The Complete Ahmad Jamal Trio Argo Sessions 1956-62

~ Release by The Ahmad Jamal Trio (see all versions of this release, 1 available)

Tracklist

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#TitleRatingLength
1Taboo
recording engineer:
Malcolm Chisholm
producer:
Dave Usher
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (in 1958-09, from 1958-09-05 until 1958-09-06)
washtub bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlight Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
4:06
2Should I
recording engineer:
Malcolm Chisholm (on 1958-09-06)
executive producer:
Dave Grusin (American pianist and score composer) and Larry Rosen
producer:
Orrin Keepnews and Dave Usher
double bass:
Israel Crosby (on 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06) and Vernel Fournier (on 1958-09-06)
piano:
Ahmad Jamal (in 1958-09, from 1958-09-05 until 1958-09-06, on 1958-09-06)
washtub bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (in 1958-09, on 1958-09-06) and Spotlight Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
Should I (from 1958-09-05 until 1958-09-06)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
publisher:
Robbins Music Corp.
3:43
3Stompin’ at the Savoy
recording engineer:
Malcolm Chisholm
producer:
Dave Usher
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (in 1958-09, from 1958-09-05 until 1958-09-06)
washtub bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlight Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
4:14
4The Girl Next Door
recording engineer:
Malcolm Chisholm
producer:
Dave Usher
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (in 1958-09, from 1958-09-05 until 1958-09-06)
washtub bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlight Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
3:29
5I Wish I Knew
recording engineer:
Malcolm Chisholm
producer:
Dave Usher
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (in 1958-09, from 1958-09-05 until 1958-09-06)
washtub bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlight Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
3:43
6Cheek to Cheek
recording engineer:
Malcolm Chisholm
producer:
Dave Usher
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (in 1958-09, from 1958-09-05 until 1958-09-06)
washtub bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlight Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
4:51
7Autumn in New York
recording engineer:
Malcolm Chisholm
producer:
Dave Usher
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (in 1958-09, from 1958-09-05 until 1958-09-06)
washtub bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlight Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
3:22
8Secret Love
recording engineer:
Malcolm Chisholm
producer:
Dave Usher
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (in 1958-09, from 1958-09-05 until 1958-09-06)
washtub bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlight Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
3:53
9Squatty Roo
recording engineer:
Malcolm Chisholm
producer:
Dave Usher
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (in 1958-09, from 1958-09-05 until 1958-09-06)
washtub bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlight Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
2:19
10That’s All
recording engineer:
Malcolm Chisholm
producer:
Dave Usher
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (in 1958-09, from 1958-09-05 until 1958-09-06)
washtub bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlight Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
2:38
11This Can’t Be Love
recording engineer:
Malcolm Chisholm
producer:
Dave Usher
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (in 1958-09, from 1958-09-05 until 1958-09-06)
washtub bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlight Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
5:02
12Autumn Leaves
recording engineer:
Malcolm Chisholm
producer:
Dave Usher
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (in 1958-09, from 1958-09-05 until 1958-09-06)
washtub bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlight Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
instrumental recording of:
Autumn Leaves (jazz standard, english lyrics) (in 1958-09)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
7:45
13Ahmad’s Blues
recording engineer:
Malcolm Chisholm
producer:
Dave Usher
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (in 1958-09, from 1958-09-05 until 1958-09-06)
washtub bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlight Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
recording of:
Ahmad’s Blues (in 1958-09)
composer:
Ahmad Jamal
3:55
14Old Devil Moon
recording engineer:
Malcolm Chisholm
producer:
Dave Usher
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (in 1958-09, from 1958-09-05 until 1958-09-06)
washtub bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlight Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
3:57
15Seleritus
recording engineer:
Malcolm Chisholm
producer:
Dave Usher
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (in 1958-09, from 1958-09-05 until 1958-09-06)
washtub bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlight Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
3:08
16It Could Happen to You
recording engineer:
Malcolm Chisholm
producer:
Dave Usher
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (in 1958-09, from 1958-09-05 until 1958-09-06)
washtub bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlight Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
4:15
17Ivy
recording engineer:
Malcolm Chisholm
producer:
Dave Usher
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (in 1958-09, from 1958-09-05 until 1958-09-06)
washtub bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlight Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
instrumental recording of:
Ivy (in 1958-09)
lyricist and composer:
Hoagy Carmichael
2:56
18Tater Pie
recording engineer:
Malcolm Chisholm
producer:
Dave Usher
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (in 1958-09, from 1958-09-05 until 1958-09-06)
washtub bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlight Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
3:07
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