The Essential Oxford Camerata

~ Release by Oxford Camerata (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1O pastor animarum
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1993-12-14 until 1993-12-15)
producer:
Judy Lieber (producer) and Jeremy Summerly (conductor)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-12-14 until 1993-12-15)
conductor:
Jeremy Summerly (conductor) (from 1993-12-14 until 1993-12-15)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1995)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-12-14 until 1993-12-15)
recording of:
Symphonia armonie celestium revelationum: O Pastor animarum (from 1993-12-14 until 1993-12-15)
composer:
Hildegard von Bingen (German medieval saint)
part of:
Symphonia armonie celestium revelationum
Hildegard von Bingen1:29
2Mass a 5: Kyrie
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Murray Khouri (clarinettist and producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1991-12-16 until 1991-12-18)
orchestra:
Oxford Camerata (English chamber choir)
conductor:
Jeremy Summerly (conductor) (from 1991-12-16 until 1991-12-18)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1991-12-16 until 1991-12-18)
recording of:
Mass for 5 Voices: I. Kyrie eleison (from 1991-12-16 until 1991-12-18)
composer:
William Byrd (English composer)
part of:
Mass for 5 Voices
William Byrd1:48
3Missa O magnum mysterium: Kyrie
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings) (in 1992-04)
producer:
Murray Khouri (clarinettist and producer) (in 1992-04)
choir vocals:
Oxford Camerata (English chamber choir) (from 1992-04-07 until 1992-04-08)
conductor:
Jeremy Summerly (conductor) (from 1992-04-07 until 1992-04-08)
recorded at:
New College Chapel in Oxford, Oxfordshire, England, United Kingdom (from 1992-04-07 until 1992-04-08)
recording of:
Missa 'O magnum mysterium': I. Kyrie
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1592)
part of:
Missa 'O magnum mysterium'
Tomás Luis de Victoria1:14
4Mass for 4 Voices, Mass a 4: Sanctus
vocals:
Oxford Camerata (English chamber choir)
conductor:
Jeremy Summerly (conductor)
recording of:
Mass for Four Voices, P. 31: Sanctus
composer:
Thomas Tallis (composer)
part of:
Mass for Four Voices, P. 31
Thomas Tallis2:46
5Missa L’homme arme: Kyrie
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1997-01-13 until 1997-01-14)
producer:
Judy Lieber (producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1997-01-13 until 1997-01-14)
conductor:
Jeremy Summerly (conductor) (from 1997-01-13 until 1997-01-14)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1998)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1997-01-13 until 1997-01-14)
recording of:
Missa L'homme armé: Kyrie (from 1997-01-13 until 1997-01-14)
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
part of:
Missa L’homme armé
Johannes Ockeghem2:20
6Burial Service: Man that is born of a woman, Z. 27
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer) and Jeremy Summerly (conductor)
organ:
Laurence Cummings (harpsichordist, organist and conductor) (from 1994-06-09 until 1994-06-10)
choir vocals:
Oxford Camerata (English chamber choir) (from 1994-06-09 until 1994-06-10)
conductor:
Jeremy Summerly (conductor) (from 1994-06-09 until 1994-06-10)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1994-06-09 until 1994-06-10)
recording of:
Funeral Music on the Death of Queen Mary: II. Anthem, Z. 27 “Man that is born of a woman" (from 1994-06-09 until 1994-06-10)
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 27)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell2:35
7Requiem in D minor, op. 48: IV. Pie Jesu (featured in “S1m0ne”)
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer) (from 1993-05-17 until 1993-05-18) and Jeremy Summerly (conductor) (from 1993-05-17 until 1993-05-18)
organ:
Colm Carey (keyboard instrumentalist) (from 1993-05-17 until 1993-05-18)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-05-17 until 1993-05-18)
solo soprano vocals:
Lisa Beckley (from 1993-05-17 until 1993-05-18)
orchestra:
Oxford Camerata (English chamber choir) (from 1993-05-17 until 1993-05-18)
conductor:
Jeremy Summerly (conductor) (from 1993-05-17 until 1993-05-18)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-05-17 until 1993-05-18)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version) (from 1993-05-17 until 1993-05-18)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
included in:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:34
8Crux fidelis
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-04-19 until 1993-04-20)
conductor:
Jeremy Summerly (conductor) (from 1993-04-19 until 1993-04-20)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-04-19 until 1993-04-20)
recording of:
Crux fidelis (from 1993-04-19 until 1993-04-20)
composer:
King João IV of Portugal
King João IV of Portugal2:20
9Le Voir Dit: Rondeau 18: Puis qu’en oubli
recording of:
Puis qu'en oubli (a 3)
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut1:51
10Pastyme with good company
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1994-03-21 until 1994-03-22)
conductor:
Jeremy Summerly (conductor) (from 1994-03-21 until 1994-03-22)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1994-03-21 until 1994-03-22)
recording of:
Pastime With Good Company (from 1994-03-21 until 1994-03-22)
composer:
King Henry VIII of England
part of:
Roud Folk Song Index (number: V9345)
King Henry VIII of England1:46
11Motets for 5–8 Voices, Book 4 for 5 Voices “Canticis Canticorum”: Si ignoras te
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-04-19 until 1993-04-20)
conductor:
Jeremy Summerly (conductor) (from 1993-04-19 until 1993-04-20)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-04-19 until 1993-04-20)
recording of:
Motettorum liber quartus quinque vocibus, ex Canticis canticorum: Si ignoras te (from 1993-04-19 until 1993-04-20)
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Motettorum liber quartus quinque vocibus, ex Canticis canticorum
Giovanni Pierluigi da Palestrina3:06
12Lay a Garland
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1994-03-21 until 1994-03-22)
conductor:
Jeremy Summerly (conductor) (from 1994-03-21 until 1994-03-22)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1994-03-21 until 1994-03-22)
recording of:
Lay a Garland (from 1994-03-21 until 1994-03-22)
lyricist:
Francis Beaumont
composer:
Robert Lucas Pearsall (composer)
Robert Lucas Pearsall3:31
13Missa Bell’ Amfitrit’ altera: Agnus Dei
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer)
choir vocals:
Schola Cantorum of Oxford (from 1993-03-14 until 1993-03-16)
conductor:
Jeremy Summerly (conductor) (from 1993-03-14 until 1993-03-16)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1993)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-03-14 until 1993-03-16)
recording of:
Missa Bell' Amfirit'altera, H. viii/55: VI. Agnus Dei (from 1993-03-14 until 1993-03-16)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Missa Bell' Amfirit'altera, H. viii/55
Orlande de Lassus3:10
14Short Service: Magnificat
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer) and Jeremy Summerly (conductor)
choir vocals:
Oxford Camerata (English chamber choir) (from 1994-07-29 until 1994-07-30)
conductor:
Jeremy Summerly (conductor) (from 1994-07-29 until 1994-07-30)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1995)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1994-07-29 until 1994-07-30)
recording of:
Short Service: Magnificat (from 1994-07-29 until 1994-07-30)
composer:
Orlando Gibbons (composer)
part of:
Short Service
Orlando Gibbons3:19
15Lord, to thee I make my moan
organ:
Gary Cooper (conductor/keyboardist) (from 1995-01-03 until 1995-01-04)
choir vocals:
Oxford Camerata (English chamber choir) (from 1995-01-03 until 1995-01-04)
conductor:
Jeremy Summerly (conductor) (from 1995-01-03 until 1995-01-04)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1995-01-03 until 1995-01-04)
recording of:
Lord, to Thee I make my moan
composer:
Thomas Weelkes (English composer & organist, c. 1576–1623)
Thomas Weelkes2:42
16O vos omnes
engineer:
Dave Harries (engineer)
producer:
Chris Craker (UK musician, producer, engineer and label manager)
choir vocals:
Oxford Camerata (English chamber choir) (from 1992-09-21 until 1992-09-23)
conductor:
Jeremy Summerly (conductor) (from 1992-09-21 until 1992-09-23)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1993)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1992-09-21 until 1992-09-23)
recording of:
Tenebrae Responsories for Holy Saturday: O vos omnes (from 1992-09-21 until 1992-09-23)
composer:
Carlo Gesualdo (composer)
part of:
Tenebrae Responsories for Holy Saturday
Carlo Gesualdo3:56
17Mass for 4 Voices: Kyrie
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Murray Khouri (clarinettist and producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1991-12-16 until 1991-12-18)
conductor:
Jeremy Summerly (conductor) (from 1991-12-16 until 1991-12-18)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1991-12-16 until 1991-12-18)
recording of:
Mass for 4 Voices, T 1: I. Kyrie (from 1991-12-16 until 1991-12-18)
composer:
William Byrd (English composer) (from 1592 until 1593)
part of:
Mass for 4 Voices, T 1
William Byrd2:26
188 Partsongs, op. 119: No. 3, The Bluebird
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1994-03-21 until 1994-03-22)
soprano vocals:
Carys-Anne Lane (soprano) (from 1994-03-21 until 1994-03-22)
vocals:
Oxford Camerata (English chamber choir)
conductor:
Jeremy Summerly (conductor) (from 1994-03-21 until 1994-03-22)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1994-03-21 until 1994-03-22)
recording of:
Eight Partsongs, op. 119: No. 3. The blue bird (from 1994-03-21 until 1994-03-22)
lyricist:
Mary Elizabeth Coleridge
composer:
Sir Charles Villiers Stanford (Irish composer)
publisher:
Stainer & Bell Ltd.
part of:
Eight Partsongs, op. 119
Sir Charles Villiers Stanford3:46
19Tantum ergo
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1993-05-17 until 1993-05-18)
producer:
Judy Lieber (producer) (from 1993-05-17 until 1993-05-18) and Jeremy Summerly (conductor) (from 1993-05-17 until 1993-05-18)
choir vocals:
Schola Cantorum of Oxford (from 1993-05-17 until 1993-05-18)
conductor:
Jeremy Summerly (conductor) (from 1993-05-17 until 1993-05-18)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-05-17 until 1993-05-18)
recording of:
Tantum ergo (from 1993-05-17 until 1993-05-18)
composer:
Déodat de Séverac (French composer) (in 1920)
Déodat de Séverac3:15
20O viridissima virga
choir vocals:
Oxford Camerata (English chamber choir) (from 1992-12-15 until 1992-12-17)
soprano vocals:
Rebecca Outram (soprano) (from 1992-12-15 until 1992-12-17)
conductor:
Jeremy Summerly (conductor) (from 1992-12-15 until 1992-12-17)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1992-12-15 until 1992-12-17)
recording of:
Symphonia armonie celestium revelationum: O viridissima virga (from 1992-12-15 until 1992-12-17)
composer:
Hildegard von Bingen (German medieval saint)
part of:
Symphonia armonie celestium revelationum
Hildegard von Bingen34:45
21O magnum mysterium
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings) (in 1992-04)
producer:
Murray Khouri (clarinettist and producer) (in 1992-04)
choir vocals:
Oxford Camerata (English chamber choir) (from 1992-04-07 until 1992-04-08)
conductor:
Jeremy Summerly (conductor) (from 1992-04-07 until 1992-04-08)
performer:
Oxford Camerata (English chamber choir)
recorded at:
New College Chapel in Oxford, Oxfordshire, England, United Kingdom (from 1992-04-07 until 1992-04-08)
recording of:
O magnum mysterium
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1572)
Tomás Luis de Victoria4:25
22Masses, Book 2, Missa Papae Marcelli: Kyrie
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Murray Khouri (clarinettist and producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1991-09-24 until 1991-09-25)
conductor:
Jeremy Summerly (conductor) (from 1991-09-24 until 1991-09-25)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1992)
recorded at:
Dorchester Abbey in Dorchester on Thames, Oxfordshire, England, United Kingdom (from 1991-09-24 until 1991-09-25)
recording of:
Missa Papae Marcelli: I. Kyrie (from 1991-09-24 until 1991-09-25)
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa Papae Marcelli
Giovanni Pierluigi da Palestrina34:33
23O sacrum convivium
engineer:
Dave Harries (engineer) (from 1992-06 until 1992-07)
producer:
Chris Craker (UK musician, producer, engineer and label manager) (from 1992-06 until 1992-07)
choir vocals:
Oxford Camerata (English chamber choir) (from 1992-06-29 until 1992-07-01)
conductor:
Jeremy Summerly (conductor) (from 1992-06-29 until 1992-07-01)
recorded at:
Chapel of Wellington College in Crowthorne, Bracknell Forest, England, United Kingdom (from 1992-06-29 until 1992-07-01)
recording of:
O sacrum convivium (à 5, Cantiones sacrae (1575)) (from 1992-06-29 until 1992-07-01)
composer:
Thomas Tallis (composer)
part of:
Hamond Partbooks (British Library Add. MS 30480-30484, c. 1560-1590) (number: 56) and Dow Partbooks (1580) (number: 42)
version of:
I call and cry to thee, O Lord
part of:
Cantiones quae ab argumento sacrae vocantur (1575)
Thomas Tallis4:41
24Missa Caput: I Kyrie
producer:
Judy Lieber (producer) (ended) and John Taylor (classical producer/engineer, often associated with Naxos recordings) (ended)
vocals:
Oxford Camerata (English chamber choir) (from 1995-01-06 until 1995-01-07)
chorus master:
Jeremy Summerly (conductor) (from 1995-01-06 until 1995-01-07)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1995-01-06 until 1995-01-07)
recording of:
Missa Caput: I. Kyrie (from 1995-01-06 until 1995-01-07)
composer:
Jacob Obrecht (Flemish Renaissance composer)
part of:
Missa Caput
Jacob Obrecht4:39
25Mottetta typis nondum uspiam excusa: Lauda mater ecclesia
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-04-19 until 1993-04-20)
conductor:
Jeremy Summerly (conductor) (from 1993-04-19 until 1993-04-20)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-04-19 until 1993-04-20)
recording of:
Lauda mater ecclesia, M. XX (from 1993-04-19 until 1993-04-20)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
Orlande de Lassus4:48
26Missa L’homme arme: Kyrie
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1994-04-04 until 1994-04-05)
conductor:
Jeremy Summerly (conductor) (from 1994-04-04 until 1994-04-05)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1995)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1994-04-04 until 1994-04-05)
recording of:
Missa L'homme armé: Kyrie (from 1994-04-04 until 1994-04-05)
composer:
Guillaume Dufay (French 15th century composer)
part of:
Missa "L’homme armé"
Guillaume Dufay4:56
27Ave Maria
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer) and John Taylor (classical producer/engineer, often associated with Naxos recordings)
choir vocals:
Oxford Camerata (English chamber choir) (from 1995-04-20 until 1995-04-21)
conductor:
Jeremy Summerly (conductor) (from 1995-04-20 until 1995-04-21)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1995-04-20 until 1995-04-21)
recording of:
Ave Maria (unspecified version)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
version of:
Ave Maria
Josquin des Prez5:39
28Requiem, op. 48: VII. In paradisum (from “Copycat”)
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer) (from 1993-05-17 until 1993-05-18) and Jeremy Summerly (conductor) (from 1993-05-17 until 1993-05-18)
organ:
Colm Carey (keyboard instrumentalist) (from 1993-05-17 until 1993-05-18)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-05-17 until 1993-05-18) and Schola Cantorum of Oxford (from 1993-05-17 until 1993-05-18)
vocals:
Oxford Camerata (English chamber choir)
orchestra:
Oxford Camerata (English chamber choir) (from 1993-05-17 until 1993-05-18)
conductor:
Jeremy Summerly (conductor) (from 1993-05-17 until 1993-05-18)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-05-17 until 1993-05-18)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (from 1993-05-17 until 1993-05-18)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
included in:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:26
29Illumina faciem tuam
engineer:
Dave Harries (engineer)
producer:
Chris Craker (UK musician, producer, engineer and label manager)
choir vocals:
Oxford Camerata (English chamber choir) (from 1992-09-21 until 1992-09-23)
conductor:
Jeremy Summerly (conductor) (from 1992-09-21 until 1992-09-23)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1993)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1992-09-21 until 1992-09-23)
recording of:
Sacrarum cantionum quinque vocibus, Liber primus: VI. Illumina faciem tuam (from 1992-09-21 until 1992-09-23)
composer:
Carlo Gesualdo (composer) (in 1603)
part of:
Sacrarum cantionum quinque vocibus, Liber primus (for 5 voices, SATTB)
Carlo Gesualdo4:25
30Messe de Nostre Dame: Sanctus
engineer:
Joel Soupiron (ended), Valérie Lavallart (engineer) (ended) and Keith Wilson (engineer) (ended)
choir vocals:
Oxford Camerata (English chamber choir) (from 1996-02-20 until 1996-02-21)
vocals:
Robin Blaze (countertenor) (from 1996-02-20 until 1996-02-21), Matthew Brook (bass-baritone) (from 1996-02-20 until 1996-02-21), Robert Rice (baritone) (from 1996-02-20 until 1996-02-21) and Richard Wyn Roberts (from 1996-02-20 until 1996-02-21)
conductor:
Jeremy Summerly (conductor) (from 1996-02-20 until 1996-02-21)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1996)
recorded at:
Cathédrale Notre-Dame de Reims in Reims, Marne, Grand Est (Great East), France (from 1996-02-20 until 1996-02-21)
recording of:
Messe de Nostre Dame: IV. Sanctus (from 1996-02-20 until 1996-02-21)
composer:
Guillaume de Machaut (French medieval poet & composer)
part of:
Messe de Nostre Dame
Guillaume de Machaut4:55
31As Vesta was from Latmos hill descending
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1994-03-21 until 1994-03-22)
conductor:
Jeremy Summerly (conductor) (from 1994-03-21 until 1994-03-22)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1994-03-21 until 1994-03-22)
recording of:
As Vesta Was From Latmos Hill Descending (from 1994-03-21 until 1994-03-22)
composer:
Thomas Weelkes (English composer & organist, c. 1576–1623)
part of:
The Triumphs of Oriana (number: 18)
Thomas Weelkes3:50
32Psalms of David: Jauchzet dem Herren, alle Welt, SWV 36
choir vocals:
Oxford Camerata (English chamber choir)
conductor:
Jeremy Summerly (conductor)
recording of:
Jauchzet dem Herren, alle Welt (Psalm 100), SWV 36 (Psalmen Davids)
composer:
Heinrich Schütz (composer) (until 1619)
part of:
Schütz-Werke-Verzeichnis (number: SWV 36)
part of:
Psalmen Davids sampt etlichen Moteten und Concerten, op. 2, SWV 22-47 (published 1619)
Heinrich Schütz5:05
33Magnificat sexti toni
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings) (in 1995-03)
producer:
Judy Lieber (producer) (in 1995-03) and John Taylor (classical producer/engineer, often associated with Naxos recordings) (in 1995-03)
vocals:
Oxford Camerata (English chamber choir) (from 1995-03-30 until 1995-03-31)
conductor:
Jeremy Summerly (conductor)
chorus master:
Jeremy Summerly (conductor) (from 1995-03-30 until 1995-03-31)
performer:
Oxford Camerata (English chamber choir)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1995-03-30 until 1995-03-31)
recording of:
Magnificat sexti toni
composer:
Adriaan Willaert (Adrian Willaert, Flemish Renaissance composer)
Adriaan Willaert5:32
34O Euchari in leta via
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1993-12-14 until 1993-12-15)
producer:
Judy Lieber (producer) and Jeremy Summerly (conductor)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-12-14 until 1993-12-15)
conductor:
Jeremy Summerly (conductor) (from 1993-12-14 until 1993-12-15)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1995)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-12-14 until 1993-12-15)
recording of:
Symphonia armonie celestium revelationum: O Euchari in leta via (from 1993-12-14 until 1993-12-15)
composer:
Hildegard von Bingen (German medieval saint)
part of:
Symphonia armonie celestium revelationum
Hildegard von Bingen8:54
35Miserere
choir vocals:
Oxford Camerata (English chamber choir)
conductor:
Jeremy Summerly (conductor)
recording of:
Miserere mei, Deus
composer:
Gregorio Allegri (composer)
quotes lyrics from:
Miserere mei (words from Psalm 51)
Gregorio Allegri10:10
36Spem in alium
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
producer:
Andrew Walton (producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 2005-01-21 until 2005-01-23)
conductor:
Jeremy Summerly (conductor) (from 2005-01-21 until 2005-01-23)
phonographic copyright (℗) by:
Naxos Rights International Ltd. (for copyrights/licensing use only!) (in 2005)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2005-01-21 until 2005-01-23)
recording of:
Spem in alium (from 2005-01-21 until 2005-01-23)
composer:
Thomas Tallis (composer)
Thomas Tallis12:11