Voices of Angels

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▶CD
2▶CD
3▼CD
#TitleArtistRatingLength
1Gloria in excelsis Deo
engineer:
Ian Parr (engineer) (from 1993-12-03 until 1994-03-14)
producer:
Colm Carey (keyboard instrumentalist) (from 1993-12-03 until 1994-03-14) and John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1993-12-03 until 1994-03-14)
choir vocals:
Schola Cantorum of Oxford (from 1993-12-03 until 1994-03-14)
orchestra:
Northern Chamber Orchestra (from 1993-12-03 until 1994-03-14)
conductor:
Jeremy Summerly (conductor) and Nicholas Ward (British conductor) (from 1993-12-03 until 1994-03-14)
chorus master:
Jeremy Summerly (conductor) (from 1993-12-03 until 1994-03-14)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
St Peter’s Church, Hale, Cheshire in Cheshire West and Chester, England, United Kingdom (from 1993-12-03 until 1994-03-14)
recording of:
Gloria, RV 589: I. Gloria in excelsis Deo (edited by Malipiero) (from 1993-12-03 until 1994-03-14)
lyricist:
Anonymous ([anonymous], special purpose artist)
additional composer:
Gian Francesco Malipiero (Italian composer)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
is based on:
Gloria in D major, RV 589: I. Gloria in excelsis Deo
part of:
Gloria, RV 589 (edited by Malipiero)
Antonio Vivaldi42:52
2Magnificat
engineer:
Ian Parr (engineer) (from 1993-12-02 until 1994-03-14)
producer:
Colm Carey (keyboard instrumentalist) (from 1993-12-02 until 1994-03-14) and John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1993-12-02 until 1994-03-14)
choir vocals:
Schola Cantorum of Oxford (from 1993-12-02 until 1994-03-14)
orchestra:
Northern Chamber Orchestra (from 1993-12-02 until 1994-03-14)
conductor:
Nicholas Ward (British conductor) (from 1993-12-02 until 1994-03-14)
chorus master:
Jeremy Summerly (conductor) (from 1993-12-02 until 1994-03-14)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
St Peter’s Church, Hale, Cheshire in Cheshire West and Chester, England, United Kingdom (from 1993-12-02 until 1994-03-14)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (from 1993-12-02 until 1994-03-14)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach33:17
3Messiah, for Unto Us a Child Is Born
engineer:
Mike Skeet (recording engineer) (in 1992-07)
producer:
Murray Khouri (clarinettist and producer) (in 1992-07)
choir vocals:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) (from 1992-07-06 until 1992-07-09)
orchestra:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) (from 1992-07-06 until 1992-07-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-07-06 until 1992-07-09)
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (from 1992-07-06 until 1992-07-09)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel4:07
4Beatus vir, Gloria Patri
choir vocals:
Schola Cantorum of Oxford
orchestra:
Northern Chamber Orchestra
conductor:
Jeremy Summerly (conductor)
recording of:
Gloria in D major, RV 588: Gloria patri
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
Antonio Vivaldi2:58
5Mass in B-minor, Sanctus
engineer:
Hubert Geschwandtner (producer/engineer) (in 1992-02) and Ladislav Krajkovic (engineer) (in 1992-02)
producer:
Karol Kopernický (producer) (in 1992-02)
choir vocals:
Slovenský filharmonický zbor (Slovak Philharmonic Choir) (from 1992-02-09 until 1992-02-19)
orchestra:
Capella Istropolitana (from 1992-02-09 until 1992-02-19)
conductor:
Christian Brembeck (German organist, harpsichordist and conductor) (from 1992-02-09 until 1992-02-19)
recorded at:
Moyzesova sieň (Moyzes Hall) in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1992-02-09 until 1992-02-19)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (from 1992-02-09 until 1992-02-19)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:21
6Messiah, Glory to God
engineer:
Mike Skeet (recording engineer) (in 1992-07)
producer:
Murray Khouri (clarinettist and producer) (in 1992-07)
choir vocals:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
orchestra:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
performer:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) (from 1992-07-06 until 1992-07-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-07-06 until 1992-07-09)
recording of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel1:56
7Requiem, Sanctus
miscellaneous support:
Jenő Simon
engineer:
Gábor Mocsáry (from 1996-12-22 until 1996-12-31)
producer:
Tamás Benedek (from 1996-12-22 until 1996-12-31)
bass vocals:
Carlo Colombara (operatic bass)
choir vocals:
Magyar Állami Operaház Énekkara (Hungarian State Opera Chorus, Hungarian State Opera Chorus)
mezzo-soprano vocals:
Gloria Scalchi (mezzo-soprano)
soprano vocals:
Elena Filipova (soprano)
tenor vocals:
César Hernández (tenor)
orchestra:
Orchestra of the Budapest State Opera (Hungarian State Opera Orchestra, Hungarian State Opera Orchestra) (from 1996-12-22 until 1996-12-31)
conductor:
Pier Giorgio Morandi (conductor) (from 1996-12-22 until 1996-12-31)
chorus master:
Anikó Katona
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1996-12-22 until 1996-12-31)
recording of:
Messa da requiem: IV. Sanctus (a doppio coro) (from 1996-12-22 until 1996-12-31)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem (Manzoni requiem)
Giuseppe Verdi2:39
8Mass in B-minor, Gloria
choir vocals:
Slovenský filharmonický zbor (Slovak Philharmonic Choir)
orchestra:
Capella Istropolitana
conductor:
Christian Brembeck (German organist, harpsichordist and conductor)
recorded at:
Moyzesova sieň (Moyzes Hall) in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia
compilation of:
Mass in B minor, BWV 232: Gloria: Et in terra pax by Friederike Wagner (soprano), Faridah Schäfer-Subrata (soprano), Martina Koppelstetter (soprano), Markus Schäfer (tenor), Hartmut Elbert (operatic bass), Slovenský filharmonický zbor (Slovak Philharmonic Choir), Capella Istropolitana, Christian Brembeck (German organist, harpsichordist and conductor) and Mass in B minor, BWV 232: Gloria: Gloria in excelsis Deo by Friederike Wagner (soprano), Faridah Schäfer-Subrata (soprano), Martina Koppelstetter (soprano), Markus Schäfer (tenor), Hartmut Elbert (operatic bass), Slovenský filharmonický zbor (Slovak Philharmonic Choir), Capella Istropolitana, Christian Brembeck (German organist, harpsichordist and conductor)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (from 1992-02-09 until 1992-02-19)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax") (from 1992-02-09 until 1992-02-19)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach7:44
9Mass in B-minor, Osanna in excelsis
engineer:
Hubert Geschwandtner (producer/engineer) (in 1992-02) and Ladislav Krajkovic (engineer) (in 1992-02)
producer:
Karol Kopernický (producer) (in 1992-02)
choir vocals:
Slovenský filharmonický zbor (Slovak Philharmonic Choir) (from 1992-02-09 until 1992-02-19)
orchestra:
Capella Istropolitana (from 1992-02-09 until 1992-02-19)
conductor:
Christian Brembeck (German organist, harpsichordist and conductor) (from 1992-02-09 until 1992-02-19)
recorded at:
Moyzesova sieň (Moyzes Hall) in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1992-02-09 until 1992-02-19)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (from 1992-02-09 until 1992-02-19)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (from 1992-02-09 until 1992-02-19)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:54
10Requiem, Sanctus
engineer:
Phillippe Pelissier (from 1994-06 until 1994-10)
organ:
Éric Lebrun (French organist and composer) (in 1994)
choir vocals:
Ensemble vocal Michel Piquemal (in 1994)
vocals:
Ensemble vocal Michel Piquemal
orchestra:
Orchestre de la Cité (in 1994)
conductor:
Michel Piquemal (French baritone and conductor) (in 1994)
recorded at:
Église Saint-Antoine-des-Quinze-Vingts in Paris, Île-de-France, France (from 1994-06 until 1994-10)
recording of:
Requiem, op. 9: IV. Sanctus (for choir, organ and reduced orchestra (1961)) (from 1994-06 until 1994-10)
composer:
Maurice Duruflé (French composer & organist, 1902–1986) (in 1947)
arranger:
Maurice Duruflé (French composer & organist, 1902–1986) (in 1961)
part of:
Requiem, op. 9 (for choir, organ and reduced orchestra (1961))
Maurice Duruflé3:12
11Magnificat, Gloria Patri
engineer:
Ian Parr (engineer) (from 1993-12-02 until 1994-03-14)
producer:
Colm Carey (keyboard instrumentalist) (from 1993-12-02 until 1994-03-14) and John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1993-12-02 until 1994-03-14)
choir vocals:
Schola Cantorum of Oxford (from 1993-12-02 until 1994-03-14)
orchestra:
Northern Chamber Orchestra (from 1993-12-02 until 1994-03-14)
conductor:
Nicholas Ward (British conductor) (from 1993-12-02 until 1994-03-14)
chorus master:
Jeremy Summerly (conductor) (from 1993-12-02 until 1994-03-14)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
St Peter’s Church, Hale, Cheshire in Cheshire West and Chester, England, United Kingdom (from 1993-12-02 until 1994-03-14)
recording of:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri" (from 1993-12-02 until 1994-03-14)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach42:29
12Aida, Gloria all'Egitto
choir vocals:
Slopvak Philharmonic Chorus (Slovak Philharmonic Choir) (from 1990-03-27 until 1990-04-01)
orchestra:
Slovak Radio Symphony Orchestra (from 1990-03-27 until 1990-04-01)
conductor:
Oliver von Dohnányi (conductor) (from 1990-03-27 until 1990-04-01)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (from 1990-03-27 until 1990-04-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) (from 1990-03-27 until 1990-04-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi7:24
13Drottningholmsmusiken
engineer:
Torbjörn Samuelsson (engineer)
producer:
Michael Ponder
orchestra:
Uppsala Kammarorkester (Uppsala Chamber Orchestra) (from 1996-04-26 until 1996-04-28)
conductor:
Anthony Halstead (horn soloist, conductor and director) (from 1996-04-26 until 1996-04-28)
recorded at:
Bålsta Kyrkcentrum in Bålsta, Uppsala (Uppsala county), Sweden (from 1996-04-26 until 1996-04-28)
recording of:
Drottningholm Music, BeRI 2: I. Allegro (from 1996-04-26 until 1996-04-28)
composer:
Johan Helmich Roman (composer)
part of:
Drottningholm Music, BeRI 2
Johan Helmich Roman2:10
14Ein feste Burg ist unser Gott
engineer:
Gábor Mocsáry
producer:
Tamás Benedek
choir vocals:
Magyar Rádió énekkara (Hungarian Radio and Television Chorus)
vocals:
Magyar Rádió és Televízió énekkara (Hungarian Radio and Television Chorus)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra)
conductor:
Mátyás Antal (conductor)
recorded at:
Festetich Castle (Budapest) in Budapest, Hungary (in 1992-01)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": I. Coro "Ein feste Burg ist unser Gott" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
is based on:
Ein feste Burg ist unser Gott
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach4:54
15Messiah, Halleluja
engineer:
Mike Skeet (recording engineer) (in 1992-07)
producer:
Murray Khouri (clarinettist and producer) (in 1992-07)
choir vocals:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) and Tallis Chamber Choir (from 1992-07-06 until 1992-07-09)
vocals:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
orchestra:
The Scholars Baroque Ensemble and Soloists (UK vocal & instrumental ensemble)
conductor:
Kevin Mallon (conductor) (from 1992-07-06 until 1992-07-09)
performer:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) (from 1992-07-06 until 1992-07-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-07-06 until 1992-07-09)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (from 1992-07-06 until 1992-07-09)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:41
16Symphony no. 9, Finale
orchestra:
Nicolaus Esterházy Sinfonia
conductor:
Béla Drahos (flutist and conductor)
edit of:
Symphony no. 9 in D minor, op. 125 "Choral": IV. Finale: Presto by Ruxandra Donose (mezzo-soprano), Manfred Fink (tenor), Nicolaus Esterházy Choir, Claudio Otelli (bass-baritone), Hasmik Papian (soprano), Nicolaus Esterházy Sinfonia, Béla Drahos (flutist and conductor)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven13:39