Roberto Alagna

~ Release by Roberto Alagna, Richard Armstrong, The London Philharmonic (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Lucia di Lammermoor: Atto III. "Tombe degl’avi miei" (Edgardo)
engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
editor:
Bob Whitney (engineer)
tenor vocals:
Roberto Alagna (tenor) (from 1995-01 until 1995-04)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1995-01 until 1995-04)
conductor:
Richard Armstrong (conductor) (from 1995-01 until 1995-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-01 until 1995-04)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tombe degli avi miei” (Edgardo) (from 1995-01 until 1995-04)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti3:32
2Lucia di Lammermoor: Atto III. "Fra poco a me ricovero" (Edgardo)
engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
editor:
Bob Whitney (engineer)
tenor vocals:
Roberto Alagna (tenor) (from 1995-01 until 1995-04)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1995-01 until 1995-04)
conductor:
Richard Armstrong (conductor) (from 1995-01 until 1995-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-01 until 1995-04)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Fra poco a me ricovero” (Edgardo) (from 1995-01 until 1995-04)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti3:11
3Werther: Acte III. "Toute mon âme est là!" / "Pourquoi me réveiller?" (Werther)
engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
editor:
Bob Whitney (engineer)
tenor vocals [Werther]:
Roberto Alagna (tenor) (from 1995-01 until 1995-04)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1995-01 until 1995-04)
conductor:
Richard Armstrong (conductor) (from 1995-01 until 1995-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-01 until 1995-04)
recording of:
Werther : Acte III. « Toute mon âme est là ! » – « Pourquoi me réveiller ? » (Werther) (from 1995-01 until 1995-04)
composer:
Jules Massenet (French Romantic composer)
librettist:
Édouard Blau (Librettist), Georges Hartmann (librettist) and Paul Milliet (Librettist)
part of:
Werther : Acte III (Charlotte et Werther)
Jules Massenet2:59
4L’Arlesiana: Atto II. "È la solita sortia del pastore" (Federico)
engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
editor:
Bob Whitney (engineer)
tenor vocals:
Roberto Alagna (tenor) (from 1995-01 until 1995-04)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1995-01 until 1995-04)
conductor:
Richard Armstrong (conductor) (from 1995-01 until 1995-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-01 until 1995-04)
recording of:
L’arlesiana: Atto II. “È la solita storia del pastore” (Lamento di Federico) (from 1995-01 until 1995-04)
composer:
Francesco Cilea (composer) (in 1897)
librettist:
Leopoldo Marenco (librettist)
publisher:
Casa Musicale Sonzogno di Piero Ostali, Milano
part of:
L’arlesiana: Atto II
Francesco Cilea4:54
5Guillaume Tell: Acte IV. "Ne m’abandonne point" (Arnold)
engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
editor:
Bob Whitney (engineer)
tenor vocals:
Roberto Alagna (tenor) (from 1995-01 until 1995-04)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1995-01 until 1995-04)
conductor:
Richard Armstrong (conductor) (from 1995-01 until 1995-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-01 until 1995-04)
recording of:
Guillaume Tell : Acte IV. No. 18 "Ne m'abandonne point" (Arnold) (from 1995-01 until 1995-04)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte IV
Gioachino Rossini2:59
6Guillaume Tell: Acte IV. "Asile héréditaire" (Arnold)
engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
editor:
Bob Whitney (engineer)
tenor vocals:
Roberto Alagna (tenor) (from 1995-01 until 1995-04)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1995-01 until 1995-04)
conductor:
Richard Armstrong (conductor) (from 1995-01 until 1995-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-01 until 1995-04)
recording of:
Guillaume Tell : Acte IV. "Asile héréditaire" (Arnold) (from 1995-01 until 1995-04)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guillaume Tell : Acte IV
Gioachino Rossini3:30
7Rigoletto: Atto III. "La donna è mobile" (Duca)
engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
editor:
Bob Whitney (engineer)
tenor vocals:
Roberto Alagna (tenor) (from 1995-01 until 1995-04)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1995-01 until 1995-04)
conductor:
Richard Armstrong (conductor) (from 1995-01 until 1995-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-01 until 1995-04)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (from 1995-01 until 1995-04)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi2:13
8Carmen: Acte II. "La fleur que tu m’avais jetée" (Don José)
engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
editor:
Bob Whitney (engineer)
tenor vocals:
Roberto Alagna (tenor) (from 1995-01 until 1995-04)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1995-01 until 1995-04)
conductor:
Richard Armstrong (conductor) (from 1995-01 until 1995-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-01 until 1995-04)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (from 1995-01 until 1995-04)
composer:
Georges Bizet (French composer) (in 1875)
librettist:
Ludovic Halévy (French librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet4:04
9Mefistofele: Epilogo. "Ogni mortal mister gustai" / "Giunto sul passo estremo" (Faust)
engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
editor:
Bob Whitney (engineer)
tenor vocals:
Roberto Alagna (tenor) (from 1995-01 until 1995-04)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1995-01 until 1995-04)
conductor:
Richard Armstrong (conductor) (from 1995-01 until 1995-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-01 until 1995-04)
recording of:
Mefistofele: Epilogo. "Ogni mortal mister gustai" / "Giunto sul passo estremo" (Faust) (from 1995-01 until 1995-04)
composer and librettist:
Arrigo Boito (librettist, composer)
part of:
Mefistofele: Epilogo
Arrigo Boito4:10
10Mârouf, savetier du Caire: Acte II. "À travers le désert" (Mârouf)
engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
editor:
Bob Whitney (engineer)
tenor vocals:
Roberto Alagna (tenor) (from 1995-01 until 1995-04)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1995-01 until 1995-04)
conductor:
Richard Armstrong (conductor) (from 1995-01 until 1995-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-01 until 1995-04)
recording of:
Mârouf, savetier du Caire : Acte II. « À travers le désert » (Mârouf) (from 1995-01 until 1995-04)
composer:
Henri Rabaud (French composer and conductor)
librettist:
Lucien Nepoty
part of:
Mârouf, savetier du Caire
Henri Rabaud3:05
11Martha: Atto III. "M’apparì" (Lionel)
engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
editor:
Bob Whitney (engineer)
tenor vocals:
Roberto Alagna (tenor) (from 1995-01 until 1995-04)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1995-01 until 1995-04)
conductor:
Richard Armstrong (conductor) (from 1995-01 until 1995-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-01 until 1995-04)
recording of:
Martha: Atto III. “M’apparì tutt’amor” (Lionel) (from 1995-01 until 1995-04)
composer:
Friedrich von Flotow (composer) (in 1849)
librettist:
Friedrich Wilhelm Riese
translated version of:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
Friedrich von Flotow2:53
12Polyeucte: Acte IV. "Source délicieuse" (Polyeucte)
engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
editor:
Bob Whitney (engineer)
tenor vocals:
Roberto Alagna (tenor) (from 1995-01 until 1995-04)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1995-01 until 1995-04)
conductor:
Richard Armstrong (conductor) (from 1995-01 until 1995-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-01 until 1995-04)
recording of:
Polyeucte: Acte IV. « Source délicieuse » (Polyeucte) (from 1995-01 until 1995-04)
composer:
Charles Gounod (French composer)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Polyeucte: Acte IV
Charles‐François Gounod4:50
13Don Pasquale: Atto II. "Povero Ernesto!" (Ernesto)
engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
editor:
Bob Whitney (engineer)
tenor vocals:
Roberto Alagna (tenor) (from 1995-01 until 1995-04)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1995-01 until 1995-04)
conductor:
Richard Armstrong (conductor) (from 1995-01 until 1995-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-01 until 1995-04)
recording of:
Don Pasquale: Atto II, Scena 1. “Povero Ernesto!” (Ernesto) (from 1995-01 until 1995-04)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto II
Gaetano Donizetti3:15
14Don Pasquale: Atto II. "Cercherò lontana terra" (Ernesto)
engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
editor:
Bob Whitney (engineer)
tenor vocals:
Roberto Alagna (tenor) (from 1995-01 until 1995-04)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1995-01 until 1995-04)
conductor:
Richard Armstrong (conductor) (from 1995-01 until 1995-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-01 until 1995-04)
recording of:
Don Pasquale: Atto II, Scena 1. “Cercherò lontana terra” (Ernesto) (from 1995-01 until 1995-04)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto II
Gaetano Donizetti2:05
15Don Pasquale: Atto II. "E se fia ad altro oggetto" (Ernesto)
engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
editor:
Bob Whitney (engineer)
tenor vocals:
Roberto Alagna (tenor) (from 1995-01 until 1995-04)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1995-01 until 1995-04)
conductor:
Richard Armstrong (conductor) (from 1995-01 until 1995-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-01 until 1995-04)
recording of:
Don Pasquale: Atto II, Scena 1. “E se fia che ad altro oggetto” (Ernesto) (from 1995-01 until 1995-04)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto II
Gaetano Donizetti3:05
16Roméo et Juliette: Acte V. "C’est là!… Salut! tombeau sombre et silencieux!" (Roméo)
engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
editor:
Bob Whitney (engineer)
tenor vocals:
Roberto Alagna (tenor) (from 1995-01 until 1995-04)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1995-01 until 1995-04)
conductor:
Richard Armstrong (conductor) (from 1995-01 until 1995-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-01 until 1995-04)
recording of:
Roméo et Juliette : Acte V. No. 22 Scène et duo « C'est là ! ... Salut ! tombeau sombre et silencieux ! » (Roméo) (from 1995-01 until 1995-04)
composer:
Charles Gounod (French composer) (from 1865 until 1866)
librettist:
Jules Barbier and Michel Carré (librettist)
publisher:
Choudens
part of:
Roméo et Juliette : Acte V
Charles‐François Gounod5:40
17La Bohème: Atto I. "Che gelida manina!" (Rodolfo)
engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
editor:
Bob Whitney (engineer)
tenor vocals [Rodolfo]:
Roberto Alagna (tenor) (from 1995-01 until 1995-04)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1995-01 until 1995-04)
conductor:
Richard Armstrong (conductor) (from 1995-01 until 1995-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-01 until 1995-04)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (from 1995-01 until 1995-04)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:51

Credits

Release

photography:Alex von Koettlitz
Sheila Rock (UK photographer)
liner notes:Alan Blyth (UK classical singing critic and book editor, 1929-2007)
Discogs:https://www.discogs.com/release/2564999 [info]
ASIN:UK: B000002RVI [info]