Summer in the Sixties

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Give Peace a Chance
tecnico di registrazione e tecnico di missaggio:
André Perry (Canadian producer)
produttore:
John Lennon (The Beatles) e Yoko Ono (Japanese‐American musician and artist)
chitarra acustica e voce principale:
John Lennon (The Beatles)
percussione :
The Radha Kṛṣṇa Temple (London)
voce di accompagnamento:
Yoko Ono (Japanese‐American musician and artist)
voce di accompagnamento ospite:
Petula Clark (English singer & actress), Abraham Feinberg (rabbi and singer), Allen Ginsberg (American poet and writer), Dick Gregory, Timothy Leary, Murray the K, Rosemary Woodruff (Timothy Leary's wife) e Derek Taylor (UK rock journalist/publicist)
diritti fonografici (℗) detenuti da:
Yoko Ono Lennon (Japanese‐American musician and artist) (nel 1969)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1998)
registrata presso:
Room 1742, Queen Elizabeth Hotel in Montréal (Montreal, city), Québec (Quebec), Canada (il 1969-06-01)
video musicali:
Give Peace a Chance di The Plastic Ono Band
registrazione di:
Give Peace a Chance
paroliere e compositore:
John Lennon (The Beatles)
editore:
Blackwood Music Inc. (1953-02-07–1987-12-30), Northern Songs Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Tunes LLC (ASCAP)
John Lennon & The Plastic Ono Band3.24:54
2Rainy Day Women #12 & 35
produttore:
Bob Johnston (US record producer and early rockebilly singer)
registrata presso:
Columbia Studios (Nashville) in Nashville, Tennessee, Stati Uniti (il 1966-03-09)
registrazione di:
Rainy Day Women #12 & 35 (il 1966-03-10)
paroliere e compositore:
Bob Dylan (dal 1966-02 al 1966-03)
editore:
Dwarf Music (dal 1966 a oggi)
Bob Dylan3.654:35
3On the Road Again
registrazione di:
On the Road Again
paroliere e compositore:
Floyd Jones (blues performer and songwriter) e Alan Wilson (Canned Heat member)
editore:
Embassy Music Corporation, EMI Catalogue Partnership, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., EMI United Partnership Ltd., Frederick Music Co., Lawn Music, Metric Music Co (publisher), SBK Unart Catalog Inc., SBK United Partnership Ltd., Songs of Peer (publisher; see also Songs of Peer, Ltd.) e United Partnership Ltd.
Canned Heat43:14
4Man of the World
diritti fonografici (℗) detenuti da:
Immediate (nel 1969)
video musicali:
Man of the World di Fleetwood Mac
registrazione di:
Man of the World
compositore:
Peter Green (former member of Fleetwood Mac)
editore:
Fleetwood Music Ltd. e Palan Music Publishing Ltd.
Fleetwood Mac3.52:51
5I’d Rather Go Blind
registrazione di:
I’d Rather Go Blind
paroliere:
Billy Foster (American singer, member of The Medallions and songwriter)
compositore:
Ellington Jordan
editore:
The Jewel Music Co. Ltd. (publisher; do NOT use as release label)
Chicken Shack3:17
6A Whiter Shade of Pale
produttore:
Denny Cordell
batteria ospite :
Bill Eyden
chitarra :
Ray Royer
chitarra basso :
David Knights
organo Hammond :
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
voce:
Gary Brooker
diritti fonografici (℗) detenuti da:
Onward Music Ltd. (nel 1967)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 57) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 271)
registrazione di:
A Whiter Shade of Pale
paroliere:
Keith Reid
compositore:
Gary Brooker e Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
editore:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) e Westminster Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
si basa su:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
si basa su:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:02
7Living in the Past
registrazione di:
Living in the Past (Jethro Tull)
paroliere e compositore:
Ian Anderson (of Jethro Tull) (il 1969-02-12)
editore:
BMG Monarch, Ian Anderson Music Ltd. e Chrysalis Music Ltd. (music publisher, affiliated with PRS) (nel 1969)
Jethro Tull3:19
8Somebody to Love
tecnico di registrazione:
David Hassinger (il 1966-11-03)
produttore:
Rick Jarrard (dal 1966-10-31 al 1966-11-22)
basso :
Jack Casady (dal 1966-10-31 al 1966-11-22)
batteria :
Spencer Dryden (dal 1966-10-31 al 1966-11-22)
chitarra [lead guitar] :
Jorma Kaukonen (American blues, folk, and rock guitarist) (dal 1966-10-31 al 1966-11-22)
chitarra [rhythm guitar] :
Paul Kantner (dal 1966-10-31 al 1966-11-22)
voce:
Marty Balin (dal 1966-10-31 al 1966-11-22) e Paul Kantner (dal 1966-10-31 al 1966-11-22)
voce principale:
Grace Slick (dal 1966-10-31 al 1966-11-22)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1967) e RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (nel 1967)
registrata presso:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-10-31 al 1966-11-22)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 274)
registrazione di:
Somebody to Love (Jefferson Airplane song) (dal 1966-10-31 al 1966-11-22)
paroliere e compositore:
Darby Slick
editore:
Copperpenny Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing, Synch Division e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Jefferson Airplane4.553:00
9Eight Miles High
produttore:
Allen Stanton
chitarra a 12 corde :
Roger McGuinn (il 1966-01-25)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1967)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 150) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 181)
registrazione di:
Eight Miles High (il 1966-01-25)
autore:
Gene Clark (US singer-songwriter; founder of The Byrds), David Crosby e Roger McGuinn
editore:
Gene Clark Music, Reservoir One America, Tickson Music Co. e TRO Essex Music Ltd.
The Byrds4.23:37
10Heroes & Villains
registrazione di:
Heroes and Villains
paroliere:
Van Dyke Parks
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music (BMI)
The Beach Boys3:38
11We’ve Gotta Get Out of This Place
produttore:
Mickie Most (English record producer)
voce:
Eric Burdon
diritti fonografici (℗) detenuti da:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 35), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 233)
registrazione di:
We Gotta Get Out of This Place
autore:
Barry Mann e Cynthia Weil
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Japan, Fujipacific Division (fino al 2021-06-30), Francis, Day & Hunter (publisher) (nel 1979) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Animals3.83:14
12Time Is Tight
registrazione di:
Time Is Tight
autore:
Steve Cropper, Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter), Al Jackson, Jr. (Booker T & The MGs drummer) e Booker T. Jones
editore:
Al Jackson Jr. Music e Irving Music (BMI)
Booker T. & the MG’s3:17
13The Grass Grow
The Move3:00
14My White Bicycle
produttore:
Mark Wirtz
tastiera :
Mark Wirtz
diritti fonografici (℗) detenuti da:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1967)
registrazione di:
My White Bicycle
autore:
Ken Burgess e Keith Hopkins
editore:
Getaway Songs Ltd., Intersong Music e Sony Music (global brand, excluding JP, owned by Sony Music Entertainment)
Tomorrow43:17
15Hurdy Gurdy Man
registrata a:
London (Greater London), England, Regno Unito (nel 1968)
produttore:
Mickie Most (English record producer)
basso :
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (nel 1968)
batteria :
Clem Cattini (nel 1968)
chitarra acustica e tambura :
Donovan Leitch (Scottish singer, songwriter and guitarist) (nel 1968)
chitarra elettrica :
Allan Holdsworth (nel 1968) e Jimmy Page (nel 1968)
voce:
Donovan Leitch (Scottish singer, songwriter and guitarist) (nel 1968)
arrangiatore:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1968)
registrazione di:
Hurdy Gurdy Man (nel 1968)
paroliere e compositore:
Donovan Leitch (Scottish singer, songwriter and guitarist)
editore:
Donovan Music Ltd.
Donovan53:13
16King Midas in Reverse
produttore:
Ron Richards
chitarra acustica :
Graham Nash
voce:
Graham Nash
diritti fonografici (℗) detenuti da:
The Hollies Ltd. (nel 1967, nel 2003)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1967-08-03 al 1967-08-04)
registrazione di:
King Midas in Reverse (dal 1967-08-03 al 1967-08-04)
autore:
Allan Clarke (of The Hollies), Tony Hicks e Graham Nash
compositore:
Graham Nash
The Hollies43:03
17Kites
registrazione di:
Kites
compositore:
Hal Hackady e Lee Pockriss
editore:
Campbell Connelly & Co. Ltd.
Simon Dupree & the Big Sound3:47
18Good Morning Starshine
registrazione di:
Good Morning Starshine (from “Hair”)
paroliere:
James Rado (US actor, playwright, director, writer & composer) e Gerome Ragni
compositore:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
editore:
EMI Catalogue Partnership
parte di:
Hair (1967 musical)
Oliver53:39
19In Dreams
registrata a:
Nashville, Tennessee, Stati Uniti (il 1963-01-04)
produttore:
Fred Foster
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 312)
registrazione di:
In Dreams (il 1963-01-04)
paroliere e compositore:
Roy Orbison
editore:
Barbara Orbison Music Company, Roy Orbison Music Company, Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) e Acuff-Rose Publications, Inc. (BMI) (il 1963-02-13)
Roy Orbison42:49
20When Will I Be Loved
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1960)
registrazione di:
When Will I Be Loved? (il 1960-02-18)
paroliere e compositore:
Phil Everly
editore:
Acuff-Rose (BMI), Everly and Sons Music Publishing (BMI) e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
The Everly Brothers2:03
21Frozen Orange Juice
registrazione di:
Frozen Orange Juice
autore:
Peter Sarstedt
editore:
EMI Catalogue Partnership
Peter Sarstedt3:11
22Time of the Season
tecnico:
Geoff Emerick (British recording engineer) e Peter Vince (engineer, producer)
produttore:
Rod Argent e Chris White (UK bassist for The Zombies)
batteria :
Hugh Grundy (nel 1967-08)
chitarra :
Paul Atkinson (nel 1967-08)
chitarra basso :
Chris White (UK bassist for The Zombies) (nel 1967-08)
mellotron, organo e pianoforte :
Rod Argent (nel 1967-08)
voce:
Colin Blunstone (nel 1967-08)
voce di accompagnamento:
Rod Argent (nel 1967-08) e Chris White (UK bassist for The Zombies) (nel 1967-08)
diritti fonografici (℗) detenuti da:
CBS (CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (nel 1968)
registrata presso:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1967-08)
lavorazione tecnica effettuata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 349)
registrazione di:
Time of the Season (nel 1967-08)
paroliere e compositore:
Rod Argent
editore:
Melodie der Welt J. Michel KG Musikverlag (renamed since 2010-01-07 as Melodie der Welt J. Michel GmbH & Co. KG), Verulam Music Co. Ltd. e Mainstay Music, Inc. (nel 1968)
The Zombies4.53:33
23You’re No Good
produttore:
Wally Ridley (English composer & producer)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1964-04-11)
registrazione cover di:
You’re No Good
paroliere e compositore:
Clint Ballard, Jr.
editore:
Beardog Publishing, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Edwin H. Morris & Co. (a division of MPL Communications Inc.)
The Swinging Blue Jeans2:17
24Don’t Throw Your Love Away
diritti fonografici (℗) detenuti da:
Wyncote Music Co. Ltd. (nel 1964)
registrazione cover di:
Don’t Throw Your Love Away
autore:
Billy Jackson (US soul/disco producer & songwriter)
compositore:
Jimmy Wisner
The Searchers42:15

Accreditamenti

Pubblicazione

ASIN:UK: B00023NDI6 [info]