Beethoven - The Complete Works

~ Release by Ludwig van Beethoven (see all versions of this release, 1 available)

Tracklist

1▶CD: Symphonies
2▶CD: Symphonies
3▶CD: Symphonies
4▶CD: Symphonies
5▶CD: Symphonies
6▶CD: Concertos
7▶CD: Concertos
8▶CD: Concertos
9▶CD: Concertos
10▶CD: Concertos
11▶CD: Overtures - Miltary Music
12▶CD: Music for Theatre
13▶CD: Music for Theatre & Ballet
14▶CD: Music for Ballet
15▶CD: Dances
16▶CD: Dances
17▶CD: Piano Sonatas
18▶CD: Piano Sonatas
19▶CD: Piano Sonatas
20▶CD: Piano Sonatas
21▶CD: Piano Sonatas
22▶CD: Piano Sonatas
23▶CD: Piano Sonatas
24▶CD: Piano Sonatas
25▶CD: Piano Sonatas
26▶CD: Piano Bagatelles
27▶CD: Piano Variations
28▶CD: Piano Variations
29▶CD: Piano Variations
30▶CD: Piano Variations
31▶CD: Other Piano Works
32▶CD: Other Keyboard Works
33▶CD: Duos & Sonatas
34▶CD: Duos & Sonatas
35▶CD: Duos & Sonatas
36▶CD: Duos & Sonatas
37▶CD: Duos & Sonatas
38▶CD: Duos & Sonatas
39▶CD: Duos & Sonatas
40▶CD: Duos & Sonatas
41▶CD: Piano Trios
42▶CD: Piano Trios
43▶CD: Piano Trios
44▶CD: Piano Trios
45▶CD: String Trios
46▶CD: String Trios
47▶CD: Other Trios
48▶CD: String Quartets
49▶CD: String Quartets
50▶CD: String Quartets
51▶CD: String Quartets
52▶CD: String Quartets
53▶CD: String Quartets
54▶CD: String Quartets
55▶CD: String & Piano Quartets
56▶CD: Piano & Trombone Quartets
57▶CD: Wind Duos & Octets
58▶CD: Quintets
59▶CD: Quintets
60▶CD: Sextets & Septet
61▼CD: Opera
#TitleRatingLength
1Fidelio, Op. 72: Ouverture
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1962-02, from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (in 1962-02, from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1962-02, from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c) (in 1962-02)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72 (1814 version)
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
recording of:
Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72 (1814 version)
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
6:59
2Fidelio, Op. 72, Act I: "Jetzt, Schätzchen, jetzt sind wir allein"
producer:
Walter Legge (British classical producer)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (soprano) (from 1962-02 until 1962-03)
solo tenor vocals [Jaquino]:
Gerhard Unger (tenor) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 1a. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
4:54
3Fidelio, Op. 72, Act I: "Der arme Jaquino!"
producer:
Walter Legge (British classical producer)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (soprano) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 1b. “Armer Jaquino, ich war ihm sonst recht gut” (Marzelline) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
0:14
4Fidelio, Op. 72, Act I: "O wär ich schon mit dir vereint"
producer:
Walter Legge (British classical producer)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (soprano) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2a. Aria "O wär' ich schon mit dir vereint" (Marzelline) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly and Joseph Sonnleithner
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
4:04
5Fidelio, Op. 72, Act I: "Guten Tag, Marzelline!"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (mezzo-soprano) (from 1962-02 until 1962-03)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (soprano) (from 1962-02 until 1962-03)
solo tenor vocals [Jaquino]:
Gerhard Unger (tenor) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2b. Dialog "Ist Fidelio noch nicht zurück?" (Rocco, Marzelline, Leonore) (from 1962-02 until 1962-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2c. Dialog "Jaquino!" - "Ja, Meister Rocco?" (Rocco, Jaquino, Marzelline, Leonore) (from 1962-02 until 1962-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
1:09
6Fidelio, Op. 72, Act I: "Mir ist so wunderbar"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (mezzo-soprano) (from 1962-02 until 1962-03)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (soprano) (from 1962-02 until 1962-03)
solo tenor vocals [Jaquino]:
Gerhard Unger (tenor) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1805)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (German composer) (in 1814)
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
4:38
7Fidelio, Op. 72, Act I: "Höre, Fidelio!"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (soprano) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3b. Dialog "Höre, Fidelio!" (Rocco, Marzelline) (from 1962-02 until 1962-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
0:19
8Fidelio, Op. 72, Act I: "Hat man nicht auch Gold beineben"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4a. Aria "Hat man nicht auch Gold beineben" (Rocco) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
2:53
9Fidelio, Op. 72, Act I: "Ihr könnt das leicht sagen"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (mezzo-soprano) (from 1962-02 until 1962-03)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (soprano) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4b. Dialog "Ihr könnt das leicht sagen, Meister Rocco" (Leonore, Rocco, Marzelline) (from 1962-02 until 1962-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4c. Dialog "Ihr habt recht, Vater Rocco" (Leonore, Rocco, Marzelline) (from 1962-02 until 1962-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
2:20
10Fidelio, Op. 72, Act I: "Gut, Söhnchen, gut"
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
partial recording of:
Fidelio, op. 72: Act I, Scene I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
2:32
11Fidelio, Op. 72, Act I: "Der Gouverneur… der Gouverneur soll heut"
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
partial recording of:
Fidelio, op. 72: Act I, Scene I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
1:48
12Fidelio, Op. 72, Act I: "Nur auf der Hut, dann ghet es gut"
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
partial recording of:
Fidelio, op. 72: Act I, Scene I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
2:49
13Fidelio, Op. 72, Act I: Marche
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 6a. Marsch (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
2:19
14Fidelio, Op. 72, Act I: "Wo sind die Depeschen?"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo bass-baritone vocals [Pizarro]:
Walter Berry (bass‐baritone) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 6b. Dialog "Drei Schildwachen auf den Wall" (Pizarro, Rocco) (from 1962-02 until 1962-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
0:53
15Fidelio, Op. 72, Act I: "Ha, welch ein Augenblick"
producer:
Walter Legge (British classical producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1962-02 until 1962-03)
solo bass-baritone vocals [Pizarro]:
Walter Berry (bass‐baritone) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7a. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
3:38
16Fidelio, Op. 72, Act I: "Hauptmann! Besteigen Sie mit einem Trompeter"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo bass-baritone vocals [Pizarro]:
Walter Berry (bass‐baritone) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7b. Dialog "Hauptmann, besteigen Sie mit einem Trompeter sogleich den Turm!" (Pizarro, Rocco) (from 1962-02 until 1962-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
0:35
17Fidelio, Op. 72, Act I: "Jetzt, Alter, jetzt hat es Eile!"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo bass-baritone vocals [Pizarro]:
Walter Berry (bass‐baritone) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
5:25
18Fidelio, Op. 72, Act I: "Abscheulicher! Wo eilst du hin?.... Komm, Hoffnung"
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
recording of:
Fidelio: Act I. No. 9a Recitative and Aria "Abscheulicher! Wo eilst du hin?" (Leonore, Marzelline)
composer:
Ludwig van Beethoven (German composer)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore)
2:11
19Fidelio, Op. 72, Act I: "Komm, Hoffnung , laß den letzten Sternn"
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
recording of:
Fidelio: Act I. No. 9b Aria. "Komm Hoffnung, lass den letzten Stern" (Leonore, Marzelline, Rocco)
composer:
Ludwig van Beethoven (German composer)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore)
6:08
20Fidelio, Op. 72, Act I: "Rocco, Ihr verspracht mir so oft"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (mezzo-soprano) (from 1962-02 until 1962-03)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (soprano) (from 1962-02 until 1962-03)
solo tenor vocals [Jaquino]:
Gerhard Unger (tenor) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 9b. Dialog "Marzelline!" - "Nein, ich will nicht..." (Jaquino, Marzelline, Rocco, Leonore) (from 1962-02 until 1962-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
0:46
21Fidelio, Op. 72, Act I: "O welche Lust"
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
partial recording of:
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner)
composer:
Ludwig van Beethoven (German composer) (in 1805, in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner)
composer:
Ludwig van Beethoven (German composer) (in 1805, in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
3:02
22Fidelio, Op. 72, Act I: "Wir wollen mit Vertrauen auf Gottes Hülfe bauen
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
partial recording of:
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner)
composer:
Ludwig van Beethoven (German composer) (in 1805, in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
4:18
23Fidelio, Op. 72, Act I: "Nun sprecht, wie ging's?"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (mezzo-soprano) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative "Nun sprecht, wie ging's?" - "Noch heute" (Leonore, Rocco) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
5:30
24Fidelio, Op. 72, Act I: "Ach! Vater, Vater, eilt"
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10c. Quintet "Ach, Vater, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
0:47
25Fidelio, Op. 72, Act I: "Verwegener Alter"
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10d. "Verwegner Alter!" (Pizarro, Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
1:57
26Fidelio, Op. 72, Act I: "Leb' wohl, du warmes Sonnenlicht"
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10e. "Leb wohl, du warmes Sonnenlicht" (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
4:19
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