For Ellington

~ Release by The Modern Jazz Quartet (see all versions of this release, 2 available)

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1For Ellington
recording engineer:
Mike Moran (American engineer, associated with RCA) (from 1988-02-01 until 1988-02-03)
double bass [bass]:
Percy Heath (in 1988-02)
drums (drum set):
Connie Kay (in 1988-02)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1988-02)
vibraphone:
Milt Jackson
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (from 1988-02-01 until 1988-02-03)
recording of:
For Ellington (in 1988-02)
composer:
John Lewis (pianist, member of Modern Jazz Quartet)
8:01
A2Jack the Bear
recording engineer:
Mike Moran (American engineer, associated with RCA) (from 1988-02-01 until 1988-02-03)
double bass [bass]:
Percy Heath (in 1988-02)
drums (drum set):
Connie Kay (in 1988-02)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1988-02)
vibraphone:
Milt Jackson (in 1988-02)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (from 1988-02-01 until 1988-02-03)
recording of:
Jack the Bear (in 1988-02)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
5:04
A3Prelude to a Kiss
recording engineer:
Mike Moran (American engineer, associated with RCA) (from 1988-02-01 until 1988-02-03)
double bass [bass]:
Percy Heath (in 1988-02)
drums (drum set):
Connie Kay (in 1988-02)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1988-02)
vibraphone:
Milt Jackson
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (from 1988-02-01 until 1988-02-03)
instrumental recording of:
Prelude to a Kiss (in 1988-02)
lyricist:
Irving Gordon (US songwriter) (in 1938) and Irving Mills (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. and Lafleur Music Ltd.
5:05
A4It Don't Mean a Thing
recording engineer:
Mike Moran (American engineer, associated with RCA) (from 1988-02-01 until 1988-02-03)
double bass [bass]:
Percy Heath (in 1988-02)
drums (drum set):
Connie Kay
piano:
John Lewis (pianist, member of Modern Jazz Quartet)
vibraphone:
Milt Jackson
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (from 1988-02-01 until 1988-02-03)
instrumental recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (in 1988-02)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
5:45
B1Ko-Ko
recording engineer:
Mike Moran (American engineer, associated with RCA) (from 1988-02-01 until 1988-02-03)
double bass [bass]:
Percy Heath (in 1988-02)
drums (drum set):
Connie Kay (in 1988-02)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1988-02)
vibraphone:
Milt Jackson (in 1988-02)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (from 1988-02-01 until 1988-02-03)
recording of:
Ko-Ko (in 1988-02)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
5:44
B2Maestro E.K.E.
recording engineer:
Mike Moran (American engineer, associated with RCA) (from 1988-02-01 until 1988-02-03)
double bass [bass]:
Percy Heath (in 1988-02)
drums (drum set):
Connie Kay (in 1988-02)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1988-02)
vibraphone:
Milt Jackson (in 1988-02)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (from 1988-02-01 until 1988-02-03)
5:37
B3Sepia Panorama
recording engineer:
Mike Moran (American engineer, associated with RCA) (from 1988-02-01 until 1988-02-03)
double bass [bass]:
Percy Heath (in 1988-02)
drums (drum set):
Connie Kay (in 1988-02)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1988-02)
vibraphone:
Milt Jackson (in 1988-02)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (from 1988-02-01 until 1988-02-03)
recording of:
Sepia Panorama (in 1988-02)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
5:32
B4Rockin' in Rhythm
recording engineer:
Mike Moran (American engineer, associated with RCA) (from 1988-02-01 until 1988-02-03)
double bass [bass]:
Percy Heath (in 1988-02)
drums (drum set):
Connie Kay (in 1988-02)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1988-02)
vibraphone:
Milt Jackson (in 1988-02)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (from 1988-02-01 until 1988-02-03)
recording of:
Rockin’ in Rhythm (in 1988-02)
composer:
Harry Carney, Duke Ellington (US composer, pianist & jazz bandleader) and Irving Mills
is based on:
Kinda Dukish
6:33