Silvester 2021

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Countries excluded (Spotify + Deezer)

(As of 2020-09-14).

  • Caribbean: 🇦🇬 Antigua and Barbuda (ag) 🇦🇮 Anguilla (ai) 🇧🇧 Barbados (bb) 🇩🇲 Dominica (dm) 🇬🇩 Grenada (gd) 🇯🇲 Jamaica (jm) 🇰🇳 Saint Kitts and Nevis (kn) 🇰🇾 Cayman Islands (ky) 🇱🇨 Saint Lucia (lc) 🇲🇸 Montserrat (ms) 🇹🇨 Turks and Caicos Islands (tc) 🇻🇨 Saint Vincent and Grenadines (vc) 🇻🇬 Virgin Islands, British (vg)
  • South America: 🇫🇰 Falkland Islands (Malvinas) (fk)
  • Western Europe: 🇱🇮 Liechtenstein (li) 🇲🇨 Monaco (mc)
  • Northern Europe: 🇸🇯 Svalbard and Jan Mayen (sj)
  • Southern Europe: 🇦🇩 Andorra (ad)
  • Eastern Europe: 🇲🇩 Moldova (md)
  • Northern Africa: 🇱🇾 Libyan Arab Jamahiriya (ly)
  • Western Africa: 🇧🇫 Burkina Faso (bf) 🇧🇯 Benin (bj) 🇨🇻 Cape Verde (cv) 🇬🇲 Gambia (gm) 🇬🇳 Guinea (gn) 🇬🇼 Guinea-Bissau (gw) 🇱🇷 Liberia (lr) 🇲🇱 Mali (ml) 🇲🇷 Mauritania (mr) 🇳🇪 Niger (ne) 🇸🇱 Sierra Leone (sl) 🇹🇬 Togo (tg)
  • Eastern Africa: 🇧🇮 Burundi (bi) 🇩🇯 Djibouti (dj) 🇪🇷 Eritrea (er) 🇪🇹 Ethiopia (et) 🇮🇴 British Indian Ocean Territory (io) 🇰🇲 Comoros (km) 🇲🇬 Madagascar (mg) 🇲🇺 Mauritius (mu) 🇲🇼 Malawi (mw) 🇲🇿 Mozambique (mz) 🇷🇼 Rwanda (rw) 🇸🇨 Seychelles (sc) 🇸🇴 Somalia (so) 🇹🇿 Tanzania (tz) 🇺🇬 Uganda (ug) 🇿🇲 Zambia (zm) 🇿🇼 Zimbabwe (zw)
  • Middle Africa: 🇦🇴 Angola (ao) 🇨🇩 Congo, Democratic Republic (cd) 🇨🇫 Central African Republic (cf) 🇨🇬 Congo (cg) 🇬🇦 Gabon (ga) 🇬🇶 Equatorial Guinea (gq) 🇸🇹 Sao Tome and Principe (st) 🇹🇩 Chad (td)
  • Southern Africa: 🇧🇼 Botswana (bw) 🇱🇸 Lesotho (ls) 🇳🇦 Namibia (na) 🇸🇿 Swaziland (sz)
  • Western Asia: 🇯🇴 Jordan (jo) 🇵🇸 Palestinian Territory, Occupied (ps) 🇦🇲 Armenia (am) 🇦🇿 Azerbaijan (az) 🇬🇪 Georgia (ge) 🇮🇶 Iraq (iq) 🇾🇪 Yemen (ye)
  • Central Asia: 🇰🇬 Kyrgyzstan (kg) 🇰🇿 Kazakhstan (kz) 🇹🇯 Tajikistan (tj) 🇹🇲 Turkmenistan (tm) 🇺🇿 Uzbekistan (uz)
  • Southern Asia: 🇦🇫 Afghanistan (af) 🇧🇩 Bangladesh (bd) 🇧🇹 Bhutan (bt) 🇲🇻 Maldives (mv) 🇳🇵 Nepal (np) 🇵🇰 Pakistan (pk)
  • Eastern Asia: 🇲🇳 Mongolia (mn)
  • South-Eastern Asia: 🇧🇳 Brunei Darussalam (bn) 🇱🇦 Lao People’s Democratic Republic (la) 🇹🇱 Timor-Leste (tl)
  • Oceania: 🇨🇨 Cocos (Keeling) Islands (cc) 🇨🇽 Christmas Island (cx) 🇳🇫 Norfolk Island (nf)
  • Polynesia: 🇨🇰 Cook Islands (ck) 🇳🇺 Niue (nu) 🇵🇳 Pitcairn (pn) 🇹🇰 Tokelau (tk) 🇹🇴 Tonga (to) 🇹🇻 Tuvalu (tv) 🇼🇸 Samoa (ws)
  • Melanesia: 🇫🇯 Fiji (fj) 🇵🇬 Papua New Guinea (pg) 🇸🇧 Solomon Islands (sb) 🇻🇺 Vanuatu (vu)
  • Micronesia: 🇫🇲 Micronesia, Federated States of (fm) 🇰🇮 Kiribati (ki) 🇲🇭 Marshall Islands (mh) 🇳🇷 Nauru (nr) 🇵🇼 Palau (pw)

Countries where available (Spotify + Deezer)

(As of 2020-09-14).

  • Northern America: 🇨🇦 Canada (ca) 🇲🇽 Mexico (mx) 🇺🇸 United States (us)
  • Central America: 🇨🇷 Costa Rica (cr) 🇬🇹 Guatemala (gt) 🇭🇳 Honduras (hn) 🇳🇮 Nicaragua (ni) 🇵🇦 Panama (pa) 🇸🇻 El Salvador (sv)
  • Caribbean: 🇩🇴 Dominican Republic (do)
  • South America: 🇦🇷 Argentina (ar) 🇧🇴 Bolivia (bo) 🇧🇷 Brazil (br) 🇨🇱 Chile (cl) 🇨🇴 Colombia (co) 🇪🇨 Ecuador (ec) 🇵🇪 Peru (pe) 🇵🇾 Paraguay (py) 🇺🇾 Uruguay (uy) 🇻🇪 Venezuela (ve)
  • Western Europe: 🇦🇹 Austria (at) 🇧🇪 Belgium (be) 🇨🇭 Switzerland (ch) 🇩🇪 Germany (de) 🇫🇷 France (fr) 🇱🇺 Luxembourg (lu) 🇳🇱 Netherlands (nl)
  • Northern Europe: 🇩🇰 Denmark (dk) 🇪🇪 Estonia (ee) 🇫🇮 Finland (fi) 🇬🇧 United Kingdom (gb) 🇮🇪 Ireland (ie) 🇮🇸 Iceland (is) 🇱🇹 Lithuania (lt) 🇱🇻 Latvia (lv) 🇳🇴 Norway (no) 🇸🇪 Sweden (se)
  • Southern Europe: 🇦🇱 Albania (al) 🇧🇦 Bosnia and Herzegovina (ba) 🇨🇾 Cyprus (cy) 🇪🇸 Spain (es) 🇬🇷 Greece (gr) 🇭🇷 Croatia (hr) 🇮🇹 Italy (it) 🇲🇪 Montenegro (me) 🇲🇰 Macedonia (mk) 🇲🇹 Malta (mt) 🇵🇹 Portugal (pt) 🇷🇸 Serbia (rs) 🇸🇮 Slovenia (si)
  • Eastern Europe: 🇧🇬 Bulgaria (bg) 🇧🇾 Belarus (by) 🇨🇿 Czech Republic (cz) 🇭🇺 Hungary (hu) 🇵🇱 Poland (pl) 🇷🇴 Romania (ro) 🇷🇺 Russian Federation (ru) 🇸🇰 Slovakia (sk) 🇺🇦 Ukraine (ua) 🇽🇰 Kosovo (xk)
  • Northern Africa: 🇩🇿 Algeria (dz) 🇪🇬 Egypt (eg) 🇲🇦 Morocco (ma) 🇹🇳 Tunisia (tn)
  • Western Africa: 🇨🇮 Cote D’Ivoire (ci) 🇬🇭 Ghana (gh) 🇳🇬 Nigeria (ng) 🇸🇳 Senegal (sn)
  • Eastern Africa: 🇰🇪 Kenya (ke)
  • Middle Africa: 🇨🇲 Cameroon (cm)
  • Southern Africa: 🇿🇦 South Africa (za)
  • Western Asia: 🇦🇪 United Arab Emirates (ae) 🇧🇭 Bahrain (bh) 🇮🇱 Israel (il) 🇰🇼 Kuwait (kw) 🇱🇧 Lebanon (lb) 🇴🇲 Oman (om) 🇶🇦 Qatar (qa) 🇸🇦 Saudi Arabia (sa) 🇹🇷 Turkey (tr)
  • Southern Asia: 🇮🇳 India (in) 🇱🇰 Sri Lanka (lk)
  • Eastern Asia: 🇭🇰 Hong Kong (hk) 🇯🇵 Japan (jp) 🇹🇼 Taiwan (tw) 🇰🇷 Korea (kr)
  • South-Eastern Asia: 🇮🇩 Indonesia (id) 🇲🇾 Malaysia (my) 🇵🇭 Philippines (ph) 🇸🇬 Singapore (sg) 🇹🇭 Thailand (th) 🇻🇳 Viet‐Nam (vn) 🇰🇭 Cambodia (kh)
  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz)
Anmerkung zuletzt geändert am 2020-09-14 11:58 UTC.

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1You Give Love a Bad Name
assistierende(r) Techniker(in):
Tim Crich
Techniker(in) und Mix:
Bob Rock
Produzent(in):
Bruce Fairbairn
Akustikgitarre, E-Gitarre, Gitarrensynthesizer [IVL Guitar Synths] und Talkbox:
Richie Sambora
E-Bass [Bass] und Hintergrundgesang:
Alec John Such
Keyboard [Keyboards, Noises]:
Dave Bryan (keyboardist for Bon Jovi)
Perkussion und Schlagzeug:
Tico Torres
Hintergrundgesang [Backing Vocals]:
Jon Bon Jovi, Dave Bryan (keyboardist for Bon Jovi), Richie Sambora und Alec John Such
Sologesang:
Jon Bon Jovi
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1986) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 2011)
aufgenommen bei:
Little Mountain Sound in Vancouver, British Columbia, Kanada
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 20) und BILLIONS CLUB
recording of:
You Give Love a Bad Name
Verfasser(in):
Jon Bon Jovi, Desmond Child und Richie Sambora
publisher:
Aggressive Music (A) 301, CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing, Sony/ATV Tunes LLC (ASCAP), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), April Music Inc. (in 1986), Bon Jovi Publishing (in 1986), Desmobile Inc. (in 1986) und PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1986)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bon Jovi4.33:43
2Summer of ’69
assistierende(r) Techniker(in):
Mike Fraser (Canadian record producer, engineer and mixer), Bruce Lampcov und Michael Sauvage
Techniker(in):
Bob Clearmountain (von 1984-03-27 bis 1984-09-22)
Partner-Produzent(in):
Jim Vallance
Produzent(in):
Bryan Adams (Canadian singer/songwriter) und Bob Clearmountain
Mix:
Bob Clearmountain (am 1984-09-22)
E-Bass [bass]:
Dave (Bass player (Bryan Adams) and engineer) (von 1984-03-27 bis 1984-09-22)
Gitarre [lead guitar]:
Keith (Canadian guitarist) (von 1984-03-27 bis 1984-09-22)
Gitarre [rhythm guitar] und Hintergrundgesang [harmony vocal]:
BA (Canadian singer/songwriter) (von 1984-03-27 bis 1984-09-22)
Perkussion:
Jim (von 1984-03-27 bis 1984-09-22)
Schlagzeug [drums]:
Pat (von 1984-03-27 bis 1984-09-22)
Sologesang:
Bryan Adams (Canadian singer/songwriter) (von 1984-03-27 bis 1984-09-22)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1984), A&M Records, Inc. (in 1984, in 1999) und Badman Ltd. (Bryan Adams’ own publishing company, for copyrights use) (in 1999)
aufgenommen bei:
Little Mountain Sound in Vancouver, British Columbia, Kanada (von 1984-03-27 bis 1984-09-22)
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (am 1984-09-22)
Teil von:
SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (Nummer: 1), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2007 (Baden-Württemberg) (Nummer: 5), SWR1 Hitparade 2008 (Baden-Württemberg) (Nummer: 8), Huffington Post: 100 Best Canadian Songs Ever (Nummer: 9), SWR1 Hitparade 2009 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (Nummer: 10) und The Downloader’s Music Source Book (Nummer: 179)
recording of:
Summer of ’69 (von 1984-03-27 bis 1984-09-22)
geschrieben in:
Vancouver, British Columbia, Kanada (am 1984-01-25)
Verfasser(in):
Bryan Adams (Canadian singer/songwriter) (am 1984-01-25) und Jim Vallance (am 1984-01-25)
publisher:
Adams Communications Inc. (in 1984), Almo Music Corp. (USA, affiliated with ASCAP) (in 1984), Calypso Toonz (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984) und Testatyme Music (in 1984)
Bryan Adams4.43:34
3Blurred Lines
Produzent(in):
Pharrell Williams
Samples:
Got to Give It Up von Marvin Gaye
Musikvideos:
Blurred Lines von Robin Thicke feat. T.I. (Atlanta US rapper & producer Clifford Harris) & Pharrell Williams
Teil von:
Billboard Year-End Hot 100 singles of 2013 (Nummer: 2), Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2014) und Billboard Year-End Hot 100 singles of 2014 (Nummer: 83)
recording of:
Blurred Lines
Verfasser(in):
Marvin Gaye, T.I. (Atlanta US rapper & producer Clifford Harris), Robin Thicke und Pharrell Williams
publisher:
Deyjah’s Daddy Muzik (beendet), EMI April Music, Inc., I Like ’em Thicke Music und More Water From Nazareth
Robin Thicke2.54:23
4Say It First
B‐OK3:10
5Dance Like Nobody’s Watching
Marija3:15
6Auf Uns
recording engineer, Produzent(in) und Mix:
Peter “Jem” Seifert
zusätzlich recording engineer:
Tom Olbrich
Programmierung:
Jem
Koproduzent(in):
Andreas Bourani, Julius Hartog (songwriter and producer), Andreas Herbig und Tom Olbrich
Bass und Perkussion:
Jem
Bratsche / Viola und Geige / Violine:
Stefan Pintev und Rodrigo Reichel
Cello:
Boris Matchin
Gitarre und Klavier:
Julius Hartog (songwriter and producer)
Keyboard:
Tom Olbrich
Schlagzeug:
Tim Lorenz und Jürgen Stiehle
Synthesizer:
Andreas Herbig
vocals:
Andreas Bourani
phonographisches Urheberrecht (℗) von:
Andreas Bourani (in 2014)
Teil von:
SWR1 Hitparade 2014 (Baden-Württemberg) (Nummer: 10)
recording of:
Auf uns
Texter und Komponist(in):
Andreas Bourani, Julius Hartog (songwriter and producer) und Tom Olbrich
publisher:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)) und Edition Viertelkind
Andreas Bourani3.53:59
7Nobody but You
Teil von:
Austria in the Eurovision Song Contest (Österreich beim Eurovision Song Contest) (Nummer: 2018)
recording of:
Nobody but You
Cesár Sampson3:04
8Astronaut
Gast Sologesang:
Andreas Bourani
Sologesang:
Sido (German rapper)
phonographisches Urheberrecht (℗) von:
Goldzweig Berlin GmbH (in 2018)
Sido3:58
9Marie
phonographisches Urheberrecht (℗) von:
Tonladen (in 2020, in 2022)
Alle Achtung3:31
10Ey Katharina
Zweikanalton2:41
11Ich lebe (radio version)
Programmierung:
Alex Kahr und Harald Hanisch
Koproduzent(in):
Harald Hanisch
Produzent(in) und Mix:
Alex Kahr
Bass:
Walter Cikan (Austrian bass player)
Gitarre:
Harald Hanisch
Keyboard:
Alex Kahr und Harald Hanisch
phonographisches Urheberrecht (℗) von:
Universal Music Austria GmbH (not for release label use!) (in 2003)
aufgenommen bei:
A1 Music Studios und Bits and Notes in Brunn am Gebirge, Niederösterreich, Österreich
mixed at:
Bits and Notes in Brunn am Gebirge, Niederösterreich, Österreich
recording of:
Ich lebe
Texter:
Harald Hanisch, Alexander Kahr, Eva Kraus und Leopold Zillinger
Komponist(in):
Harald Hanisch, Alexander Kahr und Eva Kraus
Christina Stürmer3:25
12Wannabe
Assistent recording engineer:
Patrick McGovern
recording engineer:
Adrian Bushby
Programmierung und Produzent(in):
Richard Stannard und Matt Rowe
Mix:
Mark “Spike” Stent (producer, engineer)
Keyboard:
Richard Stannard und Matt Rowe
Herausgeber:
SSO
Musikvideos:
Wannabe (video) von Spice Girls
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 36)
recording of:
Wannabe
Verfasser(in):
Melanie Brown (Mel B), Emma Bunton, Geri Halliwell, Melanie Chisholm, Richard Stannard, Matt Rowe und Victoria Beckham (née Adams)
publisher:
PolyGram Music Publishing Ltd. und Windswept Pacific Music Ltd.
Spice Girls3.852:53
13Der Kommissar 2000
leitende(r) Produzent(in):
George Glueck
Produzent(in):
Thorsten Börger
phonographisches Urheberrecht (℗) von:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (vom 1998 bis heute)
produced at:
Flash & Fly Studios
recording of:
Der Kommissar 2000 (von 1996 bis 1997)
Texter:
Johann Hölzel (Austrian pop & rock musician)
zusätzlicher Texter:
Alex Dowis
Komponist(in):
Robert Ponger
Revision von:
Der Kommissar
Falco3:49
14Wake Me Up (radio edit)
recording engineer:
Chris Cheney (engineer) und Kyle VandeKerkhoff
zusätzliche(r) Techniker(in):
Mike Einziger
Produzent(in) und Mix:
Tim Bergling
Gitarre:
Mike Einziger
Keyboard [keys]:
Peter Dyer (keyboardist & writer Avicii and Cam)
vocals:
Aloe Blacc
phonographisches Urheberrecht (℗) von:
Avicii Music AB (holding company - do not use as release label) (in 2013)
aufgenommen bei:
Interscope Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
additionally engineered at:
Casa Chica in Malibu, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2013 (Nummer: 19), Billboard Year-End Hot 100 singles of 2014 (Nummer: 22) und BILLIONS CLUB
recording of:
Wake Me Up
Verfasser(in):
Aloe Blacc, Mike Einziger und Tim Bergling
publisher:
Aloe Blacc Publishing Inc., Elementary Particle Music, EMI Blackwood Music Inc., EMI Music Publishing Scandinavia AB, Kobalt Music Group Ltd. und Sony/ATV Music Publishing (worldwide except Japan, ended 1995)
Avicii3.84:10
15Not for Sale
Darius & Finlay33:27
16The Other Side
Mike Vallas2:50
17Murder on the Dancefloor (radio edit)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2002)
Bearbeitung von:
Murder on the Dancefloor (album version) von Sophie Ellis‐Bextor
Musikvideos:
Murder on the Dancefloor von Sophie Ellis‐Bextor
recording of:
Murder on the Dancefloor
Verfasser(in):
Gregg Alexander und Sophie Ellis‐Bextor
publisher:
Keepin’ It Real, How ’Bout You?, Rondor Music (London) Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Sophie Ellis‐Bextor33:36
18I Gotta Feeling
Koproduzent(in):
Frédéric Riesterer
Produzent(in):
David Guetta
Teil von:
Billboard Year-End Hot 100 singles of 2009 (Nummer: 4), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 8), Billboard Year-End Hot 100 singles of 2010 (Nummer: 29), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 103) und BILLIONS CLUB
recording of:
I Gotta Feeling
Texter:
Allan Pineda, Jaime Gomez (member of Black Eyed Peas), Stacy Ferguson (American singer) und William Adams (American rapper and producer)
Komponist(in):
David Guetta und Frédéric Riesterer
Black Eyed Peas3.854:58
19Touch the Night
RICH-MOND43:03
20Clothes Off (Nanana)
Darius & Finlay3:47
21Stars in the Sky (original mix)
Patrick Metzker5:19
22Hot in Herre
Assistent recording engineer und assistierende(r) Techniker(in):
Nick Howard (engineer)
recording engineer und Techniker(in):
Brian Garten
Produzent(in):
The Neptunes (US producer duo Chad Hugo & Pharrell Williams)
assistierende(r) Mix:
Dan Milazzo und Jeff Robinette
Mix:
Rich Travali
Partner-Mix:
Jamie Duncan
sonstiger Gesang [female vocals]:
Dani Stevenson
vocals:
Nelly (US rapper)
phonographisches Urheberrecht (℗) von:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 2002) und Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 2002)
aufgenommen bei und engineered at:
Right Track Recordings in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten und The Village (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2002 (Nummer: 3) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 195)
recording of:
Hot in Herre
Texter:
Charles Brown (jazz guitarist/singer "The Godfather of Go-Go") und Nelly (US rapper)
Komponist(in):
Chad Hugo und Pharrell Williams
publisher:
BMG Songs, Inc. (beendet), Chase Chad Music (BMI) (beendet), EMI April Music Inc. (beendet), EMI Blackwood Inc. (beendet), Ascent Music Inc., EMI Pop Music Publishing, Jackie Frost Music, Nouveau Music Company, Swing T Publishing, Universal Music–MGB Songs und Waters of the Nazareth Publishing
quotes lyrics from:
Bustin’ Loose
Nelly3.93:51
23Malibu
KeKe2:57
24Moves Like Jagger (studio recording from The Voice Performance)
Bass:
Mickey Madden
Gitarre:
James Valentine (Maroon 5)
Keyboard:
PJ Morton
Perkussion und Schlagzeug:
Matt Flynn (Maroon 5 drummer)
Hintergrundgesang und Sologesang:
Adam Levine (Maroon 5’s lead vocalist)
Remix von:
Moves Like Jagger von Maroon 5 (American band) feat. Christina Aguilera
Teil von:
Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2012), Billboard Year-End Hot 100 singles of 2011 (Nummer: 9) und Billboard Year-End Hot 100 singles of 2012 (Nummer: 36)
recording of:
Moves like Jagger
Verfasser(in):
Benjamin Levin (producer Benjamin Levin), Adam Levine (Maroon 5’s lead vocalist), Ammar Malik und Shellback
Maroon 5 & Christina Aguilera3.63:23
25Mr. Brightside
recording engineer:
Jeff Saltzman (music attorney and record producer)
Produzent(in):
Jeff Saltzman (music attorney and record producer) und The Killers (American rock band)
Mix:
Mark Needham
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2004) und Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2017)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 4), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 33), Offizielle deutsche Charts – Single-Jahrescharts 2025 (Nummer: 51), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 90) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 378)
recording of:
Mr. Brightside
Verfasser(in):
Brandon Flowers und Dave Keuning
publisher:
The Killers Publishing und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Killers4.33:42
26Livin’ on a Prayer
assistierende(r) Techniker(in):
Tim Crich
Techniker(in) und Mix:
Bob Rock
Produzent(in):
Bruce Fairbairn
Akustikgitarre, E-Gitarre, Gitarrensynthesizer [IVL Guitar Synths] und Talkbox:
Richie Sambora
E-Bass [Bass]:
Alec John Such
Keyboard [Keyboards, Noises]:
Dave Bryan (keyboardist for Bon Jovi)
Perkussion und Schlagzeug:
Tico Torres
Hintergrundgesang [Backing Vocals]:
Jon Bon Jovi, Dave Bryan (keyboardist for Bon Jovi), Richie Sambora und Alec John Such
Sologesang:
Jon Bon Jovi
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1986) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 2011)
aufgenommen bei:
Little Mountain Sound in Vancouver, British Columbia, Kanada
Musikvideos:
Livin’ on a Prayer von Bon Jovi (group)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 146), BILLIONS CLUB und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 457)
recording of:
Livin’ on a Prayer
Verfasser(in):
Jon Bon Jovi, Desmond Child und Richie Sambora
publisher:
Aggressive Music, Aggressive Music (A), EMI Music Publishing Ltd. (PRS‐affiliated), PolyGram Music Publishing Ltd., SBK Songs Ltd., Sony/ATV Tunes LLC (ASCAP), Universal Music Group International (manages UMG’s offices in most countries outside of North America), Universal Music Works (GMR affiliated), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), April Music Inc. (in 1986), Bon Jovi Publishing (in 1986), Desmobile Inc. (in 1986) und PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1986)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bon Jovi4.14:09
27The Bad Touch
Produzent(in):
Jimmy Pop (member of Bloodhound Gang)
Mix:
Raahu
Gitarre:
Lüpüs Thünder
Moog und Sologesang und Sprecher:
Jimmy Pop (member of Bloodhound Gang)
Schlagzeug:
Spanky G
Hintergrundgesang:
DJ Q-Ball
Musikvideos:
The Bad Touch von Bloodhound Gang
recording of:
The Bad Touch
Texter und Komponist(in):
James Franks
publisher:
Universal–Songs of PolyGram International, Inc., PolyGram Music Publishing (vom 2000 bis ????), Hey Rudy Music Publishing (vom 2000 bis heute) und The Jimmy Franks Publishing Company (vom 2000 bis heute)
Bloodhound Gang3.754:20
28Mehr Gschmust (radio edit)
Matakustix3:09
29How Bizarre
Techniker(in) und Produzent(in):
Alan Jansson
zusätzliche(r) Techniker(in) und zusätzliche(r) Mix:
Rick Huntington
accordion:
Hershal Herscher
Gitarre:
Lee Baker (NZ guitarist)
Trompete:
George Chisholm (jazz trombonist (1915-1997))
Hintergrundgesang:
Sina Saipaia
phonographisches Urheberrecht (℗) von:
Universal Music NZ Ltd. (Universal’s subsidiary in New Zealand; DO NOT USE as an imprint) (in 1995)
recording of:
How Bizarre
Verfasser(in):
Pauly Fuemana und Alan Jansson
publisher:
Lamont Music
Teil von:
APRA Top 100 New Zealand Songs of All Time (Nummer: 34)
OMC3.953:46
30SorryJustin Bieber43:22
31Celebration (single version)
Hintergrundgesang:
Kelly Barretto, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Dee Dee Bryant, Gwen Hester, Cynthia Huggins, Joan Motley, Meekaeel Muhammad, Robert Bell, Robert Mickens, Elaine Sims, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Cedric Toon und Earl Toon, Jr.
Sologesang:
James “J.T.” Taylor (US R&B vocalist for Kool & the Gang)
Interpret(in):
Kool & the Gang
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1980, in 2020)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 298)
recording of:
Celebration
Verfasser(in):
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Eumir Deodato, Robert Spike Mickens, Claydes Smith, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Dennis “D.T.” Thomas (Kool & The Gang) und Earl Toon, Jr.
publisher:
Delightful Music Publishing Ltd., Double F Music Co., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing WP Ltd., Fresh Start Music, Intersong-Förlagen AB, Planetary Nom (London) Ltd., Warner/Chappell Music Ltd. (1996–2019), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1980) und WB Music Corp. (1929–2019) (in 1980)
Kool & the Gang4.54:56
32I’m Coming Out
Produzent(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
conductor:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
remixer:
Russ Terrana
arranger:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1980)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 385) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 436)
recording of:
I’m Coming Out
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs und Tommy Jymi Inc.
Diana Ross3.95:21
33What Lovers Do
Programmierung:
Ben Billions, Jason Evigan und Gian Stone
assistierende(r) Techniker(in):
John Armstrong (engineer, producer) und Eric Eylands
Techniker(in):
John Hanes (audio engineer, mixer), Noah “Mailbox” Passovoy und Gian Stone
Koproduzent(in):
Ben Billions
Produzent(in):
Jason Evigan, Jason Evigan (Aufgabe: vocals), Noah “Mailbox” Passovoy (Aufgabe: vocals) und Gian Stone (Aufgabe: vocals)
zusätzliche(r) Produzent(in):
Sam Farrar und Noah “Mailbox” Passovoy
Mix:
Serban Ghenea
Editing:
Sam Farrar und Noah “Mailbox” Passovoy
Bass:
Sam Farrar und Mickey Madden
Gitarre [guitars]:
Jesse Carmichael und James Valentine (Maroon 5)
Keyboard [keys]:
Ben Billions, PJ Morton und Noah “Mailbox” Passovoy
Perkussion und Schlagzeug [drums]:
Matt Flynn (Maroon 5 drummer)
zusätzlich Perkussion:
Sam Farrar und Noah “Mailbox” Passovoy
vocals:
Adam Levine (Maroon 5’s lead vocalist) und SZA
zusätzlich vocals:
Sam Farrar, Noah “Mailbox” Passovoy und Starrah (US singer, songwriter & rapper)
phonographisches Urheberrecht (℗) von:
Interscope Records (222 Records) (not an imprint, use only for holding) (in 2017)
aufgenommen bei:
Chumba Meadows in Tarzana, Los Angeles, California (Kalifornien), Vereinigte Staaten, Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2018 (Nummer: 89) und Billboard Year-End Hot 100 singles of 2017 (Nummer: 97)
recording of:
What Lovers Do
Verfasser(in):
Benjamin Diehl, Elina Stridh (Swedish singer-songwriter), Jason Evigan, Adam Levine (Maroon 5’s lead vocalist), Oladayo Olatunji, Victor Rådström, Solána Rowe und Starrah (US singer, songwriter & rapper)
publisher:
Bad Robot Music, Billions Enterprises, BMG Platinum Songs, People Over Planes, Songs of Influence, Songs of Universal, Inc. (BMI), Sudgee 2 Music, TDE Publishing LLC, These Are Songs of Pulse (ASCAP), Universal Music Corp. (USA, affiliated with ASCAP), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell Music Ltd. (1996–2019)
quotes music from:
Sexual
Maroon 533:22
34Dog Days Are Over
recording engineer:
Jimmy Robertson (sound engineer)
Produzent(in):
James Ford (UK producer/engineer/drummer for Simian Mobile Disco)
zusätzliche(r) Produzent(in):
Isabella Summers
Mix:
James Ford (UK producer/engineer/drummer for Simian Mobile Disco) und Jimmy Robertson (sound engineer)
Bassgitarre und zusätzlich Klavier:
James Ford (UK producer/engineer/drummer for Simian Mobile Disco)
Bratsche / Viola:
Bruce White (violist)
Cello:
Ian Burdge (cellist)
Geige / Violine:
Sally Herbert (violinist, composer, and conductor) und Everton Nelson (violinist)
Gitarre:
Rob Ackroyd
Harfe:
Tom Moth (harpist)
Klavier:
Isabella Summers
Schlagzeug:
Christopher Lloyd Hayden
Sologesang:
Florence Welch (English singer)
phonographisches Urheberrecht (℗) von:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2009)
aufgenommen bei:
The Garden (John Foxx's studio in London) in Shoreditch, Hackney, London (Greater London), England, Vereinigtes Königreich
mixed at:
Metropolis (London) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Dog Days Are Over (music video) von Florence + the Machine
instrumental versions:
Dog Days Are Over (instrumental) von Florence + the Machine
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 164)
recording of:
Dog Days Are Over
Verfasser(in):
Isabella Summers und Florence Welch (English singer)
publisher:
Florence + the Machine Limited und Universal Music Publishing (UK) Ltd.
Florence + the Machine3.84:13
35Dancing on the Ceiling
phonographisches Urheberrecht (℗) von:
Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 2003)
recording of:
Dancing on the Ceiling
Texter:
Lionel Richie
Komponist(in):
Michael Frenchik, Lionel Richie und Carlos Rios (producer/guitarist)
publisher:
Brenda Richie Publishing, Concord Music Publishing LLC, Skegee Music und Brockman Music (in 1986)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Lionel Richie7:11
36An der schönen blauen Donau, op.314
Produzent(in):
Michel Glotz
Orchester:
Berliner Philharmoniker (von 1980-06-13 bis 1980-12-04)
conductor:
Herbert von Karajan (conductor) (von 1980-06-13 bis 1980-12-04)
Tonmeister(in):
Günter Hermanns (producer/engineer) (von 1980-06-13 bis 1980-12-04)
aufgenommen bei:
Berliner Philharmonie in Mitte, Berlin, Deutschland (von 1980-06-13 bis 1980-12-04)
recording of:
An der schönen blauen Donau, op. 314 (von 1980-06-13 bis 1980-12-04)
Premiere in:
Wien, Österreich (am 1867-02-15)
Komponist(in):
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
Teil von:
Works of Johann Strauss Jr. by opus number (Nummer: op. 314)
Berliner Philharmoniker511:48

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2020)
kostenlos streamen:https://open.spotify.com/album/4sFMqikgHqww5moOBhOmSf [Info]
https://www.deezer.com/album/168870232 [Info]
Streaming-Seite:https://tidal.com/album/152752812 [Info]