Hitarchief Top 2000, Volume 5

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1Are You Gonna Go My Way
assistierende(r) Techniker(in):
Greg DiGesu
Techniker(in) und Mix:
Henry Hirsch
zusätzliche(r) Techniker(in):
David Domanich
Produzent(in):
Lenny Kravitz
Akustikgitarre und E-Gitarre:
Craig Ross (guitarist) (in 1998-12)
Bass:
Lenny Kravitz (in 1998-01) und Tony Breit (in 1998-12)
Schlagzeug, Schlagzeug [junkanoo] und Hintergrundgesang und Sologesang:
Lenny Kravitz (in 1998-12)
Synthesizer [arp string ensemble]:
Henry Hirsch (in 1998-12)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1993) und Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1993)
recording of:
Are You Gonna Go My Way (in 1998-12)
Texter:
Lenny Kravitz
Komponist(in):
Henry Hirsch, Lenny Kravitz und Craig Ross (guitarist)
publisher:
BMG Gold Songs, EMI Music Publishing Scandinavia AB, Miss Bessie Music, Shukat Arrow Hafer Weber & Herbsman, LLP, Warner/Chappell Music Scandinavia AB, Wigged Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Lenny Kravitz3.93:32
2It’s Only Love
assistierende(r) Techniker(in):
Mike Fraser (Canadian record producer, engineer and mixer), Bruce Lampcov und Michael Sauvage
Techniker(in):
Roger Monk und Bob Clearmountain (von 1984-03-27 bis 1984-09-23)
Partner-Produzent(in):
Jim Vallance
Produzent(in):
Bryan Adams (Canadian singer/songwriter) und Bob Clearmountain
Mix:
Bob Clearmountain (am 1984-09-23)
E-Bass [bass]:
Dave (Bass player (Bryan Adams) and engineer) (von 1984-03-27 bis 1984-09-23)
Gitarre [lead guitar]:
Keith (Canadian guitarist) (von 1984-03-27 bis 1984-09-23)
Gitarre [rhythm guitar] und Sologesang [vocals]:
BA (Canadian singer/songwriter) (von 1984-03-27 bis 1984-09-23)
Keyboard [keyboards]:
Tommy (von 1984-03-27 bis 1984-09-23)
Schlagzeug [drums]:
Mickey (von 1984-03-27 bis 1984-09-23)
Sologesang:
Tina Turner (am 1984-06-29)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1984) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1984, in 1988)
aufgenommen bei:
Little Mountain Sound in Vancouver, British Columbia, Kanada (von 1984-03-27 bis 1984-09-23, am 1984-06-29)
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (am 1984-09-23)
Teil von:
The Downloader’s Music Source Book (Nummer: 184)
recording of:
It’s Only Love (von 1984-03-27 bis 1984-09-23)
komponiert in und Liedtext geschrieben in:
Vancouver, British Columbia, Kanada (in 1983-12)
Verfasser(in):
Bryan Adams (Canadian singer/songwriter) (am 1983-12-30) und Jim Vallance (am 1983-12-30)
publisher:
Adams Communications Inc. (, in 1984), Almo Music Corp. (USA, affiliated with ASCAP), Irving Music, Inc., Testatyme Music, Calypso Toonz (in 1984) und Rondor Music (London) Ltd. (in 1984)
Bryan Adams & Tina Turner3.83:16
3Fairground
Koproduzent(in):
Mick Hucknall (lead singer of Simply Red)
Produzent(in):
Mick Hucknall (lead singer of Simply Red) und Stewart Levine (record producer and saxophonist)
früheste Veröffentlichung:
Fairground von Simply Red (English soul and pop band)
recording of:
Fairground
Texter und Komponist(in):
Mick Hucknall (lead singer of Simply Red)
Simply Red3.54:25
4Cose della vita
Eros Ramazzotti4:05
5Driver’s Seat
Akustikgitarre:
Paul Roberts (Lead singer of Sniff ’n’ The Tears)
Bassgitarre:
Chris Birkin
Gitarre:
Mick Dyche und Loz Netto
Schlagzeug:
Luigi Salvoni
vocals:
Paul Roberts (Lead singer of Sniff ’n’ The Tears)
phonographisches Urheberrecht (℗) von:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1978)
recording of:
Driver’s Seat (Sniff ’n’ the Tears song)
Komponist(in):
Paul Roberts (Lead singer of Sniff ’n’ The Tears)
Sniff ’n’ the Tears43:57
6I Can Hear Your Heartbeat
Techniker(in):
Justin Shirley‐Smith
Produzent(in):
Jon Kelly (engineer at Air London Studios) und Chris Rea
recording of:
I Can Hear Your Heartbeat
Texter und Komponist(in):
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea53:19
7Drive
recording engineer:
Nigel Green (engineer)
Produzent(in):
The Cars und Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Bass:
Benjamin Orr (co-lead singer for The Cars)
Gitarre:
Elliot Easton und Ric Ocasek
Keyboard:
Greg Hawkes
Schlagzeug:
David Robinson (US rock drummer)
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek und Benjamin Orr (co-lead singer for The Cars)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Drive von The Cars
recording of:
Drive
publisher:
Ric Ocasek
Texter und Komponist(in):
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) und Warner/Chappell Music Ltd. (1996–2019)
The Cars43:55
8Love Is a Battlefield
Produzent(in):
Neil Geraldo, Peter Coleman und Peter Coleman (British engineer & producer)
Mix:
Neil Giraldo und Peter Coleman (British engineer & producer)
Bassgitarre:
Roger Capps
E-Gitarre:
Neil Giraldo
Keyboard:
Charles Giordano (American keyboardist and accordionist)
Schlagzeug:
Myron Grombacher
Sologesang:
Pat Benatar
vocals:
Pat Benatar
phonographisches Urheberrecht (℗) von:
EMI Records (UK label renamed from Virgin EMI Records in 2020), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1983), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1983) und Chrysalis Records, Inc. (not for release label use!) (in 1983, in 1984)
aufgenommen bei:
MCA Whitney Recording Studios in Glendale, California (Kalifornien), Vereinigte Staaten (in 1983)
mixed at:
MCA Whitney Recording Studios in Glendale, California (Kalifornien), Vereinigte Staaten
recording of:
Love Is a Battlefield
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Holly Knight
publisher:
BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) und Zomba Music Publishing Ltd.
Pat Benatar4.14:07
9China in Your Hand
Techniker(in):
Norman Goodman
Produzent(in):
Tim Burgess (T'Pau drummer) und Ron Rogers (Ronald Phillip Rogers, T'Pau)
phonographisches Urheberrecht (℗) von:
Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1987)
Bearbeitung von:
China in Your Hand von T’Pau
recording of:
China in Your Hand
Verfasser(in):
Carol Decker und Ron Rogers (Ronald Phillip Rogers, T'Pau)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), M15 Publishing Ltd, Virgin Music (Publishing) Ltd. und Virgin Music (Publ.) Ltd. (publisher) (in 1987)
T’Pau43:59
10Wouldn’t It Be Good
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistierende(r) Techniker(in):
Roger Howorth
Produzent(in):
Peter Collins (producer)
Mix:
Julian Mendelsohn (Australian record producer and engineer)
Sologesang:
Nik Kershaw (in 1983)
Horn arranger:
Jerry Hey und Nik Kershaw
arranger:
Nik Kershaw
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983, in 1984) und MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 88)
recording of:
Wouldn’t It Be Good (in 1983)
Texter und Komponist(in):
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Teil von:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:28
11Walking in Memphis
recording engineer, Techniker(in) und Mix:
Ben Wisch
Produzent(in):
Marc Cohn und Ben Wisch
Bass und Orgel:
John Leventhal
Gitarre:
Marc Cohn und John Leventhal
Hammond-Orgel:
Chris Palmaro
Keyboard:
Eric Rehl
Schlagzeug:
Dennis McDermott
Gast Hintergrundgesang:
James Taylor (singer-songwriter and guitarist)
Hintergrundgesang:
Vivian Cherry, Dennis Collins (backing vocalist), Ada Dyer (American soul singer) und Darryl Tookes
vocals:
Marc Cohn
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1991), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1991) und Warner Music H.K. Ltd. (in 1997)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 415)
recording of:
Walking in Memphis
Texter und Komponist(in):
Marc Cohn
publisher:
BMG Music und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Marc Cohn44:14
12(Forever) Live and Die
recording engineer und Mix:
Tom Lord‐Alge
Produzent(in):
Stephen Hague
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1986)
aufgenommen bei und mixed at:
Studio de la Grande Armée in Paris, Île-de-France, Frankreich
recording of:
(Forever) Live and Die
Verfasser(in):
Paul Humphreys (Orchestral Manoeuvres in the Dark), Graham Weir und Neil Weir
publisher:
Virgin Music, Inc. (US arm of Virgin’s publishing company)
Orchestral Manoeuvres in the Dark1.53:33
13Buffalo Stance
recording of:
Buffalo Stance
Verfasser(in):
Neneh Cherry, Cameron McVey, Jamie J. Morgan (Director, Photographer, Musician) und Phil Ramacon (soul/R&B/reggae songwriter)
basiert auf:
Looking Good Diving With The Wild Bunch
Neneh Cherry3.54:05
14Rapper’s Delight
recording of:
Rapper’s Delight (am 1979-08-02)
Verfasser(in):
Bernard Edwards (American bassist and record producer), Guy O'Brien (US rapper Guy Anthony O’Brien), Henry Jackson, Michael Wright, Sylvia Robinson und Nile Rodgers
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
basiert auf:
Good Times
The Sugarhill Gang3.63:55
15Slippery People (live)
recording engineer:
Record Plant Mobile und Allen Chinowsky (in 1983-12)
zusätzliche(r) Techniker(in):
Joel Moss (Aufgabe: overdubs) und Mark Wolfson (Aufgabe: overdubs)
Produzent(in):
Talking Heads
assistierende(r) Mix:
Robin Laine, Nick Del Re, Linda Randazzo und Glenn Rosenstein
Mix:
Eric “E.T.” Thorngren, Chris Frantz und Jerry Harrison (Talking Heads & producer)
Bassgitarre [bass]:
Tina Weymouth (in 1983-12)
Gitarre und Sologesang:
David Byrne (Talking Heads) (in 1983-12)
Keyboard:
Jerry Harrison (Talking Heads & producer) (in 1983-12)
Schlagzeug:
Chris Frantz (in 1983-12)
zusätzlich Gitarre:
Alex Weir (in 1983-12)
zusätzlich Keyboard:
Bernie Worrell (keyboardist, composer and record producer) (in 1983-12)
zusätzlich Perkussion:
Steve Scales (in 1983-12)
zusätzlich Hintergrundgesang:
Ednah Holt (in 1983-12), Lynn Mabry (in 1983-12) und Alex Weir (in 1983-12)
aufgenommen bei:
Hollywood Pantages Theatre in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983-12)
zusätzlich aufgenommen bei:
Can Am in Tarzana, Los Angeles, California (Kalifornien), Vereinigte Staaten, Ocean Way in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Right Track in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Sigma Sound (New York) in New York, New York, Vereinigte Staaten und Soundworks (New York) in New York, New York, Vereinigte Staaten
live recording of:
Slippery People (in 1983-12)
Texter:
David Byrne (Talking Heads)
Komponist(in):
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads & producer) und Tina Weymouth
publisher:
Bleu Disque Music Co., Inc. (publisher) und Index Music, Inc.
Talking Heads3.354:11
16Love Games
recording of:
Love Games
Verfasser(in):
Phil Gould und Mark King (bass guitarist and vocalist)
publisher:
ATV Music, Chappell Music Ltd. und Level 42 Music Ltd.
Level 425:08
17MMMBop
Programmierung und Techniker(in):
Mac Quale (US composer)
leitende(r) Produzent(in):
Steve Greenberg (Record producer)
Produzent(in):
The Dust Brothers (production duo John King & Mike Simpson)
zusätzliche(r) Produzent(in):
Stephen Lironi
Mix:
Tom Lord‐Alge
Gitarre:
Isaac Hanson
Keyboard:
Taylor Hanson
Schlagzeug:
Zac Hanson
vocals:
Isaac Hanson, Taylor Hanson und Zac Hanson
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 61)
recording of:
MMMBop
Verfasser(in):
Isaac Hanson, Taylor Hanson und Zachary Hanson
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Heavy Harmony Music, Jam N Bread Music, Warner Chappell (Warner/Chappell Music, Inc.), Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
Hanson3.54:28
18Kennedy Boulevard
Axelle Red3:41
19Luka
Sound-Engineering:
Robin Danar
Techniker(in):
Steve Addabbo und Rod O’Brien
Produzent(in):
Steve Addabbo und Lenny Kaye
Mix:
Shelly Yakus
Solo-Gitarre:
Jon Gordon (guitarist, music director, producer, composer)
Hintergrundgesang:
Shawn Colvin
vocals:
Suzanne Vega (American singer-songwriter)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1987)
aufgenommen bei:
duo Music Exchange in Dōgenzaka, Shibuya (Shibuya-ku), Tokyo, Japan
recording of:
Luka
Texter und Komponist(in):
Suzanne Vega (American singer-songwriter)
publisher:
WB Music Corp. (1929–2019)
Suzanne Vega4.53:52
20Weather With You
Produzent(in):
Neil Finn und Mitchell Froom
Mix:
Bob Clearmountain
Perkussion und Schlagzeug:
Ricky Fataar
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1991) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1991)
Musikvideos:
Weather With You von Crowded House (Australian rock group)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 69)
recording of:
Weather With You
Verfasser(in):
Neil Finn und Tim Finn
publisher:
Mushroom Music Pty. Ltd., Rebel Larynx Music und Roundhead Music (Neil Finn)
Teil von:
APRA Top 100 New Zealand Songs of All Time (Nummer: 16)
Crowded House3.83:38
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Nennungen

Veröffentlichungsgruppe

Teil von:Joe Top 2000 (Series of compilation albums by Belgian radio station Joe) (Nummer: 5) (Reihenfolge: 5)