| # | Title | Artist | Rating | Length |
|---|
| 1 | We Are the Champions | Queen | 4.1 | 3:01 |
| 2 | I Want to Know What Love Is- additional engineer:
- Josh Abbey, Larry Alexander , Jason Corsaro , Joe Ferla and Howie Lindeman
- assistant engineer:
- Bobby Cohen , Tim Crich and Scott “Abada” Mabuchi
- engineer:
- Frank Filipetti
- producer:
- Mick Jones and Alex Sadkin
- additional keyboard:
- Tom Bailey
- bass guitar:
- Rick Wills
- drums (drum set):
- Dennis Elliott
- electric guitar:
- Mick Jones
- additional vocals:
- Jennifer Holliday
- background vocals:
- Donnie Harper, Mick Jones and Rick Wills
- choir vocals:
- The New Jersey Mass Choir
- lead vocals:
- Lou Gramm
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1984), Warner Music International (in 1984), WEA International Inc. (in 1984, in 2018) and Rhino Entertainment Company (in 2009)
- additionally recorded at:
- Right Track Recording in Manhattan, New York, New York, United States
- recorded at:
- The Hit Factory in Manhattan, New York, New York, United States
- mixed at:
- Right Track Recording in Manhattan, New York, New York, United States
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 65), Billboard: The 500 Best Pop Songs (number: 205) and Rolling Stone: 500 Greatest Songs of All Time (number: 476)
- recording of:
- I Want to Know What Love Is
- lyricist and composer:
- Mick Jones
- publisher:
- Evansongs Ltd. , Somerset Songs Publishing Inc., Warner Brothers Music Ltd. , Warner Chappell Music , Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Foreigner | 3.95 | 5:00 |
| 3 | Against All Odds (Take a Look at Me Now)- engineer:
- Jeremy Smith and Lewis Hahn
- producer:
- Arif Mardin
- drums (drum set) and lead vocals:
- Phil Collins
- keyboard:
- Rob Mounsey
- conductor:
- Arif Mardin
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1999)
- recording of:
- Against All Odds (Take a Look at Me Now)
- lyricist and composer:
- Phil Collins
- publisher:
- Concord Music GmbH, Concord Sounds, EMI April Music Inc., EMI Entertainment World Inc US, EMI Golden Torch Music Corp., EMI Music Publishing , EMI Worldtrax Music Inc., Filmtrax Copyright Holdings Inc, Imagem CV, Imagem Sounds Collins, Philip Collins Ltd., Effectsound Ltd. (in 1984), EMI Music Publishing Ltd. (in 1984), Golden Torch Music Corp. (in 1984) and Hit & Run Music (Publishing) Ltd (in 1984)
- sub-publisher:
- EMI Music Publishing Germany GmbH , Imagem Music GmbH , Sony Music Publishing (Japan) Inc. , ヤマハミュージックエンタテインメントホールディングス , コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (from 2021-07-01 to present)
- part of:
- The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
| Phil Collins | 3.8 | 3:24 |
| 4 | The Living Years | Mike + the Mechanics | 3.75 | 5:28 |
| 5 | Bad Love | Eric Clapton | 2.5 | 5:11 |
| 6 | The Whole of the Moon | The Waterboys | 4.45 | 5:00 |
| 7 | Brown Eyed Girl- recording engineer:
- Brooks Arthur (on 1967-03-28)
- producer:
- Bert Russell Berns
- bass guitar:
- Eric Gale (on 1967-03-28)
- drums (drum set):
- Gary Chester (on 1967-03-28)
- guitar:
- Al Gorgoni (on 1967-03-28), Hugh McCracken (on 1967-03-28) and Van Morrison (on 1967-03-28)
- organ:
- Garry Sherman (on 1967-03-28)
- background vocals:
- The Sweet Inspirations (on 1967-03-28)
- lead vocals:
- Van Morrison (on 1967-03-28)
- performer:
- Van Morrison (on 1967-03-28)
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (in 1967), Charly Records (in 1968) and Exile Productions Ltd. (in 1973)
- recorded at:
- A&R Recording Studio A in New York, New York, United States (on 1967-03-28) and A&R Recording Studio in New York, New York, United States (on 1967-04-07)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (number: 71) and Rolling Stone: 500 Greatest Songs of All Time (number: 109)
- recording of:
- Brown Eyed Girl (from 1967-03-28 until 1967-04-07)
- lyricist and composer:
- Van Morrison
- publisher:
- Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing , Universal Music Publishing Ltd. , Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) and Polygram Publishing AB (in 1992)
| Van Morrison | 3.25 | 3:02 |
| 8 | I Drove All Night | Roy Orbison | 4.65 | 3:43 |
| 9 | Sweet Child o’ Mine | Guns N’ Roses | 4.5 | 5:54 |
| 10 | The Best | Tina Turner | 3.9 | 4:09 |
| 11 | All I Wanna Do Is Make Love to You- recording engineer:
- Phil Kaffel (in 1989)
- producer:
- Richie Zito
- mixer:
- Phil Kaffel
- additional keyboard:
- Kim Bullard (in 1989)
- drums (drum set):
- Denny Carmassi (in 1989)
- electric bass guitar [bass]:
- Mark Andes (in 1989)
- guitar:
- Nancy Wilson (in 1989)
- background vocals and lead vocals:
- Ann Wilson (in 1989)
- phonographic copyright (℗) by:
- Capitol Records, Inc.
- recorded at:
- A&M Studios in Hollywood, Los Angeles, California, United States (in 1989) and One on One Studios in North Hollywood, Los Angeles, California, United States (in 1989)
- recording of:
- All I Wanna Do Is Make Love to You (in 1989)
- lyricist and composer:
- Robert John “Mutt” Lange
- publisher:
- Zomba Enterprises, Inc. (ended), Imagem London Ltd., Out-of-Pocket Productions Ltd. and Zomba Music Publishers Ltd. (from 1979 to ????)
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
- version of:
- All I Want to Do Is Make Love to You
| Heart | 3.75 | 5:03 |
| 12 | Breakfast at Tiffany’s | Deep Blue Something | 3.7 | 4:17 |
| 13 | The Day We Caught the Train | Ocean Colour Scene | 4 | 3:10 |
| 14 | Don’t You (Forget About Me) | Simple Minds | 4.25 | 4:20 |
| 15 | Let’s Dance | David Bowie | 4 | 4:07 |
| 16 | Roll With It | Steve Winwood | | 4:17 |
| 17 | Roll to Me | Del Amitri | 3.65 | 2:12 |
| 18 | Itchycoo Park | Small Faces | | 2:50 |
| 19 | Hazard | Richard Marx | | 4:43 |
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