The Marriage of Figaro (highlights)

~ Uitgave van Mozart; Gundula Janowitz, Edith Mathis, Hermann Prey, Dietrich Fischer‐Dieskau, Chor und Orchester der Deutschen Oper Berlin, Karl Böhm (Bekijk alle versies van deze uitgave, 3 beschikbaar)

Nummerlijst

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#TitelArtiestWaarderingDuur
1Le nozze di Figaro, K. 492: Ouverture
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Wolfgang Lohse
orkest:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1968-03)
balanstechnicus:
Günter Hermanns (producer/engineer) (in 1968-03)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) en Polydor International GmbH (not for release label use!) (in 1968)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 1968-03)
is een opname van:
Le nozze di Figaro, K. 492: Sinfonia (in 1968-03)
componist:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
deel van:
Die Hochzeit des Figaro (German translation)
deel van:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart4:23
2Le nozze di Figaro, K. 492: Act I. no. 2. Duettino “Se a caso madama la notte ti chiama” (Figaro, Susanna)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Wolfgang Lohse
basvocalen [Figaro]:
Hermann Prey (baritone) (in 1968-03)
sopraanvocalen [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orkest:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1968-03)
balanstechnicus:
Günter Hermanns (producer/engineer)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 1968-03)
is een opname van:
Le nozze di Figaro, K. 492: Atto I, Scena I. (no. 2) Duettino “Se a caso madama la notte ti chiama” (Figaro, Susanna) (in 1968-03)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart2:42
3Le nozze di Figaro, K. 492: Act I. no. 3. Cavatina “Se vuol ballare, signor Contino” (Figaro)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Wolfgang Lohse
basvocalen [Figaro]:
Hermann Prey (baritone) (in 1968-03)
orkest:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1968-03)
balanstechnicus:
Günter Hermanns (producer/engineer) (in 1968-03)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 1968-03)
is een opname van:
Le nozze di Figaro, K. 492: Atto I, Scena II. (no. 3) Cavatina “Se vuol ballare, signor Contino” (Figaro) (in 1968-03)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart2:41
4Le nozze di Figaro, K. 492: Act I. no. 4. Aria “La vendetta, oh, la vendetta” (Bartolo)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Wolfgang Lohse
basvocalen [Bartolo]:
Peter Lagger (operatic bass singer) (in 1968-03)
orkest:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1968-03)
balanstechnicus:
Günter Hermanns (producer/engineer)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 1968-03)
is een opname van:
Le nozze di Figaro, K. 492: Atto I, Scena III. (no. 4) Aria “La vendetta, oh, la vendetta” (Bartolo) (in 1968-03)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:13
5Le nozze di Figaro, K. 492: Act I. no. 6. Aria “Non so più cosa son, cosa faccio” (Cherubino)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Wolfgang Lohse
mezzo-sopraanvocalen [Cherubino]:
Tatiana Troyanos (mezzo-soprano) (in 1968-03)
orkest:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1968-03)
balanstechnicus:
Günter Hermanns (producer/engineer) (in 1968-03)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 1968-03)
is een opname van:
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino) (in 1968-03)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:20
6Le nozze di Figaro, K. 492: Act I. no. 9. Aria “Non più andrai, farfallone amoroso” (Figaro)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Wolfgang Lohse
baritonvocalen [Figaro] en basvocalen [Figaro]:
Hermann Prey (baritone) (in 1968-03)
orkest:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1968-03)
balanstechnicus:
Günter Hermanns (producer/engineer)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) en Polydor International GmbH (not for release label use!) (in 1979)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 1968-03)
is een opname van:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) (in 1968-03)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:49
7Le nozze di Figaro, K. 492: Act II. no. 10. Cavatina “Porgi, amor” (Contessa)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Wolfgang Lohse
sopraanvocalen en sopraanvocalen [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
orkest:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1968-03)
balanstechnicus:
Günter Hermanns (producer/engineer) (in 1968-03)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 1968-03)
is een opname van:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (in 1968-03)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart4:22
8Le nozze di Figaro, K. 492: Act II. no. 11. Canzona “Voi che sapete” (Cherubino)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Wolfgang Lohse
mezzo-sopraanvocalen [Cherubino]:
Tatiana Troyanos (mezzo-soprano) (in 1968-03)
orkest:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1968-03)
balanstechnicus:
Günter Hermanns (producer/engineer)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 1968-03)
is een opname van:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (in 1968-03)
componist:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart3:09
9Le nozze di Figaro, K. 492: Act II. no. 12. Aria “Venite … inginocchiatevi” (Susanna)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Wolfgang Lohse
koor:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1968-03)
sopraanvocalen en sopraanvocalen [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orkest:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1968-03)
balanstechnicus:
Günter Hermanns (producer/engineer)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 1968-03)
is een opname van:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 13) Aria “Venite… inginocchiatevi…” (Susanna) (in 1968-03)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart3:20
10Le nozze di Figaro, K. 492: Act III. no. 17. Aria “Vedrò, mentr’io sospiro” (Conte)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Wolfgang Lohse
baritonvocalen [Il Conte di Almaviva] en basvocalen [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (baritone) (in 1968-03)
orkest:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1968-03)
balanstechnicus:
Günter Hermanns (producer/engineer)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 1968-03)
is een opname van:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Aria “Vedrò, mentre io sospiro” (Il Conte) (in 1968-03)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart3:38
11Le nozze di Figaro, K. 492: Act III. no. 19. Recitativo “E Susanna non vien!” (Contessa)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Wolfgang Lohse
sopraanvocalen [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
orkest:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1968-03)
balanstechnicus:
Günter Hermanns (producer/engineer)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 1968-03)
is een opname van:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Recitativo “E Susanna non vien!” (La Contessa) (in 1968-03)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:45
12Le nozze di Figaro, K. 492: Act III. no. 19. Aria “Dove sono i bei momenti” (Contessa)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Wolfgang Lohse
sopraanvocalen en sopraanvocalen [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
orkest:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1968-03)
balanstechnicus:
Günter Hermanns (producer/engineer)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 1968-03)
is een opname van:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (in 1968-03)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart5:04
13Le nozze di Figaro, K. 492: Act III. no. 20. Duettino (“Sull’aria”) - “Che soave zeffiretto” (Susanna, Contessa)
technicus:
Michael Farrow
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Carter Burwell (American score composer) en Wolfgang Lohse
sopraanvocalen [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
sopraanvocalen [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orkest:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1968-03)
orkestrator:
Carter Burwell (American score composer)
balanstechnicus:
Günter Hermanns (producer/engineer) (in 1968-03)
fonografisch auteursrecht (℗):
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) en Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 1968-03)
is een opname van:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria) (in 1968-03)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart3:36
14Le nozze di Figaro, K. 492: Act IV. no. 23. Cavatina “L’ho perduta” (Barbarina)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Wolfgang Lohse
sopraanvocalen [Barbarina]:
Barbara Vogel (soprano) (in 1968-03)
orkest:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1968-03)
balanstechnicus:
Günter Hermanns (producer/engineer)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 1968-03)
is een opname van:
Le nozze di Figaro, K. 492: Atto IV, Scena I. (no. 24) Cavatina “L’ho perduta… me meschina” (Barbarina) (in 1968-03)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart1:43
15Le nozze di Figaro, K. 492: Act IV. no. 26. Aria “Aprite un po’ quegli occhi” (Figaro)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Wolfgang Lohse
basvocalen [Figaro]:
Hermann Prey (baritone) (in 1968-03)
orkest:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1968-03)
balanstechnicus:
Günter Hermanns (producer/engineer)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 1968-03)
edit van:
Le nozze di Figaro: Tutto è disposto / Aprite un po’ quegli occhi van Hermann Prey (baritone), Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin), Karl Böhm (Austrian conductor)
is een opname van:
Le nozze di Figaro, K. 492: Atto IV, Scena VIII. (no. 27) Aria “Aprite un po’ quegl’occhi” (Figaro) (in 1968-03)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart2:44
16Le nozze di Figaro, K. 492: Act IV. no. 27. Recitativo “Giunse alfin il momento” (Susanna)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Wolfgang Lohse
sopraanvocalen [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orkest:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1968-03)
balanstechnicus:
Günter Hermanns (producer/engineer)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 1968-03)
is een opname van:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna) (in 1968-03)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart1:23
17Le nozze di Figaro, K. 492: Act IV. no. 27. Aria “Deh vieni, non tardar” (Susanna)
leidinggevend producent:
Hans Hirsch (producer at Deutsche Grammophon)
producent:
Wolfgang Lohse
sopraanvocalen [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orkest:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1968-03)
balanstechnicus:
Günter Hermanns (producer/engineer)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 1968-03)
is een opname van:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (in 1968-03)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
arrangement van:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (catch-all for arrangements)
deel van:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart4:15
18Le nozze di Figaro, K. 492: Act IV. no. 28. Finale “Gente, gente, all’armi, all’armi” (Conte, Tutti)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Wolfgang Lohse
baritonvocalen [Antonio]:
Klaus Hirte (baritone) (in 1968-03)
baritonvocalen [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (baritone) (in 1968-03)
basvocalen [Bartolo]:
Peter Lagger (operatic bass singer) (in 1968-03)
basvocalen [Figaro]:
Hermann Prey (baritone) (in 1968-03)
sopraanvocalen [Barbarina]:
Barbara Vogel (soprano) (in 1968-03)
sopraanvocalen [Cherubino]:
Tatiana Troyanos (mezzo-soprano) (in 1968-03)
sopraanvocalen [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
sopraanvocalen [Susanna]:
Edith Mathis (soprano) (in 1968-03)
tenorvocalen [Basilio]:
Erwin Wohlfahrt (tenor) (in 1968-03)
tenorvocalen [Don Curzio]:
Martin Vantin (tenor) (in 1968-03)
orkest:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1968-03)
balanstechnicus:
Günter Hermanns (producer/engineer)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 1968-03)
is een opname van:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Gente gente, all’armi all’armi!” (Il Conte, Figaro, Don Curzio, Basilio, Antonio, Bartolo, Susanna) (in 1968-03)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart5:08

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Uitgavegroep

maakt deel uit van:The History of Classical Music, Part 2: Classical to Early Romantic: From Haydn to Paganini van Various Artists (Diverse Artiesten, add compilations to this artist)
uittreksel van:Le nozze di Figaro (1967 studio cast) van Mozart (Wolfgang Amadeus Mozart, classical composer); Hermann Prey (baritone), Edith Mathis (soprano), Gundula Janowitz (soprano), Dietrich Fischer‐Dieskau (baritone), Tatiana Troyanos (mezzo-soprano), Chor (Chorus of the German Opera Berlin) und Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin), Karl Böhm (Austrian conductor)