The Complete Erato Recordings: Baroque & Renaissance Eras

~ Release by Michel Corboz (see all versions of this release, 1 available)

Annotation

A 74-CD collection of the complete Erato recordings covering the Baroque and Renaissance eras made between 1964-1996. Some recordings appear for the first time on CD and have been remastered in 192 kHz/24-bit by Art & Son Studio.

Annotation last modified on 2023-07-12 08:15 UTC.

Tracklist

1CD: Monteverdi: Messa a 4 voci / Ingegneri: Tenebrae factae sunt & Lamentations de Jérémie
2CD: A. Scarlatti: Motets & Missa ad usum Cappellae Pontificiae
3CD: Monteverdi: Vespro della Beata Vergine, SV 206 (beginning)
4CD: Monteverdi: Vespro della Beata Vergine, SV 206 (conclusion)
5CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice I
6CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice II
7CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice III
8CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice IV
9CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice V
10CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice VI
11CD: Monteverdi: Orfeo (beginning)
12CD: Monteverdi: Orfeo (conclusion)
13CD: La Chanson et la danse – Paris, vers 1540
14CD: La Chanson de Lausanne
15CD: Goudimel: Mass “La Bien que j’ay” / Six Psalms
16CD: De Lalande: De profundis / Regina cœli
17CD: I Dolci Frutti: Venice before Monteverdi (I)
18CD: I Dolci Frutti: Venice before Monteverdi (II)
19CD: Gabrieli: Sacrae Symphoniae vol. 1
20CD: Gabrieli: Sacrae Symphoniae vol. 2
21CD: Bach: Magnificat / Cantata BWV 187
22CD: Bach: Mass in B minor, BWV 232 (beginning)
23CD: Bach: Mass in B minor, BWV 232 (conclusion)
24CD: Carissimi: Jephté et Trois motets
25CD: Carissimi: Ezechias / Abraham et Isaac / Tolle Sponza / Messe à huit voix
26CD: Charpentier: Messe pour les trépassés (1)
27CD: Charpentier: Messe pour les trépassés (2)
28CD: Bach: Missae breves I
29CD: Bach: Missae breves II
30CD: Chansons et Madrigaux de la Renaissance avec leur Double Orrié par Bassano
31CD: Marcello: Seven Psalms I
32CD: Marcello: Seven Psalms II
33CD: Monteverdi: Madrigali I
34CD: Monteverdi: Madrigali II
35CD: Bach: Piano Concertos BWV 1052, 1055 & 1056
36CD: Vivaldi: Sacred Music I
37CD: Monteverdi: Madrigali III-V (I)
38CD: Monteverdi: Madrigali III-V (II)
39CD: J.C. Bach: Fortepiano Concertos
40CD: Vivaldi: Sacred Music II
41CD: Vivaldi: Sacred Music III
42CD: Vivaldi: Sacred Music IV
43CD: Charpentier: Te Deum / Beatus vir / Tenebrae factae sunt / Nuit / Seniores populi
44CD: Vivaldi: Sacred Music V
45CD: Bach: Cantatas I
46CD: Bach: Cantatas II
47CD: Bach: Johannes-Passion, BWV 245 (beginning)
48CD: Bach: Johannes-Passion, BWV 245 (conclusion)
49CD: Vivaldi: Sacred Music VI
50CD: Charpentier: Le jugement dernier / Beatus vir
51CD: Monteverdi: Magrigali VI-VIII (I)
52CD: Monteverdi: Madrigali VI-VIII (II)
53CD: Bach: Mass in B minor, BWV 232 (beginning)
54CD: Bach: Mass in B minor, BWV 232 (conclusion) / Magnificat
55CD: Cavalli: Ercole amante (beginning)
56CD: Cavalli: Ercole amante (continuing)
57CD: Cavalli: Ercole amante (conclusion)
58CD: Handel: Suites from Rodrigo & Il pastor fido
59CD: Charpentier: David et Jonathas, H. 490 (beginning)
60CD: Charpentier: David et Jonathas, H. 490 (conclusion)
61CD: Monteverdi: Vespro della Beata Vergine, SV 206 (beginning)
62CD: Monteverdi: Vespro della Beata Vergine, SV 206 (conclusion)
63CD: Bach: Matthäus-Passion, BWV 244 (beginning)
64CD: Bach: Matthäus-Passion, BWV 244 (continuing)
65CD: Bach: Matthäus-Passion, BWV 244 (conclusion)
66CD: Bach: Weihnachtsoratorium, BWV 248 (beginning)
67CD: Bach: Weihnachtsoratorium, BWV 248 (conclusion)
68CD: Monteverdi: Orfeo (beginning)
69CD: Monteverdi: Orfeo (conclusion)
70CD: Purcell: Dido and Aeneas
71CD: Handel: Messiah, KV 572 (beginning)
#TitleArtistRatingLength
1Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Overture
producer:
Michel Garcin (French producer)
cello:
Stephen J. Rieckhoff (cellist) (from 1990-01-18 until 1990-01-21)
double bass:
Olivier Magnenat (from 1990-01-18 until 1990-01-21)
organ [Claude Armand positive organ]:
Philippe Corboz (from 1990-01-18 until 1990-01-21)
violin:
Hans Egidi (from 1990-01-18 until 1990-01-21)
orchestra:
Ensemble Instrumental de Lausanne (from 1990-01-18 until 1990-01-21)
conductor:
Michel Corboz (conductor and composer) (from 1990-01-18 until 1990-01-21)
balance engineer:
Jean Chatauret and Jacques Doll
recorded at:
Salle del Castillo in Vevey, Vaud (Canton of Vaud), Switzerland (from 1990-01-18 until 1990-01-21)
recording of:
Der Messias, K. 572: Teil I, Nr. 1. Overture (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 1. Symphony
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
George Frideric Handel3:00
2Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo accompagnato ed Aria: “Trostet Zion!”
producer:
Michel Garcin (French producer)
cello:
Stephen J. Rieckhoff (cellist) (from 1990-01-18 until 1990-01-21)
double bass:
Olivier Magnenat (from 1990-01-18 until 1990-01-21)
organ [Claude Armand positive organ]:
Philippe Corboz (from 1990-01-18 until 1990-01-21)
violin:
Hans Egidi (from 1990-01-18 until 1990-01-21)
orchestra:
Ensemble Instrumental de Lausanne (from 1990-01-18 until 1990-01-21)
conductor:
Michel Corboz (conductor and composer) (from 1990-01-18 until 1990-01-21)
balance engineer:
Jean Chatauret and Jacques Doll
recorded at:
Salle del Castillo in Vevey, Vaud (Canton of Vaud), Switzerland (from 1990-01-18 until 1990-01-21)
recording of:
Der Messias, K. 572: Teil I, Nr. 2a. Recitativo strumentato: “Tröstet Zion!” (tenor) (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 2. Recitative “Comfort ye” (Tenor)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
recording of:
Der Messias, K. 572: Teil I, Nr. 2b. Aria: “Alle Tale macht hoch und erhaben” (tenor) (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
George Frideric Handel5:44
3Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Denn di Herrlichkeit” (chorus)
producer:
Michel Garcin (French producer)
cello:
Stephen J. Rieckhoff (cellist) (from 1990-01-18 until 1990-01-21)
double bass:
Olivier Magnenat (from 1990-01-18 until 1990-01-21)
organ [Claude Armand positive organ]:
Philippe Corboz (from 1990-01-18 until 1990-01-21)
violin:
Hans Egidi (from 1990-01-18 until 1990-01-21)
choir vocals:
Ensemble Vocal de Lausanne (from 1990-01-18 until 1990-01-21)
orchestra:
Ensemble Instrumental de Lausanne (from 1990-01-18 until 1990-01-21)
conductor:
Michel Corboz (conductor and composer) (from 1990-01-18 until 1990-01-21)
balance engineer:
Jean Chatauret and Jacques Doll
recorded at:
Salle del Castillo in Vevey, Vaud (Canton of Vaud), Switzerland (from 1990-01-18 until 1990-01-21)
recording of:
Der Messias, K. 572: Teil I, Nr. 3. Coro: “Denn die Herrlichkeit Gottes des Herrn” (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord”
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
George Frideric Handel2:54
4Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo accompagnato ed Aria: “So spricht der Her” / Aria: “Doch wer mag” (bass)
producer:
Michel Garcin (French producer)
cello:
Stephen J. Rieckhoff (cellist) (from 1990-01-18 until 1990-01-21)
double bass:
Olivier Magnenat (from 1990-01-18 until 1990-01-21)
organ [Claude Armand positive organ]:
Philippe Corboz (from 1990-01-18 until 1990-01-21)
violin:
Hans Egidi (from 1990-01-18 until 1990-01-21)
bass vocals:
Marcos Fink (bass-baritone) (from 1990-01-18 until 1990-01-21)
orchestra:
Ensemble Instrumental de Lausanne (from 1990-01-18 until 1990-01-21)
conductor:
Michel Corboz (conductor and composer) (from 1990-01-18 until 1990-01-21)
balance engineer:
Jean Chatauret and Jacques Doll
recorded at:
Salle del Castillo in Vevey, Vaud (Canton of Vaud), Switzerland (from 1990-01-18 until 1990-01-21)
recording of:
Der Messias, K. 572: Teil I, Nr. 4a. Recitativo strumentato: “So spricht der Herrn” (bass) (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
recording of:
Der Messias, K. 572: Teil I, Nr. 4b. Aria: “Doch wer mag ertragen den Tag seiner Ankunft” (bass) (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 6. Air “But who may abide”
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
George Frideric Handel5:25
5Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Und er wird” / Recitativo: “Denn sieh!” (chorus)
producer:
Michel Garcin (French producer)
cello:
Stephen J. Rieckhoff (cellist) (from 1990-01-18 until 1990-01-21)
double bass:
Olivier Magnenat (from 1990-01-18 until 1990-01-21)
organ [Claude Armand positive organ]:
Philippe Corboz (from 1990-01-18 until 1990-01-21)
violin:
Hans Egidi (from 1990-01-18 until 1990-01-21)
choir vocals:
Ensemble Vocal de Lausanne (from 1990-01-18 until 1990-01-21)
orchestra:
Ensemble Instrumental de Lausanne (from 1990-01-18 until 1990-01-21)
conductor:
Michel Corboz (conductor and composer) (from 1990-01-18 until 1990-01-21)
balance engineer:
Jean Chatauret and Jacques Doll
recorded at:
Salle del Castillo in Vevey, Vaud (Canton of Vaud), Switzerland (from 1990-01-18 until 1990-01-21)
recording of:
Der Messias, K. 572: Teil I, Nr. 5a. Coro: “Und er wird reinigen die Kinder Levi” (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 7. Chorus “And He shall purify”
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
recording of:
Der Messias, K. 572: Teil I, Nr. 5b. Recitativo: “Denn sieh! Eine Jungfray wird schwanger” (soprano II) (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
George Frideric Handel2:19
6Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo, Aria & Coro: “Denn sieh!” / Aria: “O du, die Wonne” (soprano II, chorus)
producer:
Michel Garcin (French producer)
cello:
Stephen J. Rieckhoff (cellist) (from 1990-01-18 until 1990-01-21)
double bass:
Olivier Magnenat (from 1990-01-18 until 1990-01-21)
organ [Claude Armand positive organ]:
Philippe Corboz (from 1990-01-18 until 1990-01-21)
violin:
Hans Egidi (from 1990-01-18 until 1990-01-21)
choir vocals:
Ensemble Vocal de Lausanne (from 1990-01-18 until 1990-01-21)
soprano vocals [soprano II]:
Magali Dami (soprano) (from 1990-01-18 until 1990-01-21)
orchestra:
Ensemble Instrumental de Lausanne (from 1990-01-18 until 1990-01-21)
conductor:
Michel Corboz (conductor and composer) (from 1990-01-18 until 1990-01-21)
balance engineer:
Jean Chatauret and Jacques Doll
recorded at:
Salle del Castillo in Vevey, Vaud (Canton of Vaud), Switzerland (from 1990-01-18 until 1990-01-21)
recording of:
Der Messias, K. 572: Teil I, Nr. 6a. Aria: “O du, die Wonne verkündet in Zion” (soprano II) (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 9. Air “O thou that tellest good tidings to Zion” (Alto, Chorus)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
recording of:
Der Messias, K. 572: Teil I, Nr. 6b. Coro: “O du, die Wonne verkündet in Zion” (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
George Frideric Handel6:40
7Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo accompagnato ed Aria: “Blick auf!” / Aria: “Das Volk” (bass)
producer:
Michel Garcin (French producer)
cello:
Stephen J. Rieckhoff (cellist) (from 1990-01-18 until 1990-01-21)
double bass:
Olivier Magnenat (from 1990-01-18 until 1990-01-21)
organ [Claude Armand positive organ]:
Philippe Corboz (from 1990-01-18 until 1990-01-21)
violin:
Hans Egidi (from 1990-01-18 until 1990-01-21)
bass vocals:
Marcos Fink (bass-baritone) (from 1990-01-18 until 1990-01-21)
orchestra:
Ensemble Instrumental de Lausanne (from 1990-01-18 until 1990-01-21)
conductor:
Michel Corboz (conductor and composer) (from 1990-01-18 until 1990-01-21)
balance engineer:
Jean Chatauret and Jacques Doll
recorded at:
Salle del Castillo in Vevey, Vaud (Canton of Vaud), Switzerland (from 1990-01-18 until 1990-01-21)
recording of:
Der Messias, K. 572: Teil I, Nr. 7a. Recitativo strumentato: “Blick auf! Nacht bedecket das Erdreich” (bass) (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
recording of:
Der Messias, K. 572: Teil I, Nr. 7b. Aria: “Das Volk, das im Dunkeln wandelt” (bass) (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
George Frideric Handel7:07
8Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Uns ist zum” (chorus)
producer:
Michel Garcin (French producer)
cello:
Stephen J. Rieckhoff (cellist) (from 1990-01-18 until 1990-01-21)
double bass:
Olivier Magnenat (from 1990-01-18 until 1990-01-21)
organ [Claude Armand positive organ]:
Philippe Corboz (from 1990-01-18 until 1990-01-21)
violin:
Hans Egidi (from 1990-01-18 until 1990-01-21)
choir vocals:
Ensemble Vocal de Lausanne (from 1990-01-18 until 1990-01-21)
orchestra:
Ensemble Instrumental de Lausanne (from 1990-01-18 until 1990-01-21)
conductor:
Michel Corboz (conductor and composer) (from 1990-01-18 until 1990-01-21)
balance engineer:
Jean Chatauret and Jacques Doll
recorded at:
Salle del Castillo in Vevey, Vaud (Canton of Vaud), Switzerland (from 1990-01-18 until 1990-01-21)
recording of:
Der Messias, K. 572: Teil I, Nr. 8. Coro: “Uns ist zum Heil ein Kind geboren” (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born”
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
George Frideric Handel3:39
9Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Pifa
producer:
Michel Garcin (French producer)
cello:
Stephen J. Rieckhoff (cellist) (from 1990-01-18 until 1990-01-21)
double bass:
Olivier Magnenat (from 1990-01-18 until 1990-01-21)
organ [Claude Armand positive organ]:
Philippe Corboz (from 1990-01-18 until 1990-01-21)
violin:
Hans Egidi (from 1990-01-18 until 1990-01-21)
orchestra:
Ensemble Instrumental de Lausanne (from 1990-01-18 until 1990-01-21)
conductor:
Michel Corboz (conductor and composer) (from 1990-01-18 until 1990-01-21)
balance engineer:
Jean Chatauret and Jacques Doll
recorded at:
Salle del Castillo in Vevey, Vaud (Canton of Vaud), Switzerland (from 1990-01-18 until 1990-01-21)
recording of:
Der Messias, K. 572: Teil I, Nr. 9a. Pifa (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
George Frideric Handel2:36
10Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo: “Es waren Hirten” / Recitativo accompagnato: “Und sief!” / Coro: “Ehre sei Gott” (Angel, chorus)
producer:
Michel Garcin (French producer)
cello:
Stephen J. Rieckhoff (cellist) (from 1990-01-18 until 1990-01-21)
double bass:
Olivier Magnenat (from 1990-01-18 until 1990-01-21)
organ [Claude Armand positive organ]:
Philippe Corboz (from 1990-01-18 until 1990-01-21)
violin:
Hans Egidi (from 1990-01-18 until 1990-01-21)
choir vocals:
Ensemble Vocal de Lausanne (from 1990-01-18 until 1990-01-21)
soprano vocals [Angel]:
Magali Dami (soprano) (from 1990-01-18 until 1990-01-21)
orchestra:
Ensemble Instrumental de Lausanne (from 1990-01-18 until 1990-01-21)
conductor:
Michel Corboz (conductor and composer) (from 1990-01-18 until 1990-01-21)
balance engineer:
Jean Chatauret and Jacques Doll
recorded at:
Salle del Castillo in Vevey, Vaud (Canton of Vaud), Switzerland (from 1990-01-18 until 1990-01-21)
recording of:
Der Messias, K. 572: Teil I, Nr. 9b. Recitativo: “Es waren Hirten beisammen auf dem Felde” (soprano II) (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
recording of:
Der Messias, K. 572: Teil I, Nr. 10a. Recitativo strumentato: “Und sieh! Der Engel des Herrn trat zu ihnen” (soprano II) (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
recording of:
Der Messias, K. 572: Teil I, Nr. 10b. Recitativo: “Und der Engel sprach zu ihnen” (soprano II) (from 1990-01-18 until 1990-01-21)
orchestrator and arranger:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
recording of:
Der Messias, K. 572: Teil I, Nr. 12. Coro: “Ehre sei Gott in der Höhe!” (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest”
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
George Frideric Handel3:12
11Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Aria: “Erwach' zu Liedern der Wonne” (tenor)
producer:
Michel Garcin (French producer)
cello:
Stephen J. Rieckhoff (cellist) (from 1990-01-18 until 1990-01-21)
double bass:
Olivier Magnenat (from 1990-01-18 until 1990-01-21)
organ [Claude Armand positive organ]:
Philippe Corboz (from 1990-01-18 until 1990-01-21)
violin:
Hans Egidi (from 1990-01-18 until 1990-01-21)
tenor vocals:
Hans Peter Blochwitz (tenor) (from 1990-01-18 until 1990-01-21)
orchestra:
Ensemble Instrumental de Lausanne (from 1990-01-18 until 1990-01-21)
conductor:
Michel Corboz (conductor and composer) (from 1990-01-18 until 1990-01-21)
balance engineer:
Jean Chatauret and Jacques Doll
recorded at:
Salle del Castillo in Vevey, Vaud (Canton of Vaud), Switzerland (from 1990-01-18 until 1990-01-21)
recording of:
Der Messias, K. 572: Teil I, Nr. 13a. Aria: “Erwach' zu Liedern der Wonne” (tenor) (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 18. Air “Rejoice greatly, O daughter of Zion” (Soprano)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
George Frideric Handel4:12
12Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo ed Aria: “Dann tut das Auge des Blinden sich auf” / Aria: “Er weidet seine Herde” (soprano I)
producer:
Michel Garcin (French producer)
cello:
Stephen J. Rieckhoff (cellist) (from 1990-01-18 until 1990-01-21)
double bass:
Olivier Magnenat (from 1990-01-18 until 1990-01-21)
organ [Claude Armand positive organ]:
Philippe Corboz (from 1990-01-18 until 1990-01-21)
violin:
Hans Egidi (from 1990-01-18 until 1990-01-21)
soprano vocals [soprano I]:
Audrey Michael (Swiss soprano) (from 1990-01-18 until 1990-01-21)
orchestra:
Ensemble Instrumental de Lausanne (from 1990-01-18 until 1990-01-21)
conductor:
Michel Corboz (conductor and composer) (from 1990-01-18 until 1990-01-21)
balance engineer:
Jean Chatauret and Jacques Doll
recorded at:
Salle del Castillo in Vevey, Vaud (Canton of Vaud), Switzerland (from 1990-01-18 until 1990-01-21)
recording of:
Der Messias, K. 572: Teil I, Nr. 13b. Recitativo “Dann tut das Auge des Blinden sich auf” (soprano I) (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 19. Recitative “Then shall the eyes of the blind” (Contralto)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
recording of:
Der Messias, K. 572: Teil I, Nr. 14. Aria: “Er weidet seine Herde” (soprano I) (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
George Frideric Handel5:09
13Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Sein Joch ist sanft” (chorus)
producer:
Michel Garcin (French producer)
cello:
Stephen J. Rieckhoff (cellist) (from 1990-01-18 until 1990-01-21)
double bass:
Olivier Magnenat (from 1990-01-18 until 1990-01-21)
organ [Claude Armand positive organ]:
Philippe Corboz (from 1990-01-18 until 1990-01-21)
violin:
Hans Egidi (from 1990-01-18 until 1990-01-21)
choir vocals:
Ensemble Vocal de Lausanne (from 1990-01-18 until 1990-01-21)
orchestra:
Ensemble Instrumental de Lausanne (from 1990-01-18 until 1990-01-21)
conductor:
Michel Corboz (conductor and composer) (from 1990-01-18 until 1990-01-21)
balance engineer:
Jean Chatauret and Jacques Doll
recorded at:
Salle del Castillo in Vevey, Vaud (Canton of Vaud), Switzerland (from 1990-01-18 until 1990-01-21)
recording of:
Der Messias, K. 572: Teil I, Nr. 15. Coro: “Sein Joch ist sanft” (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy”
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
George Frideric Handel2:28
14Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Kommt her” (chorus)
producer:
Michel Garcin (French producer)
cello:
Stephen J. Rieckhoff (cellist) (from 1990-01-18 until 1990-01-21)
double bass:
Olivier Magnenat (from 1990-01-18 until 1990-01-21)
organ [Claude Armand positive organ]:
Philippe Corboz (from 1990-01-18 until 1990-01-21)
violin:
Hans Egidi (from 1990-01-18 until 1990-01-21)
choir vocals:
Ensemble Vocal de Lausanne (from 1990-01-18 until 1990-01-21)
orchestra:
Ensemble Instrumental de Lausanne (from 1990-01-18 until 1990-01-21)
conductor:
Michel Corboz (conductor and composer) (from 1990-01-18 until 1990-01-21)
balance engineer:
Jean Chatauret and Jacques Doll
recorded at:
Salle del Castillo in Vevey, Vaud (Canton of Vaud), Switzerland (from 1990-01-18 until 1990-01-21)
recording of:
Der Messias, K. 572: Teil II, Nr. 16. Coro: “Kommt her und seht das Lamm!” (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God”
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
George Frideric Handel3:01
15Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Aria: “Er ward verschmähet” (soprano II)
producer:
Michel Garcin (French producer)
cello:
Stephen J. Rieckhoff (cellist) (from 1990-01-18 until 1990-01-21)
double bass:
Olivier Magnenat (from 1990-01-18 until 1990-01-21)
organ [Claude Armand positive organ]:
Philippe Corboz (from 1990-01-18 until 1990-01-21)
violin:
Hans Egidi (from 1990-01-18 until 1990-01-21)
soprano vocals [soprano II]:
Magali Dami (soprano) (from 1990-01-18 until 1990-01-21)
orchestra:
Ensemble Instrumental de Lausanne (from 1990-01-18 until 1990-01-21)
conductor:
Michel Corboz (conductor and composer) (from 1990-01-18 until 1990-01-21)
balance engineer:
Jean Chatauret and Jacques Doll
recorded at:
Salle del Castillo in Vevey, Vaud (Canton of Vaud), Switzerland (from 1990-01-18 until 1990-01-21)
recording of:
Der Messias, K. 572: Teil II, Nr. 17. Aria: “Er ward verschmähet” (soprano II) (from 1990-01-18 until 1990-01-21)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
George Frideric Handel10:36
72CD: Handel: Messiah, KV 572 (conclusion)
73CD: Bach: Mass in B minor, BWV 232 (beginning)
74CD: Bach: Mass in B minor, BWV 232 (conclusion)