffield Philharmonic Chorus (from 1964-12-27 until 1964-12-30)
tenor vocals [Gerontius]:
Richard Lewis (Welsh tenor) (from 1964-12-27 until 1964-12-30)
vocals:
Richard Lewis (Welsh tenor)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (from 1964-12-27 until 1964-12-30) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
partial recording of:
The Dream of Gerontius, op. 38: Part I, III. Rouse thee, my fainting soul (cues 33–39) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar3:21
10The Dream of Gerontius, op. 38: Part One. VI. “Sanctus fortus, Santus Deus” (Gerontius)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
tenor vocals and tenor vocals [Gerontius]:
Richard Lewis (Welsh tenor) (from 1964-12-27 until 1964-12-30)
vocals:
Richard Lewis (Welsh tenor)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
partial recording of:
The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (cues 40–67) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar5:31
11The Dream of Gerontius, op. 38: Part One. VII. “I can no more” (Gerontius, chorus)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1964-12-27 until 1964-12-30), Hallé Choir (from 1964-12-27 until 1964-12-30) and Sheffield Philharmonic Chorus (from 1964-12-27 until 1964-12-30)
tenor vocals [Gerontius]:
Richard Lewis (Welsh tenor) (from 1964-12-27 until 1964-12-30)
vocals:
Richard Lewis (Welsh tenor)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (from 1964-12-27 until 1964-12-30) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
partial recording of:
The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (cues 40–67) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar2:07
12The Dream of Gerontius, op. 38: Part One. VIII. “Rescue him, O Lord… Noe from the waters” (Gerontius, chorus)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1964-12-27 until 1964-12-30), Hallé Choir (from 1964-12-27 until 1964-12-30) and Sheffield Philharmonic Chorus (from 1964-12-27 until 1964-12-30)
tenor vocals [Gerontius]:
Richard Lewis (Welsh tenor) (from 1964-12-27 until 1964-12-30)
vocals:
Richard Lewis (Welsh tenor)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (from 1964-12-27 until 1964-12-30) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
partial recording of:
The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (cues 40–67) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar2:11
13The Dream of Gerontius, op. 38: Part One. IX. “… Novissima hora est” (semi-chorus, chorus, Gerontius)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1964-12-27 until 1964-12-30), Hallé Choir (from 1964-12-27 until 1964-12-30) and Sheffield Philharmonic Chorus (from 1964-12-27 until 1964-12-30)
tenor vocals [Gerontius]:
Richard Lewis (Welsh tenor) (from 1964-12-27 until 1964-12-30)
vocals:
Richard Lewis (Welsh tenor)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (from 1964-12-27 until 1964-12-30) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
recording of:
The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (cues 40–67) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar1:32
14The Dream of Gerontius, op. 38: Part One. X. “Proficiscere, anima Christiana” (Priest)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass vocals and bass vocals [Priest]:
Kim Borg (operatic bass) (from 1964-12-27 until 1964-12-30)
vocals:
Kim Borg (operatic bass)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
partial recording of:
The Dream of Gerontius, op. 38: Part I, V. Proficiscere, anima Christiana (cues 68–78) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar1:56
15The Dream of Gerontius, op. 38: Part One. XI. “Go in the name of Angels and Archangels” (chorus, Priest, semi-chorus)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass vocals and bass vocals [Priest]:
Kim Borg (operatic bass) (from 1964-12-27 until 1964-12-30)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1964-12-27 until 1964-12-30), Hallé Choir (from 1964-12-27 until 1964-12-30) and Sheffield Philharmonic Chorus (from 1964-12-27 until 1964-12-30)
vocals:
Kim Borg (operatic bass)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (from 1964-12-27 until 1964-12-30) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1964-12-27 until 1964-12-30)
performer:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
partial recording of:
The Dream of Gerontius, op. 38: Part I, V. Proficiscere, anima Christiana (cues 68–78) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar4:43
89CD: Elgar: The Dream of Gerontius (Part Two)
90CD: Verdi: Messa da Requiem (Beginning)
91CD: Verdi: Messa da Requiem (Conclusion) / Delius: Appalachia
92CD: Puccini: Turandot - excerpts
93CD: Purcell: Dido and Aeneas
94CD: Puccini: Madama Butterfly Act 1 - Act 2, Part 1 (beginning)
95CD: Puccini: Madama Butterfly Act 2, Part 1 (conclusion) & Part 2
96CD: Verdi: Otello Acts 1 & 2
97CD: Verdi: Otello Acts 3 & 4
98CD: 78 rpm recordings - Arias by Verdi, Bach, Elgar, Mozart, Gluck, Beethoven, Wagner, Handel, Coleridge-Taylor
99CD: 78 rpm recordings - Arias by Mozart, Weber, Wagner, Brahms, Rossini, Sullivan, Verdi, Saint-Saëns, Bizet, Bishop
100CD: 78 rpm recordings - Arias by Bellini, Verdi, Giordano, Mozart, Mussorgsky, Elgar, Rossini, Gounod, Handel
101CD: 78 rpm recordings - Arias by Massenet, Tosti, Sullivan, Handel, Donizetti, Leoncavallo, Cottrau, Verdi, Puccini, Rossini, Sullivan, Wagner, Leoncavallo
102CD: 78 rpm recordings - Arias by Meyerbeer, Verdi, Leoncavallo, Wagner, Haydn, Mendelssohn, Loewe, Hill
103CD: 78 rpm recordings - Arias by Wagner, Bizet, Mascagni, Leoncavallo, Puccini, Messager, Trad., Gounod, Adams, Nevin, J. Strauss II
104CD: Puccini: Arias from Mana Lescaut, La Bohème, Tosca, Madama Butterfly / Falla: Siete canciones populares españolas
105CD: Berlioz: Les Nuits d'été / Ravel: Shéhérazade / Elgar: Sea Pictures
106CD: Mahler: Lieder eines Fahrenden Gesellen / Kindertotenlieder / Fünf Rückert-Lieder
107CD: Elgar: The Dream of Gerontius (Part Two)
108CD: Rehearsal Sequences
109CD: John Barbirolli - A Memoir / Presentation of the Royal Philharmonic Society Gold Medal to Sir John Barbirolli by Ralph Vaughan Williams / Conversation between Sir John Barbirolli and Ronald Kinloch Anderson