Best of Ronny’s Pop Show

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1The Best
Techniker(in):
Chris Lord‐Alge
Produzent(in):
Dan Hartman und Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989)
Bearbeitung von:
The Best von Tina Turner
Musikvideos:
The Best von Tina Turner
cover recording of:
The Best
Verfasser(in):
Holly Knight und Michael Chapman (Australian producer and songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner3.94:10
2The Power of Love
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1986)
recording of:
The Power of Love (Back to the Future)
Verfasser(in):
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) und Huey Lewis
publisher:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) und WB Music Corp. (1929–2019)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Teil von:
The 58th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1985 nominee)
Teil von:
Back to the Future: the Musical
Huey Lewis and the News3:53
3This Is Not America
Techniker(in):
Marcellus Frank und David Richards (Swiss-based producer and engineer)
Produzent(in):
David Bowie (English singer‐songwriter) und Pat Metheny
Mix:
Bob Clearmountain
Analoger Synthesizer [Oberheim], Analoger Synthesizer [Prophet-5], Keyboard [Kurzweil] und Marimba:
Lyle Mays (von 1984-09 bis 1984-10)
E-Bass:
Steve Rodby (von 1984-09 bis 1984-10)
E-Gitarre, Gitarrensynthesizer [Roland GR-300 guitar synthesizer] und Synclavier:
Pat Metheny (von 1984-09 bis 1984-10)
Schlagzeug:
Paul Wertico (von 1984-09 bis 1984-10)
Hintergrundgesang und Sologesang:
David Bowie (English singer‐songwriter) (von 1984-09 bis 1984-10)
Interpret(in):
Pat Metheny Group (von 1984-09 bis 1984-10)
phonographisches Urheberrecht (℗) von:
David Bowie (English singer‐songwriter) (in 1985)
phonographisches Urheberrecht (℗) von:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1985)
aufgenommen bei:
Mountain Recording Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Kanton Waadt), Schweiz (von 1984-09 bis 1984-10)
recording of:
This Is Not America (von 1984-09 bis 1984-10)
Texter und Verfasser(in):
David Bowie (English singer‐songwriter)
Komponist(in):
Lyle Mays und Pat Metheny
publisher:
CBS Songs Ltd., Donna Dijon Music Publications, Jones Music (publishers associated with David Bowie), Jones Music America, OPC Music Publishing, Inc., Pat Meth Music Corp (Pat Meth Music Corporation), Pat‐Meth Music, RZO Music Ltd, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing France, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
David Bowie & Pat Metheny Group3.653:48
4Here Comes the Rain Again
Techniker(in):
Jon Bavin
Produzent(in):
David A. Stewart (UK guitarist/singer for Eurythmics)
Appalachian dulcimer [dulcimer], Gitarre, Keyboard, Synthesizer und xylophone:
Dave Stewart (UK guitarist/singer for Eurythmics)
Bassgitarre:
Dean Garcia (English multi-instrumentalist; Curve)
Flügelhorn, Horn, Kornett und Trompete:
Dick Cuthell
Instrumente:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) (in 1983) und Dave Stewart (UK guitarist/singer for Eurythmics) (in 1983)
Saiteninstrumente:
British Philharmonic Orchestra (in 1983)
Hintergrundgesang:
Ann Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
Sologesang:
Ann Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) (in 1983)
conductor:
Michael Kayman (American score composer) (Saiteninstrumente)
Saiteninstrumente arranger:
Michael Kamen (American score composer)
phonographisches Urheberrecht (℗) von:
RCA Ltd. (UK arm of RCA) und BMG Records (UK) Limited (1987–1996) (in 1983, in 1991)
recording of:
Here Comes the Rain Again (in 1983)
Verfasser(in):
Dave Stewart (UK guitarist/singer for Eurythmics) und Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
publisher:
BMG Music Publishing Ltd. und D’n’A Ltd.
Eurythmics4.155:00
5Maneater
assistierende(r) Techniker(in):
Bruce Buckhalter (Engineer), Barry Harris (engineer) und Michael Somer-Abbott
Techniker(in):
Neil Kernon
Koproduzent(in):
Neil Kernon
Produzent(in):
Daryl Hall und John Oates
Mix:
Hugh Padgham
phonographisches Urheberrecht (℗) von:
BMG Ariola Hamburg GmbH (in 1982), BMG Music (in 1982), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982)
recording of:
Maneater (in 1981-12)
Texter:
Sara Allen, Daryl Hall und John Oates
Komponist(in):
Daryl Hall und John Oates
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fust Buzza Inc., Hot Cha Music Co., Irving Music, Inc., Primary Wave Brian, Rondor Music (Australia) Pty Ltd, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music) und Warner/Chappell Music Ltd. (1996–2019)
Hall & Oates4.44:27
6Manic Monday
Produzent(in):
David Kahne
Mix:
David Leonard (US producer and engineer)
Bassgitarre:
Michael Steele (American bassist, guitarist, songwriter, and singer)
Gitarre:
Susanna Hoffs und Vicki Peterson
Schlagzeug:
Debbi Peterson (drummer for The Bangles)
Sologesang:
Susanna Hoffs
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1985) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 208)
recording of:
Manic Monday
Texter und Komponist(in):
Christopher (Prince, “The Artist Formerly Known as…”)
publisher:
Bangophile Music, Controversy Music, EMI Music Publishing Taiwan, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music) und WB Music Corp. (1929–2019)
The Bangles43:05
7Cruel Summer
Produzent(in):
Steve Jolley und Tony Swain (songwriter, producer)
Sologesang:
Sara Dallin (in 1983-04), Siobhan Fahey (in 1983-04) und Keren Woodward (in 1983-04)
Interpret(in):
Bananarama (in 1983-04)
phonographisches Urheberrecht (℗) von:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26) (in 1983) und London Records Ltd. (not release label) (in 1984)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 44) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 414)
recording of:
Cruel Summer (in 1983-04)
Texter:
Sara Dallin, Siobhan Fahey, Steve Jolley, Tony Swain (songwriter, producer) und Keren Woodward
Komponist(in):
Leo Birenberg (soundtrack composer), Sara Dallin, Siobhan Fahey, Steve Jolley, Kari Kimmel (singer, songwriter, composer, producer, piano, guitar), Tony Swain (songwriter, producer) und Keren Woodward
publisher:
In a Bunch Music Ltd., PolyGram Songs, Red Bus Music Ltd., Reverb Music Ltd., Sony Music Publishing (UK) Ltd. (2003–2008, 2021–present), Sony Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Chappell und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama43:29
8Club Tropicana
Techniker(in):
Tony Taverner
Produzent(in):
Steve Brown (engineer/music producer) und George Michael
Gitarre:
Andrew Ridgeley
Horn:
Roddy Lorimer und Ian Ritchie
Perkussion:
Andy Duncan (UK drummer and producer)
Schlagzeug:
Trevor Morell (drummer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983)
Musikvideos:
Club Tropicana (music video) von Wham! (British pop-duo)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 63)
recording of:
Club Tropicana
Texter und Komponist(in):
George Michael und Andrew Ridgeley
publisher:
Morrison Leahy Music Ltd.
Wham!3.84:28
9Stand by Me
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1961), Progressive Music Publishing Company Inc. (in 1981) und Trio Music Co., Inc. (in 1981)
recording of:
Stand by Me
publisher:
Mike Stoller
Verfasser(in):
Ben E. King, Jerry Leiber und Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King3:02
10Who Can It Be Now?
Techniker(in):
Jim Barbour und Peter McIan
zusätzliche(r) Techniker(in):
Paul Ray (70s/80s US engineer)
Produzent(in):
Peter McIan
Bass:
John Rees
Gitarre:
Colin Hay und Ron Strykert
Saxophon:
Greg Ham (member of Men at Work)
Schlagzeug:
Jerry Speiser (drummer for Men at Work)
vocals:
Colin Hay
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981, in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1996)
aufgenommen bei:
Richmond Recorders in Melbourne, Victoria, Australien
recording of:
Who Can It Be Now?
Texter und Komponist(in):
Colin Hay
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd. und EMI Songs Ltd.
Men at Work4.43:23
11Wouldn’t It Be Good
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistierende(r) Techniker(in):
Roger Howorth
Produzent(in):
Peter Collins (producer)
Mix:
Julian Mendelsohn (Australian record producer and engineer)
Sologesang:
Nik Kershaw (in 1983)
Horn arranger:
Jerry Hey und Nik Kershaw
arranger:
Nik Kershaw
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983, in 1984) und MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 88)
recording of:
Wouldn’t It Be Good (in 1983)
Texter und Komponist(in):
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Teil von:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:30
12An Angel
phonographisches Urheberrecht (℗) von:
Daniel J. Kelly (papa Kelly) (in 1994)
recording of:
An Angel
Texter und Komponist(in):
The Kelly Family
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Kelly Family3:45
13Kyrie
Techniker(in):
Paul DeVilliers und Lois Oki
Produzent(in):
Paul DeVilliers und Mr. Mister (American pop rock band)
Mix:
Mick Guzauski
Bassgitarre und Sologesang:
Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
Gitarre:
Steve Farris (US session guitarist, member of Mr. Mister)
Keyboard:
Steve George (US keyboardist for Mr. Mister & Pages)
Schlagzeug:
Pat Mastelotto
vocals:
Steve George (US keyboardist for Mr. Mister & Pages)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1985), BMG Music (in 1985), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1985) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
recording of:
Kyrie
Texter:
John Lang (US songwriter for Mr. Mister & Pages)
Komponist(in):
Steve George (US keyboardist for Mr. Mister & Pages) und Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
publisher:
Ali‐Aja Music, Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Stemwa Famo Music (publisher; do NOT use as release label), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Mr. Mister4.24:23
14Karma Chameleon
Techniker(in):
Simon Frith, Simon Humphrey, Gordon Milne (engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist) (in 1983)
E-Sitars, Gitarre, Keyboard, Klavier und Sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
Gast-Keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1983)
Gast-Mundharmonika:
Judd Lander (in 1983)
Perkussion und Schlagzeug:
Jon Moss (in 1983)
Hintergrundgesang:
Helen Terry (UK singer) (in 1983)
Sologesang:
Boy George (in 1983)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2002, in 2003)
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (in 1983) und Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1983)
Musikvideos:
Karma Chameleon von Culture Club (English pop group)
recording of:
Karma Chameleon (in 1983)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss und Phil Pickett (songwriter, producer, keyboard player)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und BMG VM Music Ltd. (vom 2013-05 bis heute)
Culture Club44:13
15Twist in My Sobriety
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recording of:
Twist in My Sobriety
Texter und Komponist(in):
Tanita Tikaram
publisher:
Brogue Music, Warner Basart (publisher) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tanita Tikaram3:55
16Fading Like a Flower
Programmierung:
Anders Herrlin und Clarence Öfwerman
Techniker(in):
Anders Herrlin (in 1990-07) und Alar Suurna (in 1990-07)
Produzent(in):
Clarence Öfwerman
Mix:
Per Gessle (Swedish singer and guitarist), Anders Herrlin, Clarence Öfwerman und Alar Suurna
E-Bass:
Anders Herrlin (in 1990-07)
E-Gitarre [electric guitars]:
Jonas Isacsson (in 1990-07)
E-Gitarre [rhythm guitar]:
Per Gessle (Swedish singer and guitarist) (in 1990-07)
Keyboard [keyboards] und Keyboard-Bass:
Clarence Öfwerman (in 1990-07)
Schlagzeug:
Pelle Alsing (in 1990-07)
Sologesang:
Marie Fredriksson (in 1990-07) und Per Gessle (Swedish singer and guitarist) (in 1990-07)
vocals:
Marie Fredriksson (in 1990-07), Per Gessle (Swedish singer and guitarist) (in 1990-07) und Staffan Öfwerman (in 1990-07)
zusätzlich Hintergrundgesang:
Staffan Öfwerman (in 1990-07)
phonographisches Urheberrecht (℗) von:
EMI Svenska AB (not for release label use!) (in 1991)
aufgenommen bei und engineered at:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Schweden (in 1990-07)
mixed at:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Schweden
recording of:
Fading Like a Flower (Every Time You Leave) (in 1990-07)
Texter und Komponist(in):
Per Gessle (Swedish singer and guitarist)
publisher:
Jimmy Fun Music und Universal–Songs of PolyGram International, Inc.
Roxette3.153:47
17You’re the Voice
recording engineer und Mix:
Doug Brady (engineer)
drum machine-Programmierung und Synthesizer [Fairlight]-Programmierung:
Dave (Australian score composer), Jack und Ross
assistierende(r) Techniker(in):
Michael Wickow (engineer)
Produzent(in):
Ross Fraser
Fretless Bass:
Roger McLachlan
Gitarre:
Brett Garsed
Keyboard und Synthesizer [Fairlight]:
David Hirschfelder (Australian score composer)
Hintergrundgesang:
Rozzi Bazzani, Helen Cornish, Penny Dyer, David Hirschfelder (Australian score composer), Colin Setches, Mal Stainton und Sandy Weekes
Sologesang:
Whispering Jack
arranger:
John Farnham, Ross Fraser und David Hirschfelder (Australian score composer)
phonographisches Urheberrecht (℗) von:
BMG Arista / Ariola Limited (not for release label use! manufacters and distributors operating in Australasia) (in 1986), BMG Australia Limited (not for release label use!) (in 1986), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1986), Wheatley Records Pty. Ltd. (in 1986) und RCA/Ariola (in 1987)
aufgenommen bei und mixed at:
AAV Studios (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australien
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 15)
recording of:
You’re the Voice
Verfasser(in):
Andy Qunta, Keith Reid, Maggie Ryder und Chris Thompson (vocalist with Manfred Mann’s Earth Band)
publisher:
A&G Songs Ltd., Almo Music Corp. (USA, affiliated with ASCAP), Bluebeard Music Ltd., BMG Music, Bucks Music Group Ltd. (Bucks Music Group), Concord Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), CT Music (publisher), CT Music Ltd., David Platz Music Scandinavia AB, Fable Music Pty. Ltd., Imagem Songs Ltd., Polygram Music, PolyGram Music Publishing Ltd., Rondor, Rondor Music, Rondor Music (Australia) P/L, Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Universal Music (plain logo: “Universal Music”), Universal Music Publishing (use ONLY if no country‐specific information is available) und Universal Music Publishing AB (Sweden)
John Farnham4.15:03
18The Final Countdown
recording engineer und Mix:
Wally Buck und Kevin Elson
Produzent(in):
Kevin Elson
Bassgitarre [bass]:
John Levén
Gitarre:
John Norum
Keyboard:
Mic Michaeli
Schlagzeug [drums]:
Ian Haugland
Hintergrundgesang:
Ian Haugland, Mic Michaeli und John Norum
Sologesang:
Joey Tempest (Swedish singer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1986) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
produced for:
Elson Music Vision, Inc.
aufgenommen bei und mixed at:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten, Powerplay Studios in Maur, Zürich (Kanton Zürich), Schweiz und Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Schweden
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 66) und Cachitos Nochevieja 2022 (Nummer: 155)
recording of:
The Final Countdown
Texter und Komponist(in):
Joey Tempest (Swedish singer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Seven Doors Music
Europe4.155:10
19Weil Ich Dich Liebe
phonographisches Urheberrecht (℗) von:
Warner Music Germany (in 1989) und wea music (“wea” logo with “music” below; mainly used in Europe and Brazil) (in 1989)
recording of:
Weil ich dich liebe
Texter und Komponist(in):
Marius Müller‐Westernhagen
publisher:
Kick Musikverlag (publisher)
Marius Müller‐Westernhagen3:48
2▶CD

Nennungen

Veröffentlichung

hergestellt in:Österreich
vertrieben von:Sony Music (global brand, excluding JP, owned by Sony Music Entertainment)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1995)
Discogs:https://www.discogs.com/release/11035786 [Info]
ASIN:DE: B00000AYXI [Info]
andere Datenbanken:https://www.musik-sammler.de/media/259351/ [Info]

Veröffentlichungsgruppe

Teil von:Ronny’s Pop Show (Reihenfolge: 5)
Ronny’s Pop Show (Reihenfolge: 6)
Discogs:https://www.discogs.com/master/1778707 [Info]