Complete Mozart Edition, Vol. 16: German Operas

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 17 available)

Tracklist

1▶CD: Bastien und Bastienne
2▶CD: Die Gartnerin aus Liebe Act I (1–10)
3▶CD: Die Gartnerin aus Liebe Acts I & II (11–19)
4▶CD: Die Gartnerin aus Liebe Acts II & III (20–28)
5▶CD: Zaide Acts I & II (1–10)
6▶CD: Zaide Acts I & II (11–15)
7▶CD: Die Entfuhrung aus dem Serail Acts I & II (1–12)
8▶CD: Die Entfuhrung aus dem Serail Acts II & III (13–21)
9▼CD: Die Zauberflote Act I (1–7)
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1Die Zauberflöte, K. 620: Ouverture
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
7:10
2Die Zauberflöte, K. 620: Act I, Scene I. Introduction “Zu Hilfe! Zu Hilfe!” (Tamino, Drei Damen) / Act I, Scene I. Monologue “Wo bin ich?” (Tamino)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (in 1984-01) and Hanna Schwarz (mezzo soprano) (in 1984-01)
soprano vocals:
Marie McLaughlin (soprano) (in 1984-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt I. Monolog „Wo bin ich?” (Tamino) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt I
recording of:
Die Zauberflöte: Akt I. No. 1 Introduktion „Zu Hilfe! Zu Hilfe!” (Tamino, Damen) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Johann Josef Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
6:58
3Die Zauberflöte, K. 620: Act I, Scene II. No. 1 Aria “Was hör’ ich? Der Vogelfänger bin ich ja” (Papageno)
baritone vocals [Papageno]:
Mikael Melbye (bass-baritone) (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
2:58
4Die Zauberflöte, K. 620: Act I, Scene III. No. 2 Aria “He da!… Was da?” (Tamino, Papageno, Drei Damen)
bass vocals:
Mikael Melbye (bass-baritone) (in 1984-01)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (in 1984-01) and Hanna Schwarz (mezzo soprano) (in 1984-01)
soprano vocals:
Marie McLaughlin (soprano) (in 1984-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt I. Dialog „Papageno!” ... „Aha! Das geht mich an” (Drei Damen, Papageno, Tamino) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
4:11
5Die Zauberflöte, K. 620: Act I, Scene IV. No. 3 Aria “Dies Bildnis ist bezaubernd schön” (Tamino)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1984-01)
tenor vocals [Tamino]:
Peter Schreier (German tenor and conductor) (in 1984)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984, in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984, in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (in 1984)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
3:54
6Die Zauberflöte, K. 620: Act I, Scene V. Dialogue “Rüste dich mit Mut und Standhaftigkeit” (Drei Damen, Tamino)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt I. Dialog „Rüste dich mit Mut und Standhaftigkeit, schöner Jüngling” (Drei Damen, Tamino) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
1:29
7Die Zauberflöte, K. 620: Act I, Scene VI. No. 4 Recitative and Aria “O zitt’re nicht, mein lieber Sohn!” (Die Königin der Nacht) / Act I, Scene VII. Monologue “Ist’s denn auch Wirklichkeit, was ich sah?” (Tamino)
soprano vocals:
Luciana Serra (soprano) (in 1984-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt I. Monolog „Ist’s denn auch Wirklichkeit, was ich sah?” (Tamino) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
recording of:
Die Zauberflöte: Akt I. No. 4 Rezitativ und Arie „O zittre nicht, mein lieber Sohn” ... „Zum Leiden bin ich auserkoren” (Die Königin der Nacht) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
5:26
8Die Zauberflöte, K. 620: Act I, Scene VIII. No. 5 Quintet “Hm! Hm! Hm!” (Papageno, Tamino, Drei Damen)
bass vocals:
Mikael Melbye (bass-baritone) (in 1984-01)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (in 1984-01) and Hanna Schwarz (mezzo soprano) (in 1984-01)
soprano vocals:
Marie McLaughlin (soprano) (in 1984-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt I. No. 5 Quintet „Hm! hm! hm! hm!” … „Drei Knaben, jung, schön, hold und weise” (Papageno, Tamino, Drei Damen) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
6:37
9Die Zauberflöte, K. 620: Act I, Scene XII. Dialog “Haha… Pst… Was soll denn das Lachen?” (Drei Sklaven, Monostatos)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt I. Dialog „Haha... Pst... Was soll denn das Lachen?” (Drei Sklaven, Monostatos) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
1:23
10Die Zauberflöte, K. 620: Act I, Scene XII. No. 6 Trio “Du feines Täubchen, nur herein” (Monostatos, Pamina, Tamino)
soprano vocals:
Margaret Price (soprano) (in 1984-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1984-01) and Robert Tear (tenor) (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt I. No. 6 Terzett „Du feines Täubchen, nur herein!” (Monostatos, Pamina, Papageno) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
1:57
11Die Zauberflöte, K. 620: Act I, Scene XIII – XIV. Monologue “Mutter! Mutter! / Wie? / Noch schlagt dies Herz?” (Pamina, Papageno)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt I. Monolog „Mutter! Mutter!” … „Wie? Noch schlägt dies Herz?” (Pamina) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
3:35
12Die Zauberflöte, K. 620: Act I, Scene XIV. No. 7 Duet “Bei Männern, welche Liebe fühlen” (Pamina, Papageno)
bass vocals:
Mikael Melbye (bass-baritone) (in 1984-01)
soprano vocals:
Margaret Price (soprano) (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt I. No. 7 Duett „Bei Männern, welche Liebe fühlen” (Pamina, Papageno) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
3:01
10▶CD: Die Zauberflote Acts I & II (8–16)
11▶CD: Die Zauberflote Act II (17–21)