100 Essential Hits

~ Veröffentlichung von Louis Armstrong (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Mack the Knife
cover recording of:
Mack the Knife (1954 Blitzstein translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3:24
2C’est si bon
recording of:
C’est si bon (It's So Good, English version)
Texter:
André Hornez (in 1947)
Komponist(in):
Henri Betti (songwriter and pianist) (in 1947)
Übersetzer:
Jerry Seelen (screenwriter, lyricist. songwriter) (in 1949)
publisher:
Éditions Beuscher Arpège
übersetzte Version von:
C’est si bon (original French version)
Louis Armstrong3:04
3Ain’t Misbehavin’
recording of:
Ain’t Misbehavin’
Texter:
Andy Razaf (in 1929)
Komponist(in):
Harry Brooks (jazz pianist & songwriter) (in 1929) und Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music und Redwood Music Ltd. (Carlin)
Louis Armstrong2:54
4Blueberry Hill
recording of:
Blueberry Hill
Texter:
Al Lewis (Tin Pan Alley era lyricist) und Larry Stock
Komponist(in):
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company und Victoria Music Publishing Co. Ltd.
Teil von:
12 Monkeys Soundtrack
Louis Armstrong2:55
5Takes Two to Tango
recording of:
Takes Two to Tango
Verfasser(in):
Al Hoffman (in 1952) und Dick Manning (American songwriter) (in 1952)
Louis Armstrong2:56
6Jeepers Creepers
recording of:
Jeepers Creepers
Texter:
Johnny Mercer (in 1938)
Verfasser(in):
Richard A. Whiting
Komponist(in):
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Teil von:
The 11th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1938 nominee)
Louis Armstrong2:45
7You Rascal You
zusätzliche(r) Interpret(in):
Louis Jordan (US jazz, blues and r&b musician and songwriter)
recording of:
I’ll Be Glad When You’re Dead, You Rascal You
Texter und Komponist(in):
Sam Theard
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Louis Armstrong feat. Louis Jordan3:09
8A Kiss to Build a Dream On
recording of:
A Kiss to Build a Dream On
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1935) und Bert Kalmar (in 1935)
Komponist(in):
Harry Ruby (in 1935)
publisher:
EMI Miller Catalog, Inc.
Teil von:
The 24th Academy Award for Best Original Song (Nummer: 2)
Teil von:
The Strip (1951 film)
Louis Armstrong3:04
9After You’ve Gone
recording of:
After You’ve Gone
Texter:
Henry Creamer (Lyricist) (in 1918)
Komponist(in):
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. und Morley Music Corp.
Teil von:
For Me and My Gal (1942 movie)
Louis Armstrong3:24
10Georgia on My Mind
recording of:
Georgia on My Mind
Nationalhymne von:
Georgia, Vereinigte Staaten (vom 1979 bis heute)
Texter:
Stuart Gorrell (in 1930)
Komponist(in):
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (vom 1930 bis heute) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (vom 1930 bis heute)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Arrangement von:
Georgia on My Mind (Solo piano arrangement)
Louis Armstrong3:25
11Lazy River
recording of:
Lazy River
Texter:
Hoagy Carmichael
Komponist(in):
Sidney Arodin und Hoagy Carmichael
Louis Armstrong3:53
12Stardust
recording of:
Stardust (the jazz standard)
Texter:
Mitchell Parish (in 1929)
Komponist(in):
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (beendet), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. und Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
American Splendor
Louis Armstrong3:36
13A Fine Romance
cover recording of:
A Fine Romance (from “Swing Time”)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
Louis Armstrong feat. Ella Fitzgerald3:38
14I Ain’t Got Nobody
recorded in:
New York, New York, Vereinigte Staaten (am 1929-12-10)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1929-12-10) und Albert Nicholas (am 1929-12-10)
Gitarre:
Will Johnson (jazz musician) (am 1929-12-10)
Klavier:
Luis Russell (am 1929-12-10)
Kontrabass:
George "Pops" Foster (am 1929-12-10)
Posaune:
J.C. Higginbotham (am 1929-12-10)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1929-12-10)
Tenorsaxophon:
Teddy Hill (am 1929-12-10)
Trompete:
Henry “Red” Allen (jazz musician) (am 1929-12-10), Louis Armstrong (am 1929-12-10) und Otis Johnson (trumpet) (am 1929-12-10)
vocals:
Louis Armstrong (am 1929-12-10)
Orchester:
Louis Armstrong and His Orchestra (in 1929)
recording of:
I Ain’t Got Nobody (am 1929-12-10)
Texter:
Roger Graham
Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
Louis Armstrong2:47
15I’m a Ding Dong Daddy
recording of:
I'm a Ding Dong Daddy
Verfasser(in):
Phil Baxter (US songwriter, singer and band leader)
Louis Armstrong3:12
16Willow Weep for Me
recording of:
Willow Weep for Me
Texter und Komponist(in):
Ann Ronell (in 1932)
publisher:
Ann Ronell Music und Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Louis Armstrong feat. Oscar Peterson4:20
17Between the Devil and the Deep Blue Sea
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1932-01-25)
alto saxophone:
Lester Boone (am 1932-01-25) und George James (US jazz saxophonist) (am 1932-01-25)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1932-01-25)
Klavier:
Charlie Alexander (US jazz pianist) (am 1932-01-25)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1932-01-25)
Posaune:
Preston Jackson (jazz trombonist) (am 1932-01-25)
Schlagzeug:
Tubby Hall (am 1932-01-25)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1932-01-25)
Trompete:
Louis Armstrong (am 1932-01-25) und Zilner Randolph (am 1932-01-25)
vocals:
Louis Armstrong (am 1932-01-25)
recording of:
Between the Devil and the Deep Blue Sea (am 1932-01-25)
Texter:
Ted Koehler
Komponist(in):
Harold Arlen
publisher:
Mills Music, S.A. Music Co. und Ted Koehler Music Co.
Louis Armstrong3:06
18When the Saints Go Marching In
recording of:
When the Saints Go Marching In
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 13983)
Version von:
When the Saints Go Marching In
Louis Armstrong2:43
19Them There Eyes
recording of:
Them There Eyes
Texter:
William Tracey (in 1930)
Komponist(in):
Maceo Pinkard (in 1930) und Doris Tauber (in 1930)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) und Warner Chappell Music Limited (2019–present)
Louis Armstrong3:11
20You’re Driving Me Crazy
recording of:
You’re Driving Me Crazy
Texter:
Walter Donaldson
Komponist(in):
Walter Donaldson (in 1930)
publisher:
Anne-Rachel Music Corp., Donaldson Publishing Co., Larry Spier Music LLC und Tobago Music Co.
Louis Armstrong3:11
21St. James Infirmary
recording of:
St. James Infirmary (Joe Primrose’s arrangement)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Joe Primrose
publisher:
EMI Harmonies Limited
Arrangement von:
St. James Infirmary
Version von:
The Unfortunate Lass (Bad Girl's Lament)
Louis Armstrong3:21
22Dinah
recording of:
Dinah
Texter:
Sam M. Lewis (1930s lyricist) und Joe Young (US lyricist)
Komponist(in):
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) und Morley Music Corp.
Teil von:
The Girl’s Suite
Louis Armstrong3:22
23Let’s Do It (Let’s Fall in Love)
cover recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1928)
Teil von:
Can‐Can (1960 musical film)
Teil von:
Paris (1928 musical)
Louis Armstrong feat. Ella Fitzgerald8:43
24I Can’t Believe That You’re in Love with Me
recording of:
I Can’t Believe That You’re in Love With Me
Texter:
Clarence Gaskill
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
Louis Armstrong3:11
25Dear Old Southland
Orchester:
Louis Armstrong and His Orchestra (am 1930-04-05)
recording of:
Dear Old Southland (jazz standard) (am 1930-04-05)
Texter:
Henry Creamer (Lyricist) (in 1921)
Komponist(in):
Turner Layton (in 1921)
publisher:
Mills Music
Louis Armstrong3:20
26Exactly Like You
recording of:
Exactly Like You
Texter:
Dorothy Fields (American librettist and lyricist) (in 1930)
Verfasser(in):
Fritz Löhner-Beda (librettist, lyricist, writer)
Komponist(in):
Jimmy McHugh (songwriter) (in 1930)
Louis Armstrong3:30
27The Rhythm Man
alto saxophone:
Bert Curry (am 1929-07-22) und Crawford Wethington (am 1929-07-22)
Banjo:
Mancy "Peck" Carr (am 1929-07-22)
Geige / Violine:
Carroll Dickerson (am 1929-07-22)
Klarinette:
Jimmy Strong (am 1929-07-22)
Klavier:
Gene Anderson (Jazz pianist. Played with Louis Armstrong) (am 1929-07-22)
Posaune:
Fred Robinson (American trombonist) (am 1929-07-22)
Schlagzeug:
Zutty Singleton (am 1929-07-22)
Trompete:
Louis Armstrong (am 1929-07-22) und Homer Hobson (am 1929-07-22)
Tuba:
Pete Briggs (am 1929-07-22)
vocals:
Louis Armstrong (am 1929-07-22)
Orchester:
Louis Armstrong and His Orchestra (in 1929)
conductor:
Carroll Dickerson (am 1929-07-22)
recording of:
That Rhythm Man (am 1929-07-22)
Verfasser(in):
Harry Brooks (jazz pianist & songwriter), Andy Razaf und Thomas Waller (Fats Waller)
Louis Armstrong3:11
28Some of These Days
recording of:
Some of These Days
Texter und Komponist(in):
Shelton Brooks
Verfasser(in):
Spencer Williams (US jazz composer, pianist & singer)
Louis Armstrong3:16
29You’re Lucky to Me
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-10-16)
alto saxophone:
Marvin Johnson (US jazz saxophonist and bandleader) (am 1930-10-16)
baritone saxophone:
Les Hite (am 1930-10-16)
Gitarre:
Bill Perkins (jazz guitar and banjo) (am 1930-10-16)
Klarinette und Tenorsaxophon:
Charlie Jones (jazz clarinet/sax) (am 1930-10-16)
Klavier:
Harvey Brooks (US jazz pianist and composer) (am 1930-10-16) und Henry Prince (am 1930-10-16)
Kontrabass:
Joe Bailey (US double bassist and songwriter) (am 1930-10-16)
Posaune:
Luther Craven (am 1930-10-16)
Schlagzeug:
Lionel Hampton (am 1930-10-16)
Trompete:
Louis Armstrong (am 1930-10-16), George Orendorff (am 1930-10-16) und Harold Scott (am 1930-10-16)
vocals:
Louis Armstrong (am 1930-10-16)
conductor:
Les Hite (am 1930-10-16)
recording of:
You’re Lucky to Me (am 1930-10-16)
Texter:
Andy Razaf
Komponist(in):
Eubie Blake
Louis Armstrong3:29
30Blue, Turning Grey over You
recording of:
Blue, Turning Grey Over You
Texter:
Andy Razaf
Komponist(in):
Thomas Waller (Fats Waller)
Louis Armstrong3:29
31I’m Shooting High
recorded in:
New York, New York, Vereinigte Staaten (am 1935-11-22)
Gitarre:
Lee Blair (am 1935-11-22)
Klavier:
Luis Russell (am 1935-11-22)
Kontrabass:
George "Pops" Foster (am 1935-11-22)
Posaune:
Jimmy Archey (am 1935-11-22) und Harry White (jazz trombonist) (am 1935-11-22)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-11-22), Henry “Moon” Jones (swing era reeds) (am 1935-11-22) und Bingie Madison (am 1935-11-22)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-11-22)
Tenorsaxophon:
Greely Walton (am 1935-11-22)
Trompete:
Gus Aiken (am 1935-11-22), Louis Armstrong (am 1935-11-22), Louis Bacon (am 1935-11-22) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-11-22)
vocals:
Louis Armstrong (am 1935-11-22)
Orchester:
Louis Armstrong & His Orchestra (am 1935-11-22)
recording of:
I’m Shooting High (am 1935-11-22)
Verfasser(in):
Ted Koehler und Jimmy McHugh (songwriter)
Louis Armstrong42:56
32Bessie Couldn’t Help It
recorded in:
New York, New York, Vereinigte Staaten (am 1930-02-01)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1930-02-01) und William Thornton Blue (American jazz reed player) (am 1930-02-01)
Gitarre:
Will Johnson (jazz musician) (am 1930-02-01)
Klavier:
Luis Russell (am 1930-02-01)
Kontrabass:
George "Pops" Foster (am 1930-02-01)
Posaune:
J.C. Higginbotham (am 1930-02-01)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1930-02-01)
Tenorsaxophon:
Teddy Hill (am 1930-02-01)
Trompete:
Henry “Red” Allen (jazz musician) (am 1930-02-01), Louis Armstrong (am 1930-02-01) und Otis Johnson (trumpet) (am 1930-02-01)
vocals:
Louis Armstrong (am 1930-02-01)
Orchester:
Louis Armstrong and His Orchestra (in 1930)
recording of:
Bessie Couldn’t Help It (am 1930-02-01)
Verfasser(in):
Charles A. Bayha, Jacques Richmond (songwriter) und Byron Warner (active in the 1960's)
Louis Armstrong3:23
33I Wonder Who
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1933-04-26)
alto saxophone:
Scoville Browne (am 1933-04-26) und George Oldham (am 1933-04-26)
Banjo und Resonatorgitarre [dobro]:
Mike McKendrick (Jazz banjo and guitar) (am 1933-04-26)
Klarinette:
Scoville Browne (am 1933-04-26), Budd Johnson (am 1933-04-26) und George Oldham (am 1933-04-26)
Klavier:
Charlie Beal (am 1933-04-26)
Posaune:
Keg Johnson (jazz trombonist) (am 1933-04-26)
Schlagzeug:
Harry Dial (am 1933-04-26)
Tenorsaxophon:
Budd Johnson (am 1933-04-26)
Trompete:
Louis Armstrong (am 1933-04-26), Zilner Randolph (am 1933-04-26) und Elmer Whitlock (US trumpet player) (am 1933-04-26)
Tuba:
Bill Oldham (Double Bass Player) (am 1933-04-26)
vocals:
Louis Armstrong (am 1933-04-26)
Orchester:
Louis Armstrong and His Orchestra (in 1933)
recording of:
I Wonder Who (am 1933-04-26)
Verfasser(in):
Paul Barbarin (jazz drummer from New Orleans)
Louis Armstrong3:06
34Red Sails in the Sunset
recorded in:
New York, New York, Vereinigte Staaten (am 1935-12-13)
Gitarre:
Lee Blair (am 1935-12-13)
Klavier:
Luis Russell (am 1935-12-13)
Kontrabass:
George "Pops" Foster (am 1935-12-13)
Posaune:
Jimmy Archey (am 1935-12-13) und Harry White (jazz trombonist) (am 1935-12-13)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-12-13), Henry “Moon” Jones (swing era reeds) (am 1935-12-13) und Bingie Madison (am 1935-12-13)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-12-13)
Tenorsaxophon:
Greely Walton (am 1935-12-13)
Trompete:
Gus Aiken (am 1935-12-13), Louis Armstrong (am 1935-12-13), Louis Bacon (am 1935-12-13) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-12-13)
vocals:
Louis Armstrong (am 1935-12-13)
Orchester:
Louis Armstrong & His Orchestra (am 1935-12-13)
recording of:
Red Sails in the Sunset (am 1935-12-13)
Texter:
James B. Kennedy (Irish songwriter)
Komponist(in):
Hugh Williams (aka Hugh Williams)
publisher:
Peter Maurice Music Co. Ltd., Redwood Music Ltd. (Carlin) und Shapiro, Bernstein & Co., Inc.
Louis Armstrong3:04
35(Was I to Blame For) Falling in Love with You?
recorded in:
New York, New York, Vereinigte Staaten (am 1935-11-22)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-11-22) und Henry “Moon” Jones (swing era reeds) (am 1935-11-22)
Gitarre:
Lee Blair (am 1935-11-22)
Klarinette:
Bingie Madison (am 1935-11-22)
Klavier:
Luis Russell (am 1935-11-22)
Kontrabass:
George "Pops" Foster (am 1935-11-22)
Posaune:
Jimmy Archey (am 1935-11-22) und Harry White (jazz trombonist) (am 1935-11-22)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-11-22)
Tenorsaxophon:
Greely Walton (am 1935-11-22)
Trompete:
Gus Aiken (am 1935-11-22), Louis Armstrong (am 1935-11-22), Louis Bacon (am 1935-11-22) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-11-22)
vocals:
Louis Armstrong (am 1935-11-22)
Orchester:
Louis Armstrong & His Orchestra (am 1935-11-22)
recording of:
(Was I to Blame for) Falling in Love With You (am 1935-11-22)
Verfasser(in):
Chester Conn, Gus Kahn und Victor Young (American composer, arranger, violinist & conductor)
Louis Armstrong3:13
36I’m Putting All My Eggs in One Basket
recorded in:
New York, New York, Vereinigte Staaten (am 1936-02-04)
alto saxophone:
Phil Waltzer (am 1936-02-04)
Gitarre:
Dave Barbour (am 1936-02-04)
Klarinette:
Sid Trucker (am 1936-02-04)
Klavier:
Fulton McGrath (am 1936-02-04)
Kontrabass:
Pete Peterson (jazz bassist) (am 1936-02-04)
Posaune:
Al Philburn (am 1936-02-04)
Schlagzeug:
Stan King (Big band-era drummer) (am 1936-02-04)
Tenorsaxophon:
Paul Ricci (am 1936-02-04)
Trompete:
Louis Armstrong (am 1936-02-04), Bunny Berigan (am 1936-02-04) und Bob Mayhew (am 1936-02-04)
vocals:
Louis Armstrong (am 1936-02-04)
Orchester:
Louis Armstrong & His Orchestra (am 1936-02-04)
recording of:
I’m Putting All My Eggs in One Basket (from “Follow the Fleet”) (am 1936-02-04)
Texter und Komponist(in):
Irving Berlin (in 1936)
Louis Armstrong3:01
37Rhythm Saved the World
recording of:
Rhythm Saved the World
Texter:
Sammy Cahn
Komponist(in):
Saul Chaplin
Louis Armstrong3:06
38On the Sunny Side of the Street
recording of:
On the Sunny Side of the Street
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. und Vydia Music Publishing
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Teil von:
American Splendor
Louis Armstrong2:58
39Hear Me Talkin’ to Ya
recording of:
Hear Me Talkin' to Ya
Texter und Komponist(in):
Louis Armstrong
Louis Armstrong3:07
40Wolverine Blues
recording of:
Wolverine Blues
Texter:
Benjamin F Spikes (Benjamin Franklin "Reb" Spikes) und John Spikes
Komponist(in):
Jelly Roll Morton
Louis Armstrong3:20
412:19 Blues
recording of:
2.19 Blues
Verfasser(in):
Mamie Desdume
Louis Armstrong2:51
42Harlem Stomp
recording of:
Harlem Stomp
Verfasser(in):
Irene Higginbotham und J.C. Higginbotham
Louis Armstrong3:03
43Lazy Bones
recording of:
Lazy Bones
Texter:
Johnny Mercer
Komponist(in):
Hoagy Carmichael
publisher:
Songs of Peer, Ltd. (ASCAP)
Louis Armstrong3:12
44Sweet Sue, Just You
recording of:
Sweet Sue, Just You
Texter:
Will J. Harris (early 1900s songwriter/lyricist)
Komponist(in):
Will J. Harris (early 1900s songwriter/lyricist) und Victor Young (American composer, arranger, violinist & conductor)
publisher:
Shapiro Bernstein & Co. Ltd.
Louis Armstrong2:46
45Tiger Rag
recording of:
Tiger Rag (original 1917 instrumental version)
Komponist(in):
Eddie Edwards (Jazz trombonist), Nick LaRocca, Henry Ragas, Tony Sbarbaro und Larry Shields
Louis Armstrong3:06
46West End Blues
recording of:
West End Blues
Texter:
Clarence Williams (US jazz pianist, composer, singer and bandleader)
Komponist(in):
King Oliver (jazz cornetist)
publisher:
Clarence Williams Music
basiert auf:
West End Blues (original instrumental)
Louis Armstrong3:12
47Savoy Blues
recording of:
Savoy Blues
Komponist(in):
Kid Ory
Louis Armstrong3:15
48St. Louis Blues
recording of:
St. Louis Blues
Texter und Komponist(in):
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
Louis Armstrong3:07
49Where the Blues Were Born in New Orleans
recording of:
Where the Blues Were Born in New Orleans
Verfasser(in):
Bob Carleton und Charlie Dixon (Jazz banjoist)
Louis Armstrong3:10
50I Get a Kick out of You
recording of:
I Get a Kick Out of You
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
Louis Armstrong4:19
51That Lucky Old Sun
recording of:
That Lucky Old Sun
Texter:
Haven Gillespie (in 1949)
Komponist(in):
Beasley Smith (in 1949)
publisher:
Beasley Smith Music, Haven Gillespie Music Publishing Co. und Robbins Music Corp.
Louis Armstrong3:07
52Summertime
recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Louis Armstrong4:57
53Sweet Lorraine
recording of:
Sweet Lorraine
Texter:
Mitchell Parish (in 1928)
Komponist(in):
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. und Mills Music, Inc.
Louis Armstrong5:15
54La vie en rose
cover recording of:
La Vie en rose (English translation)
Texter:
Édith Piaf
Komponist(in):
Louiguy (French composer Louis Guglielmi)
Übersetzer:
Mack David (American lyricist and songwriter)
publisher:
Éditions Beuscher Arpège
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
übersetzte Version von:
La Vie en rose (French original)
Louis Armstrong3:27
55Stompin’ at the Savoy
recording of:
Stompin’ at the Savoy
Texter:
Andy Razaf
Komponist(in):
Benny Goodman (clarinetist and bandleader), Edgar Sampson und Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Louis Armstrong5:16
56Blues for Yesterday
recording of:
Blues for Yesterday
Verfasser(in):
Leroy Carr
Louis Armstrong2:37
57I’m Confessin’ (That I Love You)
recording of:
I’m Confessin’ (That I Love You)
Texter:
Al J. Neiburg (lyricist) (in 1930)
Komponist(in):
Doc Daugherty (in 1930) und Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
Version von:
Lookin’ for Another Sweetie
Louis Armstrong3:23
58My Sweet Hunk O’Trash
recording of:
My Sweet Hunk o’ Trash
Texter:
Flournoy E. Miller
Komponist(in):
James P. Johnson
Louis Armstrong3:19
59Baby, Won’t You Please Come Home
recording of:
Baby Won’t You Please Come Home
Verfasser(in):
Charles Warfield und Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) und Universal/MCA Music Ltd. (not for release label use!)
Louis Armstrong3:20
60I Want a Little Girl
recording of:
I Want a Little Girl
Texter:
Billy Moll (songwriter)
Komponist(in):
Murray Mencher
publisher:
Shapiro, Bernstein & Co., Inc.
Louis Armstrong3:04
61Down in Honky Tonk Town
recording of:
Down in Honky Tonk Town
Verfasser(in):
Charles McCarron (in 1916) und Chris Smith (Ragtime composer) (in 1916)
Louis Armstrong3:04
62Have You Met Miss Jones?
recording of:
Have You Met Miss Jones? (I’d Rather Be Right)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Williamson Music Company
Teil von:
I’d Rather Be Right
Louis Armstrong4:41
63Someday You’ll Be Sorry
recording of:
Someday You’ll Be Sorry
Verfasser(in):
Louis Armstrong
Louis Armstrong3:15
64Dippermouth Blues
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-08-07)
Gitarre:
Roc Hillman (songwriter, arranger) (am 1936-08-07)
Klarinette:
Jimmy Dorsey (am 1936-08-07)
Kontrabass:
Slim Taft (am 1936-08-07)
Posaune:
Bobby Byrne (am 1936-08-07), Don Matteson (am 1936-08-07) und Joe Yukl (am 1936-08-07)
Rohrblattinstrumente:
Jimmy Dorsey (am 1936-08-07), Skeets Herfurt (am 1936-08-07), Fud Livingston (am 1936-08-07) und Jack Stacey (am 1936-08-07)
Schlagzeug:
Ray McKinley (am 1936-08-07)
Trompete:
Louis Armstrong (am 1936-08-07), Tutti Camarata (am 1936-08-07) und George Thow (am 1936-08-07)
vocals:
Louis Armstrong (am 1936-08-07)
Orchester:
Jimmy Dorsey and His Orchestra (am 1936-08-07)
recording of:
Dippermouth Blues (am 1936-08-07)
Komponist(in):
Louis Armstrong und King Oliver (jazz cornetist)
Louis Armstrong2:44
65Satchel Mouth Swing
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1938-01-12)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1938-01-12) und Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1938-01-12)
Gitarre:
Lee Blair (am 1938-01-12)
Klavier:
Luis Russell (am 1938-01-12)
Kontrabass:
George "Pops" Foster (am 1938-01-12)
Posaune:
Wilbur de Paris (am 1938-01-12), J.C. Higginbotham (am 1938-01-12) und George Washington (jazz trombonist) (am 1938-01-12)
Rohrblattinstrumente:
Bingie Madison (am 1938-01-12) und Albert Nicholas (am 1938-01-12)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1938-01-12)
Trompete:
Henry “Red” Allen (jazz musician) (am 1938-01-12), Louis Armstrong (am 1938-01-12), Louis Bacon (am 1938-01-12) und Shelton "Scad" Hemphill (am 1938-01-12)
vocals:
Louis Armstrong (am 1938-01-12)
Orchester:
Louis Armstrong & His Orchestra (am 1938-01-12)
recording of:
Satchel Mouth Swing (am 1938-01-12)
Verfasser(in):
Louis Armstrong und Mary Lou Williams (American jazz pianist and composer)
Louis Armstrong2:36
66Perdido Street Blues
recording of:
Perdido Street Blues
Komponist(in):
Lil Armstrong
Louis Armstrong3:08
67Struttin’ with Some Barbecue
recording of:
Struttin’ With Some Barbecue
Komponist(in):
Lil Hardin Armstrong
Louis Armstrong2:57
68Sweethearts on Parade
recording of:
Sweethearts on Parade
Texter:
Charles Newman (Charles Chas Newman, early 20th century songwriter) (in 1928)
Komponist(in):
Carmen Lombardo (in 1928)
Louis Armstrong2:54
69I Can’t Give You Anything but Love
recording of:
I Can’t Give You Anything but Love, Baby
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing und EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Louis Armstrong2:56
70That’s My Home
recording of:
That’s My Home
Komponist(in):
Ben Ellison, Leon René und Otis René
Louis Armstrong4:59
71Bess, You Is My Woman Now
recording of:
Bess, You Is My Woman Now (Porgy and Bess; use this for non-operatic performances)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp
basiert auf:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”
Louis Armstrong5:30
72High Society Calypso
recording of:
High Society Calypso (High Society, 1956 film)
Texter und Komponist(in):
Cole Porter (composer) (in 1956)
publisher:
Chappell Music Ltd.
Teil von:
High Society (1956 film)
Louis Armstrong3:00
73You Won’t Be Satisfied (Until You Break My Heart)
recording of:
You Won’t Be Satisfied (Until You Break My Heart)
Verfasser(in):
Freddy James und Larry Stock
Louis Armstrong2:52
74The Black Cat Has 9 Lives
recording of:
This Black Cat Has 9 Lives
Komponist(in):
Lorenzo Pack
arranger:
Oliver Nelson (saxophone, arranger, composer)
Louis Armstrong2:42
75Makin’ Whoopee
recording of:
Makin’ Whoopee!
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
Übersetzer:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. und WB Music Corp. (1929–2019)
Louis Armstrong3:58
76You’ve Got Me Voodoo’d
recorded in:
New York, New York, Vereinigte Staaten (am 1940-03-14)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1940-03-14)
Bass:
George "Pops" Foster (am 1940-03-14)
Gitarre:
Lee Blair (am 1940-03-14)
Klavier:
Luis Russell (am 1940-03-14)
Posaune:
Wilbur de Paris (am 1940-03-14), J.C. Higginbotham (am 1940-03-14) und George Washington (jazz trombonist) (am 1940-03-14)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1940-03-14)
Saxophon:
Joe Garland (saxophonist, composer) (am 1940-03-14)
Schlagzeug:
Sid Catlett (am 1940-03-14)
Tenorsaxophon:
Bingie Madison (am 1940-03-14)
Trompete:
Henry “Red” Allen (jazz musician) (am 1940-03-14), Louis Armstrong (am 1940-03-14), Bernard Flood (am 1940-03-14) und Shelton "Scad" Hemphill (am 1940-03-14)
vocals:
Louis Armstrong (am 1940-03-14)
Orchester:
Louis Armstrong & His Orchestra (am 1940-03-14)
recording of:
You've Got Me Voodoo'd (am 1940-03-14)
Komponist(in):
Louis Armstrong, Cornelius Lawrence und Luis Russell
Louis Armstrong3:02
77Jazz Lips
recording of:
Jazz Lips
Komponist(in):
Lil Hardin Armstrong
Louis Armstrong3:11
78When It’s Sleepy Time Down South
recording of:
When It’s Sleepy Time Down South
Texter:
Leon René und Otis René
Komponist(in):
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication und Sherwin Music (publisher)
Louis Armstrong3:17
79When You’re Smiling (The Whole World Smiles with You)
recording of:
When You’re Smiling (the Whole World Smiles With You)
Texter:
Mark Fisher (early 20th century songwriter) und Joe Goodwin
Komponist(in):
Larry Shay
publisher:
Mills Music, Inc.
Louis Armstrong4:05
80Gone Fishin’
Interpret(in):
Louis Armstrong und Bing Crosby
recording of:
Gone Fishin’
Verfasser(in):
Charles Kenny (songwriter, violinist) und Nick Kenny
publisher:
Bourne Co. (not for release label use, this is a music publisher) und EMI Feist Catalog Inc.
Louis Armstrong2:33
81Dream a Little Dream of Me
recording of:
Dream a Little Dream of Me
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) und ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Louis Armstrong3:08
82Chloe (Song of the Swamp)
recording of:
Chloë (Song of the Swamp)
Texter:
Gus Kahn (in 1927)
Komponist(in):
Gus Kahn und Charles N. Daniels (in 1927)
Louis Armstrong3:08
83Stormy Weather
recording of:
Stormy Weather
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. und The Songwriters Guild
Louis Armstrong4:18
84Alexander’s Ragtime Band
recorded in:
New York, New York, Vereinigte Staaten (am 1937-07-07)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1937-07-07)
Gitarre:
Lee Blair (am 1937-07-07)
Klavier:
Luis Russell (am 1937-07-07)
Kontrabass:
George "Pops" Foster (am 1937-07-07)
Posaune:
J.C. Higginbotham (am 1937-07-07), George Matthews (trombone) (am 1937-07-07) und George Washington (jazz trombonist) (am 1937-07-07)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1937-07-07), Bingie Madison (am 1937-07-07) und Albert Nicholas (am 1937-07-07)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1937-07-07)
Trompete:
Henry “Red” Allen (jazz musician) (am 1937-07-07), Louis Armstrong (am 1937-07-07), Louis Bacon (am 1937-07-07) und Shelton "Scad" Hemphill (am 1937-07-07)
vocals:
Louis Armstrong (am 1937-07-07)
Orchester:
Louis Armstrong & His Orchestra (am 1937-07-07)
recording of:
Alexander’s Ragtime Band (am 1937-07-07)
Texter und Komponist(in):
Irving Berlin (in 1911)
publisher:
Williamson Music, Inc.
Louis Armstrong2:38
85Mahogany Hall Stomp
recording of:
Mahogany Hall Stomp
Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
Louis Armstrong2:58
86On a Coconut Island
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-08-18)
Gitarre:
George Archer (French jazz guitarist & vocalist) (am 1936-08-18) und Harry Baty (am 1936-08-18)
Kontrabass:
Joe Nawahi (am 1936-08-18)
Schlagzeug und Vibraphon:
Lionel Hampton (am 1936-08-18)
Steel-Gitarre:
Sam Koki (am 1936-08-18)
Trompete:
Louis Armstrong (am 1936-08-18)
vocals:
George Archer (French jazz guitarist & vocalist) (am 1936-08-18), Louis Armstrong (am 1936-08-18), Harry Baty (am 1936-08-18) und Joe Nawahi (am 1936-08-18)
recording of:
On a Coconut Island (am 1936-08-18)
Texter:
Robert Alex Anderson
Komponist(in):
Robert Alex Anderson (in 1936)
Louis Armstrong3:11
87Do You Know What It Means to Miss New Orleans?
recording of:
Do You Know What It Means to Miss New Orleans
Texter:
Eddie DeLange und Cathrine Legardh
Verfasser(in):
Louis Alter und Eddie DeLange
Komponist(in):
Louis Alter
Louis Armstrong3:05
88Body and Soul
recording of:
Body and Soul
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Louis Armstrong4:45
89Sugar
recording of:
Sugar (That Sugar Baby o’ Mine)
Verfasser(in):
Edna Pinkard, Sidney Mitchell und Maceo Pinkard
Komponist(in):
Edna Alexander, Sidney Mitchell und Maceo Pinkard
publisher:
EMI Robbins Catalog (ASCAP) und Robbins Music Corp.
Louis Armstrong3:25
90(What Did I Do to Be So) Black and Blue
recording of:
Black and Blue
Texter:
Harry Brooks (jazz pianist & songwriter) und Andy Razaf
Komponist(in):
Fats Waller
publisher:
Memory Lane Music Ltd. und Redwood Music Ltd. (Carlin)
Louis Armstrong4:28
91Old Rockin’ Chair
recording of:
Rockin’ Chair (1929 Hoagy Carmichael song)
Texter:
Hoagy Carmichael
Komponist(in):
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd. (ASCAP)
Louis Armstrong5:06
92I’m in the Mood for Love
recording of:
I’m in the Mood for Love
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) und EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
Louis Armstrong3:10
93Basin Street Blues
recording of:
Basin Street Blues
Texter und Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Louis Armstrong5:14
94Gee Baby Ain’t I Good to You?
recording of:
Gee, Baby Ain’t I Good to You
Texter:
Andy Razaf
Komponist(in):
Don Redman
publisher:
Michael H. Goldsen Inc. und Razaf Music
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Louis Armstrong4:14
95You Can’t Lose a Broken Heart
recording of:
You Can’t Lose a Broken Heart
Texter:
Flournoy E. Miller
Komponist(in):
James P. Johnson
Louis Armstrong3:17
96Don’t Get Around Much Anymore
recording of:
Don’t Get Around Much Anymore
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. und Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Version von:
Never No Lament
Louis Armstrong3:40
97Let’s Call the Whole Thing Off
Interpret(in):
Louis Armstrong und Ella Fitzgerald (American jazz singer)
recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
übersetzte Version von:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
Teil von:
Shall We Dance (1937 film soundtrack)
Louis Armstrong4:15
98I Gotta Right to Sing the Blues
recording of:
I Gotta Right to Sing the Blues
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc. (not for release label use!)
Louis Armstrong3:57
99Top Hat, White Tie and Tails
recording of:
Top Hat, White Tie and Tails (from “Top Hat”)
Texter und Komponist(in):
Irving Berlin (in 1935)
Teil von:
Top Hat (1935 film)
Louis Armstrong4:13
100We’ll Be Together Again
recording of:
We’ll Be Together Again
Texter:
Frankie Laine
Komponist(in):
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Louis Armstrong4:04

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Veröffentlichung

ASIN:UK: B004H9Z10O [Info]