Harry Potter: Original Motion Picture Soundtracks I-V

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶12" Vinyl: Harry Potter and the Sorcerer's Stone (disc 1)
2▶12" Vinyl: Harry Potter and the Sorcerer's Stone (disc 2)
3▶12" Vinyl: Harry Potter and the Chamber of Secrets (disc 1)
4▶12" Vinyl: Harry Potter and the Chamber of Secrets (disc 2)
5▶12" Vinyl: Harry Potter and the Prisoner of Azkaban (disc 1)
6▶12" Vinyl: Harry Potter and the Prisoner of Azkaban (disc 2)
7▼12" Vinyl: Harry Potter and the Goblet of Fire (disc 1)
#TitleArtistRatingLength
M1The Story Continues
recording engineer and mixer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Olga Fitzroy and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Gerard McCann (producer, editor), Graham Sutton and Robin Whittaker
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
recorded at:
Air Edel Recording Studios in London (Greater London), England, United Kingdom and Air Lyndhurt Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Air Lyndhurt Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
The Story Continues
composer:
Patrick Doyle (Scottish score composer)
quotes music from:
Hedwig’s Theme (Harry Potter and the Philosopher’s Stone)
Patrick Doyle2.75?:??
M2Frank Dies
recording engineer and mixer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Olga Fitzroy and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Gerard McCann (producer, editor), Graham Sutton and Robin Whittaker
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
recorded at:
Air Edel Recording Studios in London (Greater London), England, United Kingdom and Air Lyndhurt Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Air Lyndhurt Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
Patrick Doyle1.5?:??
M3The Quidditch World Cup
recording engineer and mixer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Olga Fitzroy and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Gerard McCann (producer, editor), Graham Sutton and Robin Whittaker
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
recorded at:
Air Edel Recording Studios in London (Greater London), England, United Kingdom and Air Lyndhurt Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Air Lyndhurt Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
Patrick Doyle2.5?:??
M4The Dark Mark
recording engineer and mixer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Olga Fitzroy and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Gerard McCann (producer, editor), Graham Sutton and Robin Whittaker
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
recorded at:
Air Edel Recording Studios in London (Greater London), England, United Kingdom and Air Lyndhurt Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Air Lyndhurt Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
Patrick Doyle2.5?:??
M5Foreign Visitors Arrive
recording engineer and mixer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Olga Fitzroy and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Gerard McCann (producer, editor), Graham Sutton and Robin Whittaker
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
recorded at:
Air Edel Recording Studios in London (Greater London), England, United Kingdom and Air Lyndhurt Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Air Lyndhurt Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Foreign Visitors Arrive
composer:
Patrick Doyle (Scottish score composer)
quotes music from:
Hedwig’s Theme (Harry Potter and the Philosopher’s Stone)
Patrick Doyle2.5?:??
M6The Goblet of Fire
recording engineer and mixer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Olga Fitzroy and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Gerard McCann (producer, editor), Graham Sutton and Robin Whittaker
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
recorded at:
Air Edel Recording Studios in London (Greater London), England, United Kingdom and Air Lyndhurt Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Air Lyndhurt Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
Patrick Doyle2.5?:??
M7Rita Skeeter
recording engineer and mixer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Olga Fitzroy and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Gerard McCann (producer, editor), Graham Sutton and Robin Whittaker
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
recorded at:
Air Edel Recording Studios in London (Greater London), England, United Kingdom and Air Lyndhurt Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Air Lyndhurt Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
Patrick Doyle2.75?:??
M8Sirius Fire
recording engineer and mixer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Olga Fitzroy and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Gerard McCann (producer, editor), Graham Sutton and Robin Whittaker
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
recorded at:
Air Edel Recording Studios in London (Greater London), England, United Kingdom and Air Lyndhurt Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Air Lyndhurt Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
Patrick Doyle2.5?:??
M9Harry Sees Dragons
recording engineer and mixer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Olga Fitzroy and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Gerard McCann (producer, editor), Graham Sutton and Robin Whittaker
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
recorded at:
Air Edel Recording Studios in London (Greater London), England, United Kingdom and Air Lyndhurt Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Air Lyndhurt Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
Patrick Doyle2.5?:??
N1Golden Egg
recording engineer and mixer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Olga Fitzroy and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Gerard McCann (producer, editor), Graham Sutton and Robin Whittaker
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
recorded at:
Air Edel Recording Studios in London (Greater London), England, United Kingdom and Air Lyndhurt Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Air Lyndhurt Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
Patrick Doyle2.5?:??
N2Neville’s Waltz
recording engineer and mixer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Olga Fitzroy and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Gerard McCann (producer, editor), Graham Sutton and Robin Whittaker
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
recorded at:
Air Edel Recording Studios in London (Greater London), England, United Kingdom and Air Lyndhurt Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Air Lyndhurt Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
Patrick Doyle2.5?:??
N3Harry in Winter
recording engineer and mixer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Olga Fitzroy and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Gerard McCann (producer, editor), Graham Sutton and Robin Whittaker
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
recorded at:
Air Edel Recording Studios in London (Greater London), England, United Kingdom and Air Lyndhurt Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Air Lyndhurt Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
Patrick Doyle2.75?:??
N4Potter Waltz
recording engineer and mixer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Olga Fitzroy and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Gerard McCann (producer, editor), Graham Sutton and Robin Whittaker
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
recorded at:
Air Edel Recording Studios in London (Greater London), England, United Kingdom and Air Lyndhurt Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Air Lyndhurt Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
Patrick Doyle2.75?:??
N5Underwater Secrets
recording engineer:
Rupert Coulson (sound engineer) (lead vocals) and Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Olga Fitzroy and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
mixer:
Nick Wollage
editor:
Gerard McCann (producer, editor), Graham Sutton and Robin Whittaker
solo vocals:
Abigail Doyle
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
recorded at:
Abbey Road Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (lead vocals), Air Edel Recording Studios in London (Greater London), England, United Kingdom and Air Lyndhurt Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Air Lyndhurt Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
Patrick Doyle2.75?:??
N6The Black Lake
recording engineer and mixer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Olga Fitzroy and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Gerard McCann (producer, editor), Graham Sutton and Robin Whittaker
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
recorded at:
Air Edel Recording Studios in London (Greater London), England, United Kingdom and Air Lyndhurt Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Air Lyndhurt Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
Patrick Doyle2.5?:??
N7Hogwarts’ March
recording engineer and mixer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Olga Fitzroy and Nick Taylor (engineer, film scores)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Gerard McCann (producer, editor), Graham Sutton and Robin Whittaker
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
recorded at:
Air Edel Recording Studios in London (Greater London), England, United Kingdom and Air Lyndhurt Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Air Lyndhurt Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
Patrick Doyle3?:??
9▶12" Vinyl: Harry Potter and the Goblet of Fire (disc 2)
10▶12" Vinyl: Harry Potter and the Order of The Phoenix (disc 1)
11▶12" Vinyl: Harry Potter and the Order of The Phoenix (disc 2)